Recognized Dealers Clocks

Guillerme et Chambron for Votre Maison, longcase clock, oak, brass, steel, France, 1960s. Wonderful and large clock designed by Guillerme and Chambron. The piece shows a natural and...

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

This Art Deco-period French mystery clock features a stunning design inspired by Eastern cultures and the natural world. A brilliantly hued piece ...

A Napoleon III Gilt-Bronze Mantel Clock, 'Pendule à Cercles Tournants', By Jean-François Denière, Paris. Of imposing scale, surrounded by four winged putti and garlands of flowers in clouds enveloping a bleu celeste tole star-studded sphere. On a shaped base with a wreath and courting doves. The square-plated movement with Brocot escapement and outside count wheel striking on a bell. Stamped to the backplate ‘Deniere A Paris’ and numbered ‘2385’. France, Circa 1860. This clock, magnificent of scale and conception, numbers amongst Denière's most impressive creations. Denière delivered clocks to the Emperor at the château du Fontainebleau in 1857 and 1861. Both are modelled with playful cherubs pulling foliate garlands which show the same designer as those to the present clock. They can be attributed to the sculptor Albert-Ernest Carrier-Belleuse (1824 –1887) who from the 1850s produced for Denière models for candelabra, clocks, jardinieres and fireplace ornaments. Inspired by the Louis XVI style, the present clock with celestial sphere enclosing a complex rotating clock...

German Art Deco walnut mantel clock with round chrome clock rim and numbers (with MAUTHE metal label, branded Jan 1936) (Not working)

While the box and the 8 time points are chromed steel. Its avant-garde style mixes natural materials with industrial materials so it adapts to a wide variety of decoration styles. Yo...

Marked: London, 1886, Makers James F. Barnard and sons.

German Art Deco walnut mantel clock with round chrome clock rim and numbers (with MAUTHE metal label, branded Jan 1936) (Not working).        

"French Provincial style black tole clock with cream oval face with roman numerals mounted on a curved rectangular base. Some wear and paint loss."

A rare and important Louis XVI clock by Cronier, Paris, France circa 1790. Crafted in fire-gilt bronze with a round convex white enamel face with black Roman numerals for the hours A...

Gilbert Rohde Clock Model #4706 Chrome Plated Aluminum and Glass Manufactured by Herman Miller Clock Co. An Iconic example of Art Deco Design

The wood of the extended hour markers adds warmth to the wall and the easy installation with adhesive brings versatility to the whole design. Available with a central box in chromed ...

Late 19th Century Napoleon III Portico Barley-Twist Marquetry Mantel Clock, French 1880. This beautiful and highly sought after marquetry detailed portico clock was handcrafted in Fr...

Black glass fiber double-ring wall clock that contains the walnut case and clock hands in the center. The whole set is grouped and fastened by a support with two rods and support to the wall that serve to indicate two time points. ¯66 cm. mini version of the famous Barcelona clock. This wall clock that Nomon offers us is a very original accessory that is ideal for design houses since it has a style that makes it a unique piece by perfectly combining with the various types of modern decoration that exist today. It is the mini version of the classic Barcelona clock by Nomon so it has a circumference measuring 66 centimeters standing out among the modern wall clocks that can be installed in medium or small rooms where it usually stands out for the elegant and sophisticated design that characterizes it. The structure of this designer clock...

A magnificent, fine and impressive, large antique Edwardian English sterling silver carriage clock, an addition to our silver timepiece collection. This magnificent antique Edwardian sterling silver carriage clock has a plain rectangular form onto four bun feet. The surface of this large and impressive Edwardian clock is plain and unembellished. This impressive antique silver carriage...

Black glass fiber double-ring wall clock that contains the walnut case and clock hands in the center. The whole set is grouped and fastened by a support with two rods and support ...

Pair of French Louis XVI-style (Mid-19th Century) ormolu wall clock and barometer set each of banjo form with Apollo mask above putti and ...

A wonderful gold-leafed variation of this form. Signed under the foot.

PAIR of English Victorian walnut and burl walnut trimmed wall clock and barometer set with carved top and bottom.(PRICED AS PAIR)(Not working)

Amsterdam grandfather clock with ship automaton Nicolaas Weiland / Weylandt Circa 1745 Inlaid walnut case, top with original crown featu...

