Recognized Dealers Clocks

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

Exceptional and unusually large 18th century Rococo tall case musical clock with 15 bells and striking bell. Case comes in three parts, round porcelain dial with Roman and Arabic num...

Designed for Olivetti management and never put into commercial production, this rare minimalist table clock has a thick domed glass body with internal hands, painted hour markers and...

Unusually large 18th century Swedish tall case clock. Dry scraped and retouched with great patination. ca 1770 Sweden.

Rare and unusually large Provincial Swedish 19th century tall case clock in it's original finish. Dated 1867, Sweden.

This fantastically detailed Directoire pendule places Urania, the muse of astronomy, at its center. Adorned with her attributes—the compass for calculating the paths of the stars, ...

Memphis style constructivism Aluminium desk clock by Nicolai Canetti. Marked on dial: "Art time Collection Japan." Signed on base ''Canetti". ...

This mantel clock beautifully illustrates the classical myth of ‘The Abduction of Europa’. In this story, the god Zeus falls in love with a mortal woman called Europa. To seduce her, Zeus transforms himself into a white bull. Europa then mounts the bull and Zeus whisks her away from her home to Crete. Europa becomes the Queen of Crete and bears Zeus several children. The clock takes the form of a patinated bronze bull which is saddled with a gilt bronze (ormolu) clock case. This case features a circular white enamel dial with black Roman and Arabic Numerals, as well as the maker’s name ‘Michel Baltazar...

French Louis XVI-style (19th Century) white marble mantle clock with gilt bronze trim and a pediment with a wreath & arrows. (Clock face signed: HGER DU ROI, PARIS) (Not working)

Rustic Black Forest (19th Century) carved walnut mantel clock with floral design and bird figure with spread wings on top and 2 bird figures below...

An instant design icon, Sebastian Wrong’s Font Clock features an ever-changing display that uses twelve different type faces and a flip mechanism in a design that is both nostalgic a...

An exceptional, fine and impressive vintage Elizabeth II English sterling silver eight-day boudoir clock; an addition to our silver timepiece collection. This exceptional vintage Elizabeth II sterling silver miniature boudoir clock has a plain rectangular rounded form onto four bun feet. The surface of this impressive vintage miniature clock...

An attractive Parisian mantle clock in the Louis XVI manner Retailed by the Goldsmiths & Silversmiths Company Constructed in Carrar...

Rare Louis XV period wall clock "cartel d'applique " , finely cast and chiseled , beautiful mercury gliding , the enameled dial with roman numerals , signed GILLE LAINÉ À PARIS - Gilles Lainé ( Pierre Francois Gille ) , dit "L'AINÉ", master clock...

An Exhibition Quality Garniture de Cheminée By Jules Graux of Paris Of important size and supreme quality, the mantle clock constructed from white Carr...

This ormolu (gilt bronze) mantel clock is a stunning piece of design, which features beautiful neoclassical style low-relief decorations and three-dimensional sculptures. The clock takes the form of a tall rectangular case with a circular white enamel dial near its top. This dial features black Roman Numerals and the maker’s signature, ‘Robin/ à Paris’. The dial is displayed behind a glass lens within a foliate bezel. The case is decorated in its upper corners with rosettes, and in the lower section with a stylised depiction of a swan. The case is topped by a sculpture of a wreath, propped up on a roll of paper or parchment. To the left of the case, there is a full-length statue of a man who wears a classical robe and holds a mirror. A lyre leans against the right side of the case. The clock is set on a wide rectangular base which is decorated with a low-relief scene taken from the classical myth of Dido and Aeneas...

Large Rococo style porcelain mantel clock by Meissen German, 19th century Measures: Height 66cm, width 33cm, depth 25cm This superb mantel clock is a truly wonderful example of ...

A finely crafted bronze clock in the form of yacht steering wheel made by Chelsea Clock Company, Boston, Massachusetts, having a hinged bezel, silvered dial with Arabic numerals, eig...

Antique Early 19th Century Empire Gold Brown Gilt Patinated Bronze Mantel Clock French, Early 19th Century Height 54cm, width 52cm, depth 20cm Dating to the early 1800s and desi...

Fine and decorative Swedish Cartel clock. Very elaborately carved wooden case flanked by two sculptural dolphins. The dial signed P. Ericsson Stoc...

Table pendulum clock made in France during the empire period, 1790-1810. Made from gilt bronze. Depicting a man holding a cornucopia.

Gilt bronze and parquetry standing clock by Kahn in the Régence style French, early 20th century Measures: Height 262cm, width 62cm, depth 17cm This beaut...

