Pasadena - Landscape Paintings

Acquired by the gallery directly from the artist UNFRAMED: 14" x 18" FRAMED: 20.25" x 24.25" x 1.5" Signed "K Dempwolf" on lower right Artist Statement "This is a movie ranch whe...

Acquired by the gallery directly from the artist Signed "Dan Schultz" on lower right UNFRAMED: 9" x 12" FRAMED: 12.25" x 15.25' x 1.125"

Provenance Acquired by the gallery directly from the artist Painted en plein air in the San Gabriel Mountains near the artist's home in the early summer of 2013. Signed "T. Solliday...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From the Santa Barbara Historical Society Signed "Carl Sammons" on lower right Description This luminous coastal landscape by Carl Sammons is a striking example of the artist’s signature plein air style, depicting the rolling coastal dunes and lush vegetation of California’s shoreline. Best known for his depictions of Carmel and Monterey, the composition and palette of this work suggest inspiration from the Monterey Peninsula dunes. Sammons’ ability to merge vibrant, clean color with a sense of atmospheric perspective is evident here in the interplay of bright, sunlit sands and the rich greens of windswept foliage. His vibrant yet naturalistic color harmonies, crisp edges, and keen sensitivity to light bring the fleeting beauty of the coastal environment to life. The hazy eucalyptus grove in the background adds a distinctive regional touch, situating the composition firmly within California’s coastal identity. Sammons’ paintings of California’s unique landscapes played a significant role in documenting the natural beauty of the state during the early 20th century. Connection to the Monterey Art Colony By the 1920s and 1930s, Sammons became closely associated with the Monterey art colony, an influential hub for plein air painters such as Armin Hansen (1886–1957), William Ritschel (1864–1949), and Percy Gray...

Acquired by the gallery directly from the artist UNFRAMED: 30" x 40" FRAMED: 39" x 49" x 2.5" Signed "Ray Roberts" on lower right Artist Statement "In Golden Foothills, I explore...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 17.75" x 21.75" x 1.25" Signed "K Dempwolf" on lower left Artist Statement "When heading north on Hwy...

Provenance Acquired by the gallery directly from the artist. FRAMED: 28.125" x 32.125" x 1.25" UNFRAMED:20" x 24" Artist Statement "I am always looking for different ways to capture the beauty of the San Gabriel Mountains as they loom above Pasadena. I found this view while scouting and exploring the Arroyo Seco...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 11" x 14" FRAMED: 17.5" x 20.5" x 1.5" Signed "Obermeyer" on lower right

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From William A. Karges Fine Art, Carmel, California Signed "Jesse Arms Botke" on lower right Description This charming watercolor captures a sweeping view of Bodega Bay, California, rendered with the refined draftsmanship and decorative sensibility for which Jessie Arms Botke is renowned. While best known for her gilded avian compositions, Botke’s landscapes are comparatively rare and reveal a more personal side of her artistic vision. Here, the viewer peers over the distinctive red turret of a Victorian home toward the curving estuary, where land meets sea beneath a soft blue sky. Delicate washes and crisp detailing convey the texture of the shoreline, the undulating water, and the surrounding structures, evoking the calm yet lively spirit of a coastal fishing village in the early 20th century. The warm terracotta tones of the foreground architecture contrast beautifully with the cool blues of the water and the distant hills, creating a balanced, harmonious scene. Although no journal entry or record confirms a specific trip to Bodega Bay, Botke may have painted this work, circa 1906, during the period when she was offered a round-trip passage from the Atchison, Topeka & Santa Fe Railway to travel from Chicago to Arizona and California in exchange for paintings depicting scenes of the West. The style and vantage point suggest direct observation, making it likely that she visited the town and painted the scene en plein air. With its architectural detail, vibrant palette, and compositional harmony, this work stands as a significant example of Botke’s lesser seen yet highly collectible works on paper. Jessie Arms Botke is recognized as one of the most important women artists in the early California art...

