Vienna - Art

The art work is signed in the print at the lower left and numbered in pencil: P.P. II/IV This special art piece "Master American Contemporaries" by Alex Katz (*1927) is a colour lit...

Sam Francis 1923 - 1994 "For the blue sons of air" 1990 Color screenprint on paper, 136 x 81.3cm Signed in pencil below, numbered 132/150 below l. Publisher: The American Indian He...

Born October 8, 1973 in Almería, lives and works in Vienna. Work Since the beginning of his career, Roca has moved with a high level of technical skill, a feel for light and color ...

In 1999, star photographer Michel Comte created a series of images with supermodel Gisele Bündchen in Cannes, France for Vogue Italia. The highly praised artworks are now part of fas...

St. Jerome 347 Stridon, Croatia - 420 Bethlehem Around 1500/20 Limestone Remains of the original polychromy Height 45 cm The man with the holy name! 347 Stridon, Croation – 420 Be...

“Repentance” is a deeply atmospheric portrait of David Bowie, photographed in 2001 by the renowned Swiss photographer Markus Klinko as part of the celebrated Bowie Unseen series. The...

“Repentance” is a deeply atmospheric portrait of David Bowie, photographed in 2001 by the renowned Swiss photographer Markus Klinko as part of the celebrated Bowie Unseen series. The...

In “The Cross,” David Bowie is captured in a moment of profound stillness, seated at a rustic table with a cigarette in one hand and a cross resting in the other. Shot by Markus Klin...

This image walks a fine line between nature photography and abstract art. Only upon closer inspection does one realize that it is, in fact, a photograph and that nature has put on it...

A moment suspended between motion and thought, “The Book” captures David Bowie immersed in the act of reading, his hands dissolving into a soft blur as pages turn with restless urgen...

Renowned French photographer Gérard Uféras is celebrated for his ability to capture the quiet, in-between moments that often go unnoticed. In this refined composition, he turns his l...

“Worth Haute Couture printemps été 2003” by Gérard Uféras is a compelling exploration of form, illusion, and the sculptural power of couture. Cropped with deliberate precision, the p...

Pablo Picasso (1881-1973) Femme au Turban, Vieux Gentilhomme, Borreau et Homme aux yeux fous (sheet 23 from Series 157, Bloch 1878; Baer 1883), etching and aquatint, 1970, with the a...

"Prada Popcorn" by Tyler Shields is a sharp and visually playful commentary on luxury culture and consumer desire. A hand delicately holds a sleek black popcorn container branded wit...

- handsigned on the lower right - dated and unreadable inscripted in the plate - from the Suite Vollard - plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm - edition of 260, unnumb...

Franz Rogler (1921 -1994) studied wood and stone sculpture with Wilhelm Gösser at the Graz School of Applied Arts and attended the master class for painting with Rudolf Szyszkowitz. During his studies he was drafted for military service and, together with fellow artist Hans Fronius, was deployed as a war painter in Austria, Germany, Italy, the former Yugoslavia, Greece and Russia. During this time he completed studies at the Academy in Zagreb and organised exhibitions in Austria. In 1944 he deserted and managed to escape to Switzerland, where he settled in Basel after his internment and came into contact with the Swiss Surrealists of "Group 33" and with the artists Hans Arp, Max Ernst and Meret Oppenheim through his friend Regula Weilenmann. After the end of the war, he studied at the Basel Art School with Walter Bodmer and Heinrich Müller, which introduced him to Constructivist art. In 1947 Rogler returned to Graz and became a member of the Graz Secession. From 1948 to 1950 he studied at the Vienna Academy with Albert Paris Gütersloh, before returning to Graz as a freelance artist in 1950. In 1953 he received the Art Prize of the City of Graz and his works were published in the first issue of the "Surrealist Publications" edited by Edgar Jené and Paul Celan...

If one tries to describe Heinrich Krause’s almost one-century work in a few words, one recognizes an artist who, despite continuously changing artistic trends, remains faithful to ce...

Die Arbeit von Albert Bertalan war ein Spontankauf aufgrund der offensichtlichen Qualität der Arbeit, noch bevor ich etwas über den Künstler recherchieren konnte. Das Label „Ecole de...

Verso signiert und datiert (Feb 1995) Die Schüttbilder sind charakteristisch für Hermann Nitsch. Die Anwendung der Schütttechnik wird aus dem Schaffen des Wiener Aktionismus heraus ...

