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Item Ships From: Washington DC
The Busy Signals Pretend Hits LP
By Yoshitomo Nara
Located in Washington , DC, DC
Rare vintage 2001 12 inch vinyl record album with cover designed by Yoshitomo Nara. The front cover is printed to the very edges with nothing other than and image of Nara's artwork, ...
Category
21st Century and Contemporary Contemporary Washington D.C. - Mixed Media
Materials
Plastic, Paper
Noche Crist Sculpture
Located in Washington, DC
One of a kind sculpture by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Sculpture is made from polyester resin. Catalogue o...
Category
1970s Outsider Art Washington D.C. - Mixed Media
Materials
Acrylic Polymer
Jones 11, cutouts, maps, sports basketball
Located in Brooklyn, NY
image embedded in layered glass. Created with cutouts, maps
maps, cuutout, cutout art, football art, sports art, sportsmaps
Title : Jones 11
Size :12x...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Glass, Mixed Media
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Love Bird cutouts, maps, sports bird animal
Located in Brooklyn, NY
image embedded in layered glass. Created with cutouts, maps
Map art, maps, cutouts, cutout art, paper art, birdlovers, birdart
Title : love bird
Size :...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Glass, Mixed Media
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Garden of Delights, Mixed Media on Canvas
By Craig Moran
Located in Yardley, PA
Hypnotic patterns Fill this labyrinth of shapes That appear, vanish. Note: Sides are painted unbleached titanium white. Materials used include origami paper and construction pa...
Category
2010s Abstract Washington D.C. - Mixed Media
Materials
Mixed Media
Climbing, Mixed Media on Canvas
By Craig Moran
Located in Yardley, PA
I cut random shapes out of origami paper and patterned paper, and glued them at random onto the canvas. I then painted shapes around the pasted paper, borrowing images from previous ...
Category
2010s Abstract Washington D.C. - Mixed Media
Materials
Mixed Media
Rapture, Mixed Media on Canvas
By Craig Moran
Located in Yardley, PA
A beautiful wreck Of patterns splitting apart Amid bright colors. Please note that this artwork has wrinkles and tears, which are intended by the artist. All sides are painted ...
Category
2010s Abstract Washington D.C. - Mixed Media
Materials
Mixed Media
Angular Sleep, Mixed Media on MDF Panel
By Craig Moran
Located in Yardley, PA
There are openings to the skies whispering their strange language to anyone who will listen. :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certif...
Category
2010s Abstract Expressionist Washington D.C. - Mixed Media
Materials
Mixed Media
Mindstream 63
By James Verbicky
Located in Boston, MA
Artist: Verbicky, James
Title: Mindstream 63
Date: 2024
Medium: Mixed Media, Resin on Wood
Unframed Dimensions: 24" x 24" x 2"
Signature: Signed
Edition: Unique
Provenance: D...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Mixed Media, Resin
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Mindstream 62
By James Verbicky
Located in Boston, MA
Artist: Verbicky, James
Title: Mindstream 62
Date: 2024
Medium: Mixed Media, Resin on Wood
Unframed Dimensions: 24" x 24" x 2"
Signature: Signed
Edition: Unique
Provenance: D...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Resin, Mixed Media
Untitled (Study for Līnea), 2021
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
The Kiss
Located in Washington, DC
One of a kind shaped painting by Noche Crist (1909 - 2004). Titled "The Kiss" and signed on reverse.
Painting is casein paint and plaster on board.
Catalogue of an exhibition in...
Category
1980s Outsider Art Washington D.C. - Mixed Media
Materials
Plaster, Casein, Wood Panel
Gorilla, cutouts, maps, mapart, animal art, gorilla mixed media
Located in Brooklyn, NY
Gorilla image embedded in layered glass. Created with cutouts, maps
Title : Gorilla
Size :12x16
Date : 2016
Paris
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Glass, Mixed Media
Julius Erving, cutouts, maps, sports figure, basketball
Located in Brooklyn, NY
image embedded in layered glass. Created with cutouts, maps
Title : Julius Erving
Size :12x16
Date : 2016
Paris
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Glass, Mixed Media
Disco Inferno
Located in Washington, DC
Painting titled "Disco Inferno" by Jeanne Cosimano. Wonderful vibrant gouache on paper and dated 2020. Frame is included. This work was recently featured in a solo show at Gallery 2112...
Category
21st Century and Contemporary Abstract Expressionist Washington D.C. - Mixed Media
Materials
Gouache, Archival Paper
Botanical Painting Ode to Angelo - Malibu
Located in Washington, DC
Painting by Maryanne Pollock titled "Ode to Angelo - Malibu". Work is mixed media on D'Arches Aquarelle paper, signed and dated 2021 on reverse.
Maryanne Pollock received her BFA...
