Wyoming - Art

Andrew’s Refrain (Abstract painting) Acrylic on wood panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palett...

The Big Spill (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

For Henry Hudson (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and drywall tools rather than brus...

Untitled 560 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

The Admiral’s Wedding (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

The Delegation (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pale...

Dillon's choice (Abstract painting) Acrylic on linen - Unframed Clay Johnson is an American abstract painter whose reductivist compositions explore the relationships between color,...

This is a beautiful small painting on wood panel in artist frame. Cole’s work, From Tokyo to Berlin, is the culmination of three years of travel (from 2015 to 2018) both east and we...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

"Return, from the Three Poems by Octavio Paz" is an abstract Post War lithograph on handmade Japanese Gampi by Robert Motherwell in 1986-88. The artwork is 28 1/4 x 10 5/8 inches and...

A drawing by Henry Moore. "Sculpture Motives" is a semi-abstract, figurative drawing, ink, watercolor, and wax crayon on paper in beige, white, and black platte by British modern art...

Grizzly Bear and Raven :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: No :: :: Ca...

A mixed media piece by Theaster Gates. "Untitled (flooring)" a contemporary found object piece, white cement, debris, flooring by American artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

TITLE: Meeting Warhol (The Inability of Meeting Someone Famous Objectively); 2013 This painting is part of a series of paintings from the series titled: The Inability of Meeting So...

A print by Shepard Fairey. “Commanda” is a contemporary, popular culture offset print on paper in black, red, yellow, and white by American street artist Shepard Fairey. The artwork ...

125,000 Snow Geese migrating, painted in thick strokes of vibrating color. The experience reminded me of a Jackson Pollack Painting. Triptyc...

The project Pink Freud and the Pleasant Horizon stems from Andre von Morisse’s interest in the powerful influence of Freud, Darwin, and Christ on ideas about psychological, scientific and spiritual motors of human life and on popular culture since the 20th century. The exhibition at ART 3 focuses on the impact of Sigmund Freud theories on contemporary society. Von Morisse is particularly concerned with the moment when society ceased to treat shared responsibilities and values as fundaments of its organization, and became atomized by bringing needs of the individual to the fore. A pivotal figure in this transition was Freud’s nephew, Edward Bernays (1891-1995). An American born in Vienna, he became the father of public relations. Bernays combined the psychoanalytical ideas of his uncle with theories of crowd psychology to pioneer the PR industry's use of social sciences to design public persuasion campaigns. He developed techniques of manipulating public opinion while serving Woodrow Wilson during WWI and later worked for the biggest US companies. He was the one responsible for the 1920s smoking campaign targeted at women. Born in Norway in an artistic family and educated in the US, von Morisse turns his acute insight rooted in the European tradition of intellectual irony to examination of American visual and popular culture. His imagery combines cartoon aesthetics with surrealism and pop-art, employing icons of mass culture and history of art for a playful exploration of the consumerist era. ABOUT ANDRE VON MORISSE ANDRE VON MORISSE (Norwegian, b. 1966 in Oslo, Norway, lives and works in the US) Von Morisse is a conceptual painter, interested in exploring aspects of human psychology and how we interact with the world. With his work End of a New Dawn, reviewed by Jonathan Goodman in Art in America (Oct. 2005, p.180), he was the Winner of the Best New Contemporary Artists Award 2005 at the Kunstnerenes Hus Museum in Oslo, Norway. End of a New Dawn explores relationship between painting and photography “reversing" the traditional roles of the two mediums by using paintings as the starting point for an elaborate and intricate photographic process. Andre von Morisse was born in Oslo, Norway in 1966 and came to America in 1978. In 1990, he graduated cum laude from the Art Center College of Design in Pasadena, CA and moved to New York in 1991. His works were featured in many group shows in galleries and museums in the US: Kunstnerenes Hus Oslo, Norway; The Gibbes Museum of Art, Charleston, SC; Mobile Museum of Art, Mobile, AL; Leigh Yawkey Woodson Art Museum, Wausau, WI; Museum of Southwest Texas, Midland, TX ; Art Museum of South Texas, Corpus Christi, TX. He had solo exhibitions with Silas Von Morisse Gallery (2016 & 2018), McKenzie Fine Art (2005 & 2003), and James Graham and Sons (2000, 1997) in New York, NY. His work was reviewed in: Artsy (2018), Artcritical (2018), Two Coats of Paint (2018), Artnet news (2017), The Vienna Psychoanalyst (2016), Photograph (2016), New York Times T Magazine (2014), ELLE Girl Japan (2014), Blouin Art Info (2014), Luxe Immo (2013), Art News (2007), The Morning News...

Untitled (#705) (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette kniv...

Dillon's choice (Abstract painting) Acrylic on linen - Unframed Clay Johnson is an American abstract painter whose reductivist compositions explore the relationships between color,...