Jean Mayodon (1893–1967) Cylindrical ceramic clock with enamel decoration depicting Leda and the Swan, surrounded by deer and tortoises in grisaille on a salmon and white background...

This garniture comprises three pieces: a mantel clock and two flanking candelabra, the entire ensemble designed and ornamented in an ornate neoclassical style. The garniture is composed of gilt bronze and lapis lazuli, with the lapis elements being a later addition. The mantel clock, which is supported by a lapis trefoil form base set on its sides with gilt bronze pierced foliate mounts, the gilt bronze contrasting beautifully with the lapis lazuli, contains a figural group of the three graces, sculpted from bronze and exquisitely gilded. The trio holds above their heads the spherical clock...

CLOCKS WITH GREAT PERSONALITY AND A CONTEMPORARY DESIGN, REINTERPRETING THE CLASSIC PENDULUM CLOCK. Available in Walnut and Oak

Austrian wooden wall clock with beige and silver hand-painted face and mahogany case with a steepled top.

American Rustic Adirondack Tramp Art (19th Century) grandfather clock with arched pediment over relief carved figures & scrolling designs (Not working)

It is increasingly common to see a wall clock located anywhere in a house without regard to traditional areas such as the kitchen. This has a reason to be: This type of clocks has become an original decorative element. A design clock like the Nomon mini OJ gives great personality to any room where you place it and thanks to its dimensions of just 50 cm in diameter it also makes it a jovial and curious object. A wall can be completely empty but when you place an adhesive clock on it, it will be rightly decorated without the need to add any other decorative element. Only with its presence a wall clock can enrich a place without recharging it much more since its design will be enough. It is the kind of magic that you achieve when having a Nomon OJ mini clock...

Adagio floor pendulum clock designed by Gianfranco Barban for Teckell is a part of Takto timepieces collection. The clear crystal glass structure of this elegant timepiece allows you...

French Louis XVI-style (19th Century) gilt carved wall clock with a swag design pediment centering a lion and a wreath form bottom. (Not working)

Átomo clocks, whose design reflects creativity with a great sense of refinement, dress the corners of tables and provide light and style. ø10cm clock with natural walnut wood body...

Early 18th-Century Burr Walnut Longcase Clock, Circa 1705-1710. England This magnificent early 18th-century English longcase clock exemplifies exceptional craftsmanship and timeless...

Adagio floor pendulum clock designed by Gianfranco Barban for Teckell is a part of Takto timepieces collection. The clear crystal glass structure of this elegant timepiece allows you...

A Rare Late 17th Century English Eight-Day Spring-Driven Table Clock, Circa 1700. England Signed J. Gerrard. This exceptional late 17th-century English eight-day table clock is a s...

Resting on four very elegant feet the clock features a rectangular base decorated on three sides with classical motifs. The face features a pair of Sphinx flanking a wreath with lau...

With the following features: Swiss watch movement, 8 day, calendar, and moon phases.

Limited edition - 1 of XX The master glassmaker removes the object from the fire using a rotating rod, while other workers place thinner pieces of glass in the exact spot indicated ...

Louis XVI period neoclassical ormolu and malachite mantel clock French, Late 18th Century Measures: Height 53cm, width 36cm, depth 14cm Encaps...

English Regency mahogany parliamentary wall clock with fluted design case and round clock face with bevelled glass front. (Not working)

French Victorian (mid-19th Century) gilt bronze mantel clock featuring a hunter feeding his dog as they sit atop a bronze log which houses a gilt bronze clo...

