Recognized Dealers Clocks

The case of this Louis XV period mantel clock is attributed to Jean Joseph de Saint-Germain (Paris, 1719-1791). Decorated with a scrolled leaf motif throughout, the fine case is surmounted by an Asian figure in costume, holding a parasol and sitting on a throne. The clock itself was created by Nicolas Charles du...

This beautiful antique clock, crafted in the refined Louis XVI style is of traditional form, but is notable for its intricate and extensive dec...

A Rare Late 17th Century English Basket-Top Spring Clock by John Wrench of Chester, Circa 1695-1700. England This exquisite late 17th-century English basket-top table clock, signed ...

This artful and unique automaton clock and music box house proudly bears the signature of Geneva, a hallmark of unparalleled horological excellence. For generations, Geneva has seamlessly merged traditional craftsmanship with cutting-edge technology, setting the standard for luxury timepieces. Adorned with delicate hand-painted details, this exquisite cottage exudes provincial charm. Intricate floral motifs and ivy vines gracefully ascend its façade, drawing onlookers into this detailed masterpiece. A couple stands in the doorway, meticulously carved to exude the height of style and grace. In the style of the iconic cuckoo clock, a distinguished gentleman, adorned with a pipe and cane, emerges from the balcony doors...

French Louis XVI-style (19th Century) gilt bronze mantle clock with a center fluted column supporting the clock face draped with a garland and...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

This Art Deco period table clock by Cartier is an extremely rare find and in a class of its own. Crafted of black lacquer, no detail was spared by the famed firm in creating this hig...

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

A Large and Exceptional Napoleon III Period Gilt-Bronze and Sèvres Style Porcelain Three-Piece Clock Garniture. By Denière, Paris. Comprising a mantle clock and pair of eight-light...

Antique Neoclassical Louis XVI gilt bronze and malachite clock French, late 18th Century Measures: Height 56cm, width 35cm, depth 12cm Crafted from gilt bronze and a later malac...

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

Rustic Black Forest (19th Century) walnut carved mantel clock with 1 large bird and several small chicks within a floral environment. (Not working)

FRENCH RESTAURATION ORMOLU & PATINATED BRONZE FIGURAL MANTEL CLOCK OF ROMAN PHILOSOPHER HORATIUS Paris, circa 1820; silk-suspension movement signed "Etablissement Barbot de Paris" 2...

A Fine Napoléon III Gilt-Bronze Three Piece Clock Garniture Comprising a mantel clock and a pair of seven-light figural candelabra. Designed as a celebration of music and lyric poe...

A Large and Important Napoléon III Gilt and Silvered-Bronze Sculptural Three-Piece Clock Garniture, By Charpentier, Paris. Comprising a mantle clock and a pair of figural vases. The...

Reinventing with its structures Nomon brings you a clock from the desktop collection with an innovative and elegant design. The Omega I Clock impresses by keeping a clock suspended in the air while losing its depth by removing unnecessary items and making it simple and glamorous. A fashion clock that will give your home office or business the sophistication you were looking for. The latest trend in office decoration pieces and elegant spaces is here with the desktop clock...

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

Amsterdam grandfather clock with ship automaton Nicolaas Weiland / Weylandt Circa 1745 Inlaid walnut case, top with original crown featu...

This wonderful clock set, which is comprised of a mantel clock and pair of flanking vases, is designed in a fanciful French ‘Oriental’ style. The set is crafted from brass which has been silvered, parcel gilt and painted. The clock is also mounted with porcelain plaques which are beautifully painted with colourful depictions of birds and flowers. The mantel clock is composed of a tall rectangular body with a break arch top which is crowned by a covered twin-handled urn. The urn features a parcel gilt pointed finial on its cover and a silvered body painted with pink cherry blossoms. The urn stands on the arched top of the clock, which is decorated with a sculptural gilt scrollwork band and a gilt foliate border. The arch contains a circular porcelain dial which features a central painting of a pair of birds, encircled by black Roman Numerals within white cartouches. This dial is framed by a gilt beaded bezel. The shoulders of the clock body are mounted with parcel gilt and silvered elephant heads holding ring handles. Porcelain panels decorate the front and sides of the silvered clock body. These panels are beautifully decorated with paintings of colourful birds, butterflies and cherry blossom trees, set within gilt stiff-leaf frames. The clock body is set on a silvered rectangular base which is edged with a parcel gilt foliate band. The front of the base is mounted with a silvered and parcel gilt lion's head mask and flanking painted porcelain plaques. The clock stands on four parcel gilt silvered feet, which are geometric and scrolled in form. The pair of silvered vases...

