Recognized Dealers Art

JOSE CLEMENTE OROZCO (1883 – 1949) CABEZA DE MUJER, ( Woman's Head: Mexican Woman) 1929 (Orozco 9) Lithograph, signed and numbered 23/50. in pencil. Pri...

A large, colorful Impressionist still life painting of fine porcelain china, glass and stemware by notable Alfred Jansson (Am. 1863 - 1931). The painting is exquisitely painted with...

A collaborative project, artist Javid Jah and fabricator Alex Akbari of Qube Inc. re-designed this series from a recent public art exhibition in downtown Toronto, which was exhibited in collaboration with Roger Mooking and Wyandot artist Catherine Tammaro. The dynamic geometric form of the three pieces—Terra, Aqua and Aero (the elements of earth, water and air) is inspired by the ideas of cosmology (the study of the universe) and sacred ancestral principles. Forged from steel, light shines through the intricately detailed pattern of perforations on the surface. Each individual sculpture can also be used as a wood burning or gas fire pit...

A Striking, Post-War Studio Figure Study of a Reclining Young Male Nude Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). A well executed, intimate figurati...

The flaming duo of Last Dance and Missing Muse draw attention to our current political and environmental climate. In Missing Muse, I draw from an ongoing series in my practice that f...

Benjamin Benno (1901-1980) Untitled (Cubist Composition) Pen and ink on paper, 1938 Signed, dated, and copyrighted by the artist (see photo) Inscribed verso: BG Benno/9 rue Compagne ...

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...

This figurative steel indoor sculpture challenges cultural norms about women. The finely detailed, provocative sculptures of Derya Ozparlak have secured her a unique place in the wo...

Driving Range is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. In a departur...

This impressive circular architectural sculpture was created by Jeffrey Gillmor. An experienced metal artisan, this outdoor piece—a circle cut from a square is forged from etched steel and has a rust-coloured patina. Gillmor favours minimalist forms and finds inspiration for his work in nature’s colours, textures and shapes. World We See allows the viewer to not only see through the expansive ‘portal’ but walk through it as well. This is the largest of three similar sculptures in a series, each cut from the same four face plates of steel, producing another sculpture from the inside of the last. This piece is in an edition of 5 and is available on commission. Please allow 6-8 weeks for delivery upon completion. “The World we see and live in is much more complex than I feel it has to be, so we need to keep (everything) in perspective, keep basic positive values ... as we pass through the circle of life.” Jeff Gillmor...

The elegant abstract sculptures of Stefan Duerst are characterized by clean, flowing lines and minimal form hand forged from steel. This piece is a single ‘ribbon’—a contemporary tow...

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

This figurative oil painting of a white horse is by Daniel Hughes. The masterful work of Daniel Hughes is highly regarded internationally. Known for his exceptionally detailed, real...

This indoor figurative bronze sculpture is made by Canadian artist Roch Smith. The imaginative sculptural work of Roch Smith often takes a playful approach to more serious themes. H...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer recreated the images inspired by paintings and images from these eras, also finding inspiration from artists such as Leonardo DA Vinci, Albrecht Dürer, and others. Each image by photographer Dora Franco...

Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

Susan Rankin has captured the luminous colour of water—from pale blue and turquoise to ocean blue in her latest series of garden columns. These hand-blown glass outdoor sculptures ar...

This contemporary, geometric abstract, Corten steel outdoor sculpture is by Quebec artist Claude Millette. Millette has been creating compelling sculptures for more than four decades...

A Striking 1930s American Modern Figure Study of a Seated Female Bather by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A wonderful, early Art Deco-era example of Ada...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

Bartholomeus van Bassen (The Hague 1590-1652) An interior of a Gothic cathedral with figures signed and dated 'B v Bassen / 1650' (on pillar, lower right) Oil on panel Painting size ...

