Ohio

Chinoiserie Elm Mahjong Game / Dining Table. A square beautifully grained top with contoured support at each corner and square legs leading to flared foo...

Chrysanthemums Color woodcut, c. 1950's Signed lower right (see photo) Publisher: Uchida (see photo of red seal) Note: Chrysanthemums, a symbol of the sun, the Japanese consider the ...

CraftAssociates Credenza Toussaint Mid Century Credenza, Black, Copper This Toussaint Modern Credenza  for Craft Associates Furniture is expertly crafted. The door fronts are const...

Antique Majolica creamer pitcher / jug featuring a tree bark, oak leaf and acorn nut theme with branch handle, purple lavender interior. Dimensions: 6" x 5" x 8.25" (Width x Depth x...

Set of four Maitland Smith dining chairs. Made of mahogany featuring Chippendale / Regency styling with pierced / reticulated back carved with flowers and acanthus designs, and acce...

Extremely unique original large antique heavy solid bronze maritime Ship's Porthole or Hatch. The majority are rather simple and made from aluminum or nickel plated rather than heavy...

Addisonjones artwork, Anti-Hero pop artwork A R T I S T S T A T E M E N T: Introducing the iconic Andy Warhol style print with neon colors and screen prin...

Antique Excelsior wardrobe steamer trunk / suitcase / travel case featuring black exterior with nailhead trim and brass hardware. Opens to original blue interior with hanging rack and hangers, a drop down compartment / drawer, and removable case. Excelsior, Stamford Connecticut...

Rosewood and shagreen set of three nesting tables by R&Y Augusti Paris. Free form styled elliptical tops with floating surfaces. Very nice to excellent condition. Dimensions: 14.75" ...

A L'Ombre (In Shadow) Etching & drypoint, 1905 Signed with the red stamp of the publisher Pellet (see photo) Edition: 50 on velin paper, signed and numbered Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193) Condition: Excellent Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.) Sheet size: 11 5/8 x 17 1/8" Reference: IFF 119 Exteens 229 Arwas 256 v/V Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

Antique 19th century English Staffordshire ceramic anthropomorphic toby jug / pitcher in the shape of a monkey dressed in British colonial clothing and playing the cello. Dimensions...

This beautiful ring features a 0.28 carat natural Alexandrite with natural earth mined diamonds set in solid 14K gold. This color changing alexandrite is a green/blue color in daylig...

This Cicely dining table with chunky leg is made in the heart of Ohio with locally sourced wood. We use the table both as a dining table and desk. Each table is hand-made in solid red oak and finished with a beautiful walnut commercial-grade finish (other finishes and wood species available). We absolutely love the leg design - chunky, fresh, modern, and looks great with any aesthetic. Every piece in the Cicely Collection...

A dark teak wood dining table with built in extension leaves to both ends which can be pulled out for additional seating . The edges of this quality example of early Scandinavian and...

This white oak dining table is made in the heart of Ohio with locally sourced wood. We use the table both as a harvest dining table or desk. Each table is handmade with solid white o...

Suelo® Outdoor Lounge Chair, Teak Outdoor Lounge Chair, Solid, Bertu This Solid Teak Outdoor Lounge Chair - The Suelo® is beautifully constructed from...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy BERTU HOME stumps? KILN DRIED Our stumps all go through a drying process in our kiln, s...

Bright, yet grungy, messy, yet complex. Mixing inspiration from artists such as Basquiat, Richter, and Pollock. Finding order in the mess and exploring the boundaries of the medium. ...

19th Century French rococo or baroque style bronze fire screen accented with cherubs and fender corners. Screen - 28.25” x 8” x 28” / Fender Corners - 9” x 3.5” x 16” (Width x Dep...

Just a gorgeous example. The original vintage finish is pristine with only the very minimum signs of use. Extraordinary. Complimenting 4pc Credenza in a separate listing. Two 20” acc...

Circa 1970s high gloss cube table. Made from wood with two glass shelves. Provenance: Jerome Schottenstein Estate, Columbus Ohio. Jerome was an American entrepreneur and philanthropist, co-founder of Schottenstein Stores Corp. The Schottenstein family was Lithuanian immigrants who began an extensive business empire in the late 19th Century. Schottenstein Stores owns stakes in DSW and American Signature Furniture...

Untitled by Hunt Slonem Black and White Butterflies on a Gold Background Hunt Slonem is an American painter, sculptor, and printmaker whose w...

Heavy gilt bronze picture / mirror frame, cast to resemble a carved giltwood frame. Beveled edge decorated with an engraved scalloped ripple design; visible on both sides of the fram...

