United Kingdom - More Art

Untitled - Figures Carrying hay, India 10.75" x 13.75" Watercolour on paper Signed bottom right This captivating painting halts the eye with its distinctive style. Probably made du...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Harkrishan Lall (1921 - 2000) Untitled (possibly St Paul's Cathedral, Calcutta) Oil on board, 1967 Board size: 51 x 40.5 cm Frame Size: 62.5 x 53.2 cm Signed bottom right and date...

North Yorkshire By David Hockney 1997 Medium: Offset Lithograph Paper Size: 19.75 x 24.25 inches ( 50 x 62 cm ) Image Size: 19.75 x 24.25 inches ( 50 x 62 cm ) Edition Size: Un...

Yellow, Blue, Orange (1955) By Mark Rothko 1988 Medium: Offset Lithograph Paper Size: 39 x 27.5 inches ( 99 x 70 cm ) Image Size: 27.5 x 18 inches ( 70 x 46 cm ) Edition Size: ...

Dove With Flowers By Pablo Picasso 1998 Medium: Offset Lithograph Paper Size: 19.5 x 15.75 inches ( 50 x 40 cm ) Image Size: 7 x 9 inches ( 18 x 23 cm ) Edition Size: Unknown

Blue & Gray By Mark Rothko 2015 Medium: Offset Lithograph Paper Size: 39.5 x 27.5 inches ( 100 x 70 cm ) Image Size: 27.5 x 25 inches ( 70 x 64 cm ) Edition Size: 800

Big Nude By Helmut Newton 1992 Medium: Offset Lithograph Paper Size: 33 x 23.25 inches ( 84 x 59 cm ) Image Size: 25.5 x 19.75 inches ( 65 x 50 cm ) Edition Size: Unknown

Ballerina Dancing Print signed initials Metallic print on board, framed framed: 10 x 12 inches size: 6 x 8 inches Provenance: private collection Condition: very good condition For ...

A charming Georgian silk embroidery panel depicting a mother and child walking through the countryside, accompanied by their faithful dog. Exe...

6.00 x 4.00 in (15.2 x 10.2 cm) Produced during Frieze 2021 week in London (for Air Mail) in a limited quantity (believed to be around 300). Sold in mint condition.

Roland Garros French Open By Donald Lipski 1995 Medium: Offset Lithograph Paper Size: 29.5 x 22.75 inches ( 75 x 58 cm ) Image Size: 29.5 x 22.75 inches ( 75 x 58 cm ) Edition ...

A2 Poster originally published via London based culture mag Sleazenation in March 2003. This is a very rare unfolded version. 2003 Medium: Offset Lithograph Edition: Unknown Size...

Seductive Girl By Roy Lichtenstein 2007 Medium: Offset Lithograph Paper Size: 26.75 x 33.75 inches ( 68 x 86 cm ) Image Size: 23.25 x 33.75 inches ( 59 x 86 cm ) Edition Size: ...

Untitled, 1969 By Mark Rothko 1998 Medium: Offset Lithograph Paper Size: 47.5 x 35.5 inches ( 121 x 90 cm ) Image Size: 41.25 x 32.25 inches ( 105 x 82 cm ) Edition Size: Unknown

Keith Haring, Montreux Jazz Festival posters (set of 3) Keith Haring was invited to design the posters for the 17th Montreux Jazz Festival in 1983 after the organiser, Pierre Keller...

Balloon Dog (Red) By Jeff Koons 2012 Medium: Offset Lithograph Paper Size: 50.25 x 35.25 inches ( 128 x 90 cm ) Image Size: 50.25 x 35.25 inches ( 128 x 90 cm ) Edition Size: 1000

A colourful Georgian sampler detailing cases of the alphabet, figures and trees. Created by Alice Fisher, aged 9, in 1815. Presented in a rustic wooden frame behind glass. Image size...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

More images and description to follow tomorrow. This painting is one of a pair by the same artist - see Seller items

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Canadian Perennials” by Ann Goldberg is a masterful display o...

Jamie Reid, Sex Pistols Promotional Banner Poster, 1977 Printed by Virgin Records Unsigned Original 1977 UK Virgin in-store promotional banner poster to promote the Sex Pistols 14 ...

Water Lilies in the Pond with Pots of Flowers Ashtray by David Hockney Fine Bone China edition of 250 numbered on the base. released by Salts Mill and comes in original packaging D...

Carmen By Marc Chagall 1966 Medium: Lithograph Paper Size: 40 x 26 inches ( 102 x 66 cm ) Image Size: 40 x 26 inches ( 102 x 66 cm ) Edition Size: 3000

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Flying Dutchman" by Roman Goss is an original abstract painti...

A Bigger Splash By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century art. Known for his vivid us...

Black Hollyhock, Blue Larkspur By Georgia O'Keeffe 1987 Medium: Offset Lithograph Paper Size: 14 x 11 inches ( 36 x 28 cm ) Image Size: 10.75 x 9 inches ( 27 x 23 cm ) Edition...

