Palm Beach - Art

Margaret Rice was born in Canada in 1901. She has had Auction results as high as $2250. This charming oil on canvas measures 24 inches wide by 20 inches high. The hand carved origina...

Decorative ornamentation is on full display in this poster that promotes an exhibit of Dutch art at the Kaiser Wilhem Museum in Krefeld, Germany. This poster is done in the style of...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

"Denmark" abstract lithograph from "Escultor" suite of seven by Joan Miró (catalog raisonne reference numbers: Mourlot 939, Cramer 210.) Plate-signed Miró on front. Unframed/never fr...

Modern Expressionist oil painting on canvas with several texturing techniques and a fiery hot use of color. Signed in the lower right F. Howard and titled on the back Royal Hunt of t...

Rene Gruau (1909-2004) is one of the most recognized poster artists of the 21st Century. Gruau was a fashion illustrator whose exaggerated portrayal of fashion design through paintin...

Edition of 7 Isabelle van Zeijl is an established mid-career international artist. Recognized for her mastery to create striking self portraits with depth and meaning who enriches l...

Life like, life size turtle sculpture crafted in composition in an amazing realistic replication. Labeled Animal Classics on the bottom.

Del Monte Roundup Savin' Stampede Lasso is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes ...

Artist: Schizas, Nikolaos Title: Where Chaos Meets Harmony Date: 2025 Medium: Acrylic on Canvas Unframed Dimensions: 27" x 27" Framed Dimensions: 28" x 28" Signature: Signed b...

Del Monte Roundup Blue Shirt is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes in process...

Amusing true pair of 19th century English Staffordshire porcelain poodle figures hand decorated and featuring a confetti coat.

AP 2 Ernest Trova was an artist whose signature creation, a gleaming humanoid known as “Falling Man,” appeared in a series of sculptures and paintings and became a symbol of an imperfect humanity hurtling into the future. Mr. Trova was largely known as a sculptor, but his “Falling Man,” a standard of Pop Art, began life as a painted figure, taking shape on his easel in the early 1960s. Faceless, armless, with a hint of a belly and, its name notwithstanding, of indeterminate sex, the figure struck a variety of poses, sometimes juxtaposed with other like figures, sometimes with mechanical appendages. In October 1963 his one-man show, “Falling Man Paintings,” was the inaugural exhibition of the Pace Gallery on West 57th Street in Manhattan; it sold out, with the works purchased by the Museum of Modern Art, the Whitney Museum, the architect Philip Johnson and others. In three dimensions, the “Falling Man” figure was made from different materials over the years — nickel and chrome-plated bronze, enamel on aluminum, stainless steel — and often, like the Oscar statuette, was polished to an industrial sheen. It was clearly a space age creation, a forerunner of C3PO, the golden robot in “Star Wars.” “He found the space age both inspiring and dehumanizing,” Arne Glimcher, who founded the Pace Gallery, now PaceWildenstein, said in an interview on Friday. By the end of the 1960s, “Falling Man” had become Mr. Trova’s trademark, provoking Hilton Kramer, the art critic of The New York Times, to write that Mr. Trova had subjected his favorite figure “to almost as many variations as the Kama Sutra describes for the act of love.” Ernest Tino Trova Jr. was born in St. Louis on Feb. 19, 1927. Shortly after his high school graduation his father, an industrial tool designer and inventor, died, and young Ernie, as he was known, went to work, most significantly as a window dresser for a department store. His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art. Through the 1970s and 1980s he continued with “Falling Man,” though he also became interested in formalized, almost mechanical-seeming landscapes, and the figures began to appear, reduced in size, within the context of abstractly rendered gardens. A self-taught artist with an impish wit and an eccentric turn of mind, Mr. Trova craved the recognition that was available to artists only in New York City, but he never visited for more than a week at a time and made almost no friends among New York artists. He did befriend Ezra Pound. As a fevered fan of Julio Iglesias...

This original vintage poster, designed by Scottish artist William Miller Frazer (1864–1961), promotes Perth, affectionately known as "The Fair City," as Scotland's holiday center. Th...

Ed. of 21, estate-stamped, posthumous print. Includes black frame. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1...

Gouache and ink on paper artwork of horses by Alexander Calder framed under glass in gold leaf frame. Signed and dated "Calder 76" in lower right corner....

Edition 3/7 Born in Mexico City in 1953, artist Noé Katz lives and works in the U.S., and his paintings and sculptures can be found around the world. He received his formal training...

Mid Century acrylic on canvas painting of a Middle Eastern Street scene executed with bold impressionistic brush strokes. Depicting exotic Architecture ...

Vintage Poster American Airlines Niagara Falls Edward McKnight Kauffer Good condition -- see all photos and video. This listing includes the frame (which is new). If you prefer to r...

Oil painting on board executed in a distinctive naive folky style of a French cafe with figures dressed in Belle Epoque attire. Signed by the noted artist Fernand Boilauges...

Christine Hayman Biography b. 1964 In her paintings Christine Hayman concerns herself with space. She is interested in how forms are energized by the space around them, especially w...

Oil on Canvas,(colors: red orange green grey) Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artis...

Signed, dated, and titled to verso. Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha ...

Small Box Series, Box Study 3, Acrylic on panel Mary Lou Siefker is 87 year old Broward County Artist that has been exhibiting her work since 1977. She has won numerous awards an...

Small Box Series, Box Study 1, Acrylic on panel Mary Lou Siefker is 87 year old Broward County Artist that has been exhibiting her work since 1977. She has won numerous awards an...

Modernist oil painting on canvas of an archer, his shadow and target with a powerful command of brush stroke and light, painted over a contrived ruff texture for added emotional dept...

