Seattle

UK Import Nesting Table Three Piece Set. Makers Mark on the Bottom as Pictured. Swiveling Flip Top, Two Chairs Slide in . Dimensions. 29 W ; 16 D ; 33 H

Myrna pendant light by Ladies & Gentlemen Studio Dimensions: 37” x 24”, 6” globe (medium) Materials: steel, glass Shade Options - Perforated smoke, pe...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income from this work to Mount Sinai to support their efforts saving lives… Picadas creates photographs and video installations of places, situations and architecture that not only reveal their inner essence but also hint at dark unknown recesses. By partially stripping away the surface features of an image, the artist unearths visions that give rise to both a secret countenance and a psychic inner landscape. The artist explains, “In my photographs I examine and reveal the ways in which one can freeze both space and time by re-contextualizing different parts of reality and recombining them in new ways. The result is that both objects, and even situations, can be transformed into a kind of sculpture, providing us access to new knowledge about the nature of our reality.” The current works on view include photographs from Costas Picadas...

Nude Portrait of a Woman. Blue Background, Appears to be Pastel on Paper. Signed by Jp Gaston. Wear Condition Consistent with Age. Dimensions. 17 1/2 W ; 1/2 D ; 23 H

Brass spun cluster 5 pieces light by Ladies & Gentlemen Studio Dimensions: 6-1/4" diameter shades; 8" high shades Materials: Copper, brass, wire, cord Finishes: brass, blackened b...

Set of 5 Aura Cluster by Ladies & Gentlemen Studio Dimensions: 10" x 3" x 15" (10" Aura) 15" x 3" x 18" (15" Aura) Materials: copper, brass, wire, cord Finishes: blackened steel, brass, copper All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. Socket/lamp: E26/E27; Bulbs: G25/ G125 recommended watt/volt: max 60w; line voltage to 300v Ladies & Gentlemen Studio is a multi-faceted design studio based in Brooklyn's Red Hook neighborhood. Our aesthetic and design philosophy embraces complementary opposites with an unexpected balance of warm minimalism...

Matte black spun pendant light by Ladies & Gentlemen Studio Dimensions: 6-1/4" diameter shade; 6- 3/4" high; 5” canopy Materials: Copper, brass, wire, cord Finishes: brass, matte ...

Set of 2 aura cluster by Ladies & Gentlemen Studio Dimensions: 10" x 3" x 15" (10" Aura) 15" x 3" x 18" (15" Aura) Materials: copper, brass, wire, cord Finishes: blackened steel, brass, copper All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. socket/lamp: E26/E27; Bulbs: G25/ G125 recommended watt/volt: max 60w; line voltage to 300v Ladies & Gentlemen Studio is a multi-faceted design studio based in Brooklyn's Red Hook neighborhood. Our aesthetic and design philosophy embraces complementary opposites with an unexpected balance of warm minimalism...

Myrna pendant light by Ladies & Gentlemen Studio. Dimensions: 37” X 24”, 6” globe (medium). Materials: steel, glass. Shade Options - Perforated Smoke,...

Speckled Glass Beige and Brown Triangular Makers Mark on the Bottom. Groove’s on Handles. Stand Not Included. Dimensions. 11 Diameter; 2 D

The decor consists of a pair of brass-toned candleholders. They feature a classic design with a slender, elongated body and a broad octagonal base. Each candlestick has a flared top ...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income from this work to Mount Sinai to support their efforts saving lives… Picadas creates photographs and video installations of places, situations and architecture that not only reveal their inner essence but also hint at dark unknown recesses. By partially stripping away the surface features of an image, the artist unearths visions that give rise to both a secret countenance and a psychic inner landscape. The artist explains, “In my photographs I examine and reveal the ways in which one can freeze both space and time by re-contextualizing different parts of reality and recombining them in new ways. The result is that both objects, and even situations, can be transformed into a kind of sculpture, providing us access to new knowledge about the nature of our reality.” The current works on view include photographs from Costas Picadas...

Unique Vintage Piece with Cool Patina. Mostly For Decorative Purposes. Brass Toned. Vintage Condition and Patina Consistent with age as Pictured. Dimensions. Tray 10 Diameter; 36 H

Letter Opener with Anchor and Rope Details at the Top. Vintage Condition Consistent with Age as Pictured. Dimensions. 9 W ; 2 D ; 1/4 H

A very well-designed piece of Folk Art made from Industrial roller chain, this piece has four cups for tapers and an upper deck for a pillar candle at the t...