Seventeenth Century Old Master Biblical themed Oil Painting on Panel of Joseph recounting his Dream. A Follower of Rembrandt Harmensz Van Rijn 1606 - 1669. This painting follows a ...

Portrait of Sir John Wentworth, 1st Baronet, and Mary, Lady Wentworth née Lowther c.1695–1705 Attributed to Michael Dahl (c.1659–1743) and Attributed to Thomas Murray (1663–1735) T...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Romeo and Juliette By Marc Chagall 1964 Medium: Lithograph Paper Size: 25 x 39 inches ( 64 x 99 cm ) Image Size: 25 x 39 inches ( 64 x 99 cm ) Edition Size: 5000

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Meditative Rose By Salvador Dali 2002 Medium: Offset Lithograph Paper Size: 36 x 24 inches ( 91 x 61 cm ) Image Size: 28 x 21 inches ( 71 x 53 cm ) Edition Size: Unknown

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Victorian Marine 19th Century Oil Painting on Canvas on stretchers, with Shipping off the Coast in a stiff breeze and stormy seas. Another fabulous maritime painting from William Web...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Painted cast vinyl Edition of 500 (unnumbered, reported) Stamped on the underside of foot Figure in excellent condition, with minor markings. Some minor imperfections may exist given...

Julia Adams The Cloister Garden Original Architectural Painting Mixed Media with Acrylic Inks on Canvas Board in painted white wood frame Canvas Size: H ...

A Rare Jacobean Portrait of Lady Elizabeth Wheeler (née Cole), 1623 Attributed to Cornelius Johnson (1593–1661) This remarkably rare early oil on panel, presented by Titan Fine Art, has emerged as far more than an anonymous “Portrait of a Lady.” Preserved in outstanding condition—its surface retaining exceptional clarity in the lace and textiles—it has only recently been reunited with the identity of its sitter: Elizabeth Cole (1607–1670), later Lady Elizabeth Wheeler, a Westminster gentlewoman whose later life brought her into intimate royal service as laundress for His Majesty’s person. That combination—high quality, uncommon survival, a newly identified sitter, and a life that intersects directly with the last acts of Charles I—places this portrait in a category of genuine rarity. It is not simply a beautiful Jacobean likeness; it is a rediscovered historical document - legible and compelling. The sitter is presented half-length against a dark ground, enclosed within a painted sculpted oval surround that functions like an architectural frame. This device, fashionable in the 1620s, concentrates the viewer’s attention and heightens the sense of social presentation: the sitter appears both physically and symbolically “set apart,” as if viewed through a refined aperture. The portrait’s immediate power, however, lies in the costume—an ensemble of striking modernity for c. 1623 and rendered with a precision that survives with remarkable crispness. She wears a deep green gown—a fitted overgown with open sleeves—over a finely embroidered linen jacket (a stiffened bodice/waistcoat garment). The sleeves form pronounced “wings” at the shoulder, a structurally assertive fashion detail of the early 1620s that enlarges the silhouette and signals sophistication. Beneath the green overlayer, the white linen jacket is richly ornamented in gilt embroidery. The goldwork is arranged as scrolling foliate forms—looping, curling tendrils punctuated by seed-like stippling—organised into balanced compartments across the bodice and sleeves. The motifs read as stylised botanical forms with rounded fruit-like terminals and leaf elements: not literal naturalism, but controlled abundance. The technique is described with extraordinary intelligence, mimicking couched metallic thread through patterned, “stitched” marks, while tiny dots and short dashes create a lively tactile shimmer. This embroidered jacket sits above a newly fashionable high-waisted, sheer apron or overskirt. The translucent fabric falls in soft vertical folds and is articulated with narrow lace-edged bands, giving the skirt a crisp rhythm of alternating sheer and patterned strips. At the neck, a fine ruff frames the face: a disciplined structure of pleated linen finished with delicate lace. Draped diagonally across the torso are long gold chains, painted to suggest weight and metallic gleam; they function both as ornament and as a further signifier of status. The cumulative effect is controlled luxury: she is not overloaded with jewels, but clothed in textiles whose cost and craftsmanship speak unmistakably. The recent sitter’s identification rests on heraldic and genealogical analysis: the arms shown on the painting correspond to those recorded for several families in armorial sources, but when the lines of descent are tested against survival and chronology, the viable bearer by 1623 resolves to Cole, and—crucially—to the London branch. That resolution matters because it anchors the portrait to a very specific social world: London/Westminster civic gentry and Crown administration, the milieu in which portraiture served as both self-fashioning and social instrument. The recent identification of the sitter (the London Cole branch of the family) is not merely genealogical; it has direct implications for authorship. A London-based mercantile or civic-gentry family would have ready access to leading immigrant artists, familiarity with heraldic display conventions, and the means to commission oil on panel, still standard among Netherlandish-trained painters. In that context, the portrait’s age inscription and date become especially revealing. The painting states the sitter to be nineteen years of age. Yet Elizabeth Cole’s birth in 1607 suggests she would be younger if the portrait is dated as early as 1623. The key insight is that the “incorrect” age is best understood not as a mistake but as a deliberate social adjustment, a performative statement rather than a documentary one. The most persuasive explanation is strategic. Portraits of high-status unmarried women were frequently made in connection with marriage negotiations. In the early 1620s, Elizabeth’s future husband, William Wheeler, was resident abroad at Middelburg in Zeeland in the Dutch Republic. If a portrait was intended to support or facilitate a match with an educated, ambitious man—“a man of learning and letters,” —then presenting a seventeen-year-old as nineteen would subtly reposition her as more mature and more nearly a peer in age, Wheeler being around twenty-two. The portrait thus becomes an instrument of alliance, not merely a likeness: an image designed to persuade, reassure, and elevate. This reading aligns perfectly with the period’s wider conditions. The early 1620s in England were charged with anxiety and expectation: James I’s later reign was marked by court faction, diplomatic tension, and the pressures of European conflict. The so-called “art market” was inseparable from these dynamics. Portraiture flourished because it served multiple functions: it fixed lineage, advertised alliance, signalled readiness for marriage, and projected the stability of elite households in an uncertain world. For Westminster families whose power came through office, portraiture was also a declaration of belonging—proof that administrative elites possessed the cultural polish traditionally associated with older aristocratic rank. Elizabeth’s later life vindicates the portrait’s impression of steadiness. Although no record survives of her marriage ceremony to William Wheeler, wills suggest she had married him by the mid-1630s, and there are strong grounds—consistent with the portrait’s implications—for a union already in place by the early 1630s, possibly earlier. Wheeler himself rose rapidly. By 1639 he held a manor at Westbury Leigh in Wiltshire and sought letters of denization due to overseas birth, enabling him to stand as Member of Parliament for Westbury. He leased the principal manor of Westbury the following year, coinciding with his election. In government service he became Remembrancer of the Exchequer and held office across regime change, a testament to administrative skill and political pragmatism. It is Elizabeth, however, who makes this portrait exceptional. She became laundress for His Majesty’s person, responsible for the washing and oversight of the King’s personal linen—an office that, despite its domestic description, required unusual trust, discretion, and access. Her role becomes visible in 1643 when she was granted a warrant signed by the Speaker of the House of Commons to follow the King to Oxford with her servant after the outbreak of the Civil War. She continued to serve during the King’s captivity after 1646, and at Carisbrooke Castle in 1647 she and her maid were implicated in smuggling secret correspondence to and from Charles I, in service of escape plans. After the King’s failed attempt to escape in March 1648, she was removed—yet the King’s trust persisted: he was permitted to send her remaining jewels in an ivory casket...

