Recognized Dealers Clocks

This Sèvres style clock is an elegant piece of late 19th century design, which will make a wonderful addition to a mantelpiece. It has been beautifully cast in bronze and gilded (orm...

This exquisite gilt bronze-mounted pedestal clock is the creation of the famed French clockmaker Paul Garnier (1801-1861). Garnier worked in Paris during the first half of the 19th C...

Gilt-bronze and Tortoiseshell Clock and Barometer set by Gleizes French, 19th Century Height 115cm, width 30cm, depth 7cm In the Louis XV style, t...

In their elaborate use of C-scrolls, putti figures, stylised acanthus leaves and flowers, this clock and barometer are clearly Rococo in their style. The Rococo came into fashion in ...

The central clock with dial to the center, displaying hours in individual plaques in Roman numerals and five minute intervals engraved into the ormolu case in Arabic numerals, the ca...

This French mantel clock is designed in an elegant Neoclassical style, after the decorative arts of the Louis XVI period (1754-1793). This clock will look beautiful placed on a mante...

Fine Gilt-Bronze Louis XVI style mantle clock on a white marble base. Signed "O. Lelievre, Susse Freres."

19th Century French pink marble and ormolu clock set French, Late 19th Century Clock: Height 46cm, width 23cm, depth 18cm Candelabra: Height 44.5cm, width 22cm, depth 20cm This unusual three-piece clock garniture combines stunning pink marble with ormolu classicised decoration. Featuring ornate pierced gilt brass hands, the porcelain dial of the mantel clock is framed with a floral motif that complements the tones of the marble. The clock is covered with elegant gilt-bronze classical decoration: surmounting the dial is an ormolu torch and laurel...

Marble One Cut table clock - Moreno Ratti Dimensions: D 9 x W 20 x H 20 cm Materials: Calcata Oro marble. The idea of this collection comes from the desire to take the concept of minimalism to the extreme, as in the Recisi series: a single cut of a geometric figure (the square) allows the creation of a functional object where the two pieces that compose it, respond to a need. The family consists of: a table lamp (Moon Lamp) with a touch-sensitive ignition system, a clock and a solifleur. Moreno Ratti "When I was young I played with pieces of marble, like now. There are a lot of marble waste...

An extremely rare Louis XVI mantel clock 'a cremaillere', a movement driven by its own weight, where the moving drum barrel is running down an inclined whi...

Three-piece Louis XV Rococo style porcelain and ormolu clock set French, late 19th century Clock: Height 82cm, width 62, depth 28cm Candelabra: Height 76cm, diameter 22cm Compr...

A Fine Louis XVI Style Gilt-Bronze and Sèvres Porcelain Mounted Cartel Clock and Aneroid Barometer En Suite, After the Models by Martinout and Passemant. The clock having a circula...

This resplendent French Empire gilt bronze mantel clock features an extraordinarily detailed scene of a singing troubadour with his lyre along a rocky river bank. Accompanied by a wi...

This exceptional cartel presents a remarkable work of bronze and an ornamentation resuming the Boulle marquetry that can be attributed to Alfred-Emmanuel Beurdeley (1847-1919), a great Parisian cabinetmaker of the second half of the 19th century. The mechanism of our astronomical clock...

An Important and Extremely Rare Grand Figural Cartel Clock, After a Design by Gilles-Marie Oppenord. Of grand proportions and of exceptional quality this rare cartel clock is after...

A fine gilt bronze and champlevé enamel clock. French, circa 1880. The movement with impressed stamp to the backplate 'Vincenti et Cie 'Médaille D'Argent 1855', 'PARIS'. Thi...

An unusual French Restauration period ormolu mantel clock. The elaborately pierced gilt bronze case in the form of a lyre, with an Apollo mask cresting, on a white marble stepped bas...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

This beautiful clock set, which comprises of a mantel clock and a pair of vases, was designed in France in circa 1870 in a wonderful Renaissance Revival style. The set has been craft...

The extraordinary beauty and superior craftsmanship of 17th century German clockmaking is on full display in this exceptionally rare horizontal tabletop timepiece dating to 1650 Augsburg. Created by Johannes Buschman the Younger, the eminent Buschman family of clockmakers are lauded for designing some of the finest timepieces to ever be created in the South German town of Augsburg during the late Renaissance and early Modern periods. A finely moulded ebony and turtleshell casing veneered in a mottled red hue holds the clock’s fusée and chain movement with verge escapement and balance with hogs-bristle regulation. A silver figure of Minerva, Roman goddess of war and wisdom, centers the Roman numeral-engraved chapter ring, indicating the time by pointing to the hour with an authoritative military staff as the sun rotates below her feet to indicate the minute. The incredible design is finished by a gilded backplate intricately pierced and engraved with a floral motif and the signature of Johannes Buschman. Clocks are one of the greatest and most important inventions of the Renaissance period, improving steadily into the Age of Discovery. Embodying a renewed interest in science, the arts and humanism, the first mechanical timepieces began appearing in the 14th century and were large, weight-driven devices placed in the turrets of public buildings that struck the hour and lacked hands and faces. This clock was created during the first period of household clocks, when spring-driven movements made it possible to create smaller and more complex mechanisms. Such creations, however, were a luxury accessible only to the wealthy upper classes. Affluent patrons placed pressure upon artisans to create more elaborate and ornate clocks...

