2,558 results for "architectural models"

We kindly invite you to read the full description, as it provides detailed technical and historical information to help verify the authenticity and value of our pieces. An original a...

Made in the 1970s, this table was designed by architect and edgineer Cedric Hartman. In the beginning of his career, he made a name for himself with the iconic 1UWV floor lamp, but s...

Renaissance cabinet from Burgundy Or Lyon Region Origin : Burgundy Or Lyon, France Period : Second Half 16th Century, C. 1580 Height : 209cm Length : 184cm Depth : 71cm Good condition Walnut wood, original keys and keyholes Around the middle of the 16th century the conception and ornamentation of French furniture evolves. The start of major building projects, such as the castle of Fontainebleau, gives artists a new impulse. Inventive and rich formulas are developed there, before spreading to all of Europe thanks to engravings and printed leaflets. Furthermore, Italian artists working on such construction sites bring French artists and patrons a renewed taste for the Antique. Regarding the art of furnitures, the most complex scenes and figures are drawn from illustrated books, ornament and emblem compendiums and engraving compilations. Rather than copying those images the artisans feed their inspiration and decline the motifs in numerous variations. The ornamental grammar marks a return to the Antique : palm leaf, acanthus, egg-and-dart, greek, scroll, fluted pilaster… It is in Primaticcio’s and Il Rosso’s stuccos made around 1540-1550 that we have to look for the origin of leather cut-outs, masks, chimaeras, harpies, sheathed figures, fruit and flower garlands that soon enrich every pieces of French furniture. The structure of the pieces of furniture also evolve thanks to the re discovery of Antique architectures, rigorously used as a model. This cabinet presents an imposing structure and a rich and original decor exemplifying the production of the late 16th century, infused with Italian, Antique and Fontainebleau influences. It stands on a moulded base ornate with palm leaves. It opens with four door-leaves and two drawers in the belt. Six whimsical terms divide the facade. The lower body is horizontally divided by three sheathed female terms. The two standing on the lateral posts are topped with fruits while the body is covered by acanthus leaves carved with precision, belted at the waist. The term standing on the central door-jamb is crowned with laurel leaves and is draped in the Antique fashion. A wincing mask hides the key hole. The two door-leaves are centred by a beautiful mask carved in a strong relief. They wear stylised feathered headdress and are set on draperies. Straps, leather scrolls, acanthus leaves and a shell are spread around the masks. The recessed panels are secured in frames ornate with acanthus leaves. The belt is flanked by two large mouldings enriched with variations of acanthus leaves. The drawers are carved with choux bourguignons and palm leaf motifs minutely executed. The consoles between each drawer bear tormented wincing masks, showing horns as if they were fauns or imps. The upper body is framed by two male terms characterised by a strong and nervous musculature, their manhood hidden by drapes secured thanks to a winged lion head. The term on the left appears to be younger and is wincing while the one on the right has a beard. The central female term brings contrast with her youth and sensuality. As it is the case on the lower body, the key hole is hidden behind the mouth of a faun’s mask placed on the drapes barely covering the intimacy of the caryatid. The panels of the upper body present an idealised architecture comprising pilasters and sinuous broken pediments. The pilasters are flanked by two satyrs with goat legs. In the centre appears an important lion mask. The terms of the upper body support the cornice. The entablature carries palm leaves and roses alternating as well as an egg-and-dart frieze. The cornice is adorned with acanthus motifs. On the sides, the carving is executed flat. A central rose is surrounded by scrolls, flowers and choux bourguignons. We can admire the variety of the elements employed. The artist vary with great genius many different ornamental motifs : palm leaf, egg-and-dart, laurel leaf, roses, scrolls … But the artist went even further as each profile and each face is individualised and presents different features. You can take a look at the faces of the satyrs flanking the upper body’s panels. The talent of the artist is undeniable. It makes no doubt the patron who commissioned this cabinet was an aesthete looking for the greatest quality. The artist who authored this cabinet had a great mastery of composition both in the general design and in the individual panels. They probably drew inspiration from engravings and drawings made especially for the making of this piece of furniture or not. They seem to be familiar with the style of Jacques Androuet du Cerceau. Indeed, we can find in Du Cerceau’s engravings the same juxtapositions of leather cut-outs, masks and fruits. The terms and caryatids used on the facade could very well be inspired by his work as well. The cabinet-maker was also undoubtedly observant of Hugues Sambin, the most famous cabinet-maker and sculptor in the Burgundy of the time. Like Du Cerceau, Sambin left an important ensemble of models particularly useful for the design of cabinets. His publication De l’Oeuvre de la diversité des termes dont on use en architecture (1572) was an essential book for every artisan. All the motifs testify of the artisan’s high knowledge of forms as well as the precision of their tools : super imposition of ornamental elements, foliages, architectural cut-outs, flat and high reliefs alternating, palm leaves inscribed in circular spaces, wincing faces. It is also a testimony of the artisan’s familiarity with Italian and Fontainebleau productions. Because of the proficiency of the cabinet-maker in so many different models, this cabinet truly is a master-piece authored by the hand of an authentic master. The generous carvings executed with great rigour and virtuosity evoke an origin close to Burgundy and Lyon workshops. This cabinet was made by a master of the region during the Second French Renaissance. Literature BOCCADOR Jacqueline, Le mobilier français du Moyen-Âge à la Renaissance, Édition d’art Morelle Mayot, 1996 BOS Agnès (dir.), Mobilier du Moyen âge et de la Renaissance, La collection du musée du Louvre, Louvre éditions...

