Recognized Dealers Art

Bodice of a Man and Man in Tunic, Diptych From The Blanco - Black and White Series Overall size: 36 in H x 48 in W. Individual size: 36 in H x 24 in W. Edition of 10 Unframed For t...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Marlon Mullen (b. 1963, Richmond, CA) has been painting at NIAD Art Center, a progressive studio for artists with developmental disabilities since 1986. Mullen draws his inspiration ...

This contemporary abstract painting was inspired by nature. Canadian artist Sandra Goldie’s lyrical paintings’ colours and expressive style are informed by the beauty of the natural...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies, attraction and rejection. We see rocks, bones, structures, flexibility, spaces, movement, st...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies, attraction and rejection. We see rocks, bones, structures, flexibility, spaces, movement, st...

Apertura and Apertura II, Diptych by Ricky Cohete From the Bailarín Series Overall size: 30 in H x 40 in W. Individual size: 30 in H x 20 in W. Edition of 13 Unframed Expansion an...

Sawrey Gilpin (1733-1807) An English setter reclining in a landscape Signed 'S: Gilpin' lower right Oil on canvas Painting Size - 40 x 46 in Framed Size - 45 x 51 in Provenance Sale...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

John Frederick Herring Snr (Surrey 1795-1863 Kent) 'The Ameer, an Arabian' and 'Nautilus' Signed and dated 'J.F.Herring. Senr./1842' lower right Inscribed 'The Ameer./An Arabian' low...

Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria. Born in Berkeley, California, on December 21, 1949, he was raised in ...

Guy with Beatbox by Michael Ormerod is available as a 24" x 34" print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous solo exhibition, 'Mic...

This contemporary abstract painting was inspired by nature. A gifted abstract artist with an impressive portfolio, Sandra Goldie’s first series of oil paintings evoke the serenity f...

Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

This image features a colorful arrangement of pink, red and purple flowers by American artist, Gary Bukovnik. Bukovnik is an internationally acclaimed painter and printmaker who prim...

Roger Moore casts a glance away from the camera as he sips the quintessential James Bond drink: the iconic martini, shaken, not stirred. A gorgeous black and white fibre print, ava...

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...

A sophisticated and marvelous work for any forward interior. It both gives a sense of space, calm, playfulness and it actually pulls you in as a focal point work of art. Framing is ...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

NORBERTINE VON BRESSLERN-ROTH (1891 1978) KAMPF (BATTLE - LOBSTER and OCTOPUS) c. 1928 Color linoleum cut Signed in pencil. Image 8 5/8 x 8 11/16” In excellent condition and full ...

Pierre Trudeau, a former Canadian Prime Minister and an avid outdoorsman and canoeist once said, “Paddle a hundred miles in a canoe and you are already a child of nature.” This play...

Richard Ansdell (1815-1885) 'The Shepherd's Dog' Signed with monogram and dated '18.RA.60' lower right Oil on canvas Canvas Size - 30 x 71 in Framed Size - 35 x 77 in Provenance Sal...

John Nost Sartorius (London 1759-1828) An Officer with a tethered Charger, a troop of infantry beyond Signed and dated 'JN Sartorius pins f 1805' lower right Oil on canvas Canvas Siz...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

A Fabulous, Abstract 1960s Mid-Century Modern Painting of a Sleeping Female Nude by Noted Chicago Artist, Rudolph Pen. A sensuous, intimate studio depiction of a sleeping nude femal...

Rudolf Stone (1820-1870) A PAIR of Hunting scene Oil on panel Each Painting Size 6 x 12 in Each Framed Size 9 x 15 in Rudolf Stone was a British artist active in the late 19th centu...

Set of 2 Photographs Aventure d'une libertine, 2015 From The Secret Album Series Overall Frame size: 20.5 H x 28.5 W x 1 D in. Overall Sheet size: 17.7 H x 24 W in. Individual size: ...

Jacques-Laurent Agasse (1767-1849) An Arabian stallion in a wooded landscape Oil on canvas Canvas Size 12 x 14 in Framed Size 21 x 22 in Provenance Believed to have passed by descen...

Set of 2 Photographs Aventure d'une libertine, 2015 From The Secret Album Series Overall Frame size: 20.5 H x 28.5 W x 1 D in. Overall Sheet size: 17.7 H x 24 W in. Individual size: ...

Naoko Matsubara, 'Drop of Life' for the portfolio 'Solitude', color woodcut, 1971. A fine impression with fresh, vivid colors, on cream laid Japan paper, the full sheet with margins,...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

THIS IS ALSO AVAILABLE AS PART OF A SET OF FOUR. Rudolf Stone (1820-1870) Hunting scene Oil on panel Painting Size 6 x 12 in Framed Size 9 x 15 in Rudolf Stone was a British artis...

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

Set of 2 Photographs Aventure d'une libertine, 2015 From The Secret Album Series Overall Frame size: 20.5 H x 28.5 W x 1 D in. Overall Sheet size: 17.7 H x 24 W in. Individual size: ...

Tom Coates (1941-2023) Cattle grazing in an extensive landscape Oil on canvas Signed with initials lower left Canvas Size - 20 x 24 in Framed Size - 29 x 33 in Tom Coates (1941–2023...

Seascapes 4 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the fores...

This contemporary glass wall sculpture was created by Cheryl Wilson Smith. The artist is known for her ethereal glass pieces that are often inspired by the rugged natural beauty that...

Set of 2 Photographs Aventure d'une libertine, 2015 From The Secret Album Series Overall Frame size: 20.5 H x 28.5 W x 1 D in. Overall Sheet size: 17.7 H x 24 W in. Individual size: ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

FRANCES H. GEARHART (1869-1958) LAKE TAHOE c. 1933 Color block print, signed and titled in pencil on her typical fibrous Japan paper 10 7/8 x 12”. Full sheet 12 ¾ x 14 3/8” with t...

Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...

This contemporary glass wall sculpture in a captivating turquoise blue was created by an award-winning artist. Cheryl Wilson Smith is known for her uniquely beautiful glass work—its...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

edition 21/35 Published by Durham Press In her sculpture, wall hangings, and prints, Apfelbaum explores complex formal and chromatic relationships, pushing the canon of modernist ab...

This pop art print is a colorful image of a barn made by Charles Pachter. Charles Pachter’s elegant contemporary depictions of barns pay homage to Canada’s rural roots and its stron...

This large, rusted, contemporary, Corten steel, outdoor sculpture was created by artist Floyd Elzinga. Canadian sculptor Floyd Elzinga’s pine cones have become one of his signature ...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...

This minimalist acrylic painting that features a moon is by Aron Hill. The bold graphic design of Aron Hill’s work echoes the clean lines of modernist influences such as Jack Bush. ...

This abstract painting of a lake was rendered in minimalist form by Pat Service. Renowned as one of Canada’s finest landscape artists, the decades-long career of Pat Service has wit...

This contemporary colorful graphic print is by Burton Kramer. Edition 5 of 15 comes matted and framed with Artglass. Celebrated as one of Canada’s uniquely brilliant artists, moder...

This contemporary landscape painting was created by Canadian artist Peter Hoffer. Peter Hoffer’s elegant series of tree ‘portraits’ are modern landscapes. In this piece, one deciduo...

Robert Mangold Multiple Panel Paintings 1973-1976, Edition C, 1992 Suite of nine screenprints on Fabriano paper 11 3/4 x 24 in (2880.4 x 61 cm) Edition of 300

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove paper, with margins, in excellent condition. Published by Associated American Artists. Archivally matted to museum standards, unframed. Image size 9 7/16 x 11 7/8 inches; sheet size 10 3/4 x 13 5/16 inches. Impressions of this work are held in the following museum collections: Figge Art Museum, Georgetown University Art Collection, Indianapolis Museum of Art, Library of Congress, Metropolitan Museum of Art, and the Nelson-Atkins Museum of Art. ABOUT THE ARTIST “Benton’s idiom was essentially political and rhetorical, the painterly equivalent of the country stump speeches that were a Benton family tradition. The artist vividly recalled accompanying his father, Maecenas E. Benton — a four-term U.S. congressman, on campaigns through rural Missouri. Young Tom Benton grew up with an instinct for constituencies that led him to assess art on the basis of its audience appeal. His own art, after the experiments with abstraction, was high-spirited entertainment designed to catch and hold an audience with a political message neatly bracketed between humor and local color.” —Elizabeth Broun “Thomas Hart Benton: A Politician in Art,” Smithsonian Studies in American Art, Spring 1987. Born in 1889 in Neosho, Missouri, Thomas Hart Benton spent much of his childhood and adolescence in Washington, D.C., where his father, Maecenas Eason Benton, served as a Democratic member of Congress from 1897 to 1905. Hoping to prepare Benton for a political career, his father sent him to Western Military Academy. After nearly two years at the academy, Benton persuaded his mother to support him in attending the Art Institute of Chicago for two years, followed by two additional years at the Académie Julian in Paris. In 1912, Benton returned to America and moved to New York to pursue his artistic career. One of his first jobs involved painting sets for silent films, which were being produced in Fort Lee, New Jersey. Benton credits this experience with equipping him with the skills necessary to create his large-scale murals. When World War I broke out, Benton joined the Navy. Stationed in Norfolk, Virginia, he was assigned to create drawings of camouflaged ships arriving at Norfolk Naval Station. These renderings were used to identify vessels that might be lost in battle. Benton later remarked that being a "camofleur" profoundly impacted his career: "When I came out of the Navy after the First World War," he said, "I made up my mind that I wasn’t going to be just a studio painter, a pattern maker in the fashion then dominating the art world—as it still does. I began to think of returning to the painting of subjects, subjects with meanings, which people, in general, might be interested in." While developing his Regionalist vision, Benton also taught art, first at a city-supported school and later at The Art Students League from 1926 to 1935. One of his students was a young Jackson Pollock, who regarded Benton as both a mentor and father figure. In 1930, Benton was commissioned to paint a mural for the New School for Social Research. The "America Today" mural, now permanently exhibited at the Metropolitan Museum of Art, led to many more commissions as Benton’s work gained wide recognition. The Regionalist Movement became popular during the Great Depression of the 1930s. Painters such as Benton, Grant Wood, and John Steuart Curry rejected modernist European influences, choosing instead to depict realistic images of small-town and rural life—comforting representations of the American heartland during a period of upheaval. Time Magazine referred to Benton as "the most virile of U.S. painters of the U.S. Scene," featuring his self-portrait on the cover of a 1934 issue that included a story titled "The Birth of Regionalism." In 1935, Benton left New York and returned to Missouri, where he taught at the Kansas City Art Institute. His outspoken criticism of modern art, art critics, and political views alienated him from many influential figures in both political and art circles. Nonetheless, Benton remained true to his beliefs, continuing to create murals, paintings, and prints that captured enduring images of American life. The dramatic and engaging characteristics of Benton’s artwork drawn the attention of Hollywood producers, leading him to create illustrations and posters for films, including his famous lithographs for the film adaptation of John Steinbeck’s "The Grapes of Wrath," produced by Twentieth Century Fox. During the 1930s, The Limited Editions Club of New York asked Benton to illustrate special editions of three of Mark Twain’s books...