Recognized Dealers Art

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Gaia 59 by Jaume Llorens Bach Gaia 59 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper by Awagami Factory This size in a Limited Edition of 10 + 2 Artist's ...

At once expressive and elegant, William Hung creates dynamic sculptures that explore the human condition. With this intimate piece, cast in a rich bronze, an athlete balances on one ...

Sunbathing Antibes, 1976 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Sunbathing Antibes, 1976 is a Limited Edition Estate ...

JOSE CLEMENTE OROZCO (Mexican 1883 – 1949) NEGROS COLADOS (Hanged Black Men) 1933-34 (Orozco 20) Lithograph, signed in pencil. 12 ¾ x 9 inches. Full margins with deckle edges, shee...

Hunt Slonem, American, included in 250+ museum collections Unique oil and diamond dust on canvas painting, signed and dated verso Inspired by nature and his 60 pet birds, Hunt Slon...

Karl Albert Buehr (1866-1952) Giverny Landscape Oil on board, c. 1910 Unsigned Condition: Excellent Image size: 5 7/8 x 7 1/8 inches Frame: 11-1/2 x 12-3/4 x 1-1/2" Provenance: Estat...

Victor Brauner (1903-1966) Traces interstices (inscribed on the stone in the image) Color lithograph on wove paper, 1963 Unsigned (as issued) Published by Gualtieri di San Lazzaro fo...

Palm Springs Riders, 1970 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Digital C-Type print. Edition of 150. Printed Later. Like a scene out of an Indiana J...

A Large, Colorful 1950s American Modern, Social Realism oil painting of New York City, "East Harlem", by Notable Artist, Max Ginsburg (Am. Born 1931). Artwork size: 28 x 30 inches ...

This contemporary, purple-colored, glass wall sculpture was created by Cheryl Wilson Smith. Each work is individually hand-formed in glass, so slight variations in colour, shape, an...

This sculpture is number 2 in an edition of 7 and can be purchased on a commission basis. Please allow 24 -30 weeks before shipping. It can also be created in smaller sizes, between ...

FRANCES H. GEARHART (1869-1958) SNOWBOUND c.1928 Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9” Laid down on backing board. The usual slight browning a...

This large abstract acrylic horizontal painting was inspired by nature. Sandra Goldie’s artwork has been praised by one of Quebec’s leading abstract artists. Leopold Plotek describe...

A Colorful, Modern Maine Coastal Scene Painting, "White Boat in Harbor" by Famed Chicago Artist and Printmaker, Charles Turzak (Am. 1899 - 1986). The painting depicts a vibrant, sunlit autumn landscape painting most likely painted near the quiet rural harbor town of Penobscot, Maine. The painting is acrylic on canvas, dates from the 1950s and has a great visual appeal- a perfect complement to any New England coastal home or summer cottage in Maine. Artwork size: 20 x 36 inches, accompanied with the artist's original, hand-painted frame (Framed size: 21 3/4 x 36 1/2 inches). Signed "Turzak", lower left; titled on artist's label on reverse. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

This image features a colorful arrangement of pink, red and purple flowers by American artist, Gary Bukovnik. Bukovnik is an internationally acclaimed painter and printmaker who prim...

This contemporary outdoor architectural sculpture is forged from steel. Philippe Pallafray’s visually compelling monumental sculptures are widely collected around the world. The ide...

The flaming duo of Last Dance and Missing Muse draw attention to our current political and environmental climate. In Missing Muse, I draw from an ongoing series in my practice that f...

A Boldly Drawn 1930s Art Deco Modern Figure Study of a Reclining Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early ink drawing by Haydon demonstrat...

Capri Holiday, 1958 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Capri Holiday, 1958' by Slim Aarons is a Limited Edition Es...

This large abstract contemporary painting by Jennifer Hornyak has a floral theme and features the colour blue. Celebrated internationally as a superb artist, Jennifer Hornyak has pr...

Ohara Koson, 'Wading Egret', color woodblock, c. 1900 - 1910. Signed 'Koson' in black ink with the artist’s red seal beneath, lower left. A superb, skillfully-inked impression, with ...

