Recognized Dealers Mantel Clocks

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

This Art Deco-period French mystery clock features a stunning design inspired by Eastern cultures and the natural world. A brilliantly hued piece ...

A Napoleon III Gilt-Bronze Mantel Clock, 'Pendule à Cercles Tournants', By Jean-François Denière, Paris. Of imposing scale, surrounded by four winged putti and garlands of flowers in clouds enveloping a bleu celeste tole star-studded sphere. On a shaped base with a wreath and courting doves. The square-plated movement with Brocot escapement and outside count wheel striking on a bell. Stamped to the backplate ‘Deniere A Paris’ and numbered ‘2385’. France, Circa 1860. This clock, magnificent of scale and conception, numbers amongst Denière's most impressive creations. Denière delivered clocks to the Emperor at the château du Fontainebleau in 1857 and 1861. Both are modelled with playful cherubs pulling foliate garlands which show the same designer as those to the present clock. They can be attributed to the sculptor Albert-Ernest Carrier-Belleuse (1824 –1887) who from the 1850s produced for Denière models for candelabra, clocks, jardinieres and fireplace ornaments. Inspired by the Louis XVI style, the present clock with celestial sphere enclosing a complex rotating clock...

German Art Deco walnut mantel clock with round chrome clock rim and numbers (with MAUTHE metal label, branded Jan 1936) (Not working)

Late 19th Century Napoleon III Portico Barley-Twist Marquetry Mantel Clock, French 1880. This beautiful and highly sought after marquetry detailed portico clock was handcrafted in Fr...

Rene Lalique clock "Quatre Moineaux du Japon". In clear and frosted glass with white patina. This model was created on April 3, 1928 exclusively f...

Very Large Ormolu Marble Regulator Calendar Mantle Clock Barbedienne French, Late 19th Century Height 121cm, width 64cm, depth 28cm Expertly produced in France during the final de...

French Empire Mantel Clock Bergmiller Circa 1810 A radiant expression of French Empire luxury, this exceptional mantel clock by Bergmiller combines the artistry of mercury-gilt bron...

French Empire-style (19th Century) bronze dore mantel clock with claw feet and a sphinx on top. (Related item: 032442) (Not working)

A stunning 19th century French Gilt-Bronze and Champlevé Enamel Four-Glass Mantel Clock, of exceptional quality, this richly ornamented four-glass mantel clock is housed in a finely ...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

French gilt bronze clock, with Bacchus head, circa 1840.

Impressive mantel garniture composed of a central clock surmounted by a winged sphinx and flanked by two obelisks. The ensemble is richly decorated with Egyptian symbols engraved and...

Very large French Louis XV style ormolu mantel clock French, circa 1880 Measures: Height 98cm, width 50cm, depth 27cm This fine 19th century clock is unusually large, standing a...

A Large and Exceptional Napoleon III Period Gilt-Bronze and Sèvres Style Porcelain Three-Piece Clock Garniture. By Denière, Paris. Comprising a mantle clock and pair of eight-light...

A Large and Important Napoléon III Gilt and Silvered-Bronze Sculptural Three-Piece Clock Garniture, By Charpentier, Paris. Comprising a mantle clock and a pair of figural vases. The...

Odysseus and Theseus French Empire Mantel Clock André Antoine Ravrio Circa 1800 This monumental Empire mantel clock by André Antoine Ravrio, whose case is crafted entirely of gilded...

French Louis XVI-style (19th Century) gilt bronze mantle clock with a center fluted column supporting the clock face draped with a garland and...

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

The case of this Louis XV period mantel clock is attributed to Jean Joseph de Saint-Germain (Paris, 1719-1791). Decorated with a scrolled leaf motif throughout, the fine case is surmounted by an Asian figure in costume, holding a parasol and sitting on a throne. The clock itself was created by Nicolas Charles du...

A Rare Late 17th Century English Basket-Top Spring Clock by John Wrench of Chester, Circa 1695-1700. England This exquisite late 17th-century English basket-top table clock, signed ...

This beautiful early 20th Century clock set with later lapis veneer will make a stunning Neoclassical style addition to a mantelpiece and a bold i...

Antique neoclassical style three-piece gilt bronze clock set French, late 19th century Measures: Clock: Height 57cm, width 74cm, depth 23cm. Candelabra: Height 83cm, width 27cm, d...

An Elegant Mantle Clock In the Louis XV Manner The clock and its plinth executed in gilt bronze in a dynamic rococo style, rising from scrolling foliage, the dial in the shape of a ...

A Fine Napoléon III Gilt-Bronze Three Piece Clock Garniture Comprising a mantel clock and a pair of seven-light figural candelabra. Designed as a celebration of music and lyric poe...

A Rare and Exceptional Gilt and Patinated Bronze Monumental Cercles Tournants Clock Garniture, by Deniere, Paris. The backplate signed 'DENIERE...

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

A carriage clock in the Louis XV manner The ornate and shaped gilt bronze case having putti at the angles, surmounted by two winged putti, one proffering a laurel wreath; dressed ...

The circular white-enameled dial signed ”Detour Paris” with Roman hours and Arabic quarter marks, a further inner Arabic chapter ring for the day of month. Pierced gilt hands and a b...

A Rare and Large Gilt and Silvered Brass Automaton Clock With Aneroid Barometer, Modelled as a Steam-Driven Water Pump. Attributed to André Romain Guilmet (1827-1892), Paris. France...

Lorenzo Burchiellaro surrealistic wall clock. Etched and patinated case Key wind clockworks.

This ormolu clock is an exemplary work by the famous French 19th century metalworker and foundry-owner, Ferdiand Barbedienne. Working with a design made by the acclaimed onamentalist, Louis-Constant...

