Recognized Dealers More Clocks

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

Metropole Clock in plastic laminate, designed in 1982, George Sowden. George Sowden was born in Leeds, UK in 1942. He studied architecture at Gloucestershire College of Art in the 1...

Vacheron Constantin Ref. 92115, an extremely fine and unique 18K pink gold pocket watch Swiss-made, October 2001, Height 9cm, width 6.5cm, depth 1.5cm Open: height 9cm, width 13cm, d...

Unique and magnificent jewel encrusted automaton watch by Audemars Piguet Swiss, 2002 Measures: Height 8.5cm, width 6cm, depth 2cm This spectacula...

Very large French Louis XV style ormolu mantel clock French, circa 1880 Measures: Height 98cm, width 50cm, depth 27cm This fine 19th century clock is unusually large, standing a...

A superb Charles II month duration floral marquetry longcase clock by the well-known maker John Wise, c. 1680-85. Measure: 10". The case is of the highest quality and decorated throughout in very attractive floral marquetry depicting spring flowers and birds showing a high level of sophistication with a glazed circular lenticle to the door. Similarly, the rising hood is decorated with blind frets around the top and surmounted by a shallow caddy decorated by five gilt wooden ball finials. It is flanked by prominent gilt brass-capped solid barley twist columns, with blind fretted panels to the sides. The month-going nicely finned and knopped five pillar movement has reversed going and striking trains, the striking train (on the right) being regulated by a small outside countwheel. The going train has anchor escapement and a seconds pendulum. The movement is fronted by a 10-inch brass dial with an unusual narrow silvered chapter ring, seconds ring and date aperture. It has elaborate cherub-head spandrels in the corners and is signed along the bottom John Wise Londini Fecit. The middle is finely matted, whilst the time is indicated by a fine pair of blued-steel hands, the hour hand richly pierced. The maker John Wise was born in Banbury shortly before 17 March 1624, the date of his baptism. He was the son of John and Ann Wise and a cousin of Joseph Knibb...

This beautiful early 20th Century clock set with later lapis veneer will make a stunning Neoclassical style addition to a mantelpiece and a bold i...

French neoclassical style enamel, onyx, and gilt bronze pedestal clock French, late 19th century Measures: Height 125cm, width 36cm, depth 30cm This beautiful pedestal clock has...

Parmigiani Fleurier, 'Nubia' - an extremely fine and unique 18K pink gold pocket watch Swiss, Early 21st Century Measures: Height 9cm, width 6.5cm, depth 1.5cm Open: height 9.5cm,...

An impressive Dutch longcase clock with a burr walnut veneered oak case, signed on the chapter ring Pieter Brandt Amsterdam, c. 1745-50. The hood ...

This Louis-Philippe-period month-going longcase regulator clock is an exceptional example of French clockmaking, and its complicated mechanism marks several different aspects of passing time. Crafted by Deshays à Paris, the timepiece displays sleek silvered steel dials that indicate the time, date, month, equation of time...

Large Baroque style Austrian ormolu mounted musical clock Austrian, early 19th Century Total height: 211cm Clock: Height 135cm, width 86cm, depth 52 Stand: Height 76cm, width 81c...

Blue hour table clock signed by Adam Ruiz & Cyril Fuchs Dimensions: 50 x 27 x 4 cm Materials: Sculpted steel Handscultped, signed The blue hour is a steel clock weathered with ...

Innovating with its small and simple models Nomon brings the Pisa T Clock to be placed on desktops or corner desks. The slim needle shape of this foot clock...

French architecturally formed ormolu mantel clock French, 19th Century Height 52cm, width 28cm, depth 17cm This beautiful Baroque style mantel clock is crafted from gilt bronze. The highly detailed case takes the form of a piece of miniaturised architecture: a campanile of sorts, the top level contains the clock dial while the lower level, approached by shallow steps, is flanked by figurative sculptures and culminates in a bas relief frieze...

Baroque style bronze and ormolu cherub mantel clock French, late 19th century Measures: Height 69cm, width 35cm, depth 26.5cm This dramatic a...

‘Shining Time’ is the 6th clock of our capsule collection of eight unique pieces ‘Time is Up’. The clock is a great example of the designer’s work: with its signature mirror mosaic ...

French gilt bronze mounted marine themed automaton mantel clock French, circa 1850 Measures: With glass dome and base height 90 cm, width 70 cm, depth 33 cm Clock without dome and...

