Recognized Dealers Mantel Clocks

Lorenzo Burchiellaro surrealistic wall clock. Etched and patinated case Key wind clockworks.

A Fine and Large Napoleon III Gilt-Bronze Mounted Bleu Turquin Marble Three Piece-Clock Garniture. Comprising a mantel clock and a pair of seven-light candelabra. The clock modelled...

An important Charles X imperial porphyry lyre clock. Crafted from red porphyry and ormolu. Movement signed and dated 1828. Clockworks have been...

Genius of the Arts Mantel Clock James Moore French, Royal Exchange, London Circa 1815 This magnificent English Regency mantel clock stands among the most sculpturally ambitious time...

A Rare and Large Gilt and Silvered Brass Automaton Clock With Aneroid Barometer, Modelled as a Steam-Driven Water Pump. Attributed to André Romain Guilmet (1827-1892), Paris. France...

A Fine Late 19th Century French Le Roy and Fils Ormolu Mantel Clock The ornate case in the Louis XVI style with finely cast and chased ornament, a tribute to the art of the bronzier...

Antique Late 18th Century Louis XVI Gilt Gold Patinated Bronze Mantel Clock French, Late 18th Century Height 57cm, width 40cm, depth 12cm A wonderful example of late 18th century ...

The white onyx and gilt bronze three-piece set consists of a central clock, accompanied by two six-light candelabra. The three items were crafted in the 19th century, during the reig...

The case of this Louis XV period mantel clock is attributed to Jean Joseph de Saint-Germain (Paris, 1719-1791). Decorated with a scrolled leaf motif throughout, the fine case is surmounted by an Asian figure in costume, holding a parasol and sitting on a throne. The clock itself was created by Nicolas Charles du...

Very fine ormolu and Sèvres-style porcelain calendar mantel clock French, 19th Century Measures: Height 43cm, width 31cm, depth 16cm In a similar style to pieces by the famed and leading clockmaking firm of the late nineteenth century, Charles Oudin...

This magnificent French Empire ormolu mantel clock features the iconic Neoclassical genre scene often referred to as "The Astronomy Lesson." A popular motif during this period, Emper...

Very large antique Louis XV style mantel clock by Beurdeley and Raingo Frères French, Late 19th Century Height 98cm, width 49cm, depth 24cm This magnificent Louis XV style mantel cl...

Napoleon III Period neoclassical style three-piece clock set. French, 19th century Dimensions: Height 58cm, width 47cm, depth 19cm Comprised of a mantel clock and two flanking c...

This Art Deco-period French mystery clock features a stunning design inspired by Eastern cultures and the natural world. A brilliantly hued piece ...

A late 19th century French gilt-brass and steel novelty ‘quarterdeck’ mantel clock by Guilmet, Paris, the eight-day gong striking movement with anchor escapement, circular gilt Roman...

The circular white-enameled dial signed ”Detour Paris” with Roman hours and Arabic quarter marks, a further inner Arabic chapter ring for the day of month. Pierced gilt hands and a b...

Inspired by the art and culture of Classical Greece, this three-piece garniture contains a mantel clock and two candelabra. The rectangular body of the clock is of lapis lazuli and is surmounted by a Grecian vase...

A Large and Exceptional Napoleon III Period Gilt-Bronze and Sèvres Style Porcelain Three-Piece Clock Garniture. By Denière, Paris. Comprising a mantle clock and pair of eight-light...

Odysseus and Theseus French Empire Mantel Clock André Antoine Ravrio Circa 1800 This monumental Empire mantel clock by André Antoine Ravrio, whose case is crafted entirely of gilded...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

An Impressive Marble and Gilt Bronze Mantel Clock In the Louis XVI Manner Constructed from a marble platform with a bronze group above; all confidentl...

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

18th century George III figured mahogany three pad bracket clock by John Wright Dorking, Circa 1780. England A most attractive English bracket clock, made around 1780, signed on ...

A Large Black Forest Mantle Clock Constructed in carved linden wood, fitted with a two train eight day striking clock; mounted on a shaped...

Late 19th Century Napoleon III Portico Barley-Twist Marquetry Mantel Clock, French 1880. This beautiful and highly sought after marquetry detailed portico clock was handcrafted in Fr...

A fine Louis XVI style gilt and patinated bronze figural clock. French, circa 1870. This fine clock has a waisted body decorated with scrolls and trellis centred by a white ena...

A superb 19th century French Flame Mahogany Napoleon Empire Period Egyptian style Mantel Clock This clock was produced in the Fr...

Designed in a fanciful Louis XV style, this beautiful mantel clock takes the form of an Asian elephant, saddled with a howdah (carriage). The clock features a patinated sculpture of ...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Neoclassical Gilt-Bronze and Polychrome Enamel Mantel Clock By Denière et Fils (French, 1804–1903) Picard, Henri (French, fl. 1831–1864) Height: 45cm, width56cm, depth: 25cm This...

Rene Lalique clock "Quatre Moineaux du Japon". In clear and frosted glass with white patina. This model was created on April 3, 1928 exclusively f...

An extremely rare Louis XVI mantel clock 'a cremaillere', a movement driven by its own weight, where the moving drum barrel is running down an inclined whi...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

A Rare Late 17th Century English Basket-Top Spring Clock by John Wrench of Chester, Circa 1695-1700. England This exquisite late 17th-century English basket-top table clock, signed ...

This large mantel clock is an excellent piece of refined neoclassical design by the acclaimed Deniere et Fils firm. Deniere was one of the leading ...

