Palm Beach - Art

Mountain View Vibrant Landscape Painting Canvas 24"x30" framed 30"x36" Judith Sobel was born in Lwow Poland in 1924. After Word War II, she attended ...

Elizabeth Taylor 2025 Oil on canvas artist signed with initials front and singed on the back 52x40x1.5 inches. Staszek Kotowski studied at Warsaw’s Academy of Fine Arts from 1979 t...

This is one of Jules Cheret's most attractive posters from his early period in the late 1880's. It is a large size image that is promoting the new fashions for Men...

Pencil and watercolor on board. Hand-signed by artist w/stage instructions. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, a...

Woman Abstract Portrait Repaired tear upper left and minor wear along the edges of the work, otherwise in good condition Artist signed lower right corner, 23.5h x 18.5"w Rolph Scarl...

Lofty mid century limited-edition chinoiserie console table by celebrated designers Philip LaVerne and Kelvin LaVerne and featuring an acid-etched and patinated polychrome bronze and...

Impressive 19th century Italian hand fan, remarkably preserved with silvered metal sticks and guards depicting ancient gods, palm trees and classical emblemes. The paper leaves are h...

An important and exceptionally rare mid-century modern sculpture by American artist Herbert Brooks Walker, titled Bird, executed in formed aluminum sheet metal and mounted on a richl...

Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...

Alex Katz’s Big Smile (Vivien), 2021 is just one the artists portrayals of his daughter-in-law, Vivien Bittencourt. The soft colors of the monochromatic seafoam background help juxta...

Lofty organic clam shell with its ocean inspired color, texture and iconic sculptural form. Presented on a custom footed base.

Un Milagrito Volador A Flying Miracle Artist signed and titled. Acrylic, Indian Ink on Archival Paper. Gabriela Fournier emerging young Mexican artist, born in Guanajuato 2001. She ...

Vintage Paper and Adhesive collage by Wayne Timm. (Mat opening) or Image measures 11 3/4 x 12.5 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, ...

Oil on wood panel, custom framed in Acrylic floater (colors: hot pink, newport blue, baby blue, black, red) Born in Havana, Cuba, in the late 70s during a well-documented time of re...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

his powerful abstract composition by Leon Nierman exemplifies the artist’s mastery of light, movement, and atmospheric energy. Renowned for creating dynamic abstractions that evoke b...

Inspired cast brass seahorse sculpture in a charming stylized form having a custom acid washed finish.

Spectacular impressionist scene most likely early 20th century. This is most likely painted by a French impressionist, but could be American as well. It looks to be a popular subject...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

Painting on Panel signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Colora...

Impressive large maritime oil painting on boards of a ship at rest at a port of call with cargo, a lone figure, and sailing ships in the distance. Unsigned.

This richly detailed acrylic composition by François Arnal reflects the artist’s fascination with symbolic form, texture, and visual rhythm during the formative years of postwar abst...

Charming antique oil painting on canvas of a dog in repose with a bell on his collar, executed in a slightly naive style and presented in a wood frame. Illegibly signed in the bottom...

John Levee (April 10, 1924 – January 18, 2017) was an American abstract expressionist painter who had worked in Paris since 1949. His father was M. C. Levee. John Harrison Levee rece...

Acrylic painting on canvas by Mary Lou Siefker Mary Lou Siefker is 87 year old Broward County Artist that has been exhibiting her work since 1977. She has won numerous awards and fe...

Heriberto Mora's style is described as "beautiful existentialism" as it reflects the human experience of navigating both the tangible and intangible aspects of existence. His use of ...

Venard had a successful career during his lifetime, punctuated by one-man shows in Paris, London, New York, Philadelphia, Chicago, Dusseldorf, Munich, Buenos Aires, Tokyo, Canada, Be...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Abstract Expressionist Composition With Orange and Blue Colors Canvas size 24"x32" gold leaf frame 27"x35", signed lower right corner. Sandro von Lorsch German painter born 1921-19...

Framed lithograph, signed ("Rónai") and numbered ("no. 50") by the artist. Also includes a silver József Rippl-Rónai coin, made in 1977 for the 50th anniversary of his death. The li...

Kerr Eby: 1889-1946. Very well listed Canadian American artist. He is best known as a printmaker for his fabulous etchings. He has auction results over $6300 for a single print. This...

Flemish Fair (After Jan Brueghel The Elder) This is a very large and impressive version of the original painting Flemish Fair Cr. 1600. Beaut...

Transporting tropical watercolor painting on paper with buildings, mountains, sunny sky and a lone figure, executed with bold colors and expert technique by W P A artist Avery Johnso...