JOHN STEUART CURRY (1897-1946) THE MISSED LEAP, 1934 (Cole 23) Lithograph Signed titled, dated and numbered in pencil. Signed in the stone lower left. Image 17 x 9 3/4 “, sheet 20 ¼...

Glass artist Cheryl Wilson-Smith is honouring her Scottish heritage by naming this stunning new wall sculpture Geal (meaning ‘bright’) Figh (meaning ‘weave’). Paper-thin layers of wh...

Skiing in St Moritz, 1983 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Skiing in St Moritz' is a beautiful Limited Edition E...

A Unique, Visually Striking, Surrealist Mid-Century Modern Abstract Beach Scene by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting an abstracted female bathers stan...

This modern outdoor sculpture was forged from steel by a Quebec artist. Quebec artist Claude Millette has been creating uniquely compelling sculptures for more than four decades. ...

Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...

This lyrical and elegant contemporary sculpture is by David Chamberlain whose work is collected and admired around the world. Hand forged in patinated bronze and steel, the flowing c...

Karl Michel, 'Venus, Ex Libris - Hanns U. Herta Heeren', woodcut, 1923, edition not stated but small. Signed, dated, and numbered 'op.154' in pencil. Signed in the block, lower left. A fine impression, on cream Japan paper, with full margins (15/16 to 2 11/16 inches), in good condition. Printed by the artist. Matted to museum standards (unframed). . Translation: Venus Ex Libris for Hanns and Herta Heeren. Image size 5 15/16 x 4 inches (156 x 102 mm); sheet size 9 5/8 x 6 inches (245 x 152 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints. Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...

A Striking 1930s American Modern Pastel Figure Study of a Standing African American Nude Male Model by Notable Chicago Artist, Walter Burt Adams...

This contemporary sculpture is forged from stainless steel and designed for the outdoors. Philippe Pallafray’s ‘Mecanique Celeste’ series of dynam...

A Striking, 1940s Mid-Century Modern Studio Figure Study of a Reclining Female Nude by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed Modernist figure study ...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

When an artist works with more conventional still life subjects, they focus primarily on the formal properties of the painting, such as color relationships, form, proportions, and ot...

This contemporary, geometric abstract, oil-on-panel painting is by Canadian artist Shayne Dark. Dark calls his extraordinary new series of dynamic oil paintings—'calculated chaotic c...

A refreshingly original colour palette and clean, bold shapes tells the ‘story’ in this minimalist painting by Pat Service. As always, the BC artist is inspired by the beauty of natu...

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Very scarce. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and the Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Nicholas Panesis (1913–1967) was an American painter, printmaker, ceramicist, and illustrator whose lithographs of the 1930s rank among the most compelling examples of California WPA printmaking. Working within the traditions of Social Realism and the American Scene movement, he combined expressive draftsmanship with a modernist sense of design to create images of remarkable graphic power that address themes of labor, race, industry, and everyday American life. Born in Massachusetts in 1913, Panesis studied art at Syracuse University before joining the faculty of Alfred University, where he taught ceramics. In the early 1930s he relocated to California, first settling in San Francisco before moving to Los Angeles. There he worked for several animation studios...

A Finely Drawn 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, ea...

KIYOSHI SAITO (Japanese 1907 - 1997) KYOTO (B) 1966 Color woodcut, signed, titled, dated and no. 5/100 in pencil. Edition 100. Image 14 3/4 x 20 5/8 inches. Full margins with deckle...

‘The Clam Diggers’ is an oil on canvas seascape painting by American Impressionist painter, Granville Redmond. Redmond made his name on moody, nearly figureless Tonalist seascapes, ...

“Carry the song..” Carry the song of my breath to your chest. And you will call me back. And like this we will find one another. No matter how lost we may be. I won’t give up. This ...

Summer Gold and Corn, 2021 acrylic on cardboard 119 H x 79 W cm 46 27/32 H x 31 7/64 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' abo...