An exceptional example of Ettore Sottsass’ early ceramic production, this striking vase—model 585—was designed in 1960 and realized circa 1961 by the Società Ceramica Toscana di Figl...

Fascinating and rare set of seven boxes featuring a lacquered eggshell veneer attributed to French artist Thierry Voeltzel. Each box is designed with Greco-Roman neoclassical archite...

Model "Parter" Pair of XL Sconces by Achille Castiglioni for Flos, 1970s, Italy This lamp works with E27 light bulbs. Wired and suitable to use 110-220V in all countries. Please do...

An exceptional, exclusive Limited serie of BD LUMICA lamp from the 70s. This chandelier ist listed in catalog named " dona Sophia " We suppose "The name of the Dona Sophia chandelier...

An elegant and exceptionally rare Swedish Grace ceiling light designed by Harald Notini for Böhlmarks, Sweden, and documented in the Böhlmarks catalogue of 1929, Plate 30, as model 6...

An extraordinary Danish Mid Century vintage teak and wenge Model 550 space saving dining table designed by Ole Gjerløv-Knudsen and Torben Lin...

The PH pendant, model 3½-3, is a limited edition designed by Poul Henningsen and produced by Louis Poulsen. This special edition was released to commemorate...

Arne Vodder Model 212 oval dining table in rosewood, produced by Sibast Møbler, Denmark 1960s. A beautifully proportioned and highly versatile Danish dining table, combining an elega...

Designed by Giacomo Benevelli, this table lamp model Roto was produced in Italy in 1972 by Gaetano Missaglia. The lamp features a sculptural structure in cast aluminum, showcasing a ...

Designed by Max Ingrand for Fontana Arte, rare and exquisite suspension or ceiling lights model 1748, Italy, 1950s. This iconic sculptural chandelier features a thick, beveled diff...

Art Deco Vintage Junkers Airplane Desk Model. Wooden made, with Aluminion parts and a marble base. It has been fully restored. Very nice conditions. Th...

A gorgeous light weight beige wool pant suit from Versace. The jacket is a longer cut with a lapel collar, front flap welt pockets, a back vent, and elaborate inset shaped fine panel...

A handmade wooden birdhouse made in a 19th century American vernacular style. USA, circa 1950. Age related wear and vintage charm. Dimensions: 24” L x 18” W x 26” H

A stunning example of Kaj Franck’s minimalist genius, this tall rectangular vase was designed for Nuutajärvi in the late 1960’s. With its clean lines, architectural silhouette and su...

Group of four brass wall lamps, glass, designed by Sergio Asti, model b464, produced by Candle, Italy, 1960. Offered in two sets of two lamps each. A delicate shaded glass sphere sh...

A table designed by Axel Einar Hjorth for Nordiska Kompaniet, Sweden , Circa 1930th. Model "Radio". Stained birch. Manufacturer label with numbers attached.

A Large and Incredible Pair of Rouge Marble ‘Grand Tour’ Models of Ruins Celebrating the Corinthian Order, Most Probably Attributed To The Workshop Of Benedetto Boschetti. The fist ...

New York World's Fair "Christian Science Pavilion" Architects Model, circa 1965 Measures: 27.5" wide x 29.5" deep x 12.5" high Architects origi...

Lovely and elegant Paul Louis Orrier Cocktail Dress made with 2 layers of silk chiffon, the first in changeant rasberry overlaid on top of a pale coffee chiffon. Draped off the shoul...

Gorgeous vintage metal jewelry box. A beautiful decorative item in metal inside covered with cloth. Made in Germany, circa 1930s. Nice addi...

