Palm Beach - Art

19th Century Grand Tour Bronze Figurative Sculpture Benedetto Boschetti, Roma, circa 1875 This exceptional 19th-century Grand Tour bronze sculpture is a rare and highly refined examp...

Ed of 5 + 2AP Among the contributors to the contemporary art world’s boundary-breaking experimentation in media, Kim Keever has hit on something truly unique—a photographic art in wh...

Standout large organic syrinx aranus shell specimen with its ocean inspired color, texture and iconic sculptural form.

Cv upon request Karla Walter is an American artist who explores similarities between the social interactions among crows and that of individuals in our society. Karla Walter went to ...

Charming 19th Century painting of a grandmother and grandauughter in front of their thatched cottage. It is an oil on canvas measuring 18 inches by 14. The frame measures 20 3/4 by 1...

Zane York coaxes and cajoles with a bit of humor which belies a deeper sensitivity. His eye-catching subjects never fail to cause a double-take. In our age of nearly constant visual ...

Elegant Young Lady In The Landscape. Portrait depicting a beautiful young woman in the landscape dressed in a tulle dress and hat decorated with pink roses...

Walking By The Sea. Artist signed lower right corner, canvas size (31 1/2 x 39 1/4in). Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in the 1940s he began devoting himself to painting in a studio at Via del Babuino in central Rome. Simbari's early exposure to the architectural world had a lasting impression on his art, as he incorporated geometric forms and architectural structures into almost all of his paintings. He began to develop a distinct style stemming from impressions of life, nature, and the Mediterranean...

Klimt’s association with Martin Gerlach dates back to the early 1880s when Gerlach and Schenk published their first edition of Allegorien und Embleme. By the mid-1890s, they were pla...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figur...

Vintage Paper and Adhesive collage by Wayne Timm. (Mat opening) or Image measures 11 3/4 x 12.5 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, ...

Post Dogmatist Painting on Canvas, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagos...

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Young Woman By The Sea Cost Artist signed lower right, canvas 35hx39w Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in ...

Matrix White Carrara Marble sculpture on beige marble base, singed and titled in plate. Created 1972. Solo exhibition in 1976 Le Galeria De Arte Moderno Dominican Republic. It will...

John Levee (April 10, 1924 – January 18, 2017) was an American abstract expressionist painter who had worked in Paris since 1949. His father was M. C. Levee. John Harrison Levee rece...

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

This is a gorgeous art nouveau poster from the original printing around 1910. The peacock elegantly rests a single talon on the bottle of brandy, while simultaneously displaying his ...

Inspired cast brass seahorse sculpture in a charming stylized form having a custom acid washed finish.

True to its name the Melo Amphora is an organic seashell with a melon color scheme on an ocean inspired sculptural bowl like form.

A luminous Mediterranean view, Capri, Italy by Willem Welters captures the celebrated coastline with warmth and remarkable sensitivity to light. Painted circa 1928, this lovely Impre...

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Provence Landscape With Mountain View Artist signed lower right corner, Oil on canvas, late 1920's, size:23"25x 28"25 framed 30" x 35" GALE TURNBULL wa...

J Louis is both an heir and a heretic; carrying on a rich artistic tradition while subtly challenging its conventions. Evoking the lush atmospherics of Impressionist masters, Louis's...

Lofty mixed media painting on brown paper of a parrot executed in classic Art Deco style with a bold stroke using watercolor and gouache. Signed by not...

Venice Simplon - The Collection is a 1982 French Travel poster by Fix Masseau (1905-1994) for the re-launch of the Venice Simplon Orient Express rail line. This poster features an im...

View Of The Hudson Valley Size 30x24 artist signed lower left. Jehudith Sobel The painting portrays a vibrant landscape view of the Catskill Mountains. In 1960s, Jehudith Sobel p...

Title page numbered: 263/450

Ocean Large Blue Abstract Expressionist artist signed and titled. Jerzy Kubina Polish/American Artist: Jerzy was born in Zamosc, Poland, 1956. Studied at the Academy Of Fine Arts in Krakow 1981/1986 in the painting department under individual instructions of prof. Jan Szancenbach. He decided to immigrate to New York in 1986. Jerzy constructs large scale images on silk using technologies to create layers, textures, translucency. He is searching for a language that expresses the ideas inside. Sometimes the paintings are quiet and translucent, and then suddenly become very dramatic. There is a symbiotic relationship between him and the materials. Jerzy Kubina has exhibited his work widely in the US, including at Soho New York's first-ever gallery, the esteemed O. K. Harris. He has also shown internationally, in Paris, Poland and Mexico. Kubina graduated Magna Cum Laude from the M. A. program of The Academy of Fine Arts, Cracow, Poland. Artist Statement. "I do not limit myself to a classical representation of an image. I'm in constant search of new media which not only enriches the subject but also inspires me to new forms of expression. Visual appreciation is a creative exercise performed in a specified time and a specific emotional state. The subject must be individual and unique. I do not attempt to keep a tight rein on my art’s framework, but give myself the opportunity to individualize each of the works. My present concerns are of the sacred and the profane, always longing for harmony, accompanied by destruction and devastation, my inner world translates that pulse into color images. My new works are a continuation of the process of creating art for art's sake. Selected Exhibitions: 2016 Square Peg Gallery, Hasting on Hudson, NY 2015 Roshkowska Gallery, Hudson NY 2014 Olko Gallery, Sag Harbor NY 2013 Kurier Plus Gallery New York 2012 International Art Exhibition, Poland 2012 BWA Gallery, Poland 2012 CPS Gallery, New York 2010 Museum Convento De Carmen, Guadalajara, Mexico 2006 Real Art Ways Gallery, Hartford CT 2005 80 Washington Square East Galleries, New York 2004 Leonard Codex Tower Gallery, Houston TX 2003 Fish Tank Gallery, New York 2003 Modern Art Gallery, Las Vegas 2003 Chelsea Museum, New York 2002 Puffin Foundation Gallery, Teaneck NJ 1997 O.K. Harris Works of Art, New York 1993 "Grand at Juenes d'Aujouhui" Paris, France 1992 Miami University...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Very well painted oil on canvas of a kibbutz in Israel. It is in the style of post impressionism. It measures 26 inches wide by 19 inches tall. It is signed lower left in hebrew.

