Tim Solliday

Pathway to the San Gabrielino Trail; Neglected and Protected

2013

Provenance Acquired by the gallery directly from the artist Artist Statement Written in verso: “[This work was] painted at a huge horse ranch in Cambria, California with [artist] Jo...

Provenance Acquired by the gallery directly from the artist. Description An impressionist, plein air oil painting, depicting back-lit (contre jour) sycamore trees in Pasadena's Arroyo Seco. The tranquil scene displays a play of dappled light and shadows projected...

Provenance Acquired by American Legacy Fine Arts directly from the artist. Artist Statement "This is a view that is very familiar to me. I see this as I drive home from my studio in the late afternoons and evenings, the fading light on the walls of Laguna Canyon...

Provenance Acquired by the gallery directly from the artist Description A work done en plein air while the artist was visiting the island of Maui, the second-largest of the Hawaiian...

Artwork Description: Night Burger by Tony Peters is a breathtaking oil on canvas painting that captures a considered and tranquil atmosphere with striking detail. This oil on canvas piece depicts a solitary fast food worker, standing alone inside an illuminated burger stand and gazing out into the night sky towards a distant beach with crashing waves. The painting's warm and vibrant colors bring to life the peaceful and serene mood of the scene. The figure in the painting wears an orange uniform and grey cap, with no customers present, creating a sense of solitude and introspection. The neon lights that illuminate the burger stand enhance the painting's warm and calming ambiance, reflecting the worker's silent reflection. The harmony between the worker's outfit and the neon lights creates a subtle yet cohesive effect, adding to the painting's overall beauty. Night Burger by Tony Peters inspires rumination and contemplation. Its minimalist presentation adds a contemporary touch to the piece, making it a perfect addition to any modern or traditional setting. This painting captures the beauty of the mundane and celebrates the peace that can be found in solitude. Framed: 37.625" x 37.625" x 2"; Unframed: 36" x 36" Provenance Acquired by the gallery directly from the artist Exhibited California Art Club...

Provenance Acquired by the gallery directly from the artist. Description "Autumn light on Aspen Grove, mid-October in the Sierras" —Amy Sidrane Dimensio...

Moonlite, 2021, Daniel Blagg, Oil on canvas, 38 x 58" By meticulously depicting forgotten road signs and roadside debris, Daniel Blagg invites his viewers to re-consider objects th...

Chinese Restaurant, 2009, Daniel Blagg, Oil on canvas, 80 x 60" By meticulously depicting forgotten road signs and roadside debris, Daniel Blagg invites...

Playland, 2018, Daniel Blagg, Oil on panel, 26 x 50" By meticulously depicting forgotten road signs and roadside debris, Daniel Blagg invites his viewer...

Paper, 2020, Daniel Blagg, Oil on canvas, 38 x 58" By meticulously depicting forgotten road signs and roadside debris, Daniel Blagg invites his viewers to re-consider objects that ...

This vibrant oil painting is brought to you by the incredible hand of Dan Blagg. His works are filled with themes of nostalgia, a rustic lifestyle, and Americana. Add a pop of color to any space by collecting a Daniel Blagg. This may be a conversation piece, but when the conversation runs dry, you can look deep into Dan's work and feel at peace with the silence. This work is titled, "Stars" by Daniel Blagg. 2021. Oil paint on canvas. 44 x 55." A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg has worked in the DFW area for over four decades. Blagg creates compositions that are both large-scale and intimate, familiar and unfamiliar, through his realistic style and chosen subject matter. Inspired by the surroundings of his studio warehouse on the outskirts of Fort Worth, his paintings of deteriorating road signs, empty streets, and vacant buildings examine urban decay and the byproducts of American capitalism. Blagg is interested in portraying what society discards; what once was useful is now abandoned and left to rot with no thought of recycling or re-use. According to Blagg, this wastefulness is particularly evident in American culture, where advertising is driven by the constant and even desperate desire to make a profit, without regard for the ramifications of this model of economic enterprise. By meticulously depicting forgotten road signs and roadside debris, Blagg invites his viewers to re-consider objects that are often ignored or forgotten. He masterfully crafts his paintings to create moody, unsettling compositions that feel desolate and neglected through his detailed depictions. Quick brushstrokes or soft washes of paint form fields of grass, distant mountains, and stretches of roads, while sharp shadows and the lack of figures heighten the feeling of loneliness and seclusion in these landscapes. Blagg’s representations evoke the work of Edward Hopper through a similar use of light and dark contrasts, as well as an emphasis on the urban subject matter. However, unlike Hopper, Blagg’s explorations ominously foretell the effects of the passage of time. These signs and objects act not only as markers of the past but also as forewarnings for the future. What will we as a contemporary society build and forsake? How will our creations stand the test of time? What will outlive its use in our culture but may ultimately outlast us, the creators? Blagg visually poses these questions to his audiences, hinting that the answers will only be realized with the next generation of creators and builders. Until that time comes, we are responsible for the creations of past generations, whether we preserve, restore, or ignore those objects. We are also accountable for what we leave behind, whether it is art, architecture, or physical waste. Blagg’s paintings have been exhibited in over sixty prominent shows across the United States, and his work is collected by numerous institutions and companies, such as the Modern Art Museum of Fort Worth, the Museum of South Texas in Corpus Christi, the Old Jail House Arts Center, Shell Oil, Fidelity Investments, and The Coca-Cola Company. He has curated multiple exhibitions at the Fort Worth Community Arts Center and was President of the Exhibition Advisory Panel from 2006 to 2008. In 2012 and 2009, he was a finalist for the Hunting Prize, an annual competition in Houston, Texas, that supports Texas artists. He has also received the Cynthia Brants...

Tribute, 2009, Daniel Blagg, Oil on canvas, 60 x 90" By meticulously depicting forgotten road signs and roadside debris, Daniel Blagg invites his viewer...