Pennsylvania

Experience the refined elegance of the Maillon Panthere earrings by Cartier, crafted in 18k yellow gold with brilliant diamonds. The polished gold links, inspired by the Panthere de...

A captivating Cartier Vintage Double Band Ring, embodying timeless elegance. Crafted in France circa 1994, this ring features two substantial interlocking bands, one in 18k yellow g...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Vintage Chinoiserie Oriental Blue & White Porcelain Chinese Garden Drum...

A fine antique 3-stone diamond ring. In 18 karat white gold. With a central bezel-set Old European cut 0.38± Ct diamond (Color: J-K, Clarity: I1) flanked by 2 Old European cut diam...

UNITED STATES MARINE CORPS PENNANT OF NOTABLE WEIGHT & QUALITY, IN THE OLD COLOR SCHEME, MADE DURING OR IN THE WAKE OF WWII Marine Corps pennant, made of heavy felt with a dark blue ground, with a flocked (Silvet-painted) device and lettering in harvest gold, with an applied, gold felt binding and blue felt ties. The colors used to represent the Marine Corps changed over time. Though the present combination of scarlet red and gold were formally adopted in 1925, American military traditions die hard, tending to be as difficult to extinguish as the men and women of their ranks. In this regard, the Corps was far from an exception. 14 years would, in fact, pass before the official change caught up with Marine Corps flags...

Pair of Heritage chairs please look at pictures for overall detail feel free to message me with any questions

More XL from Orrefors, which holds 20 oz, is excellent for flavorful red wines. The large, tulip-shaped bowl allows the wine to breathe and develop in the glass, bringing out its aro...

Painted plein air in oil on panel, this work captures the landscape of the artist’s childhood home, rendered directly from life. The immediacy of outdoor observation is evident in th...

A fine vintage gold and enamel charm. In 18 karat yellow gold. In the form of a Swiss Treicheln or Trychlen cowbell. One side with blue, yellow, and red enameled floral decoration ...

Expertly crafted in 18k yellow gold, this Van Cleef & Arpels Georges L’Enfant “Angel Hair” Vintage Bracelet exudes elegance and sophistication. The luminous yellow gold offers a warm...

The Greta Sconce mounted from a slightly concave walnut backplate is accented with two bench-made bronze reflectors and oval brass sockets. OVERALL DIMENSIONS 7.75" W x 7.63" D x 19...

A vintage four-piece salt cellar from Topazio Cazenovia Abroad, Portugal, circa 1980s. In silver plate with a raised grape leaf motif, the set includes the outer cage, a glass inser...

Three antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in a matte glaze with a tinge of blue. With a fixed black walnut orb and tan harness leather accents, this graceful chandelier has the capability of being installed on a flat or sloped ceiling. With a 32.5” diameter, the three-arm Lola Chandelier...

An elegant antique ring dating to 1800, centered with a richly colored flat cut rhodolite garnet accented by old cut diamond shoulders, mounted in silver topped 14 karat gold. The ga...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Vintage Italian Venetian Hollywood Regency Gold Gilt Wood Small Wall Mounted Console ...

A striking and historically attentive portrait of the sidewheel steamer Kennebec, built in 1842. Rendered in crisp profile against a soft, painterly sky and calm Atlantic swells, Cameron’s portrait captures the stately elegance of early American steam navigation. The Kennebec, identified in bold red lettering on her paddle box, is shown under partial sail with twin smokestacks active - suggesting both the hybrid nature of early steam propulsion and the vessel’s readiness for sea. Flying period flags, including a U.S. ensign and company pennants, she presents as a proud representative of the Sanford Steamship Line, for whom she plied the route between Boston, Bangor, and the summer resorts of Maine. Her design, with a wood hull, 230-foot length, and distinctive “hogging truss,” speaks to mid-19th century innovation tailored to coastwise packets. Cameron’s style is reminiscent of 19th-century ship portraiture yet refined with contemporary technical precision. This is an excellent example of his work. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

Celebrated for its striking composition and versatility, the Grace Articulating Wall Sconce is a true hallmark of ingenuity in lighting design. As handsome as it is useful, this plug...

This figurative sculpture titled "No Longer Listening" is an original artwork by Jedediah Morfit made of sculpamold, wood, resin, foam, wood, hardware, acrylic, tape. This piece meas...

The Fairmount wide oval mirror is a hand-stitched leather mirror. Each piece of leather has its own character and variations lending to the appeal of the material. The mirror sits in...

