Washington D.C.

A minimalist work of structure, form, texture and color capturing the essence of the constructed world of architecture—windows, doors, openings, and cityscapes. :: Painting :: Ab...

Artist: Pablo Picasso Title: Head of Satyr (Plate XXV) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Size: 13" x 10 3/16...

Artist: Cooper, Kim Title: Jack Date: 2025 Medium: Acrylic on canvas Unframed Dimensions: 30" x 30" Signature: Signed Edition: Unique

Artist: Donald Sultan Title: Mimosa with Green, April 24, 2024 Portfolio: 2024 Mimosa (Details Suite) Medium: Color silkscreen with enamel inks, graphite powders, and sand on 4-ply m...

Appealing collograph Intaglio work by Noche Crist (1909- 2004). Unsigned from the 1970s but one of a kind and handprinted by the artist on thick paper. Catalogue of a postumous retr...

One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Acrylic painting is on plaster on wood which gives the painting a wonderful te...

Artist: Larry Zox Medium: Serigraph Title: Niagara Series I Year: 1980 Edition: 75/175 Sheet Size: 26" x 35" Signed: Hand signed in pencil

Painting titled "Totem" and dated 2021 by Jeanne Cosimano. Painting is gouache on paper and framed. The painting was recently included in a solo exhibition at Gallery 2112...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "That Day in Pompeii". Signed and dated in lower left. Gallery label on reverse. New York Time...

"A Different Beat" by Washington DC artist Jeanne Cosimano. Painting in gouache and chalk on paper and dated 2022. Artist is known for her dynamic composit...

Painting titled "Ice Skating" and dated 2021 by Jeanne Cosimano. Painting is gouache on paper and framed. The painting was recently included in a solo exhi...

Painting titled "Disco Inferno" by Jeanne Cosimano. Wonderful vibrant gouache on paper and dated 2020. Frame is included. This work was recently featured in a solo show at Gallery 2112...

Antique Persian Farahan Sarouk Rug 3'4'' x 4'10''. The scatter and room size pieces made in the Arak/Sultanabad area, between 1880 and 1910, with firm and leathery well-woven texture...

Artist: Peter Max Title: Flowering Angel Medium: Screen print in colors Date: 1976 Edition: 27/100 Sheet Size: 30" x 23" Frame Size: 37" x 30" Signature: Hand signed in pencil Price ...

Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Artist: Julian Opie Title: Hirofumi with File Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 181/250 Frame Size: 20" x 17" Sheet Size: 13" x 10" Signature: Unsigned (...

Artist: Quinn, Marc Title: Kate Moss on Gold Date: 2012 Medium: Screenprint, hand finished in gold leaf overglaze Unframed Dimensions: 27.5" x 21.25" Framed Dimensions: 35" x ...

Artist: Karel Appel Title: Frightened Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand si...

Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 28/30 lower left. Printed in 1973 by the artist. Image is from her "Carrousel" series. Catalogue of a postumous retrospe...

Painting by Maryanne Pollock titled "Ode to Angelo in Heaven". Work is mixed media on D'Arches Aquarelle paper, signed and dated 2023 on reverse. Measurements are 22" x 30". Maryan...

Antique Persian Heriz Rug 4'0" x 4'5''. Here is a little Heriz scatter with all the power of a larger carpet. The densely abrashed sapphire indigo field centres a straw octogramme me...

Silkscreen work by Noche Crist (1909- 2004). Work is from from her "Sitting Bull Goes to Washington" series. Marked in pencil 15/18 lower left. Printed in 1976 by the artist. Catalo...

One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Painting is on casein paint on plaster on board. Catalogue of a postumous retr...

Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

A solo piece may provide a cozy reading nook while multiples allocate a comfortable spot for conversation.

This beautiful print by George Condo was released as part of a portfolio in a limited edition of 400 on the occasion of his exhibition "Drawing Paintings" at Skarsketdt Gallery in 2011

numbered from an edition of 150

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "Three Business Men" signed and dated 1972. New York Times art critic Grace Glueck observed tha...

Very rare vintage screenprint on copper postcard featuring Eduardo Chillida's Antzo III, Proporción. Variations in color with oxidation of the copper. Framed and ready to hang.

Antique Caucasian Kuba Rug 3'8" x 5’3". Azeri Turks inhabit the Kuba area of the central west Caspian Caucasus and weave a wide variety of geometric scatters, runners, long rugs and ...

Artist: Christo Title: The Museum of Modern Art, Wrapped (Rear), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special ...