A beautiful, rare solid silver Anglo-French octagonal pocket sundial with compass by Michael Butterfield, circa 1700. The sundial is made for a latitude of 44° and could be used in places in the south of France such as Avignon and elsewhere along this parallel. The elaborately engraved base plate has a Roman chapter ring on which the gnomon (a triangular flap) casts its shadow. It is signed by the maker in the following manner: Butterfield A Paris. On one side is a glazed recessed compass with a blued steel hand to position the instrument in such a way that the time can be read. The hinged triangular gnomon is richly engraved and in the shape of a bird’s head. The folding gnomon and cut corners enable the dial to be carried in the pocket. The underside shows the latitudes of various Southern-French places in the relevant areas Its maker Michael Butterfield was an English instrument maker who based himself in 'Le Quay de l'Horloge' of Paris from circa 1685. These types of dials, often replicated by other makers, became known as Butterfield Dials...

A very fine mahogany Grandfather clock in the Chippendale taste with extremely rare movement, depicting the rise and fall of the tide. This long case clock is in the Chippendale ta...

This exquisite gilt bronze-mounted pedestal clock is the creation of the famed French clockmaker Paul Garnier (1801-1861). Garnier worked in Paris during the first half of the 19th C...

Antique French Belle Époque Rococo style bracket clock by Henry Dasson French, 1882 Measures: Total height 136cm Clock height 86cm, width 37cm, depth...

The extraordinary beauty and superior craftsmanship of 17th century German clockmaking is on full display in this exceptionally rare horizontal tabletop timepiece dating to 1650 Augsburg. Created by Johannes Buschman the Younger, the eminent Buschman family of clockmakers are lauded for designing some of the finest timepieces to ever be created in the South German town of Augsburg during the late Renaissance and early Modern periods. A finely moulded ebony and turtleshell casing veneered in a mottled red hue holds the clock’s fusée and chain movement with verge escapement and balance with hogs-bristle regulation. A silver figure of Minerva, Roman goddess of war and wisdom, centers the Roman numeral-engraved chapter ring, indicating the time by pointing to the hour with an authoritative military staff as the sun rotates below her feet to indicate the minute. The incredible design is finished by a gilded backplate intricately pierced and engraved with a floral motif and the signature of Johannes Buschman. Clocks are one of the greatest and most important inventions of the Renaissance period, improving steadily into the Age of Discovery. Embodying a renewed interest in science, the arts and humanism, the first mechanical timepieces began appearing in the 14th century and were large, weight-driven devices placed in the turrets of public buildings that struck the hour and lacked hands and faces. This clock was created during the first period of household clocks, when spring-driven movements made it possible to create smaller and more complex mechanisms. Such creations, however, were a luxury accessible only to the wealthy upper classes. Affluent patrons placed pressure upon artisans to create more elaborate and ornate clocks...

This wonderfully ornate gilt bronze mantel clock is covered with fine sculptural decoration, including female busts, architectural motifs and stylized foliage. With its wealth of cla...

The magnificent neoclassical style clock set would make a beautiful addition to any elegant interior. The three-piece, antique French clock set comprising a central clock and a p...

Comprising a central clock and a pair of flanking candelabra, the central circular dial surrounded by a laurel wreath and bow ormolu mount, with plaques depicting biblical scenes in relief on either side, surmounted by a large patinated bronze group, the pair of ten light candelabra similarly decorated with patinated bronze male...

French Charles X malachite and gilt bronze figurative clock French, circa 1830 Measures: Height 62cm, width 45cm, depth 16cm This fine mantel clock is a superb example of the Ch...

Wax Clock Altar by Panorammma Dimensions: D 60 x W 60 x H 50 cm Materials: Steel, wax candle. Panorammma is a furniture design atelier based in Mexico City that seeks to redefine ou...

Large Charles X period gilt bronze and malachite clock French, circa 1830 Measures: Height 62cm, width 54cm, depth 20cm This fine mantel clock is a superb example of the Charles...

It is most likely that this charming ‘hook and spike’ lantern alarm, circa 1750, was originally commissioned or simply purchased to have its very own ca...

A lovely and attractive English trunk dial clock made c. 1840. The mahogany veneered case is of an original design with slightly shaped sides to the trunk and a Sheraton-like she...

Belle Époque period gilt bronze and enamel clock set French, late 19th century Measures: Clock: Height 46cm, width 23cm, depth 15cm Vases: Height 29cm, diameter 11.5cm Candlestic...

