Tri-State Area - Art

Paper Size: 15.5 x 12.25 inches ( 39.37 x 31.115 cm ) Image Size: 15.5 x 12.25 inches ( 39.37 x 31.115 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship World...

A fluid wash of bubblegum pink fills the surface of this painting. Ricard has written in bright yellow, blue, and vivid silver the following: So how do you be friends w/a whore? Business being business/Ethically, a ho can’t rat on its tricks; so if the ho is hohoing yr husband Damned if you’ll ever find out. March 26. Whore sharply contrasts the beauty of silver, yellow, and pink with Rene’s pithy, obscene pronouncement. The pink ground is applied in a sheer wash, like Male Cinderella’s background, and the artist’s cursive shimmers in the same silver as One Shoe One You / True Love, Size 3?, and This is not a thanksgiving pumpkin. While Whore shares enticing formal qualities with other works in this group, the text snaps us to cold reality, down into the gutter with a bump. Ricard is happy to visit a fairy tale, but doesn’t stays in the fantasy for long. There’s an intimacy to this work’s smaller scale which compels the viewer to lean in and decode Ricard’s poetry. The artist’s outsized signature is with initials in dark blue, which pop out against that beautiful saturated pink. Canvas floater frame, in maple with .25 inch moulding. Whore is part of a group of works dating from 1989-1990 as Rene Ricard prepared for Mal de Fin at the Petersburg Gallery, New York, in 1990, his very first one-man exhibition. Born Albert Napoleon Ricard, he moved to New York in the 1960s at the age of 18. With that relocation, Albert died, and Rene was born. Instantly adopted into Andy Warhol’s glittering orbit, Ricard thrived in the city, with its heady concentration of art, culture, and debauchery. In New York Ricard found the milieu where he would shine. He acted in underground films, playing Warhol in the artist’s own Andy Warhol Story. He became a renowned poet and writer, published in the Paris Review and Artforum. In typically wry fashion he explained how he became a painter: “I began adding images [to my poetry] because I’ve always liked to draw and paint. And it was hard to find junk-store paintings of the right quality, things that could support some writing, so I just started making the images myself. Unfortunately, people really like that, even though I far prefer just the writing.” Ricard drew on his vast knowledge of literature and art history, weaving these references together with bursts of autobiographical poetry: what the New York Times termed his “seething verbal finesse.” Ricard, having spent years in the Factory’s milieu, learned from Warhol’s creative strategies. Warhol created images quickly with screen printing, with no regard for perfection. Duplication was the method and the ideology. Ricard, too, worked quickly: urgency was part of his visual language of looped cursive and scribbled colors. He often borrowed a lithographic plate or silkscreen from already-completed works, printing the matrix on canvas or paper to create backgrounds for new works (Size 3’s red printed background may be an example of this). He appropriated thrifted paintings and discarded items such as a pinboard or a piece of insulation, so long as the object in question had a flat surface upon which to work. The two artists were both outsiders to the art world in a sense—Warhol coming from the world of design and Ricard, a bona fide author, but both intuitively understanding how to compel the viewer. As Warhol anthologized consumerism, Ricard catalogued desire. For example, Size 3 and One Shoe One You feature Ricard’s take on Warhol’s famous shoe drawings...

Yoshitomo Nara Midnight Truth, 2017 Offset lithographic poster Stamped with title, artist's name, copyright and year Unnumbered 20 1/2 × 14 1/4 inches Unframed published by N's Yard,...

Large and powerful French modern street scene. A paris view by Claude Aliotti (1925 - 1989). Oil on board. Signed. Framed. Image size, 18"L x 24"H.

Roy Lichtenstein The Red Horsemen, aka The Equestrians (with COA from the 1984 Olympic Committee), 1982 Limited Edition Lithograph and offset Lithograph on Parsons Diploma Parchment...

Alessandro Maffei, After Elisabeth Louise Vigee Le Brun, Italian - Portrait of Marie Gabrielle de Gramont, Medium: Oil on Canvas, signed lower right, Size: 39.25 x 27.25 in. (99.7 ...

The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...

