Wisconsin - Paintings

Horizontal figurative photo-realist painting of women swimming in an aqua blue pool "Weightless, Timeless," painted by Hudson Valley artist, Samantha French, is 2019 oil on canvas, 48 x 60 inches Sides are cleanly painted white so additional framing is optional Excellent condition and ready to hang as is This photorealist figurative painting captures a peaceful water scene of a women leisurely floating in a crisp, aqua blue pool. The sunlight reflecting off their sun kissed skin complements the cool color palette, making for a serene visual experience. The brush work is highly detailed with little texture (impasto) on the surface. The horizontal painting on canvas is currently unframed and has clean, white painted sides, so additional framing is optional. About the Artist: Born and raised in north central Minnesota, Samantha French graduated from the Minneapolis College of Art and Design in 2005. French’s current body of work explores the idea of escape, the tranquility and nostalgia for the lazy summer days of her childhood. The series is inspired by Samantha’s own reflections and memories of her childhood summers spent in the lakes of Northern Minnesota. French actively exhibits her paintings and is included in many private and public collections throughout the country while her work has garnered extensive international and national press. She is a full-time painter and keeps a studio in New York’s Hudson Valley. "My current body of work is focused on swimmers underwater and above. Using vague yet consuming memories from my childhood summers spent immersed in the tepid lakes of northern Minnesota, I attempt to recreate the quiet tranquility of water and nature; of days spent sinking and floating, still and peaceful. These paintings are a link to my home and continual search for the feeling of the sun on my face and warm summer days at the lake. They are my escape, a subtle reprieve from the day-to-day. At the same time, I am drawn to an idealistic time before my own, where swim caps and wool swimsuits were commonplace. This combination of memory, observation and photography has allowed me to preserve the transitory qualities of water and remembrance." Artist Resume: 2019 Winter Swim, Rubine Red...

Mixed Media, signed & dated lower margin. Art: 36"x 12 1/2" Frame: 45 1/2"x 21 1/2" BORN 1947 - GRAND RAPIDS, MICHIGAN His mother always thought he was just a little bit of a rebel. And not just because he mixed his paints and painted out of the lines on his paint-by-number pictures. To this day, John Baughman marches to his own drummer, which is apparent when viewing his multi-media artwork. That is also part of his charm. Growing up in rural Western Michigan, John was the oldest of five children. There were no artists in his family, but he was interested in drawing at a very young age; he differed from most young artists in that he wanted to be experimental rather than ordinary. A kind, neighbor lady, Paula Larson, who was a Director of Art, encouraged John to keep his interest in art by always leaving artistic materials on her kitchen table. They were open to him whenever he pleased. John's father was an executive for GM and hoped his son would grow up to be an engineer. John loved...

"Sarpta" is an original oil on canvas painting created by Antoni Tapies. This is a fantastically dark mid-century abstract painting. There is a monstrous figure barely visible on the left side of the painting. Also a sinister face breathing smoke out of the right side of the painting. This piece is perfect for a collector that enjoys a more avantgarde style. Tapies signed...

"Caterina d'Alexandria (Saint Catherine of Alexandria)" is a copy oil painting on wood panel, after Italian artist Giampietrino (Giovanni Pietro Riz...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...

This small painting of the Forest at Fontainebleau in France is an excellent example of the Barbizon School. The Barbizon School of artists were working in France roughly between 182...

'So Runs The Story' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting. This exa...

"Koi" is an original oil painting on canvas created by Thomas Buchs. Artwork Size: 36" x 36" Artist Statement: "I attended Layton School of Art and bec...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

'New Orleans Streetscape" is an original watercolor painting by William Collins. It features a view of a street in New Orleans,. Tall houses with large...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scraping and gouging acrylic pa...