In this intimate black and white photograph, Gérard Uféras captures a young performer seated in full ceremonial costume, head bowed, bouquet resting between his feet. The ornate room...

Since the beginning of his career, Roca has moved with a high level of technical skill, a feel for light and color in the – at first glance – classic genres of landscape, still life ...

This powerful black and white photograph by Gérard Uféras captures a close view of draped couture fabric held by elegant hands. The body is partially abstracted by folds of dark mate...

Pablo Picasso (1881-1973) Couverture Mourlot IV is the original book cover of the monograph "Picasso. Lithograph". It consist of spine, front and back. Edition 3000, cat. raisonné M...

Sitting Madonna Central Italy/Tuscany or Marche Around 1420 Poplar wood carved Original version Height 31 cm Charming Madonna sculpture from the heyday of the Soft or International...

As a pupil of William Straube, Dora Hitz, Max Pechstein and Willy Jaeckel, Edith Meyer von Kamptz achieved her own individual aesthetic designs with colourfu...

María Corte (*1983, Barcelona) is a Catalan-Argentine painter and illustrator who stands out on the contemporary art scene for her colorful and energetic work. She completed her stud...

Europe & Zeus (divine love) Europa the daughter of the Phoenician king of Tyre, Agenor and Zeus in love in the shape of the bull. Bronze, on onyx pedestal Signed: Bruno Zach

Keith Haring was an American artist and representative of American Pop Art of the 1980s. He first came to public attention with his chalk drawings in the New York underground, which ...

The work reflects the artist’s mastery of gesture and emotion, where each mark becomes a visual language. A striking piece that brings movement, depth, and intensity to any collectio...

The work reflects the artist’s mastery of gesture and emotion, where each mark becomes a visual language. A striking piece that brings movement, depth, and intensity to any collectio...

The work reflects the artist’s mastery of gesture and emotion, where each mark becomes a visual language. A striking piece that brings movement, depth, and intensity to any collectio...

The work reflects the artist’s mastery of gesture and emotion, where each mark becomes a visual language. A striking piece that brings movement, depth, and intensity to any collectio...

Franz Rogler (1921 -1994) studied wood and stone sculpture with Wilhelm Gösser at the Graz School of Applied Arts and attended the master class for painting with Rudolf Szyszkowitz. During his studies he was drafted for military service and, together with fellow artist Hans Fronius, was deployed as a war painter in Austria, Germany, Italy, the former Yugoslavia, Greece and Russia. During this time he completed studies at the Academy in Zagreb and organised exhibitions in Austria. In 1944 he deserted and managed to escape to Switzerland, where he settled in Basel after his internment and came into contact with the Swiss Surrealists of "Group 33" and with the artists Hans Arp, Max Ernst and Meret Oppenheim through his friend Regula Weilenmann. After the end of the war, he studied at the Basel Art School with Walter Bodmer and Heinrich Müller, which introduced him to Constructivist art. In 1947 Rogler returned to Graz and became a member of the Graz Secession. From 1948 to 1950 he studied at the Vienna Academy with Albert Paris Gütersloh, before returning to Graz as a freelance artist in 1950. In 1953 he received the Art Prize of the City of Graz and his works were published in the first issue of the "Surrealist Publications" edited by Edgar Jené and Paul Celan...

Thomas Draschan maturierte 1987 am BORG Linz und studierte Theaterwissenschaft und Publizistik an der Universität Wien. 1992 zog er nach Frankfurt am Main und studierte Film bei Peter Kubelka und Ken Jacobs an der Städelschule und in New York an der Cooper Union bei Robert Breer...

Julius Zimpel * 30.8.1896 Vienna, † 11.8.1925 Vienna "First artistic inspiration by his uncle Gustav Klimt. 1911-16 attended the School of Arts and Crafts under F. Cizek, A. v. Ken...

Henri Deparades Kunst ist eine Synthese von abstrakt-expressiver Räumlichkeit mit psychisch-automatischer Figurenzeichnung bei gelegentlichem Aufscheinen realer Bezüge. In seinen auf...

For decades Michel Comte has been shooting protagonists from the world of art, film and entertainment. However, he does not only take photos – perhaps more than any other artist Comt...

Mein Sammlungsschwerpunkt vor Galeriegründung war (und ist es bis jetzt) die Kunst der Neuen Sachlichkeit und die ist vor allem ein deutsches Thema. Mich fasziniert der kühle und dis...