5082 Modernist misty seascape painting in shades of blue. Rapped canvas painted on edge no need for frame

Andy Warhol (after) Flowers, Galerie Sonnabend announcement invitation card, 1970 Offset lithograph on smooth card, addressed with postmark 7 1/5 × 7 1/5 inches Unframed Instead of observing flowers in nature, Andy Warhol found his botanical inspiration in a 1964 issue of Modern Photography. He transformed a photograph of hibiscus blossoms into a technicolor series of silkscreens, each simply titled Flowers and debuted at the influential Leo Castelli Gallery later that same year. Silkscreens from that exhibition have since sold for over $2 million at auction. While they evoke the Flower Power movement of the 1960s, Warhol’s Flowers have also be interpreted as a symbol of mourning, as the artist created these works just after President John F. Kennedy’s assassination...

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With ...

Incredible signed early American dog portrait painting. Oil on board. Signed. Housed in a period gold giltwood frame.

Published in 1990 by Rosenthal, Germany, Roy Lichtenstein’s, Water Lilies is an exquisite glazed porcelain charger, brilliantly colored, accompanied by signed certification and its o...

Commonly referred to as the Snow Moon because of snowfall typical in February, the bright orb illuminated the night sky in New York City. The Snow Moon was the second full moon of 20...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking the streets by the Porto st. Martin in Paris with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a wonderful wood carved antique frame with original name plate affixed bottom center and hanging wire on verso ready to be displayed. Art measures 20 x 24 inches Frame measures 28 x 32.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This work by Lucien Adrion is a wonderful representation of his Post-Impressionist works at the seashore by the French Riviera. Using a bright palette of colors, Adrion executes this piece with much attention to detail with many boats situated along the marina. There are palm trees and buildings placed in the distance, as we can feel the warmth of the sun contrasted with the cool breeze of the water. The boats are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of enjoyment from that sunny day at the marina. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent, we can find several of his works like this subject and others. The piece is signed by the artist lower left and it comes housed in a French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 19 x 23.5 inches Frame measures 27 x 32 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Antique American winter seascape with an iceberg by Carl Philipp Weber (1849 - 1922). Oil on canvas. Signed. In excellent original condition. Handsomely framed in a period gold g...

SUPER RARE! Invitation Card to private Andy Warhol Memorial Lunch, from the Estate of Tim Hunt, 1987 Offset lithograph card 6 1/2 × 3 3/5 inches Unframed This exclusive invitation to the private memorial lunch for Andy Warhol is an historic collectors item. Few people in the world own this card other than those who were invited to the event and/or their heirs, though it has occasionally appeared at public auction now that another generation has passed. This offset lithograph invitation card to Andy Warhol's Memorial Lunch at the Diamond Horseshoe in the Paramount Hotel bears an image of Andy Warhol's iconic 1967 Marilyn on one side, and on the other side is an announcement that reads as follows: ANDY WARHOL A Memorial Lunch Wednesday, April 1, 1987 The Diamond Horseshoe 235 West 46th Street New York City Special thanks to: Carillon Importers Caffe Condotti Glorious Food All leftover food and flowers will be donated to the homeless program at Church of the Heavenly Rest. Marilyn - Andy Warhol 1967 The provenance of this card is impressive as it comes from the estate of Warhol Foundation curator and sales agent Tim Hunt, who was married to bestselling author Tama Janowitz, author of "Slaves of New York". Tama would describe how she met Tim Hunt as follows:  "Andy Warhol died in 1987. In the long hot summer after, I bought a tiny basement apartment on West 70th Street over by West End Ave. That’s when I met Tim Hunt. A model for Werther’s Caramel and Ralph Lauren who’d gone to Oxford and had a brother who was a famous race car driver, he’d been with Christie’s a few years and had come over from England to work on the Warhol estate. He would later become my husband. Andy would have loved Tim. But the two had never met..." The event in this invitation is the more exclusive Memorial Lunch on April 1st 1987, held prior to Warhol's Memorial Mass at St. John the Divine, later that evening, the latter of which was attended by thousands of people. The press referred to this earlier event as a "Special Memorial Lunch Party" - using the vernacular of the day, as everything in the mid to late 1980s seemed like a party - until it was not. Interestingly, no start time, or even time range, is mentioned on this invitation - something that is rarely if ever missing from such an item; further evidence that it wasn't enough just to get this card; one had to already be in the know to be able to attend. Either that, or the lunch party was going on all day - so invitees could show up whenever they wanted. Or, alternatively, it was simply an accidental omission with no hidden message. And another side note: one of the sponsors of this Memorial luncheon, Carillon Importers, is the holding company or importer for Absolut Vodka, which commissioned Andy Warhol to create a series of advertising ads that would comprise one of the most successful, award-winning advertising campaigns of the era - and the most successful of the company's history. Who attended this event? Probably everybody who was anybody in the nexis of art, celebrity, high fashion and big business. Getty images features photographs by celebrity paparazzo Ron Galella of some of Warhol pals entering or leaving the Diamond Horseshoe for this exclusive event including Dianne Brill...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking in front of the Théâtre de l'Atelier with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a gold tone French style carved wood frame with hanging wire on verso ready to be displayed. Art measures 14 x 18 inches Frame measures 18 x 22.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

