Recognized Dealers Clocks

Neoclassical style porcelain and gilt bronze clock set by Barbedienne French, late 19th Century Clock: Height 53cm, width 27cm, depth 24cm Candelabra: Height 56cm, width 19cm, dep...

This clock set contains a mantel clock and a pair of candelabra. The central mantel clock is formed of a rectangular gilt bronze mounted grey marble base. Raised on four gilt bronze ...

The Art Deco style is beautifully executed in this enchanting desk clock by J.E. Caldwell. The gilded dial, beautifully enameled in midnight blue and celadon green, sports four perfect apples in relief at its corners, and is framed by a luxurious plaque of amber-hued onyx. Venerable American jeweler J. E. Caldwell & Co. from Philadelphia is known for its Art Nouveau and Deco jewels. One of the oldest fine jewelers in the United States, the company was founded in 1839 by James Emmott Caldwell and supplied wealthy Philadelphians with stylish European jewelry, silver, and objets d'art. The store itself was a study in opulence, with hand-cut Baccarat chandeliers and French Regency-style oak cabinetry designed by Horace Trumbauer...

Empire period gilt bronze figural clock representing Amour & Psyche.

This striking and highly detailed mantel clock is made entirely of ormolu, and is surmounted by the figure of an Eastern nobleman. He wears typical dress of his location and period: ...

French Louis XVI-style (19th Century) gilt carved wall clock with a swag design pediment centering a lion and a wreath form bottom. (Not working)

Charles Stanislas Matifat is the creator of this ensemble consisting of a double-sided enameled bronze clock and a matching pair of large garnitures. Dated 1851 and bearing his signa...

Antique Early 19th Century Empire Gold Brown Gilt Patinated Bronze Mantel Clock French, Early 19th Century Height 54cm, width 52cm, depth 20cm Dating to the early 1800s and desi...

French Victorian style ebonized mantle clock with bronze putti and swan supported on a weighted ebony base with encased dial and beaded gold trim.

French Victorian gilt wood wall clock with a distressed gold and reddish frame

ø30cm and length of 79cm clock. Metal curved rod in brass or black finish, and hands made of walnut and polished brass or painted black. Installation to wall or ceiling. Availab...

An unusual flame mahogany long-case clock attributed to Maples with a Smith & Sons 3-train movement, the case with a stepped base, the hood with two fluted columns and brass fini...

French Victorian (mid-19th Century) gilt bronze mantel clock featuring a hunter feeding his dog as they sit atop a bronze log which houses a gilt bronze clo...

Of porcelain mounted ormolu, the clock's dial marked 'Raingo Fres, Paris', the central clock decorated with a scene of traditional 19th century courtship, the two flanking candelabra...

A Large Gilt-Bronze and Sèvres Style Cobalt Blue Ground Porcelain Three-Piece Clock Garniture. Comprising a mantle clock and a pair of vases and covers. The mantel clock modelled w...

Large neoclassical style marble and gilt bronze circular movement mantel clock French, late 19th century Measures: Height 82cm, width 26cm, depth 26cm Crafted from the finest of materials, including beautiful white marble, gilt bronze, and patinated bronze, this unusually large mantel clock is a superb piece of neoclassical design. The clock features a white marble vase-shaped case, which houses its circular movement. The vase is set above a plinth form base, which is inset with gilt bronze relief panels...

This mantel clock is a wonderful piece of French Neoclassical design. It is an unusual and very beautiful item, which has been expertly crafted from gilt bronze (ormolu). The clock will add elegance and sophistication to a mantelpiece. The clock features a table-form body which is topped by a classical urn. The urn is crowned by a pomegranate finial and mounted with twin handles in the shape of rams’ heads with rings in their mouths. The urn is decorated with twisted and cabled fluting, a belt draped with foliate swags, panelled motifs and a ropework band. The urn stands on a table-shaped body which is surmounted by outward-pointing pinecone finials and laurel branches. The stepped tabletop has scalloped corners and is decorated with an egg-and-dart and leaf-and-dart band, as well as a central Green Man mask. This top is supported on six legs which feature leafy scrolled tops draped with swags and hoof feet. Between the legs, there is a drum clock...