Antique French Empire patinated and gilt bronze mantel clock French, early 19th century Measures: Height 55cm, width 43cm, depth 13cm This fine Empire period mantel clock is wro...

A Fine & Most Impressive French Gilt, Patinated Bronze and White Marble Mantel Clock by Lepaute of Paris, France. Of impressive scale and refined Neoclassical design, the circular white enamel dial signed Lepaute à Paris within a gilt-bronze bezel surmounted by a finely cast and chased gilt bronze eagle with outspread wings perched on a laurel wreath. The clock flanked by two seated classical figures in dark patinated bronze, each reading from an open book, symbolising Knowledge and Wisdom. The central plinth panel finely cast with cherubs in relief, set upon a rectangular white marble base mounted with ormolu friezes of scrolling foliage and masks, raised on toupie feet. The Lepaute family were among the most renowned horologists of the late 18th and early 19th centuries, supplying timepieces to the French royal court and many important clients of the Empire period. The fine casting and crisp chasing of this example, combined with its balanced architectural design, exemplify the high quality of Parisian clockmaking of the period. Circa 1800-1810 France Condition: Excellent overall condition with minor wear to gilding consistent with age. Movement complete and of fine quality. Fully serviced and in working order. Key present. Biography: Jean André Lepaute...

Rustic Black Forest (19th Century) walnut carved mantel clock with 1 large bird and several small chicks within a floral environment. (Not working)

A Fine Louis XVI Style Gilt-Bronze and White Marble Three-Piece Clock Garniture, By François Linke. Comprising a mantle clock and a pair of four-light candelabra. The Louis XVI sty...

An Impressive Marble and Gilt Bronze Mantel Clock In the Louis XVI Manner Constructed from a marble platform with a bronze group above; all confidentl...

An important Charles X imperial porphyry lyre clock. Crafted from red porphyry and ormolu. Movement signed and dated 1828. Clockworks have been...

A Napoleon III Gilt and Patinated Bronze Three Pieces Figural Clock Garniture. By Charpentier & Cie., Paris. Comprising a mantle clock modelled with playful cherubs with white enam...

Baroque style bronze and ormolu cherub mantel clock French, late 19th century Measures: Height 69cm, width 35cm, depth 26.5cm This dramatic a...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

A superb 19th century French Flame Mahogany Napoleon Empire Period Egyptian style Mantel Clock This clock was produced in the Fr...

Fine giltwood mantel or shelf clock with carved floral basket crest, the enamel dial with gilt hour and minute hands, surmounted by carved grape vines and standing on platform base w...

Antique Belle époque sculptural three-piece clock set after Auguste Moreau French, early 20th century Measures: Clock height 81cm, width 40cm...

A Large Black Forest Mantle Clock Constructed in carved linden wood, fitted with a two train eight day striking clock; mounted on a shaped...

Antique 18th century Boulle bracket clock by Brezagez and Marchand French, circa 1740 Measures: Clock: Height 87cm, width 47cm, depth 21cm Bracket: Height 40cm, width 53cm, depth 24cm Total: Height 127cm This beautiful 18th century French bracket clock...

This large mantel clock is an excellent piece of refined neoclassical design by the acclaimed Deniere et Fils firm. Deniere was one of the leading ...

Claude Galle, (1759–1815, master in 1786) is one of the most renowned bronziers active during the Napoleonic period, such as Pierre-Philippe Thomire, André-Antoine Ravrio and Louis-S...

An important and rare table clock from the workshop of David Roentgen. The case with an oval stepped plinth top with gilt bronze handle, decoration of the case with ormolu mille raie banding, beaded edges and brass fluted columns to the front flanking the square brass dial, foliate engraved spandrels to the corners, centred by the white enamel Arabic chapter ring, signed Delolme, pierced brass hands, convex glazed bezel, square plated eight-day movement with four back-pinned pillars, verge escapement, silk suspension, rack and count wheel strike, striking the hours and quarters on two bells above, the back plate also signed, glazed side panels. There is only a small series of comparable table clocks from the workshop of David Roentgen known. The present clock seems to be the first example of the cooperation between David Roentgen and the court clockmaker Delolme in Brunswick. The case is meticulously crafted and both case and movement are of superb quality. David Roentgen, called the "most celebrated ébéniste in Europe" by his contemporaries, was a successful entrepreneur who transformed the business founded by his father, Abraham Roentgen...

Fine 18th century rococo carved and giltwood shelf clock, the crest with stork holding a bone in his beak pearched on a romantic castle ruin with carved...

A Very Fine Gilt-Bronze Clock With A White Marble Base by François Linke. The case signed 'Linke'. This rare example of a clock by François Linke has a twin train eight-day mov...

A very attractive William and Mary eight-day spring-driven table clock, signed on the backplate Jonathan Lowndes, Pall Mall, À Londres, circa 1690–95. The well-proportioned ebony-ve...

Antique marble and gilt bronze clock and barometer set English, 19th Century Height 49cm, width 20cm, depth 12cm This exquisite set of gilt b...

The central circular dial surmounted by two love birds, the lower section with two cherubs on either side, and decorated with garlands of flowers and scrolling features throughout.

This magnificent French Empire ormolu mantel clock features the iconic Neoclassical genre scene often referred to as "The Astronomy Lesson." A popular motif during this period, Emper...

Antique patinated bronze and onyx mantel clock by Mercié and Barbedienne French, Late 19th Century Height 113cm, width 58cm, depth 40cm Two renowned French makers, Antonin Mercié (...

A Fine 19th Century French Sevres-Style Porcelain and Gilt Bronze Clock Garniture. Comprising a central mantel clock and a pair of five-light candelabra, each richly decorated with h...

The movement is contained in an unusually large (67 cm!) white marble obelisk which is surmounted by an armillary sphere finial. The front with a panel chased with nymphs supporting ...