Roy Lichtenstein at CSU, exhibition catalogue, 1982 Softback exhibition catalogue with 2 very cool vellum pages with the Benday dots Unsigned 11 × 8 1/2 in...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts a gestural red Tulip on a silver background with thick use of paint. It is housed in a wonderful ...

This lithograph is perfect for adding a touch of abstract sophistication to various interior spaces. Its organic and fluid qualities make it suitable for living rooms, offices, or ga...

3919a Antique German oil painting river crossing in a gilt wood frame Image size 12x12"

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size: 14 x 18 in. (35.56 x 45....

Artist: Slonem, Hunt Title: Currency Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Edition: U...

PINK HOUSE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...

Derek Boshier Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publishe...

Figurative abstract oil on canvas of a performing orchestra. Great colors and brushstrokes. Signed lower right.

Lowell Blair Nesbitt's crisp rendering of a white rose is emblematic of the artist's realistic style and emphasis on light. Artist: Lowell Blair Nesbitt, American (1933 - 1993) Tit...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

SCHOMBURG LIBRARY is a hand drawn, limited edition lithograph printed using traditional hand lithography methods on archival Arches printmaking paper...

Yayoi Kusama Pumpkin: Red and White: An iconic, vibrantly colored pop art piece - this small Kusama pumpkin sculpture features the universal polka dot patterns and bold colors for wh...

Tracey Emin Love is What You Want, 2015 250 gsm silk finish paper. Hand signed on the front by Tracey Emin in white grease pen/sharpie 27 1/2 × 19 7/10 inches Edition of 500 (unnumbe...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on an Aqua Mist blue background with thick use of pain...

An exceptional impressionistic depiction of an afternoon along the Jardin des Tuileries, Paris by Jules René Hervé on a summer day with the busy activities of people walking and of f...

Gloria Vanderbilt Untitled mother and child painting Gouache on paper Signed by the artist on the front Frame included A poignant painting of a mother and child from the 1960s. While the title is not known, some have suggested this could be a self-portrait of the artist with one of her sons – either her youngest, Anderson Cooper or eldest, Wyatt. Provenance: This work was originally sold by Hammer Galleries...

This poster was created for the annual exhibition "Painters, Witnesses of Their Time" at the Galliera Museum, Paris. The lithograph, derived from a detail of Marc Chagall's preparato...

Vintage abstract beach scene oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to han...

Terry Winters Mostly Mozart Festival (Hand Signed), 2009 Silkscreen poster on wove paper Hand signed by the artist on the lower right front in 2016 39 4/5 × 30 1/4 inches Unframed This hand signed silkscreen was created on the occasion of Lincoln Center's Mostly Mozart Festival in 2009 and features one of Terry Winters' iconic silkscreens titled, "Illustrated Set". This work was created in 2009 and signed by the artist 2016. Terry Winters signed it for the present owner, so provenance is direct. The regular (unsigned) edition was 800; however, this work is uniquely signed by hand. In very good condition; the only gentle handling marks were caused by Terry Winters when signing. Terry Winters biography Over the last four decades, Terry Winters has expanded the concerns of abstract painting by engaging contemporary concepts of the natural world. Many of his earliest paintings depict organic forms reminiscent of botanical imagery. Over time, his range of themes expanded to include the architecture of living systems, mathematical diagrams...

Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...

Vintage cubist abstract oil painting. Oil on canvas. Signed. Framed. Measuring 27 by 34 inches overall and 24 by 30 painting alone. In excellent original condition. Handsomely fram...

Jean Sariano, Algerian/American (1943 - ) - Working Proof, Year: 1979, Medium: Intaglio Etching and Aquatint, signed and numbered in pencil, Edition: 300, Image Size: 18.5 x 16.5 i...