An extremely rare mantel clock with a figured mahogany-veneered case by A-L Breguet Abraham-Louis Breguet (1747-1823), who was of Swiss origin, is undoubtedly the most celebrated clockmaker of the late eighteenth and early nineteenth centuries in France. He is responsible for the invention of the self-winding watch, the tourbillon and the sympathetic watch ( a watch that is placed in a cradle of a special clock. It is then linked by means of a pin fixed behind the clock dial. Built into the motion work which, when released by the clock, automatically sets the hands to the clock's time as well as correcting the watch's regulator necessitated by any degree of inaccuracy registered at the moment of synchronisation) and many other horological improvements and developments. Around the year 1807 Breguet brought in his son, Antoine-Louis (born 1776), as a business partner, and from this point, the firm became known as Breguet et Fils. Breguet had previously sent his son to London to study with the great English chronometer maker John Arnold...

Comprising a central clock and a pair of flanking twin light candelabra, the clock with a bronze putto holding the clock and seated upon various ormolu decorations above an ormolu mo...

This wonderful mantel clock is designed in the image of an ancient Roman ruin. The clock is clearly inspired by the kind of prints, paintings and drawings of dilapidated Roman buildi...

Birger Kaipiainen had a thing for clock´s. Frequently in his decorative dishes he had clock`s that were always pointing to 12:15. Now here is the whole thing. In perfect working orde...

PAIR of English Victorian walnut and burl walnut trimmed wall clock and barometer set with carved top and bottom.(PRICED AS PAIR)(Not working)

English Victorian small brass horseshoe shaped desk clock with blue enamel trim. (Not working)

A French white marble and gilt bronze mantel clock. Signed A. Paris on face.

Pair of English Victorian walnut and burl walnut trimmed wall clock and barometer set with carved top and bottom.(PRICED AS PAIR)(Not work...

Continental Austrian (18th Century) gilt wood and blue glass panel mantel clock with a pediment (signed: Wieneslaus Wilfarthm, Koniglicher Hoff, UHR Macher) (Not working)

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

English Victorian iron clock face with green painted wooden back. (Not working)

French Empire period gilt bronze mantel clock French, early 19th century Measures: Height 50cm, width 36cm, depth 12cm This mantel clock, wrought from gilt bronze during the French Empire period, features a rectangular base, set above four bun feet, the front of the base adorned with a gilt bronze relief panel...

A rare Louis XVI style gilt-bronze mounted marble annular dial pedestal clock in the manner of Jean-André and Jean-Baptiste Lepaute, attributed to Dufaud, Paris. The eight-day twin-train movement with circular plates and lateral lever escapement on a gilt platform, with cut bimetallic compensation balance, flat balance spring and index regulator, striking the hours and half-hours on a bell. The dial having twin revolving chapter rings with white enamel cartouches with Roman numerals on a revolving ring, with a revolving minute ring above with Arabic numerals, the time indicated by Cupid pointing with an arrow. This fine annular dial or ‘cercles tournants’ clock...

Marble, gilt, and patinated bronze three-piece clock set by Barbedienne French, late 19th century Measures: Clock: Height 93cm, width 60cm, depth 28cm Candelabra: Height 97cm, width 46cm, depth 33cm This monumental marble, gilt, and patinated bronze three-piece set is a stunning example of Barbedienne's craftsmanship during the Parisian Belle Époque. Paul Dubois' 'Le Courage Militaire...

Guillerme placed equal emphasis on function and aesthetics, creating an aesthetic as staid as it was arresting. While his work was in many ways distinctively conservative and recogni...

French neoclassical style lapis and gilt bronze clock set French, late 19th century Clock height 52cm, width 39cm, depth 15cm Vases height 38cm, width 16cm, depth 12cm This be...

This three-piece clock and candelabra set is formed of malachite and is fitted with gilt and patinated bronze mounts. The malachite base of th...

Limited edition - 1 of XX A silver leaf inserted into glass lends an unexpected precious flair to the appliqués, contrasting with the subtle hues of the base and the darker shades o...

This Sèvres style clock is an elegant piece of late 19th century design, which will make a wonderful addition to a mantelpiece. It has been beautifully cast in bronze and gilded (orm...

Perfectly balanced between two different colours, the sand flows through the sleek glass chambers made using the Incalmo technique, taking on its colour an...