Children And Balloons Artist signed lower right. Bernardino Toppi was born in 1936 in Rome is a French painter of Italian origin. Sharing his time bet...

Norman Meredith was British painter and illustrator, born in Liverpool (1909 - 1985) England. He studied at the Liverpool College of Art. He subsequently won a scholarship to the Ro...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Striking tropical acrylic painting on canvas of a beach with palm trees, flowers, sand and sky sprayed with sunlight and shade, executed in a bold modern technique. Signed John Kiral...

Cognac Pellison is a French liquor poster created in the 1920's by the legendary artist, Leonetto Cappiello (1875-1942). It is a typically whimsical Ca...

Fabulously colorful combination of abstract expressionist and outsider art. Most likely done in the 1950s or 60s signed lower right it appears to be a mixed medium on board. Very si...

We're thrust into the heart of an intense soccer (or football, if you will) match in this exciting 1963 poster that was printed in Spain. The two teams compete in a header-off for th...

Standout 19th Century French La Belle Époque life size plant sculpture handcrafted in iron having a palm plant on a distinctive Art Nouveau style wrought iron base, all with a time e...

Levy's is a bakery that opened in Brooklyn, New York in 1888. It is most famous for its Jewish rye bread. Levy's was first known for its "cheese bread," but the bakery's real hallmar...

Landscape Mississippi River. Saul Haymond, Sr. (1947- ) of Pickens, Mississippi is a self-taught painter who has been documenting life in the African American community in Holmes Co...

Paul Aizpiri was a painter and sculptor born in 1919 in Paris, France to an Italian mother and a father from the Basque Country, Spain. Aizpiri was an optimistic person since birth, ...

After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...

"Diamonds and Rust" triptych 18" x 54" x 1 1/4" Protected with UV-resistant, matte varnish coating Jose Castro was born in Matanzas, Cuba in 1947. In 1961, when he was 14, he was s...

19th-Century Grand Tour Bronze — Neapolitan Fisherman After the Antique Fonderia Giorgio Sommer, Naples, Italy This exceptional 19th-century Grand Tour bronze of the Neapolitan Fish...

Abstract composition color engraving pencil signed limited edition 10/60, actual size 22"X29"5 framed 31"x39" under glass. Hratchaya Najar Barsoumian Born in 1939 in Alep, Syria, N...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figur...

Sleeping Arlekin diptych each canvas 47"x31"5, total width 63" figurative abstract gallery wrap. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minister of Culture and Art for the University of Fine Arts in Wroclaw. She studied glass design under Prof Witkowski and painting under Prof Wanda Golkowska. She received her master’s degree along with an award. In 1986 she moved to Germany and studied screen design at the Multimedia Academy in Mainz, and worked as a guest speaker at the Academy of Fine Arts in Wiesbaden. In 1989 she participated in an art exhibition for the best Diploma works in Munich, Germany, and was invited to present her pieces at an exhibition in Osaka, Japan, due to her outstanding work. In 1990 she was a laureate at OB ART...

Woman Holding A Rake. Max Lindenberg (1873-1910), German. A late 19the Century small bronze figure of a young woman holding a rake. Signed on the base, mounted to a square marble ...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Standout vintage obelisk crafted in brass and rouge marble in a modern stylized form on ball feet. Signed Maitland-Smith on the bottom.

Stanley Boxer devoted nearly five decades to the development of an expressive, abstract practice, encompassing drawing, sculpture, and printmaking. “In the manufacture of my art, I u...

Natalia Dumitresco (born Natalia Dumitrescu; 20 December 1915 in Bucharest, Romania – 3 July 1997 in Chars, France) was a French-Romanian abstract painter associated with the Réalité...

This is a set of three posters by John Gallucci, who is also known for his watercolors. The Winter Olympic Organizing Committee commissioned them to promote the ski events held in Lake Placid during the Olympic Games of 1980. The highlight of that year's games was the American Ice Hockey team taking a gold medal after their famous "Miracle on Ice...

Vibrant Landscape With Mountains View Size: 24x30 framed 30x36 x1 Judith Sobel was born in Lwow Poland in 1924. After Word War II, she attended the Acade...

In 1945 Goetz worked with René Guilly on a national radio program called The World of Paris. He continued broadcasting for six months before giving his position to someone else. In 1...

This painting is a strong and compelling example of Jacques Doucet’s signature style, combining expressive, gestural brushwork with a structured, almost sculptural composition. The d...

Beautiful example of Post War French lyric abstraction. School of Paris. Oscar Gauthier was a leader in this movement. Signed lower right