Ads: Rebel Without A Cause (James Dean) By Andy Warhol 1990 Medium: Offset Lithograph Paper Size: 15.75 x 12.25 inches ( 40 x 31 cm ) Image Size: 13.25 x 9.5 inches ( 34 x 24 c...

Bound Heart is a unique oak wood and cotton cord sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 × 34 × 26 cm (7.5 × 13.4 × 10.2 in). The sculpture comes with...

KAWS KAWS BFF Black (KAWS BFF Companion), 2017 Vinyl and cast resin sculpture
 Signature to feet Presented in original box, and accompanied by unique ho...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Edwadian early Twentieth Century Impressionist English Landscape Oil Painting of Findon, Sussex. William Lee Hankey - Large Framed Oil Painting. English Landscape with Sun dappled ...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Couple at play Watercolour on paper laid to board 21cm x 14cm Mounted 39cm x 29cm 1921 Signed with Monogram Bottom right This is an exquisitely executed watercolour painting that ...

Composition Fond Bleu By Henri Matisse 1996 Medium: Offset Lithograph Paper Size: 39.25 x 27.5 inches ( 100 x 70 cm ) Image Size: 34.5 x 21.75 inches ( 88 x 55 cm ) Edition Si...

6.00 x 4.00 in (15.2 x 10.2 cm) Produced during Frieze 2021 week in London (for Air Mail) in a limited quantity (believed to be around 300). Sold in mint condition.

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Seeing Blue (BFF Lamp) By Kaws KAWS, the pseudonym of American artist Brian Donnelly, is widely recognized for his distinctive blend of street art and pop culture iconography. Ren...

Andy Mouse By Keith Haring 1990 Medium: Offset Lithograph Paper Size: 31.5 x 23.5 inches ( 80 x 60 cm ) Image Size: 22 x 22 inches ( 56 x 56 cm ) Edition Size: unknown

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Untitled (1983) By Keith Haring 1992 Medium: Offset Lithograph Paper Size: 35.5 x 35.5 inches ( 90 x 90 cm ) Image Size: 35.5 x 35.5 inches ( 90 x 90 cm ) Edition Size: Unknown

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...

Victorian Marine Oil Painting of Sunset Scene with Shipping and Row Boats returning to Shore at the end of the day. A beautiful small framed Oil on Panel that is framed in a handmad...

Modern Twentieth Century Signed Miro Lithograph Le Lezard aux Plumes D'Or - Signed on the Plate and authenticated by the Mourlot family. This Lithograph by Miro was originally for G...