Rene Lalique clock "Quatre Moineaux du Japon". In clear and frosted glass with white patina. This model was created on April 3, 1928 exclusively f...

Metropole Clock in plastic laminate, designed in 1982, George Sowden. George Sowden was born in Leeds, UK in 1942. He studied architecture at Gloucestershire College of Art in the 1...

Very Large Ormolu Marble Regulator Calendar Mantle Clock Barbedienne French, Late 19th Century Height 121cm, width 64cm, depth 28cm Expertly produced in France during the final de...

Vintage Rustic weather station containing three dials: a clock, barometer, and thermometer, with brass trim and beige and black enamel faces, mounted in a burl wood case with live to...

French Empire Mantel Clock Bergmiller Circa 1810 A radiant expression of French Empire luxury, this exceptional mantel clock by Bergmiller combines the artistry of mercury-gilt bron...

This is the Nomon wall clock made with moisture resistant wood, a polished brass case and innovative design ideal for your home. Its eccentric design is shown in eight golden points and four hourly signs in fine and quality wood with needles of the same material additionally its brass case has an exact and precise mechanism. The living room will have a focal point of great impact due to its design and unsurpassed size. The ideal style for this striking wall clock...

Wall clock 'Moment' by Buzao x Bentu design. Black lava stone Measure: Diameter 24cm.

A bright, multicolored postmodern wall clock with blue and green hands designed by Nathalie du Pasquier and George Sowden for Neos of Lorenz in the late 1980s. Co-founders of the Mem...

Sand clocks were among the first instruments that man devised to visually perceive and measure time. Ctrlzak’s Timeless project utilizes the properties of t...

ClockClock 24 is both a kinetic sculpture and a functioning wall clock. It has been a signature piece of Humans since 1982 since it was first launched in 2016. The individual clock h...

Grand Regulator World's Fair Clock François Linke Circa 1900 Widely regarded as the greatest sculptural clock ever created, this monumental régulateur by François Linke was conceived as a statement for the 1900 Paris Universal Exposition, a moment when the world’s finest artisans competed on an international stage. Linke, the most celebrated ébéniste of the Belle Époque, was awarded the prestigious gold medal for his display, which critics described as “the biggest event in the history of furnishing art in the year 1900.” Designed in collaboration with the sculptor Léon Messagé, the clock exemplifies Linke’s ambition to elevate furniture and timepieces to the realm of fine art. The clock represents over a decade of design and craftsmanship. Only six examples of this model were ever completed due to the extraordinary labor and cost involved. Building just one had a production cost of 22,966 francs, the equivalent of approximately eight years' wages for the average French worker in 1900. The clock is illustrated on the spine of Christopher Payne’s definitive monograph on Linke. Mahdi Al-Tajir, one of the world’s most important collectors, later acquired the present model. Another is located at Whitehall, the Flagler Museum in Palm Beach. It was acquired by Rockefeller’s partner, Henry Flagler...

Vacheron Constantin Ref. 92115, an extremely fine and unique 18K pink gold pocket watch Swiss-made, October 2001, Height 9cm, width 6.5cm, depth 1.5cm Open: height 9cm, width 13cm, d...

French Empire-style (19th Century) bronze dore mantel clock with claw feet and a sphinx on top. (Related item: 032442) (Not working)

Reinventing with its structures Nomon brings you a clock from the desktop collection with an innovative and elegant design. The Omega I Clock impresses by keeping a clock suspended in the air while losing its depth by removing unnecessary items and making it simple and glamorous. A fashion clock that will give your home office or business the sophistication you were looking for. The latest trend in office decoration pieces and elegant spaces is here with the desktop clock...

Unique and magnificent jewel encrusted automaton watch by Audemars Piguet Swiss, 2002 Measures: Height 8.5cm, width 6cm, depth 2cm This spectacula...

French Victorian small bronze round shaped desk clock and barometer with handle. (Not working) Damage to barometer face edge

Elegant modern sophisticated glossy glamorous are adjectives that describe this wonderful graphite-finished pendulum clock with the hands in walnut noble wood. The possibility of ...

A stunning 19th century French Gilt-Bronze and Champlevé Enamel Four-Glass Mantel Clock, of exceptional quality, this richly ornamented four-glass mantel clock is housed in a finely ...

