Tri-State Area Mounted Objects

This finely preserved Indian Blue Peacock (Pavo cristatus) taxidermy mount showcases the species’ celebrated iridescent blue and green plumage in vivid detail. Native to the Indian s...

Pair of Italian Gilt Bronze Recumbent Lions, after Antonio Canova, on Red Griotte Marble base, late 19th Century 6 ½ W by 3 ½ D by 4 ¾ H in. Note : This pair of bronze lions w...

This hand-spun 8" dome is meticulously brushed and waxed to desired finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overall form...

This dreamy Pink Amethyst display showcases four hand-carved crescent moons, each cut from solid, natural stone and arranged in a balanced celestial composition upon a custom metal s...

Murano Art glass sculpture by Licio Zanetti, "Birds In Flight". Beautifully handmade art glass sculpture by a master. The seagulls are life like in their positions moving freely a...

Mid-Century Modern sculpture in patinated bronze and marble by Sante Monachesi, an impressive abstract sculpture by this renown Italian artist made of patinated bronze intricately de...

This hand-spun 8" dome is meticulously brushed and waxed to a matte satin finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overal...

One of the best known gods from Olympus, made in white matte porcelain with touches of golden luster. Hermes was cunning and clever and had the gift of oratory, which is why the gods...

Flush mounted wood cylinder with slits that emits a soft glow.

This hand-spun 14" perforated dome is meticulously brushed and waxed to desired finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's ...

This hand-spun 20" perforated dome is meticulously brushed and waxed to desired finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's ...

An ancient Indian cart wheel mounted on custom black lacquered base, with brown patina. This ancient Indian cart wheel, mounted on a custom black lacquered base, is a stunning artifa...

An ancient Indian cart wheel mounted on custom black lacquered base, with brown patina. Imagine the rhythmic creak of wooden axles and the dusty trail of a bygone era. Envision the s...

A set of five vintage Indonesian copper Batik textile printing blocks from the mid 20th century, with floral patterns. We have an unlimited stock availabl...

PAIR of English pine boot shoe trees

The tri cone pendant echoes it’s form in 3 geometric elements. A tetrahedron structure suspends a glass disc under a cone shade that houses a focused spot-lig...

The Aperture series was created to provide a beautiful quality of light by combining bounce and ambient glow. The light source is held in a hand-spun perforated brass dome on one sid...

This hand-spun 10" dome is meticulously brushed and waxed to a matte satin finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overa...

Antique 19th Century etched copper photogravure plate, mounted on wood. The photo plate features a stately house with columns, with trees in the foreground. Photogravure is a way o...

Italian Grand Tour model of the ancient Temple of Vespasian located in the Roman Forum, Rome. Carved from alabaster, this is a handsome example of a souvenir carving which would have been collected by a European or American sophisticate making a Grand Tour of the ancient sites of Italy. This wonderful architectural miniature is evocative of another time and place. Roma Templo Di Vespasiano' etched into the black marble base. It has been drilled to be wired, not the first time I have owned one of these that had been mounted as a lamp. The Temple of Vespasian and Titus is located in Rome at the western end of the Roman Forum between the Temple of Concordia and the Temple of Saturn...

It’s fascinating how Mother Nature produces these stunning 40 million year old petrified wood with such contrasting and natural patterns throughout. Modern yet with so much history. ...

Sleek 1970s smoked glass sculpture set on a black wooden base. The smooth glass undulates and tapers up from the base. It fades from a dark amber to nearly clear at the top.

A cream-colored marble disk, hand-carved in Indonesia, contemporary. Reminiscent of the traditional "Bi" disks omnipresent throughout Asia since prehistory to symbolize heaven and ...

Midcentury Harry Bertoia Sonambient sculpture featuring seven black monel "cat-tail" tops silvered to beryllium. Copper rods silvered to brass base. In fin...

A Chinese Qing Dynasty period carved stone foo dog sculpture from the 19th century, mounted on black custom made base. Created in China during the...

Large natural rock crystal (clear quartz) cluster, elegantly mounted on a custom black stand, composed of densely packed, well-formed prismatic points with softly translucent to milk...

Large, industrial, midcentury, film reel is a great accent piece or wall hanging.

Vintage Millstone on Base, 20th Century. Hand-carved, granite millstone mounted on base creates an organic sculpture.

Four foot tall sailboat sculpture made of brass rods welded together. Mesh sails and polished marble base. Please confirm location NY or NJ

Italian 1930/40s Venetian Murano clear swirl design glass cornucopia ornament with multicolored glass fruit and vegetables with 2 blue leave...

Unique gilt sculpture in the manner of Line Vautrin. Woman's face with flora and sun sits atop a stainless metal cube. singed and numbered. 9/50.

Beginning in the Bronze Age, in much of what is now Europe, there emerged a practice of ritually “killing” weapons and other possessions to be buried with the warrior to whom they ha...