Green Bowl with Floral Motif Inside. Makers Mark on the Bottom. “ Franciscan tEarthenware” as Pictured. Vintage Condition Consistent With Age as pictured. Dimensions. 7 Diameter ; 2 H

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

Medium: Archival pigment print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Signed by the artist. Edition of 5. Artist and photographer Paul-Émile Rioux lives in Mo...

Muted Color Palette that Suites Gold Colored Frame.Frame has a International Cracked Style. Back of Canvas has aged as Pictured. Dimensions. 34 W ; 1 D ; 28 H

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Mid Century Modern Style Pottery with Abstract Bird Sculpture on the Top Handle. Makers Mark on the Bottom as Pictured. Dimensions. 9 1/2 W ; 6 D ; 10 H

Character Study Portrait on Paper.Each is Signed by Zoe Kennedy 09 as Pictured. Wooden Frame, Vintage Condition Consistent with Age as Pictured. Dimensions. 14.5 W ; 1/2 D ; 19 1/2 D

Vintage Artwork of Abstract Yard Landscape. Possibly Watercolor on Paper.Signed JP Gaston as Pictured. Dimensions. 15 W ; 1/8 D ; 23 H

Gold Accent on all 4 Sides.Appears Restored as Pictured. Tag From Purchaser Reads 16 Mahogany and Gift Metal Stand. Dimensions. 16 1/2 W ; 14 D ; 28 H

Historic Print of Original Oil Painting by Fr. & R. Stegmiller of Jerusalem in 1928. Primarily Red and Yellow Tones as Pictured. Vintage Condition Consistent with Age as Pictured. D...

Vintage Embroidery Maroon Fabric.Bright Colorful Stitching Abstract Pattern. Dimensions. 17 L ; 10 1/2 W

Nature Landscape of Houses by Stream . Primary Colors are Green and Blue. Unsigned. Appears to Have Previously Been Framed due to Conditioning Around the Edges as Pictured. Dimensio...

Vintage Terra Cotta Pot Curved Edges Swirl Motif Antique Style Dimensions. 9 W ; 9 D ; 5 1/2 H

Possibly Watercolor or pen on Paper. Unsigned. Vintage Condition Consistent with Age as Pictured. Dimensions. 25 W ; 13 H

Vintage Landscape Painting with Purple hue on Board. Signed in the Lower Corner as Pictured. Vintage Condition Consistent with Age as Pictured. Dimensions. 20 W ; 16 H

Vintage Pottery Abstract Brown Motif Pentina Consistant with Age Decor Antique Style Dimensions. 7 W ; 7 D ; 4 H

Possibly Watercolor or Pen on Paper. Unsigned Landscape Art of Mountains and waterfall. Vintage Condition Consistent with Age as Pictured Dimensio...

Vases are Covered with Gold Toned Flower Motifs with Central Images of Embroidered Bouquet. Makers Mark on Bottom Stating Made in England as Pictured. ...

Clock with Intricate Hands, Circular Number system. Has not been Operationally Tested. May or May not Work. Wear and Tear Consistent with Age. Box H17 Dimensions. 13 W ; 2 D ; 13 H

Vintage Art Print of Abstract Sailing Boats. Possibly Watercolor on Paper.Signed JPGaston as Pictured. Dimensions. 15 W ; 1/8 D ; 23 H

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Moody yet brightly colored and starkly shadowy nude portrait of a woman of exceptional quality and unusual style.

Mid-Century Spanish chandelier. Clean lines, compact size.

blackened metal frame, crystal and glass 9 light chandelier found in Paris, newly rewired (6 outer candles, 3 interior) nice small size, very pretty lit

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Great piece of sculpture- female form on its original stylized deco style tripod stand. Worn and distressed, with light remnants/shadows of a harlequin p...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Grand chest with 3 drawers , lined in green silk. Drawer pulls with facing lions and key for drawer locks. Would be great in any room - the size and charac...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Instead, a scanner and a computer became my substitute for photosensitive materials and a ...

My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Instead, a scanner and a computer became my substitute for photosensitive materials and a ...

My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Instead, a scanner and a computer became my substitute for photosensitive materials and a ...

The history of photography is replete with examples of image capture without a camera. My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Ins...

The history of photography is replete with examples of image capture without a camera. My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Ins...

The history of photography is replete with examples of image capture without a camera. My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Ins...