Consigned to American Legacy Fine Arts, Pasadena, California; Private Collection, Pasadena, California; Mutual Savings, Pasadena, California — acquired presumably from the artist via an art consultant; Displayed at Mutual Savings headquarters, Colorado Boulevard, Pasadena, California, c. 1965–1993 A 1955 photo showing Bickerstaff paintings on display at the same Mutual Savings and Loan office in Pasadena can be seen through the online resource at Pasadena Digital History Label on Verso Mutual Savings No. 3107 Description This luminous desert landscape, painted in rich yet delicately modulated tones, depicts California’s Palm Springs Desert with a scattering of smoke trees...

Consigned to the gallery by H&N Fine Art as part of the Katherine A. Norris Legacy Collection, Newport Beach, California; 2006 Katherine A Norris, Newport Beach, CA; 2006 James D. Ju...

Provenance: Acquired by the gallery directly from the artist Signed "McVicker" on lower right Unframed: 16" x 12"; Framed:18.5" x 22.5" x 1"

Acquired by the gallery directly from the artist Signed "Ray Roberts" on lower right UNFRAMED: 18" x 24" FRAMED: 24.5" x 30.5" x 1" Artist Statement "...

Artist Statement: "Over a decade ago, before this Fatburger location in Sherman Oaks was renovated, I was admiring the evening neon light bouncing off of these chrome stools. I had even started to paint the entire parking lot full of cars across the street, but decided that the mood of the piece would be enhanced if I changed it to a seaside location, making this piece more of a fiction. Story often draws me into a painting, and I felt the exaggerated aloneness was more connected to the feelings of inspiration I found in this place." -- Tony Peters Artwork Description: Night Burger by Tony Peters is a breathtaking oil on canvas painting that captures a considered and tranquil atmosphere with striking detail. This oil on canvas piece depicts a solitary fast food worker, standing alone inside an illuminated burger stand and gazing out into the night sky towards a distant beach with crashing waves. The painting's warm and vibrant colors bring to life the peaceful and serene mood of the scene. The figure in the painting wears an orange uniform and grey cap, with no customers present, creating a sense of solitude and introspection. The neon lights that illuminate the burger stand enhance the painting's warm and calming ambiance, reflecting the worker's silent reflection. The harmony between the worker's outfit and the neon lights creates a subtle yet cohesive effect, adding to the painting's overall beauty. Night Burger by Tony Peters inspires rumination and contemplation. Its minimalist presentation adds a contemporary touch to the piece, making it a perfect addition to any modern or traditional setting. This painting captures the beauty of the mundane and celebrates the peace that can be found in solitude. Framed: 37.625" x 37.625" x 2"; Unframed: 36" x 36" Provenance Acquired by the gallery directly from the artist Signed "Peters" on lower left Exhibited California Art Club...

Provenance Consigned to the gallery by private collectors Signed "Marion Kavanagh Wachtel" lower right Description Marion Kavanagh was a pupil of William Keith in San Francisco who, upon learning of her move to Southern California, urged her to contact Pasadena artist Elmer Wachtel. A romance blossomed and the two were married in 1904. During their marriage, out of respect for her husband, Marion Wachtel painted in watercolor, giving Elmer Wachtel the honor of painting in the more “serious” medium of oil. After the untimely passing of her husband and a period of grieving, Marion took up oil painting in 1930, working both en plein air and in the studio. This masterful plein air painting is a poetic interpretation of the snow-capped mountains in Grand Teton National Park...

Acquired by a private collector, Palo Alto, San Carlos and Oceanside, California, from Bingham Gallery in the Fairmont Hotel, San Jose, California; By descent to a private collector,...

Consigned to the gallery; By descent to the Katherine A. Norris Legacy Collection, Huntington Beach, California; Acquired by Katherine A. Norris, Newport Beach, California; From John...

Mid-century large framed painting of two twin trees in warm earthy tones and textured details. The work is first sculpted in plaster and then painted. It has an illegible signature.