Roy Lichtenstein (after) Eddie Diptych: Selections from the Ileana and Michael Sonnabend Collection, Princeton University Art Museum poster, 1985 Off...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the busy Parisian street from the 20th Century with much life. The artist mostly used ...

This colorful contemporary landscape painting by Carol Young features a vibrant palette and captures a rural scene. A mint-green house sits in a golden yellow field in front of green foliage, beneath a blue sky. The painting is signed by the artist in the bottom right-hand corner of the painting. It is made on gallery wrapped canvas and has clean, finished sides. It is ready to hang. Carol C...

Self Portrait in a Flat Cap (weeds) fourth state 1974 Etching in black on Apta 501 paper plate 25.4 x 31.4 cm / 10 x 12⅜ in. paper 66.0 x 50.8 cm / 26 × 20 in. Edition 38 with 14 Artist's Proofs this copy an artist’s proof Published by Petersburg Press, New York; printed by Alan Uglow and Winston Roeth Signed, dated and annotated A/P below impression The fourth state of a series of modifications of Jim Dine’s self portrait...

From the Collection of Contemporary Art: Gerhard Richter. Copyright Stamp collection, printed in Germany. Originally painted as an oil on canvas in 1985, reproduced in 1991, colors c...

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 26 by 34 inches overall and 20 by 28 painting alone. In excellent condition. Handsomely framed in a period ar...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 5.91 inches Inscription...

Paper Size: 27 x 35 inches ( 68.58 x 88.9 cm ) Image Size: 21.25 x 33 inches ( 53.975 x 83.82 cm ) Framed: No Condition: A: Mint Additional Details: Poster for Jackson Pollock's "Num...

This is a William Tolliver Original oil painting on canvas 64x52. In great condition frame has wear and tear on it. Buyer is responsible for shipping

Paper Size: 25 x 31.5 inches ( 63.5 x 80.01 cm ) Image Size: 20.5 x 29 inches ( 52.07 x 73.66 cm ) Framed: No Condition: A: Mint Additional Details: Limited edition print publi...

Rex Ray (American 1956-2015) "Untitled", Abstract Mixed Media on Wood, Signed Verso, 16 x 24, Early 21st Century, 2010 - Colors: Green, Yellow, Orange, Red, Pink, Black, Brown Rex Ray (Sept. 11, 1956—Feb. 9, 2015) was an American artist best known for his innovative pop aesthetic in fine and commercial art—on canvases, wood panels, album covers, paper, book jackets, murals, and rock and roll posters. Born in Landstuhl, Germany in 1956, Michael Patterson was raised in Colorado Springs. Before moving to San Francisco in 1981, Patterson, inspired by Andy Warhol, adopted the moniker Rex Ray. He attended the San Francisco Art Institute where he studied with Sam Tchakalian, Kathy Acker, and Angela Davis, and received his BFA in 1989. He became a major force in the Bay Area’s art, literary, and activist communities. Ray was one of the first artists to use Mac-based technologies in the creative process to generate art and graphics. His early designs include: the first graphics for the San Francisco chapter of Act Up; many guerilla marketing flyers and posters for queer nightclubs; and numerous book covers for City Lights Books and HIGH RISK/Serpent’s Tail. His impressive client roster in the music, fashion, entertainment, and design industries, includes David Bowie, The Residents, Bill Graham Presents, DreamWorks, Levis, Neiman Marcus, Sony Music, Warner Brothers, and Apple. Rex Ray designs have been licensed and produced as distinctive imagery on scarves, carpets, ceramics, wristwatches, surfboards, and even on a Mini...

This original exhibition poster for David Hockney’s 20 Flowers and Some Bigger Pictures at Galerie Lelong in Paris is a vibrant and visually compelling piece that encapsulates the es...

Beauty Contest, Harlem, 1963 by Leonard Freed is a 16" x 20" gelatin silver print, signed verso (on back) by the Freed estate. The image appears in Amer...

3722 Japanese Woodblock on paper set in a vintage wood frame Image size 9x10.5"

Titled Montauk Beach: 125 Miles in the Cool Atlantic, this reproduction captures the lively spirit of a classic American seaside destination. Originally created by Winchell Publicity...

Claude Venard, French (1913 - 1999) - Green Sunflower, Year: 1968, Medium: Oil on Canvas, signed lower left and dated on verso, Size: 41 x 39.5 in. (104.14 x 100.33 cm), Frame Siz...