"Trapped in New York" is an original acrylic painting by Tom Shelton. The artist signed, titled, and dated the piece in the lower right. This piece features a forest with animals and...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

"Setting Moon" is an original oil painting on wood by Robert Richter. The artist signed, titled, and dated the piece in pencil on the back of the piece. This artwork features a bright moon setting behind deep green trees at night. The artist hand-carved the frame to become an integral part of the artwork. 23" x 28 1/4" art 30" x 35 1/4" frame Artist's Statement: "I was born in Milwaukee over half-a-century ago in the year of the horse...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

The present pair of portraits would make an exceptional addition to any collection of early American art not only because they were painted by the notable William Jennys, but also because the sitters are members of notable and influential New England families. In addition, these pendants have impeccable provenance: they have never left ownership of the decedents of the Kimball family and this is the first time they have been available for purchase. David Kimball (1766-1848) and Nancy Stacy Kimball (1774-1844) were members of historic Massachusetts families. David Kimball is a sixth-generation decedent of Richard Kimball (d. 1675) and Ursula Scott (d. 1659), who emigrated from Rattlasden, Suffolk County, England to Watertown MA around 1634. The family then relocated in 1637 to Ipswich, the city with which the family is now most strongly identified, when Richard was appointed to be a wheelwright.[1] Nancy likewise had early New England ancestry, descended from Simon Stacy and Elizabeth Clark, who were married in London in 1620.[2] Nancy Stacy was the second wife of David Kimball, and the two were married in 1799. Given this, the present pendant portraits were likely completed shortly after the marriage. David had two children by his first wife Mary Morse, who died in September of 1798. David and Nancy would have nine additional children between 1801 and 1815.[3] Most notably, the couple were parents of the Boston politician and showman Moses Kimball (1809-1895).[2][3] Moses would found the Boston Museum, an early for-profit museum and theater opened in 1841 that resembled European curiosity cabinets: the museum displayed paintings of Thomas Scully and Charles Peale alongside Chinese artwork, stuffed animals, dwarves and mermaids. Alongside these exhibits, visitors could attend the theater which held performances by gymnasts and contortionists, followed by performances of Shakespeare and Dickens.[4] This museum set the model for the Museum of Fine Arts, Boston, which when founded in 1870 held a similarly diverse collection and appealed to the interests of a diverse set of visitors.[5] Moreover, some Greek antiquities from Moses Kimball's museum were eventually given to the MFA and Moses donated approximately $5,000 to the MFA's endowment upon his death.[6][7] William Jennys (1774–1859), also known as J. William Jennys, is an important American primitive portrait...

'It Is Sad Only To Us' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting. This ...

Artist Statement My paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acry...

"Koi Fish II" is an original oil painting on linen by Leslie Parke. The artist signed the piece in the lower right. This hyper-realist painting depicts a school of multi-colored koi ...

This artwork embodies a profound sense of freedom in both exploration and expression. While creating it, my focus was on its aesthetic qualities. The harmonious arrangement of vibran...

"Self Portrait" is an original oil painting on masonite board by Francesco Spicuzza. The artist signed the piece in the lower left. It depicts the artist holding a pipe in front of a...

John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

"Boats Amongst the Mangroves" is an original watercolor and gouache painting on paper by Doris Lee. The artist signed the piece lower right. It depicts boats and other objects on a f...

"Except for Then" is a contemporary abstract painting of warm golds, pinks, peach and orange. Oil on canvas, signed on verso. 2010 48" x 36" canvas Deirdre Schanen artist statemen...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

John Steuart Curry "Cockfight in Cuba," 1946 oil on canvas Image: 38.25 x 46.25 in Frame: 43.75 x 51.5 in Signed on reverse with initials JSC on lower right stretcher bar John Steu...

Watercolor on archival cold press paper. Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

"Lake Michigan Beach Scene" is an original oil painting by Francesco Spicuzza. The artist painted this scene on canvas and then glued that canvas to a b...

"Teepee/Indian Village" is an original oil painting on wood panel by Charles Damrow. The artist signed and dated the piece in the lower left. This paint...