David Drebin’s Floating Dreams is a mesmerizing Limited Edition Fine Art Photography Print that transforms the ocean into an abstract field of color, light, and solitude. Seen from a...

Alex Amann’s oeuvre contains a variety of genres, which are, however, well-coordinated through their design. He devotes himself to still life as well as to landscape painting and fig...

Rush Hour by Markus Klinko is a cinematic black-and-white fashion photograph capturing motion, luxury, and urban elegance. Cropped figures in tailored suits, polished shoes, and a ce...

Sonnenblumen waren stets ein beliebtes Bildthema für Stillleben. Kuhfuss zeigt seine ockerfarbigen Sonnenblumen beim Verwelken. Ein bläulich-grüner Farbton dient als Kontrast zu dem ...

Horst Lesniewicz was a German Postwar & Contemporary artist who was born in 1926 and known for his expressive and provocative painting style. ‘Steglitzer Anzeiger!’ was created in th...

APOTROPAIC DEVIL FIGURE Romansh South Tyrol or Grisons Around 1120/50 Carved pine wood Original version Height 151 cm This singular figure is a demonic, devil-like figure carved fro...

Michael Vonbank is an Austrian artist known for his experimental and colorful art. This special work shows a surreal and expressive pictorial world. Invented creatures, fantasy and ...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifica...

A veil of mist drifts across the water, softening the edges of land and sky - at yellowstone national park - into a delicate continuum. Light filters through the haze, dissolving for...

signed on the lower left The painting can be categorised in the tradition of New Objectivity. The picture shows a real scene, the woman depicted stares into space with a serious and...

Delicate, fragrant, spring flowers of late spring.

Between 1964 and 1965, Picasso created 10 aquatint etchings that were published as a supplement to Pierre Reverdy's literary work "Sable Mouvant". A stri...

Xenia Ostrovskaya, born in 1989, is a visual artist from Saint Petersburg. She studied ceramics and porcelain painting at Saint Petersburg State University. This was followed in 2015...

Man Ray is considered a representative of Dadaism and Surrealism. He was born in Philadelphia in 1890. Man Ray was active as a painter, object artist, photographer and film director. His art assemblages deal with questions about the unconscious, the apparent and the mythical. What is present behind what is represented or not is Ray's preoccupation in conceiving his experiments with different materials and techniques. He has his first solo exhibition at the Daniel Gallery in New York. Together with Marcel Duchamp he founded the DADA group in New York. In 1921 Ray moved to Paris, where he worked in the Montparnasse environment with artists such as Dalí, Ernst, Matisse, Miró, Mondrian and Tanguy. In 1922 there is a split in Paris between the Dadaists and the Surrealists. Man Ray joins the co-founders of Surrealism. National Socialism, which also showed its effects in Paris in the late 1930s, prompted the Jewish artist to decide to leave the country. After a major appearance at Georges Wildenstein's Beaux-Arts Gallery in Paris in the exhibition "Exposition Internationale du Surrealisme", he fled to New York via Spain and Portugal. After the Second World War, he brought the artistic collection he had left in Paris to the USA. As he could not enjoy the success and prestige in America that he had enjoyed in Paris, he returned to Paris in 1951. In 1958, the artist took part in the exhibition "Dada. Documents of a Movement" at the Kunstverein Düsseldorf and in the large Dada exhibition at the Stedelijk Museum in Amsterdam. His first major retrospective is shown at the Los Angeles County Museum of Art in 1966. Man Ray died in Paris in 1976, leaving behind the "Man Ray Trust", a foundation established by his widow. Between 1934-36 Man Ray photographed...

Sedes Sapientiae Pustertal um 1220/30 Weichholz/Lindenholz(?)geschnitzt Reste von originaler Polychromie Höhe 57 cm

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

Otto Beyer: born 1874 in Ückendorf b. Gelsenkirchen (Germany), died 1912 in Jena. He studied 1894 - 1902 at the Kunstakademie Düsseldorf with H. Lauenstein and E. v. Gebhardt. The...

A day in the museum is about more than encountering some of the most famous and fascinating works of art - it is about the quiet, deeply personal act of looking. In this compelling p...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

The artwork is consists of a 3D-print (digital drawing), mounted on a black photo-cardboard. The object can be removed from the cardboard if you wish so and hung or placed as desired...

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

The extensive work of Vilma Eckl covers a period of more than seventy years. Her incomparable artistic talent and her essential contribution to the history of art can be seen in her ...