Associated with postwar American abstraction, Seery balances structure with improvisation, allowing color and form to interact in a fluid, engaging way. The result is a composition t...

Charming pair of neoclassic Italian tole or painted palm trees with stylized fronds and trunks set in mustard color planters with galleries and decorated with birds and trees. From ...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...

Diane Thorne: 1895-1963. Listed Canadian artist who was born in Russia. She is best known for her etchings of dogs and children. She has auction results as high as $1300 for a single...

"John Wayne" original etching by Al Hirschfeld. Caricature portrait of John Wayne in "She Wore A Yellow Ribbon." Hand pulled from an edition of 200 plus 15 artist's proofs in 1982. H...

Chinese rooster expertly crafted with an ambitious weaving technique using bamboo and bamboo wicker with carved wood highlights, from the noted Shanghai collection.

Executed in 1958, this dynamic abstract composition by François Arnal exemplifies the bold material experimentation and expressive energy that defined the postwar School of Paris. Bu...

Mid century sculpture depicting two hand blown cockatoos perched on a doré bronze tree on a glass base signed Zanetti.

A celebration in greens, rust, white and orange with gold leaf and graphite details :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by...

View Of The Hudson Valley Size 30x24 artist signed lower left corner. Jehudith Sobel The painting portrays a vibrant landscape view of the Catskill Mountains. In 1960s, Jehudith ...

Charming wall hanging in the form of a ship's anchor, ambitiously crafted with exotic seashell highlighted with a seahorse and starfish on a wood form.

Lofty vintage Italian oil painting on canvas of a mysterious abstract portrait executed in an expressionist impasto technique. Signed Donati in the lower right and presented in a woo...

Venice Simplon - The Collection is a 1982 French Travel poster by Fix Masseau (1905-1994) for the re-launch of the Venice Simplon Orient Express rail line. This poster features an im...

Saint Mark's Basilica Venice Oil Painting Signed, lower left dated, titled verso. Romanesque Bizantine Basilica. canvas 35"x45" framed 46.5 x56.5. Frank LeB...

Venice Simplon - Crossing the Channel is a 1982 French Travel poster by Fix Masseau (1905-1994) for the re-launch of the Venice Simplon Orient Express rail line. This poster advertis...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...

Red Chilli Pepper Artist signed, patinated bronze with black marble (base 8"x8") Randi Grantham was born and raised in Las Vegas, Nevada and now lives in South Florida. He is a sel...

Cats hatching from egg. Ceramic sculpture, artist signed. Sergio Bustamante is a Mexican Artist and sculptor. Bustamante was born in Culiacan, Sinaloa in 1949 and studied architecture at the University of Guadalajara. Bustamante's first art exhibition showcased...

Beautiful mid century mystery painting. Expressionist bull fighting oil on canvas with fabulous fauvist colors. It is signed upper right corner, but I cannot make it out. Painting me...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figur...

Ed. of 21, unframed print. Estate-stamped. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990. Born in 1913, Parki...

Fender Guitar Multi Layers Glass Sculpture Artist signed and dated '98, mixed media, layers of multi color dichroic glass, ceramic tiles, aluminum on wooden base. William Wertz was born in 1946 dide in (2021 Los Angeles). American artist, teacher and photographer. Known for his unique assemble layers of glass sculpture. His art can be found in Musee des Decoratifs, Paris, the country of Oman (stained glass dome...

Horse With Two Riders Large Outdoor, indoor patinated bronze sculpture 1974 Artist signed, edition 2/6. Light blue green patina. Deaccessioned from the Boca Raton Museum of Art. Th...

Horizon Original Op Art Painting 1978 Artist signed and dated. Marko Spalatin (American, Born 1945). An original Modern Abstract Op-Art oil painting on canvas. Titled "Horizon". Featuring colors of white, yellow, orange, green, purple, and blue. Signed and dated 1978 with title on verso. Mounted on wood stretcher. Provenance: 11/10/2007 Ivey-Selkirk Auction, LOT 775. PERMANENT COLLECTIONS Musée d'Art Moderne — Paris, France Museum of Modern Art — New York, New York Tate Gallery — London, England Bibliothèque National — Paris, France Victoria & Albert Museum — London, England Library of Congress — Washington, D.C. Museum of Contemporary Art — Chicago, Illinois Metropolitan Museum — Manila, Philippines Philadelphia Museum of Art — Philadelphia, Pennsylvania The Butler Institute of American Art — Youngstown, Ohio Museum of Modern Art — Belgrade, Yugoslavia Milwaukee Art Museum...