Oklahoma - Drawings

Colored Etching Venice Italy Doges Palace, Colored Etching manner of Canaletto by Hungarian Artist Bela Szikiay, Pencil Signed, circa 1930. Sign...

A large fine pastel drawing of an abstract figure from the Cordier and Ekstrom Gallery, Madison Avenue, New York by Gillian Bradshaw-Smith.

Original Drawing, Circle of Giovanni Battista Tiepolo 1696-1770 Venice, Italy Although we offer this old master drawing as circle of Tiepolo, we are convinced, based on the composi...

Decorate a living room wall or study with this elegant and colorful 18th-century Aubusson gouache painting. Created in the renowned tapestry-making city of Aubusson, France circa 176...

Nicolas de Larmessin Etching – Habit de Tabletier. 20th century print. Nicolas de Larmessin (1640-1725) was an enormously creative and productive artist. Nicolas was part of a long ...

Set of watercolor hand-painted botanical prints most likely created in the mid to late 1700s. Some of the descriptions are written in Latin and Greek and accompany absolutely stunnin...

The posters and prints may display signs of aging, such as paper discoloration, tears, folds, and other imperfections. These pieces were part of an art collection owned by a German ...

Neoclassical capriccio view of majestic Roman ruins with small figures engaged in daily activities in the background. Pencil, ink and wash on paper. Set in a Louis XVI style giltwood...

Contemporary Signed Very Colorful Abstract (2 of 15) Lithograph - 1997 Frame and matting needs to be updated.

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

Large Framed French Etching of Versailles – Le Bassin d’Encelade Pair of Versailles themed prints available. From Mis en Demeure, Paris.

Wonderful and darkly intriguing original artwork by renowned American Modernist artist and California artist benefactor Millard Sheets (1907-1989) featuring wartime boats caught in stormy seas. Very evocative and certainly quite relevant to the time it was created taken in the context of the war. The work is hand pencil signed and dated (1942) by Sheets on the mat just below the artwork. Provenance: Property from the estate of Millard Sheets. Would be a great addition to any collectors of his work or Mid-Century Modern artist or an eye-catching stand-alone accent artwork in about any setting. Sheets many awards include: Watson F. Blair Purchase Prize, Chicago Art Institute (1938) Philadelphia Watercolor Club Prize (1939) Dana Watercolor Medal, Pennsylvania Academy of fine Arts (1943) Drawing Prize, Los Angeles County Museum of Art (1946) Gold Brush Award, Artists Guild of Chicago, Award of the Year (1951) Honorary Doctor of Laws, University of Notre Dame, South Bend, Indiana (1964) His works can be found in numerous permanent collections, public settings, and international museums including: The Museum of Modern Art, New York Scripps College, CA The White House (Washington, DC) The San Diego Museum The Los Angeles Public Library...