The Carat collection is based on a contemporary interpretation of the traditional cut glass for which Orrefors is world-renowned. Carat Vase Lower Cut has an asymmetrical motif at th...

A fine antique Baltimore silver repousse tea pot. By Schofield. In sterling silver. In the rare 'Castle' pattern, depicting a castle in a forest landscape scene. With a ram's he...

This authentic circular advance warning sign is a premier example of mid-century American railroad safety history. Standardized in the early 20th century to alert motorists of upcomi...

Circa unknown. This Cartier bracelet redefines elegance with its innovative design. Crafted in 18k white gold, it transforms a common nail into a statement of luxury. The Juste un C...

A striking example of hand-carved modernist sculpture, this nude female figure in the style of Ferdinand Parpan captures the elegance and abstraction of the 1930s–40s post-Art Deco e...

The Edmund sconce adopts the charismatic details from our beloved Edmund Pendant with its distinctive and charming shape. The hand-turned shade and overs...

This piece titled "Philly Street XIII" is an original piece by Alexis Nutini and is made from a woodcut and found object stencil monoprint. This piece me...

A great quality piece of furniture this Vintage Marble Top Center Table will be the focal point of any area in your home. From the beautiful m...

This is a Wave Rocking Chaise Lounge, initially designed by Adrian Pearsall ca. 1960. This example also dates to the 1960s, and retains its original upholstery fabric. The current ...

A fine antique Chinese Export porcelain footed serving platter or tray. In the Canton pattern. Decorated in underglaze blue with a mountainous Chinese village with houses, mountain...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Vintage Thonet Mid Century Modern Bentwood W...

Large Early 20th Century Asian Hand-Woven Winnowing Basket – Folk Art Wall Sculpture This large early 20th century hand-woven winnowing basket is a striking example of traditional A...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

Spring/Summer 2004 An ethereal masterpiece from John Galliano’s tenure at Christian Dior, this powder baby blue silk gown exemplifies his unrivaled command of bias-cut construction ...

A fine vintage gold and enamel charm for a charm bracelet. In 18 karat yellow gold. With an enameled clock face flanked by an enameled man and woman to the sides and an enameled wi...

The fairmount wide oval mirror is a hand-stitched leather mirror with a frame made from natural vegetable tanned leather which will vary in color and darken slightly with age. The mirror sits inside the frame like a pocket. It comes with an iron hand hammered screw post...

A classic & very early George Nakashima design, the spindle back straight chair. This 1940's example is made of solid Birch with signature saddle seat. Probably refinished at some po...

Newspaper/gazette/newspaper print slip dress, an iconic John Galliano design. ICONIC PRINT , excellent condition NEWSPAPER PRINT SLIP DRESS Newspaper print slip dress by John Gall...

A fine vintage gold charm. In 14 karat yellow gold. In the form of a beach bucket with handle. A small shovel is attached to the handle by a jump ring. With an integral bail and ...

An absolutely stunning and important piece of design history. Le Corbusier and Balkrishna Doshi originally designed this solid teak desk in Ahmedabad in 1954 for the Mills Owners ...

Rare 1930s Japanese Art Deco Bakelite Cigarette Case with Geometric Design This rare and striking 1930s Art Deco Bakelite cigarette case features a beautifully painted geometric des...

A Mid Century olive burl wood bar cart by Lane Furniture, excellent wood selection with beautiful wood grain. Flat bar frame with two pull out serving drawers with black formica surf...

This Chaumet Libra Pendant, crafted in 18k yellow gold, embodies a unique vision with its freeform medallion design. The pendant features a richly textured, organically rippled surfa...

Discover the understated elegance of Cartier's Lune de Miel earrings, a standout from the Honeymoon collection. Three staggered rows of polished gold cabochons wrap each earring, cl...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Vintage Salterini Style Art Nouveau Wrought Iron Garden Patio Dining Set by Florentin...

A hand painted Limoges porcelain trinket box, France, circa 1970-1980. The round box is braced with a metal frame featuring a floral clasp. Decorated with a pink rose and gilded scr...

LB handmade, one of a kind ,Vintage Chinese kingfisher inlaid gold beads and French 80’s Bakelite beads comprise a necklace of incredible beauty.Antique Turquoise glass...

From the makers, Landers, Frary & Clark, a set of 30 table knives and forks with carved, ivory colored Celluloid handles, circa 1900-1920. Landers, Frary & Clark was a housewares ...