In the style of Jacques Adnet.

Renaissance style gilt bronze and enamel mantel clock French, late 19th century Measures: Height 53cm, width 28cm, depth 23cm This exquisite mantel clock is crafted in the idios...

A late 19th century French gilt-brass and steel novelty ‘quarterdeck’ mantel clock by Guilmet, Paris, the eight-day gong striking movement with anchor escapement, circular gilt Roman...

A FINE LATE GEORGE III RED LACQUERED CHINOISERIE DECORATED SIX-BELL WALL CLOCK Stroud, England, circa 1830 dial engraved "Rich'd Camm / Stroud" with a chiming six-bell movement Ite...

Metropole Clock in plastic laminate, designed in 1982, George Sowden. George Sowden was born in Leeds, UK in 1942. He studied architecture at Gloucestershire College of Art in the 1...

A fine Louis XVI style gilt and patinated bronze figural clock. French, circa 1870. This fine clock has a waisted body decorated with scrolls and trellis centred by a white ena...

Charles X Style ormolu and malachite mantel clock with horse and jockey French, 19th Century Height 56cm, width 34cm, depth 14cm. This exceptional piece is a fine ormolu-mounted and malachite mantel clock, with a movement made and stamped by Leroy and Pailly, dating to c.1840. Made in the Charles X style, this work exhibits the timeless combination of gilt-bronze and malachite to great effect, mounting the fine 19th century movement within a later malachite addition, surmounted in turn by a superb statue of horse and jockey. Further gilt elements decorate the case and the base. Exemplifying some of the best in antique clock making, and finished with a rare and impressive equestrian sculpture, it is the perfect collector's piece for those with a love of either horses, antique timepieces...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Late 19th Century Napoleon III Portico Barley-Twist Marquetry Mantel Clock, French 1880. This beautiful and highly sought after marquetry detailed portico clock was handcrafted in Fr...

American Victorian mantel clock with an ebonized wood case and white enamel & brass clock face flanked by bronze columns topped with a red faux marble...

French Louis XV-style (19th Century) bronze miniature grandfather clock with lattice design and scroll pediment top (Not working)

Art Deco Cloisonné Enamel Desk Clock Case: Attributed to Marcus & Co. Movement: Mathey-Tissot Circa 1930 This exceptionally rare Art Deco desk ...

An Impressive Marble and Gilt Bronze Mantel Clock In the Louis XVI Manner Constructed from a marble platform with a bronze group above; all confidentl...

An Exceptional and Large Skeleton Clock Attributed to Evans of Handsworth The multi-tiered pierced gilt brass frame of the skeleton clock after the design of the famous York Minster...

PICO ø40cm Avant-garde design with a nordic air, which combines walnut wood or oak finished wood with black and white colours. Available in Black and Walnut, white and O...

Gilt bronze and parquetry standing clock by Kahn in the Régence style French, early 20th century Measures: Height 262cm, width 62cm, depth 17cm This beaut...

18th century George III figured mahogany three pad bracket clock by John Wright Dorking, Circa 1780. England A most attractive English bracket clock, made around 1780, signed on ...

A wonderful gold-leafed variation of this form. Signed under the foot.

From the personal collection of the legendary Joe DiMaggio, this incredible vintage desk clock was presented to the Yankee Clipper by Harrah's for his par...

With two classical figures on a stepped markble base surmounted on a pair of yellow marble urn shaped supports, flanking a rectangular plaque with a gilt bronze bas relief of ribbons...

A ‘Black Forest’ linden wood long case clock by Spring of Interlaken, the square silvered dial enclosed behind a glazed door within an ornate case, surmounted by a carving of William...

This exquisite 19th century trio is comprised of a central clock and a pair of flanking six-light candelabra. The design of the clock case is widely acknowledged to be inspired by one of the most important paintings of French Revolution, ‘The Oath of the Horatii...

Parmigiani Fleurier, 'Nubia' - an extremely fine and unique 18K pink gold pocket watch Swiss, Early 21st Century Measures: Height 9cm, width 6.5cm, depth 1.5cm Open: height 9.5cm,...

Large Baroque style Austrian ormolu mounted musical clock Austrian, early 19th Century Total height: 211cm Clock: Height 135cm, width 86cm, depth 52 Stand: Height 76cm, width 81c...