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

Created by Ed Ruscha in 1988, Hell ½ Way Heaven is a color lithograph on Rives paper. Signed by the artist and numbered within the lithographic plate, the print is annotated 2/100 fr...

Mid-century modern outdoor sculpture. This imposing metal sculpture by the renowned Quebecois artist, Marcel Barbeau dominates the landscape. This monu...

Robert Philipp, 'Rehearsal, "Long Day's Journey Into Night" ', color pastel, c. 1957. Unsigned. A fine, atmospheric rendering, on warm gray charcoal paper; a reinforced crease (1/2 inch) across the bottom left sheet corner; otherwise in very good condition. Image and sheet size 17 1/2 x 21 3/4 inches. Matted to museum standards, unframed. Provenance: Art Students League, from the artist’s personal portfolio. ABOUT THE ARTIST Robert Philipp (1895–1981) was a celebrated American Post-Impressionist painter known for his nudes, still lifes, and portraits. Noted art critic Henry McBride named Philipp one of America's top six painters of his generation. Philipp was an instructor of painting at the Art Students League, New York, for 33 years. Philipp was Secretary of the National Academy of Design, a National Academician, and a Benjamin Franklin Fellow at the Royal Society of Arts in London. His composition and painting style has been compared to the art of Edgar Degas and Pierre Auguste Renoir. In 1940, Philipp was invited to Los Angeles by Hollywood producer Louis B. Mayer to paint portraits of Metro-Goldwyn-Mayer movie stars. The same year, Walter Wanger, producer of ‘The Long Voyage Home’, directed by John Ford and based on plays by Eugene O'Neill, contracted with Reeves Lewenthal, head of the Associated American Artists gallery in Manhattan, to bring nine well-known artists to the set and paint scenes from the movie and portraits of the actors in character. The artists included Robert Philipp, Thomas Hart Benton, Grant Wood, Ernest Fiene, George Schreiber, Luis Quintanilla...

A Bustling 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). A busy harbor scene of sandy shoreline, docks and boat...

This contemporary figurative bronze tabletop sculpture featuring a dogman is by Gillie and Marc. Fanciful and fun, Gillie and Marc’s art is designed to be accessible. Their popular ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Gouache and crayon on Japon paper 56.7 x 76....

This contemporary acrylic abstract painting is minimalist in form. For more than three decades, Claudia Jean McCabe has been exploring the dynamic potential of abstraction. The Cana...

Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...

As a child, Ryan Van Der Hout owned a telescope and was fascinated by the sight of the moon in the night sky. This iconic image of the moon as viewed from earth is re-imagined when V...

Impressionistic oil painting of a bouquet of pink and white flowers. Hass, a late Impressionist painter of the Munch school, was known for his sensitivity of color perception and lig...

'Set Pieces: Vanity of Trust', color lithograph, 1949, edition 40, Fine and Looney 279. Signed, titled, dated and numbered '23/40' in pencil. A fine, impression with fresh colors, on...

A striking Machine Age Modern industrial scene oil painting of a New York shipyard crane by notable American artist, Lessing Whitford Williams (1894-1989). A colorful, dynamic examp...

This elegant and ethereal contemporary wall sculpture, by Stefen Duerst, is hot-formed steel, powder-coated yellow, and finished with a double layer of German 24-karat gold leaf. Ava...

A vibrant, colorful, 1950s Mid-Century Modern painting of a bull fight by notable Chicago artist, Francis Chapin. Oil on canvas, presented in a period, dark walnut brown stained flo...

This work is numbered in an edition of 10 and available by commission with 6 to 8 weeks required before delivery. There are also versions available in sizes up to 10 feet, with multi...

Canadian sculptor Viktor Mitic looked to the stars for inspiration in creating this striking contemporary sculpture. The elegant and ethereal abstract form of Cygnus A is intended to...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Murnaghan was well known for his striking underwater photography, capturing his sub...