The classic industrial style wall clock, crafted with attention to every detail. Its steel hands are available in black, red, or white.  

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

An magnificent clock with a floral motif dating from the early 20th century, and created by master ebeniste Le´on Jallot. For an illustration of a similar model, see: Duncan, Alasta...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

French gilt bronze clock, with Bacchus head, circa 1840.

Impressive mantel garniture composed of a central clock surmounted by a winged sphinx and flanked by two obelisks. The ensemble is richly decorated with Egyptian symbols engraved and...

Fire-gilded bronze clock depicting Aurora’s chariot, dial signed Deniere á Paris, Maison Deniere The signature “Denière” or “Denière Fabt de Bronzes à Paris” belongs to Jean-Franço...

Very large French Louis XV style ormolu mantel clock French, circa 1880 Measures: Height 98cm, width 50cm, depth 27cm This fine 19th century clock is unusually large, standing a...

This artful and unique automaton clock and music box house proudly bears the signature of Geneva, a hallmark of unparalleled horological excellence. For generations, Geneva has seamlessly merged traditional craftsmanship with cutting-edge technology, setting the standard for luxury timepieces. Adorned with delicate hand-painted details, this exquisite cottage exudes provincial charm. Intricate floral motifs and ivy vines gracefully ascend its façade, drawing onlookers into this detailed masterpiece. A couple stands in the doorway, meticulously carved to exude the height of style and grace. In the style of the iconic cuckoo clock, a distinguished gentleman, adorned with a pipe and cane, emerges from the balcony doors...

A Large and Exceptional Napoleon III Period Gilt-Bronze and Sèvres Style Porcelain Three-Piece Clock Garniture. By Denière, Paris. Comprising a mantle clock and pair of eight-light...

A Large and Important Napoléon III Gilt and Silvered-Bronze Sculptural Three-Piece Clock Garniture, By Charpentier, Paris. Comprising a mantle clock and a pair of figural vases. The...

An instant design icon, Sebastian Wrong’s Font Clock features an ever-changing display that uses twelve different type faces and a flip mechanism in a design that is both nostalgic a...

Egyptian-style (19/20th Century) black marble mantel clock with sphinx top (Not working)

Paris, Empire, c. 1810, bronze body, fire-gilt and patinated, designed by Jean-André Reiche in 1808, 8-day movement, enamel dial with Roman numerals, figure of the wearer on an oval ...

Odysseus and Theseus French Empire Mantel Clock André Antoine Ravrio Circa 1800 This monumental Empire mantel clock by André Antoine Ravrio, whose case is crafted entirely of gilded...

Functional and versatile Nomon clock. Dimensions: 70 cm in diameter. The Rodon N wall clock of the Spanish clock brand Nomon recalls the subtle elegance...

French Louis XVI-style (19th Century) gilt bronze mantle clock with a center fluted column supporting the clock face draped with a garland and...

A superb Charles II month duration floral marquetry longcase clock by the well-known maker John Wise, c. 1680-85. Measure: 10". The case is of the highest quality and decorated throughout in very attractive floral marquetry depicting spring flowers and birds showing a high level of sophistication with a glazed circular lenticle to the door. Similarly, the rising hood is decorated with blind frets around the top and surmounted by a shallow caddy decorated by five gilt wooden ball finials. It is flanked by prominent gilt brass-capped solid barley twist columns, with blind fretted panels to the sides. The month-going nicely finned and knopped five pillar movement has reversed going and striking trains, the striking train (on the right) being regulated by a small outside countwheel. The going train has anchor escapement and a seconds pendulum. The movement is fronted by a 10-inch brass dial with an unusual narrow silvered chapter ring, seconds ring and date aperture. It has elaborate cherub-head spandrels in the corners and is signed along the bottom John Wise Londini Fecit. The middle is finely matted, whilst the time is indicated by a fine pair of blued-steel hands, the hour hand richly pierced. The maker John Wise was born in Banbury shortly before 17 March 1624, the date of his baptism. He was the son of John and Ann Wise and a cousin of Joseph Knibb...

This large, gilt bronze wall clock is a magnificent and highly unusual piece. At the centre of the design is a circular enamel dial, with Arabic...

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

Early 19th Century English Japanned grandfather clock by Robert Woollan of Glastonbury, with an engraved silver and brass face and silver chapter ring. Boasting an intricate hand pai...