Description im Solliday's pastel painting, "Moonlit Arroyo Pathway," invites the viewer to a moonlight hike along a meandering trail that gently vanishes into the undulating landscape of hills. The rolling clouds above accentuate the fullness of the landscape while a radiant moon bathes the scene in a celestial glow, casting its luminous enchantment upon the scene. Solliday's meticulous attention to delineated edges skillfully captures the rich textures and authentic essence of the natural world, transporting the observer into a mesmerizing nocturnal dreamscape. Provenance Acquired by the gallery directly from the artist Signed " T. Solliday" on lower right corner Exhibitions 20th Anniversary Exhibition: Celebrating a Legacy of Excellence, American Legacy Fine Arts, Pasadena, California, November 10 – December 16, 2023 Theodore N. Lukits (1897-1992): An Aesthetic Realist and Peter Adams and Tim Solliday: Continuing the Lukits Legacy at Palos Verdes Art...

Provenance Acquired by the gallery directly from the artist Signed "Calvin Liang" on lower left FRAMED: 21.375" x 17.375" x 1.25"; UNFRAMED: 12" x 16"

Provenance Consigned to the gallery by private collectors Signed "Jack Wilkinson Smith" lower left Description Jack Wilkinson Smith was a New York-based illustrator before moving o...

Provenance Acquired by the gallery directly from the artist Signed "R. Humphrey" on lower left Artist Statement "The glassy surface of the river almost seems calm. Below the gentle ripples though, is a swift and powerful current that moves anything in its way. A mile or so farther down the river, the elevation drops and the river turns into a wild, tumultuous force as it moves toward the falls." —Richard Humphrey...

Provenance Acquired by the gallery directly from the artist Signed " J. PAQUET" on lower right corner. Artist Statement "This unique vantage point could only be accessed by jeep. I...

Acquired by the gallery directly from the artist Signed "Alexey Steele" on lower right UNFRAMED: 26" x 32" FRAMED: 34.5" x 40.5" x 2.375" Artist Statement “Every year I am fascinated by the bloom that California spring...

Consigned to the gallery, Pasadena, California; H&N Fine Art, from the Katherine A. Norris Legacy Collection; John Moran Auctioneers, Altadena, CA, February 17, 2004, lot 104A. Sign...

Acquired by the gallery directly from the artist UNFRAMED: 20" x 30" FRAMED: 26" x 36" x 2" Signed "Jove Wang 22" on lower left

Acquired by the gallery directly from the artist UNFRAMED: 24" x 48" FRAMED: 32" x 56" x 1.625" Artist Statement "I painted this piece in the studio using studies done along the T...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1999 by a private collector (Palo Alto, San Carlos, and Oceanside, ...

Provenance Acquired by the gallery directly from the artist. Signed "Michael Godfrey" on lower left FRAMED: 30.75" x 42.75" x 1.375" UNFRAMED: 24" ...

Provenance Acquired by the gallery directly from the artist Signed "Obermeyer" on lower left Artist Statement "During a recent stay in San Francisco, I had this gorgeous view of this beautiful city from my room. Mason Street glows as it heads up to Nob Hill...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1997 by a private collector, Palo Alto, San Carlos, and Oceanside, ...

Provenance Acquired by the gallery directly from the artist Signed "Mian Situ" on lower right Artist Statement “Painted late one day after hiking up into the Comstock hills outside...

Acquired by the gallery directly from the artist; January 2024 submitted to Autry Museum of the American West for the "Masters of the American West" exhibition and sale. Signed "Pet...

Provenance Acquired by American Legacy Fine Arts directly from the artist Signed "R Humphrey" on lower left Artist Statement "A red bougainvillea marks a small memorial near the top of the trail. A warm spring breeze moves through the newly flowered grass." — Richard Humphrey...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 6" x 12" FRAMED: 9.875" x 15.875" x 1.375" Artist Statement “In a vast horizontal stretch of land open to sky...

Provenance Acquired by the gallery directly from the artist. FRAMED: 30.375" x 30.375" x 1.125" UNFRAMED: 20" x 22" Artist Statement “The real voyage of discovery consists not in ...

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower left Artist Statement "This pastoral scene was painted on site over several days at a locatio...

Artist Statement "Painting in Hawaii is always a challenge because the weather and atmospheric conditions are constantly changing. This scene of the Kalalau Lookout had it been paint...