Stunning and classic server credenza by Milling Road of Baker Furniture. This Asian inspired cabinet has brass accents including brass caps on feet. Cabinet top and sides have been r...

Lorraine’s Bijoux has on offer a central piece of Vintage Bakelite; silver Leather, vintage Southwest Paua Shell, Sterling Silver, Turquoise (Mexican brooches). This one of a kind ne...

Antique James Dixon & Sons 4186 English Victorian Silver Plated Tea Service Set with Monogram- 4 Pcs. Set includes (1) Teapot, (1) Coffee pot, (1) Creamer, (1) Sugar bowl. Each piece...

Rare 1920s Art Deco Jungle Green Ruba Rombic Glass Serving Dish by Consolidated Glass This rare 1920s Ruba Rombic serving dish, designed by Ruben Ha...

A service for twelve, Pearlized Bakelite handles and stainless steel flatware set, in the Art Deco style, circa early 1930s. Marked Firth-Sterling Stainless Steel. Firth-Sterling wa...

Mythological Seas: Pair of 18th-Century Portuguese Azulejo Mermen 18th Century This spectacular pair of 18th-century Portuguese tile pictures depicts two imposing mermen. Executed i...

Handcrafted Arts and Crafts period industrial style oak bank of drawers with half-moon pulls, circa 1910. Likely an American piece, this is an extremely versatile, handsome chest cr...

This piece is an abstract acrylic painting created on a wood panel. It features a bold, energetic composition built from large, block-like shapes and expressive strokes of saturated ...

1938 Art Deco Streamline Industrial Stapler – Ace Fastener Corp. Pilot Model No. 402 A true icon of streamline industrial design, this 1938 Ace Fastener Corp. Pilot Stapler No. 402 ...

19th Century Extra-Long Brass Sleigh Bells on Leather Belt: 39 Jingle Bells, Nearly 8 Feet Long A spectacular and highly authentic set of original 19th-century brass sleigh bells, featuring an impressive 39 hand-cast bells mounted on a nearly 8-foot-long leather strap. This exceptional antique offers not only a beautiful historic presence, but also the perfect traditional “Jingle Bells” sound, bright, rich, and unmistakably festive, just as sleigh bells should be. Each bell is solid brass, tightly fastened and fully functional, producing that magical tone that modern reproductions rarely achieve. The leather strap retains its original metal buckle and remains surprisingly supple and pliable for its age. With simple annual conditioning, it should continue to remain strong and flexible for years to come. The strap appears handmade and hand-stitched, and while there are small areas of thread loss consistent with age, the original workmanship was so solid that these minor imperfections do not compromise the structural integrity of the piece. The leather has developed a beautifully worn patina that speaks to more than a century of use, adding depth and authenticity to its appearance. In the 19th century, long straps of sleigh bells like this were affixed to horse harnesses so travelers could be heard approaching through winter snow, helping prevent collisions on narrow rural roads. Over time, this cheerful sound became woven into the imagery of the holiday season and ultimately inspired the classic Christmas carol, “Jingle Bells.” Today, authentic sets like this capture the warmth and romance of Victorian winter travel and embody the nostalgia of an old-fashioned Christmas. Because of its impressive length, this sleigh bell strap lends itself beautifully to holiday decorating. Many collectors enjoy hanging it on a door so it jingles each time someone enters or exits, while others drape it across a mantel for a warm, traditional seasonal moment. It also looks wonderful wrapped around a staircase railing, stretched along a festive tablescape as a conversation piece, or even displayed on a wall as a piece of functional folk art. However it’s arranged, the authentic sound and historic character bring instant Victorian holiday charm to any space. Original 19th-century sleigh bell straps in this size and condition have become increasingly difficult to find, especially with such a full complement of bells still attached. Modern reproductions, while decorative, seldom replicate the deep, resonant sound of genuine antique brass or the rich patina only time and use can create. For lovers of Americana, equestrian history, Victorian Christmas...

Sensational butterscotch leather club armchairs. In the style of Ralph Lauren or Jean Michel Frank. Excellent proportions. Chairs are extremely comfortable. Very heavy chairs. Us...

This authentic 1970s Lane credenza exemplifies late Mid-Century design with distinct Asian-inspired elements. Featuring the hallmark craftsmanship Lane furniture is renowned for, thi...

These elegant and high-style Art Deco pierced sculptural panels, very rare, depict two tall, slender, impossibly elegant figures on the beach: a tall, athletic young man in a swimsui...