This minimalist abstract landscape painting of a lake is by Pat Service. In the Canadian art world, the name Pat Service has long resonated as one of the country’s finest landscape...

Sold out in all formats Available - 30x40 inches - framed, located in NYC

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's evening gown. Artwork size: 11 x 8 1/2 inches. Colored pencil and pencil on paper. Archivally ma...

KATHE KOLLWITZ (German 1867 -1945) ENDE, (Klipstein 37 ) Etching and aquatint with the von de Becke blind stamp in the lower right. Printed around 1945. Unsigned posthumous impres...

Mason Chamberlin R.A. (London 1727-1787) Ebenezer Maitland Senior (1752–1834) and his wife Mary Winter (c. 1752–1835) with their son Ebenezer Fuller Maitland (1780–1858) in an interi...

Charles Turzak, 'Under the Bridge', color woodcut, edition c. 50, 1934. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan paper; th...

This is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...

Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed. When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules." ABOUT THE ARTIST Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...

These works explore our relationship with the incredible biodiversity of our planet Earth. Visual representations of flowing colours, smells, sounds and the feeling of our life sourc...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's active wear by Hattie Carnegie. Inscription reads: Left - White jersey slack suit Red gaberdine jacke...

This contemporary, figurative, Corten steel outdoor sculpture is by Mississippi sculptor Jason Kimes. Forged from corten steel, the piece has naturally taken on a weathered, rusted p...

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

Pamela Bianco, 'Fruit Piece', lithograph, c. 1925. Signed and titled in pencil. Signed in the stone, lower left. Annotated 'No. 8' in pencil, upper right...

Johann c. van der Hagen (1676-c.1745) A British Man O’War in distress on a rocky coast in a storm Signed 'J. vanderhagen' lower right Oil on canvas Canvas size - 38 1/2 x 51 in Framed size - 46 x 59 in Provenance The Collection the Most Hon. Marquis of Headfort at Headfort, Kells, Co. Meath; His sale, Christie's, Important Old Master Paintings, 29 November 1968, Lot 28; Private Collection, Oxfordshire Johann C. van der Hagen was a Dutch-born marine and landscape painter whose atmospheric depictions of ships, storms, and coastal scenes earned him recognition in Britain and Ireland during the first half of the eighteenth century. Although relatively obscure today, he was among the group of continental artists who helped shape the development of maritime painting outside the Netherlands during the late Baroque period. Born in The Hague in May 1676, van der Hagen trained within the strong Dutch tradition of marine painting that had flourished during the seventeenth century. Dutch artists of this era were internationally admired for their technical understanding of ships, changing weather conditions, and the dramatic effects of light upon water. Van der Hagen absorbed these influences early in his career, producing works characterised by animated seas, carefully observed rigging, and a keen sense of atmosphere. At some point in the late seventeenth or early eighteenth century, he moved to London, then one of Europe’s most important centres for maritime commerce and naval power. There he entered an artistic environment already shaped by celebrated Dutch émigré painters such as Willem van de Velde the Younger and his circle. Van der Hagen’s paintings reveal the influence of this Anglo-Dutch marine tradition, especially in his treatment of naval vessels and storm-driven seas. Contemporary records also suggest that his family became connected with artistic circles in London; one source notes that his daughter Bernada married the marine painter Cornelis van de Velde in 1699. Van der Hagen later settled in Ireland, where he appears to have been active from the 1720s onward. Dublin became his principal base, though he travelled widely and worked in several parts of the country, particularly in the south. During this period he established a reputation as a painter of landscapes and especially sea-pieces, which were admired by patrons for their lively handling and dramatic composition. Irish sources describe him as talented but somewhat eccentric and indolent, producing work irregularly and often only when financial necessity compelled him to paint. Among his documented activities was his employment in 1728 by the tapestry manufacturer Robert Baillie...

Bark and Reliefs, 2018 By Carla Gimbatti From the Series Reliefs Aquaresin and Pigment Overall Size: 79 H x 33 W in. Individual Size: (Bark) 79 H x 16.5 W in. (Reliefs) 79 H x 8....