Untitled 559 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

The Delegation (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pale...

After Midnight (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

A photograph by Andy Warhol. "Cheryl Tiegs" is a Polaroid, Polacolor by pop artist Andy Warhol. It is numbered FA04.05400 and AWL013. Andy Warhol — who fa...

Dillon's choice (Abstract painting) Acrylic on linen - Unframed Clay Johnson is an American abstract painter whose reductivist compositions explore the relationships between color,...

Untitled 559 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Truce (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and d...

After Midnight (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

What I heard (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives...

Untitled 557 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Untitled 560 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Untitled 559 (Abstract painting) Acrylic on paper - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives ...

Truce (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and d...

The Admiral’s Wedding (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

The Delegation (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pale...

Acrylic on linen - Unframed Clay Johnson is an American abstract painter whose reductivist compositions explore the relationships between color, form, and texture. He lives and work...

A painting by Paul Grimm. "Stately Eucalypti" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. The artwork is signed in the lower left, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

A painting by Fiona Rae. "Untitled (yellow, red + brown)" is a contemporary abstract painting, oil on canvas in a colorful palette of reds, blues, and browns by female artist Fiona R...

Framed Size: 59 x 81 x 1 3/4 inches; Painting Size: 50 x 72 x 1 3/4 in. The work is in a mahogany stained wood frame that was custom designed by the artist. Signed on the Reverse. This work is from the artist earlier works from the late 1990's. It was exhibited in 2000 at James Graham...

This is a UNIQUE print in large scale silver gelatin print photography, mounted on disband and framed in a black frame same as in the image featured here. The image showing the showroom is to show the scale of the work "In Situ". The image on the showroom image is of another work no longer available. TITLE: On Top of The World - Villa Prince Rainier, Eze-sur-Mer, France (THE MONTE CARLO SERIES). 1980-2011 Image size: 30 x 45 1/4 in. Framed size: 43 5/8 x 57 7/8 x 2 1/4 inches Unique Print in silver gelatin print mounted on disband and framed THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

UNIQUE PRINT SILVER GELATIN - silver gelatin print mounted on diebond and framed in black frame. THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

A sculpture by Seth Kaufman. "Lignum Spire" is a contemporary sculpture, bronze with green patina by American Conceptual artist Seth Kaufman. Seth Kaufman lives and works in Southern California. He teaches sculpture and design at Art Center College of Design in Pasadena, CA. Kaufman has had solo exhibitions at, Long Beach University Art Museum, Long Beach, CA; Finesilver Gallery, San Antonio, TX and Post Gallery, Los Angeles, CA. His works have been included in numerous two-person and group exhibitions such as, “Installations Inside/Out 20th Anniversary Exhibition,” Armory Center for the Arts, Pasadena, CA; “Natural Artifice,“ Torrance Art Museum, Torrance, CA; “Extreme Materials,” Memorial Art Museum, Rochester, NY; “Seth Kaufman – John Morris,” Anthony Meier...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

A painting by Tony de los Reyes. "Border Compression #1" is an abstract colorfield painting, oil and dye on linen by artist Tony de los Reyes. The artwork is signed on the verso, "Bo...

A painting by Irving Norman. "Big City" is a social surrealism city scape, watercolor on paper in a dark palette of reds, blues, and yellows by artist Irving ...

A painting by Nathan Oliveira. "Nude Stepping from the Carpet" is a contemporary painting, oil on canvas in a palette of reds, greens, and beiges by Bay Area figurative artist Nathan Oliveira. The artwork is signed in the lower right, "N Oliveira 62". During the early years, Oliveira’s lone figures often suggest an existential angst similar to that of Giacometti, but there is also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

"Stelae No. 5" is a painting by Bay Area Figurative artist Nathan Oliveira. The painting is signed and dated lower right, "Oliveira 98". The framed piece measures 67 1/2 x 55 3/4 x 2 in. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

A photograph by Andy Warhol. "Photograph of Steve Rubell for Interview Magazine, ie." is a Polaroid, Polacolor by American pop artist Andy Warhol. The art...

A mixed media piece by Donna Huanca. "Gatorade" is a contemporary plaster and 3D paint on canvas in a palette of white by process-oriented, American artis...

A painting by Georgia O'Keeffe . "Cottonwood Tree (Near Abiquiu), New Mexico" is a modern art oil on canvas by American female artist Georgia O'Keeffe. Georgia O’Keeffe was among the most influential figures in Modernism, best known for her large-format paintings of natural forms, especially flowers and bones, and for her depictions of New York City skyscrapers and architectural and landscape forms unique to northern New Mexico. Provenance: An American Place, New York Mr. and Mrs. Max Ascoli, New York, 1944 Descended in family Harold Diamond, New York, c. 1975 Gerald Peters...