Recognized Dealers Clocks

This important silvered bronze, gilded bronze and white Statuary marble clock set was probably made around 1840-1844. The central group is depicting Mary of Burgundy on a falcon hunt...

An aneroid desk barometer by C W Dixey, the 4inch silvered dial with blued indicator and gilt recorder needles divided to 32 millibars, with curved bar Fahre...

A fine Louis XVI style cobalt blue porcelain and gilt-bronze lyre clock garniture, with jewel set pendulum. French, circa 1900. The candelabra bearing a paper label to the und...

Signed: Joseph Gay Horloger du Roy A Turin The movement is contained in a white marble obelisk which is surmounted by an armillary sphere finial. The front with a panel chased wit...

A clock garniture in the Louis XVI Manner By Le Roy et Fils The ormolu clock case and accompanying candelabra dressed with blue 'Sevres' style hand ...

English 19th century gilt metal ship's wheel desk clock retailed by Hannaford, Regent Street, London.

Hallmarked in London in 1910 by Goldsmiths & Silversmiths Co., this charming, novelty, Antique Sterling Silver Pocket Watch Stand,...

Beautiful little antique clock in the Louis XV style made by the clockmaker Gille l'Ainé in the 19th century. The dial is signed "Gille l'Ainé, à Paris". The curved forms, embellishe...

This beautiful clock was made out of porcelain and gilded bronze during Napoleon III period. The porcelain dial indicates the hours with Roman numerals. It is decorated with gilded r...

Chan Chiao Chun Wall clock model "Day 33 -You show me the bright" From the series "Stay with me" Manufactured by Chan Chiao Chun Produced in exclusive for Side Gallery Eidhoven,...

Hallmarked in London in 2006 by Simon Benney, this charming, Sterling Silver Clock, features textured detailing, and a battery operated quartz movement. The clock measures 5.5"(14c...

A beautiful and exclusive clock stand made of steel and granite. Holding a picture of the Stephans-dome. The most famous church in Wienna, Austria. High quality craftsmanship on all...

Chan Chiao Chun Grand father clock model "Day 36 Look at me" From the series "Stay with me" Manufactured by Chan Chiao Chun Produced in exclusive for Side Gallery Eindhoven, The...

A Louis XVI style gilt bronze and Sèvres style porcelain mounted figural clock, Allegorical of the Arts. The dial signed 'Colin, Paris'. The movement stamped 'Vincenti et Cie'. ...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture. Additional Information: Material: Glass Color: Bamboo/Grape/Horizon Dimensions: W 13.5 x D 13.5 x H 54 cm Available in other color options: Grey/light pink,/red...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Gilt bronze and malachite Louis XVI clock French, late 18th century Measures: Height 69cm, width 36cm, depth 13.5cm This fine Louis XVI mantel clock is wrought from malachite and gilt bronze. The malachite veneer is a later, beneficial refinishing. The clock features a plinth-form malachite base supporting four malachite columns, each with a gilt bronze capital. The columns raise an ornately shaped top, which is inset with a circular white enamel dial and is surmounted by urn-form finials. Beneath the dial is suspended an ornately cast and finished gilt bronze drapery...

A gilt bronze and blue lapis lazuli clock with bust of Molière French, circa 1830 Measures: Height 61cm, width 27cm, depth 13cm This exquisite French mantel clock originates fr...

Each in the form of a ship's wheel with 2.5 inch silvered dial, contained in cases, one with seven turned banded agate handles, the other with eight banded agate handles, each on ova...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...

Unusual pair of Gustavian corner clock cabinets, origin: Mora, Sweden, circa 1780 Each cabinet with matching working, tall case clocks decorated with four fluted diamond patterns an...