Recognized Dealers Art

Ceramic parrots atop wood perches, each is handmade Our objective is to distill the stereotypical perceptions and associations within our culture into visually compelling objects, s...

A vintage, 1920s gelatin silver print by Tina Modotti of a painting by Manuel Rodriguez Lozano. Inscribed "Manuel Rodriguez Lozano", on reverse. Photograph size (sheet): 7 1/4 x 8...

American actress Marilyn Monroe relaxes on the sofa of her suite at the Ambassador Hotel in New York whilst reading 'To the Actor: On the Technique of Acting', the classic guide to a...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Hunt Slonem "Lorikeet" Multicolor Parrot A single parrot gestured in yellow, blue, green, orange, and black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 12...

American artist Jason Kimes is best known for his compelling and beautiful figurative outdoor work. This imposing sculpture (254 cm high) of a nude male in a classic yoga pose–arms c...

This contemporary colourful geometric vertical painting is by Burton Kramer. The striking artwork of Canada’s Burton Kramer, a much celebrated and influential graphic designer is in...

The process of creating a painting leaves behind a series of elements that become the starting point for a new piece. A mark, a line, color and shape become elements of a new paintin...

Couple Sharing a Chair at Party - Romantic Couple Silver Gelatin Photograph An amorous couple embraces intensely at a party, almost catching the attention of nearby partygoers... Th...

Lunch on Fifth Avenue, 1960 - Audrey Hepburn Black and White Portrait Iconic Belgian-born actress Audrey Hepburn pauses and poses for the photographer. She is situated outside the e...

This large-scale contemporary painting by Milly Ristvedt explores colour in abstract form. A masterful, award-winning colourist, Milly Ristvedt’s elegant abstract paintings hang on...

Image of a young woman, pondering a question over a cup of coffee. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and i...

Donald Grant (1924-2001) Horses in a paddock Signed lower left Oil on canvas Canvas size - 24 x 36 in Donald Currie Grant was born in 1930 in North Shiel...

The contemporary blue glass tabletop sculpture is by Cheryl Wilson Smith. Cheryl Wilson Smith is known for her uniquely beautiful glass work—its form, color and texture is often ins...

A Large, Compelling 1950s Mid-Century Modern Portrait of a Standing Male Nude Model by John Warren Ekstrom (Am. 1929-2020). A unique and well executed studio figurative painting by ...

A Fine, Expressive 1930s Modern Figure Study Drawing of a Seated Male Nude Model by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). A wonderful, early example of Chapin's figu...

Edouard Boubat 1923-1999 Mother and Child, Madras, 1971/Printed later Signed in ink on recto; signed, titled and dated in pencil on verso Gelatin Silver Print Mat 20 x 16 inches; Pap...

Cars are a central theme in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This a unique stencil painting made on handmade paper (from Bhutan). There are 20 prints in the edition, with hand-painting on each. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. This composition is sourced from Paolo Uccello’s St George and...

Gaia 78 - Black and White Diptych of Cloud in Sky with Flower in Grass by Jaume Llorens Bach Gaia 78 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper by Awag...

Dan Hughes pays homage to classical painting techniques with a loose hand. Bold, modulated colour brushstrokes showcases formal composition in a new and refreshing light. Well known ...

An important early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Titled "Tourists in Taxco", the watercolor was exhibited at the Museum of...

Fear and insecurity came uninvited to keep the artist company. Suddenly it became necessary to release the sensations that surrounded him day and night. At times the artist felt as i...

Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...

Masami Iwata, 'Flowers and Ko-Imari', color woodblock print, c. 1960, edition 250. Signed, and with the artist’s seal, lower right. A superb, painterly impression, with fresh colors,...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

This large-scale acrylic abstract painting by Alice Teichert evokes images of time and space. Layered transparencies in rich golden hues and deep red enhance the radiant nature of t...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

This poster features one of Jim Dine’s trademark tools: a pair of scissors hangs on a long thread from Jim Dine’s name. In the original 'Scissors and Rainbow' edition, the thread spe...

A large, dynamic Mid-Century Modern summer landscape painting with female bathers by noted Chicago artist, Rudolph Pen. A wonderful example of the artist's uniquely expressive figur...

Hailey Lever 'Storm Clouds Over Douarnenez, Brittany, France', watercolor, 1904. Signed 'HL' in pencil, lower left. Titled and dated in pencil, on the original mat backing. A fine sp...