An exceptional, fine and impressive, large antique Victorian English sterling silver travelling clock or compass; an addition to our silver timepie...

This clock set contains a mantel clock and a pair of candelabra. The central mantel clock is formed of a rectangular gilt bronze mounted grey marble base. Raised on four gilt bronze ...

This jewel-encrusted, silver-gilt antique table clock is an exquisite piece of Viennese craftsmanship. It comprises of a scalloped base, which is raised up on four C-scroll feet, and...

Rene Lalique clock "Quatre Moineaux du Japon". In clear and frosted glass with white patina. This model was created on April 3, 1928 exclusively f...

Marked: London, 1886, Makers James F. Barnard and sons.

Unique and magnificent jewel encrusted automaton watch by Audemars Piguet Swiss, 2002 Measures: Height 8.5cm, width 6cm, depth 2cm This spectacula...

Art Deco Enamel Clock Grogan Company Circa 1930 This exquisite Art Deco enamel mantle clock, crafted by the renowned American jewelry firm Grog...

A Very Fine Gilt-Bronze Clock With A White Marble Base by François Linke. The case signed 'Linke'. This rare example of a clock by François Linke has a twin train eight-day mov...

Hallmarked in London in 1911 by Asprey & Co. Ltd. this elegant George V antique sterling silver carriage clock is of a rectangular case form with a ribbon & reed border to th...

3-Piece French Louis XV-style (19th Century) bronze dore and rouge marble clock and pair of 5 arm candelabra. 23\" high (PRICED AS SET)

A carriage clock in the Louis XV manner The ornate and shaped gilt bronze case having putti at the angles, surmounted by two winged putti, one proffering a laurel wreath; dressed ...

Claude Galle, (1759–1815, master in 1786) is one of the most renowned bronziers active during the Napoleonic period, such as Pierre-Philippe Thomire, André-Antoine Ravrio and Louis-S...

This fine mantel clock is cast entirely in ormolu by celebrated Parisian clockmaker Leroy and commemorates the return of Napoleon's ashes to France in 1840. The clock is set on a rectangular, tiered base with four decorative feet. The lower tier is centred with a sleeping lion above a plaque showing the scarf, sword and hat of Napoleon. There is a relief plaque above the lion showing a ship off St Helena (the location of Napoleon's exile) and to either side further decorations formed as martial trophies. To the top of the plaque is a portrait medallion of Napoleon with winged cherubs and the letter 'N'. The circular dial of the clock, signed 'Leroy a Paris', is set to the centre above the base within an ormolu border and flanked by the figures of France and an eagle to either side. Between them they hold an urn, which bears the inscription 'Ste Helene / 5 Mai 1821'. The figure of France holds a flag inscribed 'France 1840.' This clock was produced in 1840 by Parisian clockmaker Leroy et fils...

A stunning 19th century French Gilt-Bronze and Champlevé Enamel Four-Glass Mantel Clock, of exceptional quality, this richly ornamented four-glass mantel clock is housed in a finely ...

A Superb Coromandel-Veneered Mantle Clock The case constructed of very well-figured Coromandel giving the maximum amount of decorative effect, with gilt bronze accents; the plinth base of rectangular form, with everted stepped corners, and precisely chased gilt bronze figures, two representing Mercury-the god of travel and merchants with his winged helmet and coin purse in hand; the others representing Fortuna-the goddess of luck; the sides glazed, with mooresque arcaded pierced mounts enclosing a vase, in gilt bronze with overlapping palm trees above: the top of domed form with an octagonal platform, surmounted by an architectural dome, its engraved detail and structure reminiscent of Byzantine prototypes. The silvered chapter ring with Roman numerals for the hours, and within an arabesque dial divided into quadrants, with the key aperture at 6 o'clock. Below, the manual calendar, and a semi-circular thermometer. The dial signed by the retailer "Hunt & Roskell / London." The mechanism replaced with a one-year duration movement by Achille Brocot. English, circa 1860 A closely related clock, by Thomas Cole, though not bearing his signature, with a case of identical form and differing bronze decoration, previously with Butchoff. A third known coromandel-veneered example, also unsigned, is discussed by John...

French Victorian small bronze round shaped desk clock and barometer with handle. (Not working) Damage to barometer face edge

English Rose Window Skeleton Clock Evans of Handsworth Circa 1885 This exceptional skeleton clock transforms the grandeur of Notre-Dame Cathedral's rose window into a functioning ho...