"The Sauna" is an original oil painting on canvas signed by the artist Alicia Czechowski. It depicts six nude female figures lounging in a sauna. These figures have a wide variety of...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

A lovely landscape oil painting on a wooden board. This is a small but highly detailed piece. It is most certainly in the category of "photos do not do this work justice". The rolling hills lead you into the rainy clouds and it tricks the brain into thinking you can smell the wet fields. It is most wonderful to see this work in person. It brings the sense of falling through a portal or peeking through one into a different part of the world. Signed and dated by the artist on the lower right. Artwork Size: 7 x 12" Frame Size: 14 1/2" x 17 1/2" Artist Bio: DOUGLAS B. SMITH Doug received his Bachelor of Fine Arts Degree from the Rhode Island School of Design in 1958. He then studied for a year in the Joseph Albers program at Yale University. After working for nine years in advertising and package design, Doug joined Avon Products and served as Creative Director of Design from 1971-1996. Doug's training as a professional illustrator led him to produce realistic renditions of many everyday scenes whether they arepure landscapes, architectural elements or figures. His painting evolved into natural and plein air landscapes suitable for the New England environment where he painted for over two decades. Doug's work is housed in numerous public and private collections throughout the United States and has been exhibited at the Salmagundi Club in New York City, and the Society of Illustrators in New York City. His paintings have been exhibited across the USA in Annual National Juried Exhibitions of the Oil Painters of America. He has exhibited at the Flinn Gallery in Greenwich, CT, the David Barnett Gallery in Milwaukee, WI, and at the Worthington...

My Stories Paintings tell tales gathered from wanderings around the country and around the world. When I am walking I am searching for objects left behind by others, I am making draw...

Large round multicolored abstract painting. Rainbow of colors. Acrylic paint is done in a multidimensional way. Made by local Wisconsin artist Daniel ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

"Autumn Trees" is an original, unique landscape oil painting on canvas by Michael Boyle. The artist signed the piece lower right and dated it lower left. This piece depicts a line of...

Christiane Bouret is a painter that works with oil paint to create figurative artworks and portraits, and the present painting is an excellent example of her work. In the image, we s...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Watercolor on archival cold press paper. Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by...

This early work by American artist Sylvia Spicuzza is an excellent example of Regionalism: in the foreground, a farmer in blue stands before a herd of cattle. Beyond the fence of the...

"But Nothing Happens" is a contemporary abstract painting, acrylic on canvas consisting of layers of gold with highlights of red and blue. The artist signed and titled the piece on t...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

"Low Tide" is an original oil painting on canvas by Raymond Suchomel. The artist signed the painting in the lower right. This painting depicts three boats washed up...

"Fall Hare" is an oil on board signed by Cathryn Ruvalcaba. A timid little rabbit sits near the right side looking off into the distance. It is at the edge of over grown land, behind...

In this composition, Sylvia Spiczza works in the manner of color field artists like Mark Rothko and Helen Frankenthaler, presenting a gradation of colors shifting from yellow to red ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

"Log Cabin Humble Beginnings" is a watercolor painting created by Barbara Kohl-Spiro. From 1984 this comes from a series of paintings based on quilt designs. This example depicts the...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scraping and gouging acrylic pa...

'I Loved You Once' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting. This exam...

"A Field for the Birds" is an original acrylic painting on canvas by Tom Shelton. The artist signed the painting in the lower right. This painting depicts a diagonal line of birds cu...

"Pink Summer KMH 010" is an original acrylic and mixed media painting by Katherine Hartley. The artist signed the piece lower right. This piece depicts a line of girls in dresses amo...

"Eucholyptas" is an original oil painting on wood by Wisconsin artist Robert Richter, signed on the verso. The frame was created and hand-carved by the artist, making it an integral ...

"Grévy's Zebra" is an original oil painting on canvas by Peruvian painter Lucre Chura. The artist signed the painting in the lower right. The Grévy's zebra, also known as the imperia...

"Papaya & Mexican Pitcher" is an original signed oil painting by Warren Brandt. Brandt, an American painter originally influenced by Abstract Expressionism, became a "child of Matiss...

Signed lower right by the artist. Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...