Room divider model 100 designed by Alvar Aalto. Produced by Artek in Finland.

Cartier's Juste Un Clou began as a punk-inspired provocation in the 1970s — an ordinary nail, bent into a bracelet — and this large model example, signed, numbered, and hallmarked, c...

Model 2364 Pendant Light by Max Ingrand for Fontana Arte, Italy, 1960s This pendant, model 2364 by Max Ingrand for Fontana Arte, reflects the designer's gift for pairing architectur...

Gianfranco Frattini for Cassina, lounge chair, model 877, fabric, teak, Italy, 1959 This grand lounge chair is based on a solid construction, featuring strict lines and angular shap...

A mid-century modernist garden light, model 672, produced by the Danish lighting manufacturer BITO. This piece is a beautiful example of Scandinavian modern design applied to functio...

Large Ipe wood bench modeled after the MTA subway bench. Made in Brazil circa 1970.

A superb collection of 6 antique plaster models after the ancient 6th century BC Parthenon Frieze. Supplied loose, these mini friezes are presented in a wooden tray and mounted on a ...

Image size 55 x 70 cm Limited Edition of 12 Platinum Print Framed with Wengé and Passepartout Framed Size 92 x 112 cm signed on extra certificate Evocative, sensual and voluptuous, ...

Charming vintage Italian illuminated architectural model of the Leaning Tower of Pisa, dating to approximately the 1970s. #5580 The miniature tower is finely molded with repeating arcades, columns and architectural detailing replicating Pisa's celebrated medieval bell tower. Finished in a warm ivory-white stone-like surface, the piece takes on an entirely different character when illuminated: an interior light produces a dramatic warm amber-red glow through the open arcades of the tower. The circular base is molded with the inscription “RICORDO DI PISA,” Italian for “Souvenir of Pisa,” identifying the piece as an Italian travel souvenir. Constructed of molded resin or an alabaster-like composite, a material frequently used for decorative Italian architectural souvenirs...

Set of Eight Pasqualina Leather Dining Chairs by Grazzi & Bianchi for Pellizzoni, Italy A sleek blend of Italian craftsmanship and minimalist design, this set of eight Pasqualina ch...

This table as show is available for immediate delivery Enjoying a minimalist design, this Bonnin Ashley custom-made dining table evokes the sense of a beautiful slab of wood floating in space being anchored by three legs without an apron or a stretcher. Our design is inspired by the simple aesthetic and ingenious joinery of the American Shakers. This two-plank dining table in American bookmatched black walnut with a traditional linseed oil finish can be ordered to suit in various lengths & widths. Table can also be made using other woods like maple, cherry or mahogany. This particular table is in stock & ready to ship. Table disassembles into four sections to facilitate shipping & installation. Measurements: 11' 8" long x 36" wide x 30" high. Note: We source all of our wood from a small mill on the Susquehanna river in Pennsylvania that specializes in cutting old growth trees that are in distress and need to be removed for safety reasons. These trees yield lumber that can no longer be found commercially. The boards are wide and the grain is tight with superb figuring and modeling. We also have the opportunity to purchase sequential boards from the same log giving us spectacular book...

This B99 table lamp is a striking mid-century modern design, highly sculptural and unmistakably Scandinavian in character. The lamp is made in polished brass with a warm golden sheen...

A striking pair of Postmodern table lamps by Maitland-Smith, featuring veneered pink marble facades with elegant inset brass pinstripes. Boldly geometric and finely constructed, thes...

Lips Vago – Double Bookcase “Congresso” Model, 1960s Iconic double bookcase, Congresso model, produced by Lips Vago in the 1960s. The structure is entirely made of painted metal, fe...

Extraordinary Leonardo da Vinci Helicopter Model — hand-crafted in 1989 by Italian master model-maker Giovanni Sacchi — presented as a gift to Paolo Viti during the International Des...

This elegant set of two low chairs corresponds to the iconic Model 790 designed by renowned French modernist Joseph-André Motte and produced by Steiner in France during the 1960s. T...

A 21st Century contemporary model of a Cadillac, hand-carved in wood with white-painted detailing. A striking piece that complements both classic and modern interiors. CONDITION In ...

Gino Sarfatti Model #10 sconce in white for Arteluce. Executed in painted aluminum and custom fabricated period-styled brass backplates designed to mount o...

This captivating ceiling light, model 14109 “Mirage,” was designed by Angelo Lelii for Arredoluce, Italy, circa 1975. Crafted in chrome-plated and enameled steel, their sculptural, g...