Category
21st Century and Contemporary Contemporary Washington D.C. - Mixed Media
Materials
Mixed Media
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Washington D.C. - Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
The Softest Voices of the World, Mixed Media on MDF Panel
By Craig Moran
Located in Yardley, PA
Description: Faceless bodies dressed In patchworked armor stand on Fiery orange ground. Please note: This piece is a combination of both oil paint a...
Category
2010s Abstract Expressionist Washington D.C. - Mixed Media
Materials
Mixed Media
At the Far End of Nothing, Mixed Media on MDF Panel
By Craig Moran
Located in Yardley, PA
At the far end of nothing, colors rain as an eye descends the world. :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signe...
Category
2010s Abstract Expressionist Washington D.C. - Mixed Media
Materials
Mixed Media
Rhinoceros, cutouts, maps, mapart, animal art,
Located in Brooklyn, NY
Rhinoceros image embedded in layered glass. Created with cutouts, maps
rhinoceros, cutouts, maps, mapart, animal art, animalcutouts
Title : rhinoceros
Size :12x16
Price: 2000.00 $
...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Glass, Mixed Media
The Catch, cutouts, maps, dancers, silhouetted figures
Located in Brooklyn, NY
image embedded in layered glass. Created with cutouts, maps
dancers, dancing art, maps, cutouts, cutout art.
Title : The Catch
Size :12x16
Date : 2018 Was...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Glass, Mixed Media
Spring Patchwork, Mixed Media on Canvas
By Beth Cartland
Located in Yardley, PA
This artwork, through the bright yellows and blues and the dynamic energy of the lines, was trying to convey the feeling of spring; vibrant, new, and lively. :: Mixed Media :: Abstra...
Category
2010s Abstract Washington D.C. - Mixed Media
Materials
Mixed Media
Botanical Painting Ode to Angelo in Heaven
Located in Washington, DC
Painting by Maryanne Pollock titled "Ode to Angelo in Heaven". Work is mixed media on D'Arches Aquarelle paper, signed and dated 2023 on reverse. Measurements are 22" x 30".
Maryan...
Category
21st Century and Contemporary Contemporary Washington D.C. - Mixed Media
Materials
Mixed Media
Nude S
Located in Washington, DC
Alex Lord's images are classical studies of the eternal beauty of the female form. The use of fiberglass connects these classical artistic interests to contemporary culture, but it i...
Category
2010s Abstract Washington D.C. - Mixed Media
Materials
Fiberglass
Nude G
Located in Washington, DC
Alex Lord's images are classical studies of the eternal beauty of the female form. The use of fiberglass connects these classical artistic interests to contemporary culture, but it i...
Category
2010s Modern Washington D.C. - Mixed Media
Materials
Fiberglass
Ruby Curtain
Located in Washington, DC
Lucious cherry red folds reminiscent of Renaissance drapery -- in fiberglass.
Category
2010s Abstract Washington D.C. - Mixed Media
Materials
Fiberglass
Untitled
Located in Washington, DC
Lightly etched silver fiberglass unites organic gestures with contemporary medium.
Category
2010s Washington D.C. - Mixed Media
Materials
Fiberglass
With All My Love
By Mr. Brainwash
Located in Boston, MA
Artist: Brainwash, Mr.
Title: With All My Love
Date: 2023
Medium: silkscreen and mixed media on paper
Unframed Dimensions: 30" x 22"
Framed Dimensions: 36" x 28" x 2.25"
Signat...
Category
2010s Street Art Washington D.C. - Mixed Media
Materials
Mixed Media, Screen
ADORATION No. 2
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: ADORATION No.2
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 32" x 32"
Signatu...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
DESTINATION No. 4
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: DESTINATION No.4
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 36" x 36"
Signa...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
LAST LIGHT No. 3
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: LAST LIGHT No. 3
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 42" x 42"
Signa...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
NEMESIS No. 1
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: NEMESIS No. 1
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 20" x 50"
Signatur...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
HEART OF THE ANDES No. 2
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: HEART OF THE ANDES No.2
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 32" x 48...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
ECHO No. 4
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: ECHO No.4
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 40" x 16"
Signature: ...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
NAVIGATE No. 1
By Stev'nn Hall
Located in Boston, MA
Artist: Hall, Stev’nn
Title: NAVIGATE No.1
Date: 2024
Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel
Unframed Dimensions: 36" x 36"
Signatur...
Category
2010s Contemporary Washington D.C. - Mixed Media
Materials
Birch, Photographic Film, Pastel, Ink, Oil
Transmitter
Located in Washington, DC
Exceptional painting by Maryanne Pollock titled "Transmitter". Work is signed and dated 2021 on reverse. Painting measures 48" x 48" and is mixed media on canvas.
Artists Robert ...
Category
21st Century and Contemporary Abstract Washington D.C. - Mixed Media
Materials
Mixed Media
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