Mid-Century Modern Danish teak credenza with display top by Falster. Two doors conceal adjustable shelves. Removeable display cabinet top. It has t...

A very fine handcrafted blown Murano art glass female figurine with gold and toned flecks . This classic looking form is of a lady in waiting with Baroque overtones made in Italy in ...

A Framed Reproduction of Coronelli's Map of the New World, Attributed to Trevor James Company. The map shows the Western Hemisphere including the discoveries made by Abel Tasman in A...

Extremely nice original vintage condition with minimal signs of age/use. Mid 1960’s 4 piece burled Credenza from famed Mastercraft. Beautiful piece. Extraordinary hardware. This piec...

After Philippe-Laurent Roland (French, 1746-1816) Bust of a Young Man, 1772 Terra cotta set on painted wood pedestal Signed and dated at back 16.5 x 11 x 8 inches Philippe-Laurent R...

5 Vintage Jacobean style Dining Chairs by Bernhardt Furniture, circa 1930-40s. Features a carved crest rail over a pierced diamond linen fold splat. The chairs are upholstered in a ...

A 70's modernist 14k yellow gold and azure malachite* ring. The polished gold shank in the shape of a stylized pyramid,inset with a pair of azure malac...

A very nice Mid Century table lamp with mixed metal detail in brushed stainless steel and brass . A lamp that can be used with any interior style , very well crafted manufactured by ...

Rutilated quartz (a variety of quartz), or Hair of Venus, or Arrows of Cupid - quartz with the finest hair-like or needle-like crystals of rutile, actinolite, goethite, or, less comm...

20th century unglazed brown art pottery decanter jug / bottle / pitcher with conical base, faux stopper, and handcrafted wood grain / tree bark texture. DIMENSIONS 13.5" x 5" x 18....

Antique arts & crafts library armchair. Made of oak featuring a rush seat with pierced clover and serpentine design. Old World Carvings and shaping give off the feel of an Irish design...

Signed with the artist's initials lower left From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters...

Two mid to late 19th century salt glazed stoneware crocks / canning jars by A.P. Donaghho, Parkersburg, W. Va. Dimensions: 7” x 10.5” (Diameter x Height)

Antique Meissen porcelain footed cabinet plate / centerpiece bowl / serving platter / compote featuring scalloped oval form with low relief grapevines, gr...

Lio Sabattini "Persepoli" limited edition vase 8/237 Italy.

This modern wood side table in oak is made in the heart of Ohio with locally sourced wood. Each table is a hand-made mitered box from white oak venee...

Mid century pair of French bronze Macaw Parrots / birds perched on stands with nice patina, signed Kulang. The parrots are shown with impressive life like design to the feathers, be...

Modern walnut dining table - "The Toko Table" This modern walnut dining table is made in the heart of Ohio with locally sourced wood. We u...

Little Devils Bridge over the Russ, above Alt Dorft Swiss From: Liber Studiorum Etching and mezzotint, 1809 Signed in the plate by JMW Turner and Charles Turner who applied the mezz...

Derriere le Miroir-Double Page (Behind the Looking Glass Double Page) Original color llithogragp created by the artist for this ublication, 1964 Unsigned as issued From: Derriere le ...

19th century Victorian oil on canvas portrait painting of Great, Great Grandmother (Elizabeth Craford 1798-1865) by Laura Birge, circa 1870, signed middle left. Laura C Birge (b.1846 - 1928), was born in Seneca Falls, New York. As a young girl she learned, for several years, to draw with Clara Soule (1834 - 1902). She then went to New York City and studied under William Rimmer...

1979 Cui Tang Korean painting on silk showing brightly colored male and female pheasants in front of a bush of pink and white peonies. This art was made in 1979...

Antique Victorian walnut Canterbury rack / cart. Made of walnut featuring fruitwood inlay and gallery, supported on finely turned columns, the middle section having three divisions ...

Cabela's replica bronze sculpture of two fighting bears tiled "Fierce Encounter" by Michael Hamby. Great condition, no chips or cracks. Dimensions: 13...

This striking cocktail ring showcases a captivating 1.83 carat Boulder Opal in a cabochon cut, complemented by round natural earth mined diamonds, set in a solid 14k rose gold band...

Beautiful Milo Baughman credenza for Thayer Coggin with burl wood patchwork square tiles design. This 3-door cabinet features 4 drawers, an adjustable shelf, and sits on a chrome fin...

CraftAssociates Coffee Table, Peabody Modern Coffee Table, Oak This Peabody Modern Oak Coffee Table for Craft Associates is expertly hand crafted from solid oak with a matte commerc...

