Vancouver - Side Tables

French Louis XVI style mahogany gueridon or pedestal side table featuring an inset marble top surrounded by a pierced gilt-metal gallery. The circular top is framed by a delicate bra...

The coffee table Amami is made entirely of bronzed glass. The top is circular and 45cm in diameter, while the base is obtained by gluing slightly bevelled 6mm thick slabs. Bronzed ...

A fine quality antique French Parisian marble-top mahogany bedside cabinet, circa 1890. Exquisitely hand-crafted in France in the late 19th century, exceptionally executed in refi...

A pair of Louis Xvi style side occasional tables with thick marble tops & pierced brass gallery surrounds. Smaller in size and of substantial weight; Mid 20th c.

This elegant Louis XVI–style side table is crafted in cherry wood and features refined, classical proportions characteristic of the style. The table opens with two discreet side draw...

Side table colisee bronze with solid bronze base and with emperador marble round top. Measures: Diameter 60cm x height 58cm, price: 3650,00€. Also available in diameter 50cm x height...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 34 x W 48 x H 57,5 cm Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose ...

Side table from France in the Louis XVI style. This charming side table is made of solid wood construction, primarily mahogany. It has been ebonized and finished with a lustrous Fren...

Louis XVI Side table

This elegant French bouillotte table, crafted in the early 20th century, embodies the timeless sophistication of the Louis XVI style. Featuring a round marble top with soft veining, ...

Auréas Side Tables by Colo Studio Material: Bronze, golden polish Dimensions: H 42 x 31 x 40 cm (Quantity: 3) H 33 x 40 x 45 cm (Quantity: 1) H 33 x 40 x 60 cm (Quantity: 1) Year: 20...

Codex or Códice means in latin a chunk of wood, it’s also used to refer to hand written manuscripts. Mayan and Mexica Codices were written in wood bark, mostly in pictorial Glyphs, but also using a numerical system that consists of dots and dashes and a special symbol for zero. In this series we wanted to translate and abstract this idea of the knowledge and essence of a Códice; the importance of communication and its evolution through time, through the wood carvings both in its geometrical and systematic patterned repetition of its drawer in contrast with the organic and random carvings made by the artisanal technique of “conchitas, hand chiseled by master artisans in Antigua guatemala.