Cv upon request Karla Walter is an American artist who explores similarities between the social interactions among crows and that of individuals in our society. Karla Walter went to ...

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

"Shibaraku" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country'...

Charming set of four oil painting on board depicting chickens and roosters of the French city of Rennes. Presented in wood frames and signed ...

Intriguing pair of modern Chinese paintings executed with gouache on paper in a distinctive colorful naive Asian style depicting women with cat...

Pablo Picasso A.R. 412 Scène de Tauromachie 1959 16.5” round Edition of 100 White earthenware clay, partially glazed. Ramie 412 is a Madoura ceram...

"George Burns" original etching by Al Hirschfeld. Caricature portrait. Hand pulled from an edition of 200 plus 30 artist's proofs in 1982. Hand numbered 2...

Norman Parkinson (1913-1990) was one of the Twentieth Century’s most celebrated fashion photographers. He pioneered epic storytelling in his images, taking portrait and fashion photo...

"Lost" by artist Raphael Mazzucco. C-print, oil paint and mixed media—including stones, photos, rope, branches, and stamps—encased in beautifully aged resin.

"Skull Spin Painting" acrylic on paper painting by artist Damien Hirst. Created with public collaboration at the Damien Hirst Spin Workshop to celebrate the opening of Requiem at the...

This original vintage poster, titled Nucleodynamics (Japanese), was designed by Erik Nitsche in 1955 as part of General Dynamics' celebrated Atoms for Peace campaign. Created to prom...

"Sukeroku" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

(Designers: Custom framing is available for this item) Quotes in the Painting If a man can bridge the gap between life and death, if he can live on after he's dead, then maybe he ...

See images for Quotes within painting handwritten by artist This painting is also sold in a diptych combo with a second piece but in this listing sold individually As an undergra...

2 Paintings on Canvas signed verso. Also sold separately Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist livin...

PETER PATHE, poster lithograph, Schnackenberg School, 1919, the image features the headline performer, Peter Pathe, in drag wearing a form-fitting button-down jacket, high-waisted shorts buttoning down the front, Mary Jane dance shoes and calf-length white socks; Pathe is depicted in motion with raised jazz hands which frame his bushy-haired heavily made-up face and body curving in dynamic lateral movement with raised front leg turned out; with printed text at the bottom: “PETER PATHE/und/Fritz Wolf-Killanyi * Renate Ferena/Tia Majja * Else Zimmermann tanzenmit grossem/Orchester (Leitung: Rob. Tants) Donnerstag, 18 Nov., amends 71/2 Uhr im Konzertsaal Hotel “Vier Jahreszeiten”/Karten zu Mk. 20. - bis Mk. 3.- bei Alfr. Schmid Nachf., Residenzstr. 7 und Otto Halbreiter, Promendeplatz 16.”; printed text at mid-right: “M. Pathe/19”; marked with the printer’s stamp in the lower right: “Oscar Consee/Kunstanstalt/Munchen/Valley Str./7-9”; the poster is secured by matting and framed with a plexiglass cover, Boston...

"Gypsy" by artist Raphael Mazzucco. Archival print, oil paint and mixed media, including red thread, encased in resin, and framed in a rustic white frame. Signed on front lower right...

Procession with elephant, expressionist style oil painting, signed and dated. George Russin was born in New York 1910-2010. He attended the High School of Music and Art to pursue bot...

"Slushing" lithograph by Red Grooms from 1971 "No Gas" portfolio. Signed AP at bottom of blue umbrella in center of image and Red Grooms on shoe in lower right corner. Depicts people...

BORN JULY 31, 1979 IN NEW JERSEY, USA CURRENTLY LIVES AND WORKS IN WEST PALM BEACH, FLORIDA BIO: As an artist based in the vibrant community of West Palm Beach, my work is an explor...

Lili Ocean Part 1 Mixed media: acrylic, ink marker, pastel on paper, white frame under plexiglass. Malgosia Kiernozycka was born in Wroclaw, Po...

Stanley Boxer devoted nearly five decades to the development of an expressive, abstract practice, encompassing drawing, sculpture, and printmaking. “In the manufacture of my art, I u...

"Closing In" by artist Raphael Mazzucco. Archival print of a nude female, oil paint and mixed media encased in resin in a rustic wooden frame. Signed in front lower right corner.

Mixed Media painting on wood panel (Acrylic Paint, paper and vinyl on Wood Artist Panel) Born in Tallahasee Fl, William started his artistic career as a color consultant for his fam...

Christina Major was born in Concord, New Hampshire in 1982. She currently resides in North Carolina. Major earned her MFA from Florida Atlantic University and has exhibited throughou...

See images for Quotes within painting handwritten by artist This painting is also sold in a diptych combo with a second piece but in this listing sold individually As an undergrad...

Whether obscured by the smoky nightclub lighting or enlivened by the strong color of the Mardi Gras dancers, David Remfry’s life-size watercolors evoke a kaleidoscope of movement. M...

Isabelle Van Zeijl dips into the post-modern to craft a vision of feminine power that will have you questioning both historical and 21st-century concepts of beauty. Van Zeijl produce...

Bronze #116 by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figural life-s...

"Samson and Delilah" screenprint and collotype with cut-outs by artist Sigmar Polke from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house f...

Lazzaro Donati: 1926-1977. Well, listed Italian artist who is considered one of the foremost contemporary Italian painters. This fabulous nude painting measures 27 1/2 inches high by...

Natalia Dumitresco (born Natalia Dumitrescu; 20 December 1915 in Bucharest, Romania – 3 July 1997 in Chars, France) was a French-Romanian abstract painter associated with the Réalité...