Very large and impressive oil on linen landscape painting depicting a scene of orange autumn trees before a backdrop of hazy mountains under a soft blue sky. Signed Rhui in lower rig...

An impressive pair of table lamps featuring heavy bronze Art Deco female nude figures lifting vases topped with leaves, standing on tiered plinths with white marble bases. These stun...

This beautiful flush mount ceiling light by Lightolier has a brass frame with gold detailing along the edge. The shade is acid cut and 21" in diameter and the total light fixture is ...

Stunning details offered in this credenza, which would be perfect for a foyer or your main entrance to welcome guests and offer a place for them to set their belongs down. This Blonde Credenza...

Antique Victorian tiered etagere display shelf / library bookshelf / parlor console. Made of Rosewood featuring serpentine pierced reticulated acanthus design with five tiers and ma...

Large 19th century dovetailed copper farmhouse kettle / coffee pot with gooseneck shaped spout, rotating bail handle and scrolled finial on the lid. Dimensions: 9.75" x 9" x 11.75" ...

Designer: Milo Baughman Manufacturer: James Inc. Period and model: Mid-Century Modern Specs: Wood, fabric Condition: This Milo Baughman lounge c...

Carl-Henning Pedersen (Denmark, 1913 - 2007) The Blue Earth II, 1971 Watercolor on paper Signed and dated lower right, signed, dated and titled verso 30.5 x 21.5 inches Carl-Henning Pedersen was born in Copenhagen in 1913. At an early age he began taking part in politics, first in the youth association of social democrats and later in the youth association of communists, which better suited his revolutionary activist nature against fascism. In 1933, he attended the public high school of Humblebaek where he met the painter Else Alfelt, who he would marry in 1934 and with whom he would have two daughters. For many years the family divided its time between Copenhagen and the city of Bovbjerg, located on the North Sea, where Carl and Else had a studio. Between 1935 and 1940, Pedersen started to sketch and paint. He exhibited for the first time, together with his wife, in “Kunstnernes Efterårsudstilling” (The Artists' Fall Exhibition) in Copenhagen in 1936. Pedersen associated with the young painters close to abstract movements, and like them, worked under difficult conditions. He went to Paris in 1939, where he encountered the work of Picasso, Matisse and Chagall. Between 1940 and 1945, he contributed to the journal Helhesten. In the same journal, Pedersen published the text "Arte astratta o arte immaginaria," that supplied the most complete and precise definition, up to that point, of the work principles of the young generation of painters, of which he was a part. This definition, in many ways, was close to that which would be the program of the group Cobra. Between 1945 and 1960, the Danish artists went abroad and, along with Dutch and Belgian artists, founded the group Cobra, which was active between 1948 and 1951. During this period in 1948, Pedersen participated in the Biennial of Venice. He exhibited extensively with Cobra in shows such as its first important show which was held at the Stedelijk Museum of Amsterdam in 1949, “International Experimental Art.” Afterwords, Pedersen distanced himself from the group and began to travel frequently. His destinations included Greece, Italy, France, Switzerland, Norway, Lapland, Iceland, Turkey, Nepal, and Jerusalem. He received the Eckersberg Award in 1950 from the Royal Danish Academy of Art. In 1952, he participated in “Contemporary Drawings from 12 Countries, 1945/1952,” an exhibition held at the Toledo Museum of Art in Toledo, Ohio, the exhibition also traveled to other museums in the United States, while in 1955, he took part in the group exhibition “Expressionism 1900/1955,” at the Walker Art Center in Minneapolis (also a traveling exhibition throughout the United States). He participated in the 1952, 1955, 1958, 1961, 1964, and 1967 editions of “The Pittsburgh International Exhibition of Contemporary Painting and Sculpture” at the Museum of Art of the Carnegie Institute in Pittsburgh. The same museum also honored him with solo exhibitions in 1961 and 1968. In 1966, he exhibited at the Solomon R. Guggenheim Museum of New York in the show “European Drawings” that also traveled to Hawaii, Canada, Argentina, and Germany. In 1967, he showed at the “2. Internationale der Zeichnung” in Darmstadt, and then in 1968, he participated in the Premio Marzotto and the “Exhibition of Expressionist Art after 1950” at the Kunstmuseum of Lucerne, which then toured in Romania, Australia, Belgium, and Finland. Pedersen received the medal of Prince Eugen in 1980, and he participated in the exhibition “Danish Artists, Carl-Henning Pedersen, Else Alfelt, Egil Jacobsen...

Beautiful reupholstered emerald green dark walnut MCM accent chair!! This chair was reupholstered in a emerald green velvet fabric by Anna Elisabeth. ...

Why buy BERTU HOME stumps? Kiln Dried Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to...