Provenance Acquired by the gallery directly from the artist Signed "J.Paquet" on lower left corner. Artist Statement “Any day at Shark Harbor is a good day.” — Joseph Paquet EXHIBITIONS California Art Club's 103th Annual Gold Medal Exhibition at Autry National Center, March 30- April 20, 2016 Santa Catalina Island...

Provenance Acquired by the gallery directly from the artist Signed "Alexey Steel" on lower left UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5"

Acquired by American Legacy Fine A in 2014; From Pasadena Antiques and Design who acquired the painting circa 2012; From a private Los Angeles collector who acquired the work, circa ...

Provenance Acquired by the gallery directly from the artist Signed "Mirich" on lower left Artist Statement "A light, breezy day along the coast of Palos Verdes with Catalina Island...

Provenance Acquired by the gallery directly from the artist Signed "T. Solliday" on lower right Description “Running Waters” is a plein air painting done in Taos, New Mexico. Solliday depicts the Rio Peublo de Taos, a tributary of the Rio Grande, as flowing abundantly after the winter thaw...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 11" x 14" FRAMED: 17.5" x 20.5" x 1.375" Signed "Obermeyer" on lower left

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 18.5" x 22.5" x 1.5" Exhibited The Diverse Environments of the Arroyo Seco: Paintings from the Californ...

Acquired by the gallery directly from the artist Signed "Peter Adams" on lower right UNFRAMED: 20" x 24" FRAMED: 26.75" x 30.75" x 1.75" Artist Statement "The last rays of the su...

Provenance Acquired by the gallery directly from the artist Signed "R. Humphrey" on lower left Artist Statement "The glassy surface of the river almost seems calm. Below the gentle ripples though, is a swift and powerful current that moves anything in its way. A mile or so farther down the river, the elevation drops and the river turns into a wild, tumultuous force as it moves toward the falls." — Richard Humphrey...

Acquired by the gallery directly from the artist Signed "Alexey Steele" on lower left UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5" Landscape painting with apple orchards Art...

Provenance Acquired by the gallery directly from the artist. Signed "Obermeyer" on lower right FRAMED: 20.375" x 32.25" x 1.5" UNFRAMED: 12" x 24" Artist Statement "Each year, La...

Acquired by the gallery from a private collector in Alaska who acquired the work in 2012 from Bingham Gallery, Mount Carmel, Utah Signed "D. W. Pinkham" ...

Provenance Acquired by the gallery directly from the artist Signed "Peters" on lower right corner. FRAMED: 9.875" x 15.875" x 1.375" UNFRAMED: 16" x 24" Artist's Statement: "While driving south on the 5 Freeway, I spotted this classic 1965 Falcon Futura convertible and had to follow it for a while. The design was beautiful -- sleek and moderne with personality and character. The light blue color blended into the perfect southern California sky...

Provenance Acquired by the gallery directly from the artist Signed "J.Paquet" on lower right corner. Artist Statement Written in verso: “[This work was] painted at a huge horse ran...

Provenance Acquired by the gallery directly from the artist Signed "Alexey Steele" on lower left Exhibited The Diverse Environments of the Arroyo Seco: Paintings from the Californi...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5"

Provenance Acquired by the gallery directly from the artist Signed "J.Paquet" on lower left corner. Exhibitions Crystal Cove Alliance, 2008 Coastal Splendor Invitational Art Show a...

Provenance Acquired by the gallery directly from the artist Signed "Budicin" on lower left Artist Statement "While painting by the river a swarm of children came to see what I was ...

Acquired by the gallery directly from the artist Signed 'Peter Adams" on lower right UNFRAMED: 12" x 9" FRAMED: 18.875" x 15.875" x 1.75" Exhibited Spring into Art 2024, presente...

Provenance Acquired by the gallery directly from the artist Signed "Moses" lower left Frame: 18.5" x 15.5" x 1"; Unframed: 14" x 11"

Acquired by the gallery directly from the artist Signed "Peters" on lower left FRAMED:20.125" x 16.125" x 1.375" UNFRAMED: 12" x 16" Artist Statement “My painting ‘Night Palm...

Pierre Giraud's "Embankment of the Seine River" Parisian cityscape, portraying the iconic Pont au Change bridge, offers a mesmerizing scene at dusk. A m...