A Napoleon III Gilt-Bronze Mantel Clock, 'Pendule à Cercles Tournants', By Jean-François Denière, Paris. Of imposing scale, surrounded by four winged putti and garlands of flowers in clouds enveloping a bleu celeste tole star-studded sphere. On a shaped base with a wreath and courting doves. The square-plated movement with Brocot escapement and outside count wheel striking on a bell. Stamped to the backplate ‘Deniere A Paris’ and numbered ‘2385’. France, Circa 1860. This clock, magnificent of scale and conception, numbers amongst Denière's most impressive creations. Denière delivered clocks to the Emperor at the château du Fontainebleau in 1857 and 1861. Both are modelled with playful cherubs pulling foliate garlands which show the same designer as those to the present clock. They can be attributed to the sculptor Albert-Ernest Carrier-Belleuse (1824 –1887) who from the 1850s produced for Denière models for candelabra, clocks, jardinieres and fireplace ornaments. Inspired by the Louis XVI style, the present clock with celestial sphere enclosing a complex rotating clock...

This wonderful clock set, which is comprised of a mantel clock and pair of flanking vases, is designed in a fanciful French ‘Oriental’ style. The set is crafted from brass which has been silvered, parcel gilt and painted. The clock is also mounted with porcelain plaques which are beautifully painted with colourful depictions of birds and flowers. The mantel clock is composed of a tall rectangular body with a break arch top which is crowned by a covered twin-handled urn. The urn features a parcel gilt pointed finial on its cover and a silvered body painted with pink cherry blossoms. The urn stands on the arched top of the clock, which is decorated with a sculptural gilt scrollwork band and a gilt foliate border. The arch contains a circular porcelain dial which features a central painting of a pair of birds, encircled by black Roman Numerals within white cartouches. This dial is framed by a gilt beaded bezel. The shoulders of the clock body are mounted with parcel gilt and silvered elephant heads holding ring handles. Porcelain panels decorate the front and sides of the silvered clock body. These panels are beautifully decorated with paintings of colourful birds, butterflies and cherry blossom trees, set within gilt stiff-leaf frames. The clock body is set on a silvered rectangular base which is edged with a parcel gilt foliate band. The front of the base is mounted with a silvered and parcel gilt lion's head mask and flanking painted porcelain plaques. The clock stands on four parcel gilt silvered feet, which are geometric and scrolled in form. The pair of silvered vases...

Gilt and patinated bronze. The original movement has been cleaned and revised and is in perfect working condition (runs for around one week). Overall authentic condition with its ori...

This jewel-encrusted, silver-gilt antique table clock is an exquisite piece of Viennese craftsmanship. It comprises of a scalloped base, which is raised up on four C-scroll feet, and...

French Louis XVI-style (19th Century) gilt bronze mantle clock with a center fluted column supporting the clock face draped with a garland and...

The central circular dial surmounted by two love birds, the lower section with two cherubs on either side, and decorated with garlands of flowers and scrolling features throughout.

Rustic Black Forest (19th Century) walnut carved mantel clock with 1 large bird and several small chicks within a floral environment. (Not working)

Antique patinated bronze and onyx mantel clock by Mercié and Barbedienne French, Late 19th Century Height 113cm, width 58cm, depth 40cm Two renowned French makers, Antonin Mercié (...

Very large French Louis XV style ormolu mantel clock French, circa 1880 Measures: Height 98cm, width 50cm, depth 27cm This fine 19th century clock is unusually large, standing a...

Fine 18th century rococo carved and giltwood shelf clock, the crest with stork holding a bone in his beak pearched on a romantic castle ruin with carved...

Claude Galle, (1759–1815, master in 1786) is one of the most renowned bronziers active during the Napoleonic period, such as Pierre-Philippe Thomire, André-Antoine Ravrio and Louis-S...

French Empire-style (19th Century) bronze dore mantel clock with claw feet and a sphinx on top. (Related item: 032442) (Not working)

A stunning 19th century French Gilt-Bronze and Champlevé Enamel Four-Glass Mantel Clock, of exceptional quality, this richly ornamented four-glass mantel clock is housed in a finely ...

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

A carriage clock in the Louis XV manner The ornate and shaped gilt bronze case having putti at the angles, surmounted by two winged putti, one proffering a laurel wreath; dressed ...

Neoclassical Louis XVI period French mantel clock French, late 18th century Dimensions: Height 56cm, width 33cm, depth 9.5cm Crafted from o...

German Meissen (19th Century) porcelain group of men and women with floral and bronze branches around mantel clock (not working)

Impressive mantel garniture composed of a central clock surmounted by a winged sphinx and flanked by two obelisks. The ensemble is richly decorated with Egyptian symbols engraved and...

Beautiful little antique clock in the Louis XV style made by the clockmaker Gille l'Ainé in the 19th century. The dial is signed "Gille l'Ainé, à Paris". The curved forms, embellishe...

Very Large Ormolu Marble Regulator Calendar Mantle Clock Barbedienne French, Late 19th Century Height 121cm, width 64cm, depth 28cm Expertly produced in France during the final de...

A magnificent and exceptionally rare Charles II English eight-day spring-driven table clock by the renowned maker Henry Jones, dating to circa 1675-1680. The elegantly proportioned ...

Empire Mercury-Gilt Bronze Mantel Clock Pierre-Philippe Thomire and Louis Moinet Circa 1810 This exceptional Empire gilt-bronze French mantel clock, signed on the dial by bronzier P...

Antique neoclassical style three-piece gilt bronze clock set French, late 19th century Measures: Clock: Height 57cm, width 74cm, depth 23cm. Candelabra: Height 83cm, width 27cm, d...

This stunning antique mantel clock is unusual for its serpentine design, featuring a gilt bronze, hanging snake head that acts as a clock hand. The 360 degree turning circular ena...

An Elegant Mantle Clock In the Louis XV Manner The clock and its plinth executed in gilt bronze in a dynamic rococo style, rising from scrolling foliage, the dial in the shape of a ...