Wyoming

JESSE FALES, White Big Horn Sheep Vase, white stoneware and white shiny glaze, 2024. This handcrafted vase or candleholder pot channels the simplicity, strength, and purity of the ...

JESSE FALES, Big White Bison Vase, white stoneware and white mat glaze, 2024. This handcrafted vase or candleholder pot channels the simplicity, strength, and purity of the white b...

JESSE FALES, Big Moose Vase, stoneware and copper glaze and Grey Blue brown glaze, 2024. This handcrafted vase or candleholder pot channels the simplicity, strength, and purity of ...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

Grizzly Bear and Raven :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: No :: :: Ca...

A unique print by Russell Young. "Mick Jagger Sympathy for the Devil (cloud pink)" is a striking portrait of Mick Jagger in light pink, black, and grey. A contemporary Pop Art screen...

A unique painting and screenprint on canvas by Russell Young. "Knockin on Heavens Door" is a contemporary Pop Art acrylic paint, oil based paint, and enamel artwork by UK artist Ru...

"Untitled" is a cast metal sculpture made by Italian/American architect and urban planner, Paolo Soleri. The total size is 9 1/2 x 6 x 3 inches. The work is stamped by the artist. S...

Untitled (#704) (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette kniv...

For Henry Hudson (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

The Royal (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette k...

Andrew’s Refrain (Abstract painting) Acrylic on wood panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palett...

The Big Spill (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

After Midnight (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

Untitled 560 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Truce (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and d...

The Admiral’s Wedding (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

The Delegation (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pale...

After Midnight (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

JESSE FALES, 3 Bowls (Aspen Bark Ceramics Collection) white stoneware and white being brown shiny glaze, 2024. Diameter of Large Bowl: 12 inches, Height 5 inches 2 other bowls are ...

JESSE FALES, BigHorn Sheep Big Vase, Salt fired, porcelain and stoneware. Glazed only on the inside. Inside the vase: Canadian Geese (on the top inside) Measures as follows: 25.5 in...

Truce (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and d...

The Admiral’s Wedding (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

The Delegation (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pale...

Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and drywall tools rather ...

A painting by Paul Grimm. "Rooted Silence" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. It is signed in the lower right, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

Great Blue Herons and their offspring in a Rookery lit by the first morning light. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signe...

A print by Shepard Fairey. “Commanda” is a contemporary, popular culture offset print on paper in black, red, yellow, and white by American street artist Shepard Fairey. The artwork ...

A painting by Gertrude Partington Albright. "Below Twin Peaks" is a landscape painting, oil on canvas in an earth-tone palette by artist Gertrude Partington...

A painting by Tony de los Reyes. "Border Compression #1" is an abstract colorfield painting, oil and dye on linen by artist Tony de los Reyes. The artwork is signed on the verso, "Bo...

A sculpture by Felipe Castaneda. "Pensando" is a contemporary figurative white marble sculpture by Mexican artist Felipe Castaneda. The artwork is signed in the lower right, " F. Cas...

"Stelae No. 5" is a painting by Bay Area Figurative artist Nathan Oliveira. The painting is signed and dated lower right, "Oliveira 98". The framed piece measures 67 1/2 x 55 3/4 x 2 in. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

A mixed media piece by Donna Huanca. "Gatorade" is a contemporary plaster and 3D paint on canvas in a palette of white by process-oriented, American artis...

A print by Josef Albers. "Formulation: Articulation" is a geometric abstract screen print in a green and yellow palette by Post War artist Josef Albers. The artwork is numbered 1981....

A print by Shepard Fairey. “Alto Arizona” is a contemporary, popular culture screenprint in black, red, and white by American street artist Shepard Fairey. The artwork is signed iin pencil, lower right, "Shepard Fairey 10", lower middle, "EAY 10" (Ernesto Yerena...