Artist: Christo Title: Wrapped Paris Review Medium: Offset lithograph Date: 1982 Edition: Unnumbered Sheet Size: 36" x 24" Signature: Hand signed in brown crayon

Artist: Yaacov Agam Title: Circles in Yellow Medium: Screenprint in colors Year: 1980 Edition: 154/200 Sheet Size: 30" x 28 1/2" Image Size: 35 1/4" x 33 3/4" Signed: Hand signed an...

The present work is from the artist’s “Becoming” series, which consists of 147 photographs documenting the transformation of a green field into Beijing’s new national airport, the la...

Fine Antique Persian Lavar Kerman Rug 4'1" x 6’8". A trade term applied to better quality pre-WWI Kermans. ‘Laver’ is corruption of ‘Ravar’, a town near Kerman city, reputed to have ...

Antique Persian Malayer Rug 4'2'' x 6'8''. A large town in the Greater Hamadan Weaving Area, specializing in single-wefted scatters, room sizes, gallery carpets, long rugs and occasi...

Aubusson Rug 9'0" x 12'0".

Artist: Salvador Dali Title: The Giant Beliagog Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4" x ...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980 Edition: H.C. 7/18 Sheet Size: 29 5/8" x 8 3/4" Image Size: 24" x 6" Signed: Hand ...

Antique Fine Mohtasham Kashan Rug 5'5" x 8’8”. Central Persian city known for finely woven. room size and scatter rugs, with dominant reds and navy, and medallion patterns and swirli...

Artist: Alexander Calder Title: Plate 5 (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Year: 1966 Edition: Unnumbered Framed Size: 22" x 29 1/4" Imag...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Antique Mahal Sultanabad Rug 8'4" x 11’11”. Carpets from the Arak district in western Persia, with coarse weaves, large allover patterns, mellow colors, cotton foundations. Type was ...

Artist: Marc Chagall Medium: Lithograph Title: Jeremiah's Lamentations Year: 1956 Portfolio: The Bible Lithographs 1956 Edition: 6500 Signed: No Reference: Cramer 25, Mourlot 126 Fra...

Antique Bakshaish Rug 4.3'' x 6.8''.

Artist: Christo Title: Over The River, Project for the Arkansas River, Colorado, From Underneath Medium: Offset lithograph Date: 1993 Edition: Unnumbered Sheet Size: 32 1/4" x 25 1/2...

This beautiful print by George Condo was released as part of a portfolio in a limited edition of 400 on the occasion of his exhibition "Drawing Paintings" at Skarsketdt Gallery in 2011

Vintage Sumak Rug 6'5'' x 9'9''. A technique rather than a specific type, in which warps are wrapped by colored wefts to create a pattern. Caucasian, Turkish, Persian and other types...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Artist: Christo Title: Over The River, Project for Colorado, The Arkansas River, Seen From Underneath Medium: Offset lithograph in colors on wove paper Date: 1992 Edition: Unnumbered...

Painting by Maryanne Pollock titled "Homage to D.S.". Work is signed and titled on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Ital...

Artist: Christo Title: The Wrapped Vestibule, Art Gallery of New South Wales, Sydney Medium: Offset lithograph Date: 1990 Edition: Unnumbered Sheet Size: 29 7/8" x 23" Signature: Han...

Artist: Henri Matisse Title: Iles Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Siz...

Vintage Belgium Rug 3'1'' x 4'2''.

Artist: Joan Miro Title: Cover (Derriere le Miroir #231) Portfolio: Derriere le Miroir Medium: Lithograph Year: 1978 Edition: Unnumbered Sheet Size: 15" x 22" Image Size: 15" x 22" S...

Antique Mohtasham Kashan rug 4'4'' x 6'7''. From the 1880s period of the Great Persian Carpet Revival, this urban, fine weave, central Iranian sca...

Fine Vintage Turkish Oushak Wool Rug 9'3'' x 12'3''.

Artist: Marc Chagall Medium: Lithograph Title: Isaiah Year: 1956 Portfolio: The Bible Lithographs 1956 Edition: 6500 Signed: No Reference: Cramer 25, Mourlot 141 Framed Size: 22 1/2 ...

Artist: Alexander Calder Title: Plate 7 Portfolio: Derriere Le Miroir #141 (Stabiles) Medium: Lithograph Date: 1963 Edition: Unnumbered Sheet Size: 15" x 22" Image Size: 15" x 22" Si...

Oushak Rug 9'0'' x 12'0''. The abrashed ash green field displays a round medallion with "canoe" pendants and an encircling floral wreath. Abrasah panels and petal palmettes embellish...