A Fine English Tripod Table Regulator Clock by Thomas Cole, With Integral Thermometer and Barometer, Retailed by Hunt & Roskell, London Signed to the dial for the retailer ‘Hunt & Roskell, London.’ No. 1318 /38 The circular six-inch silvered dial with cast bezel, signed ‘Hunt & Roskell, London’, above Roman chapters and blued steel spade hands, set with a large subsidiary seconds dial below XII, the centre finely engraved with scrolling strapwork decoration. The steel winding square protruding through an engraved and shaped plate immediately below 6 o'clock with handset achieved by adjustment to the rear. The movement with tapered plates joined by cylindrical screwed pillars, a two-part backplate, a going barrel, and deadbeat escapement. The pendulum suspended from the apex of the tripod from a G-bracket, with plumb line above, fine regulation achieved by a sliding cylindrical weight on the rod, terminating in a heavy silvered spherical bob secured via Cole's pendulum-locking system. The case formed of three cylindrical rods set on a gilt and stepped circular base engraved with scrolling foliage, the recessed centre with a semi-circular glazed barometer with silvered register scale, blued steel hand and manually adjustable gilt recording hand. The tilted thermometer within an engraved and gilded surround. Below the tip of the pendulum is a beat scale resting on a bimetallic bar providing thermal compensation, the base resting on three adjustable gilt-metal levelling nuts. Retaining its original glass dome and brass winding key. England, Circa 1855. This fine and rare timepiece by Thomas Cole is a masterpiece of design. Described by Hawkins in 'Thomas Cole & Victorian Clockmaking' as “the first English table regulator for a gentleman’s library table,” Cole’s strut clock underwent over eight iterations before achieving a design that combined precision with extraordinary elegance. The use of a tripod to determine the optimal pendulum suspension point is just one of several ingenious mechanisms Cole employed. Three adjustable nuts serving as feet allow for effective levelling of the clock, while a plumb line and bob ensure precise vertical alignment. Relocating the winding square directly beneath the dial eliminates the risk of scratching the surface or damaging the hands, while the inclusion of a thermometer, angled at 45 degrees, effectively conceals the beat scale and pendulum locking mechanism. Ingeniously designed, the locking mechanism positioned just below the pendulum’s tip includes a beat scale resting on a brass bar that can be raised to secure the pendulum in place. This mechanism also provides thermal compensation through a bi-metallic strip, which automatically raises or lowers the bob in response to temperature fluctuations. Both inventive and aesthetically striking, this rare clock exemplifies the highly ornamental Victorian timepieces...

French Victorian gilt wood wall clock with a distressed gold and reddish frame

English Victorian small brass horseshoe shaped desk clock with blue enamel trim. (Not working)

PAIR of English Victorian walnut and burl walnut trimmed wall clock and barometer set with carved top and bottom.(PRICED AS PAIR)(Not working)

Large luxury wall clock that imitates an eye. An artisan clock with a black fiber hoop with a central case and walnut needles. The Nomon Look ...

A table clock made in France during the Empire 1790-1820. Made from blackened wood and burnt-gilt bronze. Godronned urn-formation, lion mascarons, pine cone all Empire attributes

ø30cm and length of 79cm clock. Metal curved rod in brass or black finish, and hands made of walnut and polished brass or painted black. Installation to wall or ceiling. Availab...

French Victorian style ebonized mantle clock with bronze putti and swan supported on a weighted ebony base with encased dial and beaded gold trim.

A Musical Automaton Clock Depicting Napoleon at Fontainebleau Based on the original work of Horace Vernet "Goodbyes at Fontainebleau," the pai...

A finely crafted bronze clock in the form of yacht steering wheel made by Chelsea Clock Company, Boston, Massachusetts, having a hinged bezel, si...

Pair of English Victorian walnut and burl walnut trimmed wall clock and barometer set with carved top and bottom.(PRICED AS PAIR)(Not work...

Rare Louis XV style gilt and patinated bronze "Pendule à l'éléphant" mantel clock , the enamel dial signed: "Mafson" à Paris" This beautiful example was made in the late 19th century...

A French white marble and gilt bronze mantel clock. Signed A. Paris on face.

French Louis XVI-style (19th Century) bronze dore and white marble oval shaped mantel clock with 2 cupids reading book at top. (Not working)

Continental Austrian (18th Century) gilt wood and blue glass panel mantel clock with a pediment (signed: Wieneslaus Wilfarthm, Koniglicher Hoff, UHR Macher) (Not working)

A fine Louis XV style gilt and Patinated bronze figural clock garniture by Maison Baguès. This rare example of a clock garniture by Maison Baguès has a twin train eight-day movement striking on a bell.  The garniture consists of a clock and a pair of candelabra en suite. The clock has a Rococo cast case surmounted by a patinated bronze putto playing a lyre, above a circular white enamel dial with Roman numerals, Arabic seconds and pierced hands. The dial inscribed 'Eug Bagues, Paris'. The case terminates in four scrolling legs put down on an acanthus cast plinth base. The candelabra en suite have gilt bronze pierced acanthus cast bases supporting patinated bronze putti each holding aloft three scrolling acanthus arms terminating in circular and foliate cast drip trays and nozzles. Maison Baguès The Baguès Company, located at 31, rue des Francs-Bourgeois, was founded in 1840 by Mr. Noel Baguès who started his business to cast liturgical bronzes. By 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters...

Morning Bed Clock by The Cult Dimensions: W 45 x D 30 x H 190 cm Materials: Metal Sheet folded, Automatice Paint The Cult STUDIO Generates Emotional Solutions And Experiences In Dif...

Tiny glass table clock by Cleto Munari. Heavy transparent sphere with silver stripe lays on a black glass plinth.