Hotel du Cap Pool, Eden Roc - Cap d'Antibes French Riviera Hotel Views Coastline by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Colorful dots, lines and squares in bright blue, pink, green, lilac and yellow in wood grain form a totem against a lavender purple background. This jubilant take on Cubism features ...

PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Clustered and sensuous oblong forms in translucent red glass have a smooth polished surface like the fruit that surrounds pomegranate seeds. A single seed sits next to the cluster. T...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalted the figure and genitality of the Latin American man, putting into tension the limits imposed by the sex/gender system that are part of an unquestionable patriarchal and phallocentric order. The majority of those portrayed are inhabitants of the Colombian coast, also constructing alternative ways of conceiving Latin American identity. By breaking taboos about corporality and male sexuality, his work has been censored on numerous occasions due to public accusations of immorality and pornography. Celso Castro’s work is a bare-bulb erotic photo...

John Leslie Berry (1920–2009) An Officer, 8th Kings Royal Hussars, circa 1833 Oil on canvas Signed lower left Canvas size - 14 x 10 in Framed size - 18 1/2 x 14 1/2 in ohn Leslie B...

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...

Aron Hill’s dynamic graphic compositions were inspired by the work of the late Canadian modernists like Jack Bush. Minimalist shapes and bold colours continue to characterize their n...

The series "Venus Nostalgia" is a collection of sculptures inspired by the famous Venus de Milo, an emblematic work in the history of art that has had a great impact on Castello's wo...

John Leslie Berry (1920–2009) An Officer, Grenadier Co. 19th Foot, circa 1819 Oil on canvas Signed lower right Canvas size - 14 x 10 in Framed size - 18 1/2 x 14 1/2 in ohn Leslie ...

Imao Keinen, 'Tree Peony and Blue and White Flycatcher' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban dipty...

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

Four elegant glass orbs that contain assembled clock works hang from fine chain in this unique wall sculpture by John Paul Robinson. The orbs in four sizes are defined by a deliberat...

This contemporary ceramic black vase is by Loren Kaplan. A gifted ceramicist, Loren Kaplan’s strikingly elegant work is highly regarded by international collectors. Kaplan’s porcelain artwork is informed by her homeland, South Africa—its people, land and cultural traditions. This black stone vase...

Pavilion Blur - Royal Pavilion Dance Black and White Photograph Silver Gelatin A blur of dresses is caught on camera by the photographer, the speed of the women's rotations lifts up...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Untitled 01, 2017 Mixed media: white oil painting, adhesive on canvas (Signed on reverse) 46.85 H x 39.37 W in. 119 H x 100 W cm Zsolt Berszán treats the first layer of the drawing ...

A Striking, 1940s Modern Surrealist Abstract Drawing, "The Way of Scrutiny" by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Graphite on paper, dating from 1...

Robert Rauschenberg Autobiography, 1968 Three panel offset lithograph on three sheets of paper 66 1/4 x 48 3/4 inches each Ed. 2000, unsigned Unframed Can be displayed horizontally o...

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

Anonymous 15th Century Italian, Probably Milan area The Nativity of Christ Pigments, ink and gold leaf on vellum Unsigned as is always the case with illuminated manuscripts The Virgi...

This sculpture weighs approximately 80 pounds it sits vertically without a base. This item can be purchased on commission basis, please allow 8 - 12 weeks before shipping. Smooth s...

"From the smallest of seeds the tree grows, striving for the skies. Branches form, ramify and blossom in the rhythm of time. The human figure transforms. The elements depend on each ...

In this early photographic series, Dubravka Lazić turns her lens toward a subject rarely treated with such a quiet dignity: domestic cats. Shot in 2005, these portraits mimic the fo...

A seated female figure strikes a casual pose, body half turned in this imposing sculpture by American artist, Jason Kimes. This outdoor sculpture is made from coin-sized discs of cor...

A large, finely detailed 1950s Mid-Century Modern watercolor of a castle, moat and village by French artist and architect, André Nejavits-Mery. Watercolor and ink on paper, signed a...

A period Joseph Nash ca. 1839-49 hand-colored lithograph on paper of Porch and Corridor, Ockwells, Berks., plate from the disbound book “The Mansions of England in the Olden Time”, f...