Neoclassical 18th Century ormolu and marble lyre clock French, Louis XVI period Height 64m, width 27cm, depth 12cm This exquisite mantel clock was ...

Large Empire style ormolu and malachite mantel clock with mythological sculpture French, late 19th century Measures: height 58cm, width 46cm, depth 14cm With large sculptural work depicting Jason and the Golden Fleece...

Antique patinated bronze and ormolu figurative mantel clock by Dasson French, 1888 Measures: Height 30cm, width 30cm, depth 13cm This fine mantel clock is by the celebrated make...

Table pendulum clock made in France during the empire period, 1790-1810. Made from gilt bronze. Depicting a man holding a cornucopia.

French Empire period ormolu mantel clock by Michelez French, circa 1815 Measures: Height 47cm, width 20cm, depth 15cm This beautifully formed and crafted mantel clock, dating to...

A fine and elaborate gilt bronze and Sèvres-style porcelain mantel clock. French, circa 1870. A fine and elaborate gilt bronze and Sèvres-style porcelain mantel clock with a fo...

With the following features: Swiss watch movement, 8 day, calendar, and moon phases.

An attractive Austrian mid-18th century Baroque period quarter-striking bracket clock by the maker Andreas Hohenadl (1714-1793), Vienna. The ebonised fruitwood case with figurative b...

An attractive Parisian mantle clock in the Louis XVI manner Retailed by the Goldsmiths & Silversmiths Company Constructed in Carrar...

French bronze chinoiserie clock, circa 1880.

Neoclassical style circular movement mantel clock by Leroy & Cie French, circa 1880 Measures: Height 72cm, width 25cm, depth 25cm This superb mantel clock, crafted from white marble, gilt bronze, and patinated bronze—takes the shape of an Amphora vase form case above a cylindrical stem and a circular foot, the stem and foot ornamented with classicising gilt bronze mounts. The foot of the vase sits on an architecturally formed plinth, which is decorated with inset gilt bronze relief panels...

In their elaborate use of C-scrolls, putti figures, stylised acanthus leaves and flowers, this clock and barometer are clearly Rococo in their style. The Rococo came into fashion in ...

Three-week duration, striking half and full hours. The enamel dial signed 'Dartois Fils à Paris'. Dartois was, just like Galle, Ledure, Raviro and Thomire, one of the leading and mos...

18th century George III figured mahogany three pad bracket clock by John Wright Dorking, Circa 1780. England A most attractive English bracket clock, made around 1780, signed on ...

A relatively small and extremely attractive late 17th century English eight-day spring-driven double basket table clock signed on the backplate Asselin London, dating to the period c...

This garniture comprises three pieces: a mantel clock and two flanking candelabra, the entire ensemble designed and ornamented in an ornate neoclassical style. The garniture is composed of gilt bronze and lapis lazuli, with the lapis elements being a later addition. The mantel clock, which is supported by a lapis trefoil form base set on its sides with gilt bronze pierced foliate mounts, the gilt bronze contrasting beautifully with the lapis lazuli, contains a figural group of the three graces, sculpted from bronze and exquisitely gilded. The trio holds above their heads the spherical clock...

A table clock made in France during the Empire 1790-1820. Made from blackened wood and burnt-gilt bronze. Godronned urn-formation, lion mascarons, pine cone all Empire attributes

Limited edition - 1 of XX The master glassmaker removes the object from the fire using a rotating rod, while other workers place thinner pieces of glass in the exact spot indicated ...

A Fine Louis XVI Style Gilt-Bronze Cartel Clock, by Beurdeley. Signed 'A Beurdeley Fils à Paris'. Surmounted by a ribbon tied globe the gilt-bronze case of this fine cartel clock...

French red marble and gilt bronze Neoclassical style matched clock set French, late 19th Century Clock: Height 70cm, width 57cm, depth 23cm Candel...

An Empire style ormolu and malachite mantel clock by Denière French, c.1820 Measures: Height 50cm, width 33cm, depth 14cm Made in the early nineteenth ...

This elegant Cartel clock is decorated the refined neoclassical style. The wall clock features an unusual lyre shaped back plate and a double headed eagle surmount crowned by an orna...

The new series of unique furniture of my creation entitled “weight of time” is the daughter and result of a period of personal and working evolution in which I found myself thinking,...