Recognized Dealers Clocks

A fine Louis XV style gilt and Patinated bronze figural clock garniture by Maison Baguès. This rare example of a clock garniture by Maison Baguès has a twin train eight-day movement striking on a bell.  The garniture consists of a clock and a pair of candelabra en suite. The clock has a Rococo cast case surmounted by a patinated bronze putto playing a lyre, above a circular white enamel dial with Roman numerals, Arabic seconds and pierced hands. The dial inscribed 'Eug Bagues, Paris'. The case terminates in four scrolling legs put down on an acanthus cast plinth base. The candelabra en suite have gilt bronze pierced acanthus cast bases supporting patinated bronze putti each holding aloft three scrolling acanthus arms terminating in circular and foliate cast drip trays and nozzles. Maison Baguès The Baguès Company, located at 31, rue des Francs-Bourgeois, was founded in 1840 by Mr. Noel Baguès who started his business to cast liturgical bronzes. By 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters...

Silvered bronze mantel clock, signed on base and documented.

Fine Gilt-Bronze Louis XVI style mantle clock on a white marble base. Signed "O. Lelievre, Susse Freres."

Antique Alabaster, Ormolu and Silvered Bronze Clock Set in the Neo-Grec Style French, Late 19th Century Clock: Height 55cm, width 33cm, depth 16cm Candelabra: Height 62.5cm, width 1...

Antique Continental gilt bronze, cut glass, and porcelain clock set Continental, late 19th century Clock: Height 45cm, width 30cm, depth 22cm Candelabra: Height 46cm, width 23cm, ...

Sleigh-form silvered bronze and green onyx mantel clock French, late 19th century Measures: Height 27cm, width 32cm, depth 29cm This beaut...

This graceful three-piece clock set is designed in a refined neoclassical style, which was fashionable in France in the 19th century. The set has been crafted from finely cut clear g...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture....

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Clessidra 420.10 Ø14 H30 UV/RS Additional Information: Material: Glass Color: Grape/Light Pink Dimensions: Ø 14 x H 30 cm Available in other color options: Amber/light pink.

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

This elegant antique mantel clock is of the Art Nouveau period, and is set within a fine rectangular wooden case embellished with gilt bronze (ormolu) borders and floral decorations. The clock was made by renowned Parisian maker E. Colin & Cie, and its central circular wooden dial...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...

Unusual pair of Gustavian corner clock cabinets, origin: Mora, Sweden, circa 1780 Each cabinet with matching working, tall case clocks decorated with four fluted diamond patterns an...