This acrylic landscape by Pat Service captures a roadside view of summer in the countryside. Signed to lower right. Highly regarded as one of Canada’s finest landscape artists, Pat ...

A Striking 1930s American Modern Figure Study of a Standing African American Male Model (Bather) by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A wonderful, early ex...

Ceramic parrots atop wood perches, each is handmade Our objective is to distill the stereotypical perceptions and associations within our culture into visually compelling objects, s...

A scenic, colorful Modern 1930s summer harbor scene of Saugatuck, Michigan by notable Chicago Modern artist, Francis Chapin. Depicting a lively summer harbor view of the historic S...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

A Striking, Post-War Studio Figure Study of a Reclining Young Male Nude Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). A well executed, intimate figurati...

Charles Turzak, 'Loop Alley (Chicago)', color woodcut, edition c. 25, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan pa...

JUN'ICHIRO SEKINO (1914-1988) TWO SIAMESE CATS Japanese Woodblock Print, c. 1960, 1st edition, pencil signed, titled and numbered 90/200 with red Sekino pub...

Benjamin Benno (1901-1980) Untitled (Cubist Composition) Pen and ink on paper, 1938 Signed, dated, and copyrighted by the artist (see photo) Inscribed verso: BG Benno/9 rue Compagne ...

This contemporary abstract painting was created by a prominent Canadian artist. Inspired by colors warmed by the intense sunlight of Cuba, David Sorensen, considered to be one of Ca...

As a young artist, Philippe Pallafray was inspired by sculpture masters and years later his dynamic contemporary sculptures are collected in both Canada and the United States. The Qu...

Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...

NORBERTINE VON BRESSLERN-ROTH (1891 1978) KAMPF (BATTLE - LOBSTER and OCTOPUS) c. 1928 Color linoleum cut Signed in pencil. Image 8 5/8 x 8 11/16” In excellent condition and full ...

The contemporary paintings of Canadian artist Pat Service have long caught the attention of collectors in many countries in the world. Service has explored many genres in her career ...

A large, colorful Impressionist still life painting of fine porcelain china, glass and stemware by notable Alfred Jansson (Am. 1863 - 1931). The painting is exquisitely painted with...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

JOHN STEUART CURRY (1897-1946) THE MISSED LEAP, 1934 (Cole 23) Lithograph Signed titled, dated and numbered in pencil. Signed in the stone lower left. Image 17 x 9 3/4 “, sheet 20 ¼...

The contemporary horizontal panels of this wall composition are handmade in ceramic. On his Instagram post, Bill Greaves has a series of photographs taken from the shoreline of his ...

A collaborative project, artist Javid Jah and fabricator Alex Akbari of Qube Inc. re-designed this series from a recent public art exhibition in downtown Toronto, which was exhibited in collaboration with Roger Mooking and Wyandot artist Catherine Tammaro. The dynamic geometric form of the three pieces—Terra, Aqua and Aero (the elements of earth, water and air) is inspired by the ideas of cosmology (the study of the universe) and sacred ancestral principles. Forged from steel, light shines through the intricately detailed pattern of perforations on the surface. Each individual sculpture can also be used as a wood burning or gas fire pit...

This impressive circular architectural sculpture was created by Jeffrey Gillmor. An experienced metal artisan, this outdoor piece—a circle cut from a square is forged from etched steel and has a rust-coloured patina. Gillmor favours minimalist forms and finds inspiration for his work in nature’s colours, textures and shapes. World We See allows the viewer to not only see through the expansive ‘portal’ but walk through it as well. This is the largest of three similar sculptures in a series, each cut from the same four face plates of steel, producing another sculpture from the inside of the last. This piece is in an edition of 5 and is available on commission. Please allow 6-8 weeks for delivery upon completion. “The World we see and live in is much more complex than I feel it has to be, so we need to keep (everything) in perspective, keep basic positive values ... as we pass through the circle of life.” Jeff Gillmor...

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...