Antique Continental gilt bronze, cut glass, and porcelain clock set Continental, late 19th century Clock: Height 45cm, width 30cm, depth 22cm Candelabra: Height 46cm, width 23cm, ...

The movement is contained in an unusually large (67 cm!) white marble obelisk which is surmounted by an armillary sphere finial. The front with a panel chased with nymphs supporting ...

This 19th century, Austrian table clock is crafted in silver and the complex champleve enamel technique. The base of the clock is a semi-spherical dome inlaid with enamel panels of c...

Gilt and patinated bronze. The original movement has been cleaned and revised and is in perfect working condition (runs for around one week). Overall authentic condition with its ori...

A fine 19th century neoclassical statuary white marble and gilt bronze figural mantle clock, the finely cast patinated classical female in seated pose juxtaposed to gilded bronze clo...

This clock set is designed in a wonderful ‘chinoiserie’ style. This style was inspired by the art of China, and it was very fashionable in Europe in the 18th and 19th centuries. The ...

This elegant antique mantel clock is of the Art Nouveau period, and is set within a fine rectangular wooden case embellished with gilt bronze (ormolu) borders and floral decorations. The clock was made by renowned Parisian maker E. Colin & Cie, and its central circular wooden dial...

Louis XVI period gilt bronze mounted malachite clock French, late 18th century Measures: Height 50cm, width 34.5cm, depth 13.5cm This fine mantel clock was produced during the e...

A fine quality clock and barometer set by Carcany and Robin, after models on exhibition in the Louvre Museum, Paris. In the Louis XVI manner, of banjo form, the cases being in cr...

Antique French Japonisme silvered bronze and porcelain three-piece clock set French, Late 19th Century Clock: Height 36cm, width 32cm, depth 17cm Candelabra: Height 28cm, width 26...

French Belle Époque green nephrite carriage clock mounted with gold French, c. 1900 Measures: Height 14.5cm, width 9cm, depth 7.5cm This charming c...

A French Clock Garniture in the Louis XVI Manner The clock and its accompanying candelabra constructed in gilt bronze mounted Italian Carrara marble; the timepiece with stepped elli...

An Elegant Mantle Clock In the Louis XV Manner The clock and its plinth executed in gilt bronze in a dynamic rococo style, rising from scrolling foliage, the dial in the shape of a ...

An English tall case clock by George Slater in mahogany, circa 1830. A fine tall-case clock, with the signature on the painted dial of "George...

Restauration gilt bronze mounted crystal lyre mantel clock French, circa 1820 Measures: Height 67cm, width 23cm, depth 14cm This superb mantel c...

Byzantine style gilt bronze and champlevé enamel clock garniture by Raingo Frères French, late 19th century Measures: Clock: Height 55cm, width 34cm, depth 25cm Candelabra: Height 67cm, width 31cm, depth 28cm The present clock set is by Raingo Frères, one of nineteenth-century France’s leading producers of luxury clocks...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so...

Empire Cistern Barometer by Gabriel Of rectangular form, with the case waisted, veneered in burr elm with mounts in the manner of Percier and Fontaine, of cistern type, with bronze ...

Birger Kaipiainen had a thing for clock´s. Frequently in his decorative dishes he had clock`s that were always pointing to 12:15. Now here is the whole thing. In perfect working orde...

This three-piece mantel clock set contains a clock and two candelabra. The set was produced circa 1860, during the Napoleon III period, and demonstrates the eclecticism typical to de...

A case of exquisite porphyry and doré bronze houses the verge movement of this rare clock by eminent English clock and watch maker John Ellicott. Ellicott's...

Charles X Period Ormolu Mounted Jacob Petit Porcelain Mantel Clock French, c.1825 Height 36cm, width 18.5m, depth 10.5cm Set within a beautiful porcelain case, parcel gilt, and flor...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

This beautiful French clock garniture, styled in the Louis XV taste, is a charming work of artistry and craftsmanship. Crafted of richly veined and brightly-hued fluorspar mounted wi...