French wrought iron black painted locksmith trade sign in the form of a large and elaborate key. The trefoil top filled with interlocking Gothic style quatrefoils (like four leaf clovers), with a ladder in the center joining them and a cut metal crest...

A 19th Century Italian painted and gilt reliquary with original patina. Measurements: Height: 11.5" Width: 5.5" Depth: 3"

A male necklace from the Asmat Village, Papua New Guinea. Four rows of large polished white cowrie shells in two sizes, seamlessly sewn onto a cotton macramé base, which has been ha...

Rare tones on this one and a half thick petrified wood slab, resting on a minimalist metal base. Beautiful pale blue veins with a contrasting edge left unpolished. We have a collecti...

Pair of 1950s carved horns with dragon motif on wood base. They are a definite statement piece.

An Exquisite 14K Gold, Diamonds, Emeralds, Rubies, Sapphires, and Semi Precious Stone Mounted Rhodonite Camel. Possibly by Verdura, circa 1970, Italy. A very good quality and unusual gold mounted jeweled object...

1970s Tessellated Stone Sphere on a Solid Aluminum Base Orange-Red coloring (likely Red Jasper stone) Sphere has a lacquered finish over it Spider veins in lacquer which doesn't tak...

An antique handmade boat model on pedestal from the early 20th century, with bone inlay over wood. Charming us with its exquisite craftsmanship, this antique handmade boat model from...

Originally used as a butcher's trade sign. With mounting hooks on back. This head was previously mounted on the carriage house of Buatta's country house in Connecticut.

Rare tones on this one and a half thick petrified wood slab, resting on a minimalist metal base. Beautiful pale blue veins with a contrasting edge left unpolished. We have a collecti...

Adorned with spiked braids, this prestigious custom mounted Ashetu hat embodies the cultural significance of the Bamum and Bamileke people of Cameroon, Central Africa, who revered th...

This stunning Art Deco sculpture was produced in France, circa 1930 and procured in Buenos Aires, Argentina. It features a dancing nude female form in bronze holding a pheasant in each arm. The piece sits on a cylindrical exotic black marble pedestal with a cylindrical body, wrapped in a beveled ring...

The Aperture series was created to provide a beautiful quality of light by combining bounce and ambient glow. The light source is held in a hand-spun perforated brass dome on one sid...

A rustic Thai 19th century ox cart wooden wheel mounted on a custom made black wooden stand. Born in Thailand during the 19th century, this handmade wheel is pierced in its center with a circular hole reserved for the axle tree. The wheel showcases a nicely weathered patina witnessing its long use since the 19th century. This item is mounted on a custom made black painted stepped base. With its rustic appearance and large proportions, this 19th century Thai mounted wooden ox cart wheel...

This impressive model of the nude holding a dove towering 34" high is the largest and rarest size made. A fine original French Art Deco polished nickeled bronze and black Belgian marble statue by Amadeo Gennarelli; signed Gennarelli in the stone base. The figure called "Le messager", the messenger is the original name created by the artist. In addition to the artist's signature, this sculpture bears the original label inscribed with this title and date 5...

ArtArsouf Contemporary handmade Glossy ceramic balloon sculpture. The balloon sculptures can be easily installed individually as one balloon or in different combinations creating a u...

This pair of extra-large mounted sea fans combines the organic elegance of natural marine forms with the opulence of 19th-century design. The intricate...

Two Neolithic basalt hone stones mounted on black steel bases. A hone stone was used to sharpen weapons and tools such as an adze, hoe or axe. These beautiful prehistoric objects are...

Fascinating found object sculpture having vintage iron fragment of an old fence or gate, mounted and now a piece of art. SW

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A rare 18K gold, enamel and diamond mounted carved labradorite turkey / Capercaillie bird sculpture on a petrified wood base, attributed to Manfred Wild, Idar-Oberstein, Germany. Very finely crafted of the highest quality and best color Madagascar labradorite with excellent labradorescence. The entire hand carved turkey displays and excellent shimmer effect known as labradorescence. Madagascar labradorite, rich in the phenomenal characteristics of this remarkable gemstone which displays an ever-changing sheen, that is extremely suitable for the rendering of this turkey bird...

A striking natural Mediterranean red coral specimen mounted upon a carved and giltwood urn-form base, creating a compelling interplay between organic form and classical ornament. The...

The Aperture series was created to provide a beautiful quality of light by combining bounce and ambient glow. The light source is held in a hand-spun perforated brass dome on one sid...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A vibrant, handwoven beaded belt—traditionally known as a cache-sex—crafted from multicolored glass beads arranged in a dynamic diamond motif of red, green, blue, orange, and white. ...

A natural piece of Petrified Wood set on a stand. Completely organic natural raw fossil, cleaned for display. Appearing as a towering mountain with jutting peaks. To the back sid...

A 19th Century vintage boat rudder, hand-crafted in Bali, Indonesia. Preserved almost intact, with its original paint and construction, naturally weathered by its age and use. Mo...