Marble One Cut table clock - Moreno Ratti Dimensions: D 9 x W 20 x H 20 cm Materials: Calcata Oro marble. The idea of this collection comes from the desire to take the concept of minimalism to the extreme, as in the Recisi series: a single cut of a geometric figure (the square) allows the creation of a functional object where the two pieces that compose it, respond to a need. The family consists of: a table lamp (Moon Lamp) with a touch-sensitive ignition system, a clock and a solifleur. Moreno Ratti "When I was young I played with pieces of marble, like now. There are a lot of marble waste...

Byzantine style gilt bronze and champlevé enamel clock garniture by Raingo Frères French, late 19th century Measures: Clock: Height 55cm, width 34cm, depth 25cm Candelabra: Height 67cm, width 31cm, depth 28cm The present clock set is by Raingo Frères, one of nineteenth-century France’s leading producers of luxury clocks...

This three-piece mantel clock set contains a clock and two candelabra. The set was produced circa 1860, during the Napoleon III period, and demonstrates the eclecticism typical to de...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

From the Restauration period; comprising a central clock and a pair of flanking vases, the central vase shaped clock with circular dial signed 'AUG. de Boussiard' and twin ormolu swa...

The barometer, of aneroid type, signed by the maker and having a thermometer above is house within an extensively carved 'banjo' form case, incorporating fruits and foliates, with a ...

A case of exquisite porphyry and doré bronze houses the verge movement of this rare clock by eminent English clock and watch maker John Ellicott. Ellicott's...

A Louis XVI period mantel (fireplace) clock by Bruel of Paris Constructed in Carrara marble and ormolu, rising from an ormolu dressed elliptical base supported by bronze toupie feet, the figures of Psyche and Cupid rest on a rocaille ground, housing the eight day twin train clock...

Elegant Japanese pillar clock, 'SHAKU-DOKEI', c. 1820 The very fine 30-hour, weight-driven movement is constructed between bars and consists ...

This beautiful French clock garniture, styled in the Louis XV taste, is a charming work of artistry and craftsmanship. Crafted of richly veined and brightly-hued fluorspar mounted wi...

A Garniture de Cheminée in The Egyptian Manner Constructed in Algerian onyx and ormolu, comprising a large clock and two side pieces; rising f...

An exceptionally rare and highly important month-going longcase clock by John Greenhill of Ashford, Kent, dating to circa 1680. The exceptional rarity of this longcase clock becomes...

A fine Louis XVI style gilt-bronze mounted mahogany cartel clock and barometer, after the model by Martin Carlin. French, circa 1870. The dial sig...

An ormolu cased Cartel clock by Vincenti & Cie Constructed in gilt bronze, depicting a well modelled figure of Father Time, carrying his scythe, with a winged cherub surmount, hou...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

A large and important Louis XVI style carved giltwood clock and barometer set. Each with circular enamel dials, the clock with Roman and Arabic numerals and pierced scrolled hands. The companion barometer with indications for the weather and inscribed 'BAROMÈTRE / SELON TORRICELLI...

This mantel clock beautifully illustrates the classical myth of ‘The Abduction of Europa’. In this story, the god Zeus falls in love with a mortal woman called Europa. To seduce her, Zeus transforms himself into a white bull. Europa then mounts the bull and Zeus whisks her away from her home to Crete. Europa becomes the Queen of Crete and bears Zeus several children. The clock takes the form of a patinated bronze bull which is saddled with a gilt bronze (ormolu) clock case. This case features a circular white enamel dial with black Roman and Arabic Numerals, as well as the maker’s name ‘Michel Baltazar...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

An unusual flame mahogany long-case clock attributed to Maples with a Smith & Sons 3-train movement, the case with a stepped base, the hood with two fluted columns and brass fini...

Clessidra hourglass in amber Murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

Comprising a central clock and a pair of flanking candelabra, the ormolu clock with circular dial and roman numbers signed 'F. Barbedienne', decorated with foliate scrolls and shells, surmounted by a putto, the pair of flanking three light candelabra similarly decorated on scrolling feet. The elegance of this beautiful antique ormolu clock...

Perfectly balanced between two different colours, the sand flows through the sleek glass chambers made using the Incalmo technique, taking on its colour and becoming a part of it. Grains of sand, impalpable and imperceptible as a whole, yet so real, like time passing. Fulvio Bianconi and Paolo Venini sealed it in the Clessidra in 1957 Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015, taking on a more sinuous, feminine appearance. Perfectly balanced between two different colors, sand flows through sleek glass, crafted using the Incalmo technique; as it flows, it gradually colors and becomes an integral part of the glass. Additional Information: Material: Glass, sand Color: Gray/red Dimensions: Ø 15 x H 28 cm Available in other color options: Green river /Powder pink...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...