Very decorative Swedish longcase clock from the Gustavian period painted in a cream white with giltwood decoration. The dial is signed by the St...

A bright, multicolored postmodern wall clock with blue and green hands designed by Nathalie du Pasquier and George Sowden for Neos of Lorenz in the late 1980s. Co-founders of the Mem...

This splendid neoclassical style French mantel clock is beautifully crafted in ormolu and porcelain decorated in the Sevres style. 'ER', the mark of French clockmaker Ernest Royer, active in the later 19th Century, is stamped on the underside of the ormolu mounts. There are three Sevres style porcelain plaques in total, all set on turquoise ground: the plaque to the front of the clock depicts a cherub and a nymph as well as containing the clock face with Roman numerals. The two sides of the clock case feature further porcelain plaques, which portray Neptune, Aurora and mermaids. The rectangular ormolu clock case is surmounted by a putto with a dog. There is a neoclassical pilaster...

An important Garniture de Cheminée in the manner of Henry Dasson Constructed in well cast and chased gilt bronze, with 'Sevres' type 'jewelled...

A Musical Automaton Clock Depicting Napoleon at Fontainebleau Based on the original work of Horace Vernet "Goodbyes at Fontainebleau," the pai...

A very fine Louis XVI period ormolu striking cartel clock “aux guirlandes”, the movement signed on the white enamel by Gille L’Aine, Paris. Pierre II. Gille l’ainé (1723-1784) was th...

It is most likely that this charming ‘hook and spike’ lantern alarm, circa 1750, was originally commissioned or simply purchased to have its very own ca...

A fine Napoleon III gilt-bronze and porcelain mounted clock garniture, designed by Louis-Constant Sévin, cast by Ferdinand Barbedienne, The Movement by Japy Frères. Frédéric Japy ...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

A lovely late George III single pad ebonized eight-day, twin fusee table clock with original verge escapement and rack striking by O. Hamley, circa 1800-1815. The moulded single pad ebonized domed top case with original carrying handle is raised on all four of its original ogee bracket feet onto a detailed base moulding. Gilt-brass sound frets adorn the sides and front in a 'fish scale' pattern backed with bright burgundy silk. The enameled white dial displays Roman numerals, minute and quarter-hour markers housed inside a gilt-brass bezel and domed glass, signed Hamley, Warwick Place, London. The clock features a strike/silent switch on the front dial and a repeat to the right-hand-side. The backplate has border engraving and a short pendulum. Date: 1800-1815 O. Hamley is recorded in Loomes (2006) as being active, circa 1811. He also worked at Bedford Row...

A French mantel clock of the Charles X period. Constructed in palisander, foliate and line inlaid in boxwood; rectangular form case, surmounted by a gilt bronze carrying handle, h...

Chan Chiao Chun Wall clock model "Day 32 - I have something for you" From the series "Stay with me" Manufactured by Chan Chiao Chun Produced in exclusive for Side Gallery Eidhov...

A fine Napoléon III gilt-bronze mounted porcelain clock garniture. French, circa 1870. The movement stamped with the 'Japy Frères ' cachet. This fine porcelain clock set is...

An exceptional gilt bronze mounted cut-brass and tortoiseshell-Inlaid ‘Boulle’ Cartel Clock and Barometer Set. French, circa 1890. Each surm...

The barometer, of aneroid type, signed by the maker and having a thermometer above is house within an extensively carved 'banjo' form case, incorporating fruits and foliates, with a ...

A very fine gilt-bronze wall clock and matching barometer with Sèvres Plaques. The dial of the clock signed ‘JULIEN LEROY A PARIS’, the barometer dial signed ‘PASSEMANT AU LOUVRE’. The eight day strike Wall Clock and its matching Barometer, both have a terminal in the form of a pineapple drop with acanthus leaf scroll detail. Above this is a Sèvres panel of a cherub in a garden, rising to a white enamelled dial with Arabic and Roman numerals flanked by cascading relief moulded fruit from a further Sèvres panel of a cherub in flight below a ribbon tied pediment. This companion clock and barometer are fine nineteenth century examples of a pair originally supplied to Madame du Barry in 1769 by the marchand mercier Simon-Philippe Poirier. They were then described as ‘Un Baromètre & Thermomètre, de Passement, montés très richement en bronze dorés d’or moulu et ornés de trois plaques de porcelaine de france à Enfants en miniature cy 10561I.’ It is interesting to note that the original design was made to allow either of three porcelain plaques, depicting putti with astrolabes. Eighteenth century models are now in the permanent collection of the Victoria & Albert Museum in London, the Musée du Louvre in Paris, the Metropolitan Museum of Art in New York. French, Circa 1880. Literature: De Bellaigue, G. The James A. de Rothschild Collection...