Model 4/3 Table Lamp By Louis Poulsen Circa 1960s - Chromed steel base and stem - On/Off switch on the base - Stepped steel shade - Takes E27 fitting bulbs - Designed by Poul Hennin...

This superb Renaissance Italian painting, titled "Gallery with a View of Ancient Rome", is a masterpiece capturing the grandeur and artistic vision of ancient Rome’s architectural an...

Alexander McQueen Men's William Blake Dante Print Suit – Ivory Pastel Spring/Summer 2022 menswear collection Collector, Art Print suit, Sold out, McQueen archive piece The William ...

A refined and architecturally balanced two-tier club table designed by Maija Heikinheimo for Asko in the 1930s. This early Finnish modernist piece combines geometric clarity with bea...

A striking 20th-century French bronze sculpture inspired by Constantin Cristesco's celebrated composition "Deux chevaux sautant un obstacle" (Two Horses Jumping an Obstacle), also kn...

A vintage aluminum mold, bullet shaped, on a stand.

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Voyeurism " realized by Newton for Playboy magazine.

This is a Barcelona Daybed Sofa, Model 258L, initially designed by Lilly Reich and Mies van der Rohe in 1930. This example was produced by Knoll Associates in the 1980s. It features ...

MICHAEL ROBERTS (1947-2023) PLEASE NOTE: This photograph is a one of a kind original photograph. Every photograph in the show was available to purchase, and only one of each was printed. This large black and white hand printed silver gelatin photograph of "Michel Nude" by the legendary fashion icon, Michael Roberts, London. This image was part of a Michael Roberts show in 1989 at Hamilton's gallery, London. Signed on back. Black metal simple frame. Image: 15" x 19", framed: 22' x 26". This image is one of two that were in the gallery show in London. The images from the show were very rare and now highly sought after and collected after Mr. Robert's death but there are NONE available to purchase. These two images were purchased from that Exhibit from Hamiltons. The second one, "Nude of Michel" is available on separate listing. We hope they are purchased together as they were hung next to each other in the exhibit. MICHAEL ROBERTS: The preferred medium of the fashion journalist Michael Roberts was Canson art paper, which he scissored freehand into crisp-cut collages, or snipped into minute dots to reassemble into mosaics, for magazine covers or book illustrations. His art, bit by bit putting it together, reflected his life in fashion. He wrote about it, commissioned unexpected others to do so, photographed for media and ads, and charmed cranky legendary lensmen into snapping for him. He could source the clothes, choose the crazy locale, stage the shoot’s story, and write a witty critique of the enterprise. He was also always the most elegant person involved, effortlessly cool. Roberts, who has died aged 75, never bothered with a résumé, since every new role or venture seemed to just develop, but they totted up to a serious career. He was a writer on the Sunday Times in the 1970s, when new couture catwalk drama and heightened designer celebrity demanded a fashion voice that was both theatre critic and gossip columnist. Then from 1979 he was art and style director of Tatler magazine, when the editor, Tina Brown...

Pair of table lamps designed by Guy Bertrand in the late 1960s. Each lamp features a folded aluminium sheet forming a cubic, architectural volume that encloses a plexiglass reflect...

JEAN PAUL GAULTIER vintage oriental print sheer mesh tattoo top with integrated large scarf which can be used in different ways : hood, scarf, scarf co...

Henri Labrouste: Structure Brought to Light MOMA Mar 10–Jun 24, 2013 Exhibition Catalog. New York Museum of Modern Art 2012. Signed by the author, Barry Bergdoll, 1st Ed hardcover wi...

Rare cabinet by french designer René Gabriel. Solid oakwood and oak veneer. The cabinet features 6 drawers on the lower part and 2 doors on the top part with functional keys and lo...

A pair of rare Edward Wormley for Dunbar three tier occasional tables # 4423. Refinished in dark brown walnut.

A vintage French wall mount mask of the Greek god Apollo with a long beard, in good condition. The architectural model is molded and finished by hand in plaster. Not recommended for ...

These six Adrian Pearsall Model 2051-C high-back dining chairs, upholstered in a lush green crushed velvet, epitomize sculptural mid-century elegance. Pearsall’s iconic design from t...

18k Rose Gold Clash De Cartier Medium Model Chain Necklace by Cartier. Elevate your style with this Authentic Clash De Cartier 18k Rose Gold Medium Model Chain Necklace. A statement...

A 1960s souvenir building architectural model. Some wear with a nice patina, but this is old-age. Made of metal. A beautiful nice desktop item or just a display item in your collecti...