967 results for "harlequin"

Venetian-style mirror with inset mirrored plates (parecloses), dating from the early 20th century, crafted using the verre églomisé technique. This decorative process involves applyi...

The Cubist, 2019 collage on paper 11 13/16 H x 15 3/4 W in. 30 H x 40 W cm The artist’s collages describe a series of characters composed of different materials – cardboards, textil...

A whimsical celebration of artistry and imagination, this Tiffany & Co. creation captures the magic of the circus in exquisite sterling silver and vibrant enamel. Expertly crafted,...

Michael Grimsdale is a British artist known for his equestrian paintings that capture the grace and power of horses. Galileo, foaled in 1998, was a legendary racehorse and influenti...

Vintage pendantif set in white and yellow 18ct gold, centering an important white harlequin opal, highlighted by emeralds in various shapes (cabochon, engraved and drop) for 7ct tota...

A fine parabolic table lamp by Gerald Thurston for Lightolier. The concave sides glazed in a harlequin pattern of alternating colors of cream and brown. Newly re-wired, with original...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

This rare 1992 Versus by Gianni Versace Masque Matelassé mini dress is a striking example of the brand’s bold creativity during the early ’90s. Crafted in luxurious matelassé silk la...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

This collection features a selection of the most tantalizing Tanzanites. This enchanting East African gemstone can only be procured from one mine in the foothills of Mount Kilimanjar...

Crown Trifari 1950s Unisex Gripoix Harlequin Aurora Baguette Circle Beads Cabochon White Pearls Dangle Drop Tassels Bib Chunky Statement Necklace, Gold Tone Very good condition. A v...

The Cat Oil on canvas 60 x 60 inches - 152 x 152 cm Michele Mikesell’s The Cat radiates an uncanny elegance, blending surrealist portraiture with aristocratic poise. A seated figure...

1980S GIANNI VERSACE Printed Silk Playing Card Shirt Sz 42

Erté (Romain de Tirtoff) (1892-1990) 'Manhattan Mary IV' Serigraph (Silk screen print) (Artist's Proof IL/L) Signed in pencil 70 x 56cm (sheet) 41.5 x 3...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Light, Summery and fresh in colour and to wear, soft delicate hues of lilac, amethyst and peridot are joined in a simple row necklace,from the WW 'Harlequin' collection. Handmade fro...

18k gold and red tourmaline orange ring size 13 eu. 19gr gold. All Giulia Colussi jewelry is new and has never been previously owned or worn. Each item will arrive at your door beaut...

Side table circus black and white all in hand-crafted ceramic in lacquered finish, made in Itlay.

This exquisite set of two framed prints captures the romantic allure and whimsical spirit of the Mid-Century Modern era, drawing heavy inspiration from the legendary Ballets Russes. ...

Shepard Fairey "Grieve" Fine Art Screenprint Street Contemporary Obey Giant Screen Print on fine art paper 12 × 12 in 30.5 × 30.5 cm Edition 84/250 Part of a limited edition set In...

A French cocktail table from the 1940s, defined by its delicate ironwork and light-catching glass top. Sourced in Paris, the hand-worked gilt iron base rises in a graceful circular ...

WEISBUCH, Claude. Oil on Canvas Framed size: 39” H x 28” W Canvas, without frame: 32” high x 21 ¼” wide. Carved wooden frame with antique gold-leaf finish Claude Weisbuch, 1927-2014 French painter, draftsman and engraver. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy and upon graduation became a professor of engraving at the Ecole des Beaux-Arts de of St. Etienne. His first solo exhibition was in 1957. In 1968 , he became a full member of the Society of French Painters-Engravers . In 1997 he was awarded the Legion of Honor His work is essentially devoted to engraving, by which he likes to translate, thanks to the line, the life, movement and character of his characters: Punchinels, harlequins, musicians or equestrian scenes. He practices various techniques ( lithography, drypoint etching etc.) that he puts to use in the illustration of bibliophile books. Claude Weisbuch is also a painter and draftsman. His favorite colors are ochres, browns and whites, with which he seeks to introduce the effects of light by compositions where the line and finesse of the drawing preserve the life found in his engravings. His precise and dynamic line delivers a moving and swirling work on themes he loves: theater, opera, equestrian, musicians, card players, Kabuki dancers and many portraits. His works have the appearance of unfinished sketches mixing few colors but a great vivacity of the line. He illustrated many limited edition signed fine art books. Alon with Christo, Arman and Cesar he is considered among the great post war French artists of the last generation. Exhibitions 1957: Saint Placide Gallery, paintings and engravings 1958: Galerie de Presbourg, Paris, paintings - Saint Placide Gallery, Paris, paintings - Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961: Salon of the young painting and painters witnesses of their time 1962: O'Hanna Gallery, London , paintings 1963: Galerie Hervé, "Portrait Of Man", Paris, Paintings - Nichido Gallery, Tokyo, Paintings 1965: Hervé Gallery, "100 Drawings", Paris Dresdener Gallery, Toronto, paintings 1966: Dantesca Gallery, Turin , paintings, engravings, drawings 1968: New Vision Gallery, Paris, engravings 1969: Galerie Hervé, Paris, paintings - Galerie Reflets, Brussels , prints, paintings - Galerie Dresder, Montreal , paintings 1970: Taménaga Gallery, Tokyo, paintings - Sagot Gallery - The Garrec, Paris, etchings - Museum of Modern Art of the City of Paris ARC, Paris, prints 5 1971: War Gallery, Avignon , etchings Biennial of Engraving, Epinal 1972: Dantesca Gallery, Turin Festival, Sarlat , paintings 1973: Wayss Gallery, Nancy , paintings, engravings, drawings Auguste Comte Gallery, Lyon , paintings, engravings, drawings Taménaga Gallery, Tokyo, paintings - New Vision Gallery, "Homage to Rembrandt", Paris, etchings 1974: Esthetika Gallery, Kortrijk, engravings - Galerie Hervé Odermatt, Paris, paintings Ésthetika Gallery, Kurne, prints - Galerie Wayss, Nancy, engravings, drawings, pastels Dietesheim Gallery, Neuchâtel , engravings - Grafikhuset Gallery, Stockholm , prints, drawings 1975: Schwarzer Gallery, Vienna , engravings, paintings, drawings Fogola Gallery, Turin, drawings, pastels Sotheby-Parke Benett, Munich, engravings, drawings Hervé Odermatt Gallery, Paris, drawings Joly Gallery, Washington , engraving 1976: Taménaga Gallery, Tokyo, paintings - Wayss Gallery, Nancy, engravings, drawings - Tabula Gallery, Tübingen, engravings, drawings - New Vision Gallery, "The horse-The painter and his model", Paris, drawings, engravings 1977: Grafikhuset, Futura, Stockholm - Jivô Gallery, Vänersborg Pigalle Gallery, Norrköping Celsius Gallery, Uppsala Möbius Gallery, Gothenburg - New Vision Gallery, Jerusalem - Cultural Center of Sainte-Menehould Castle, retrospective, engravings 1978: David Barnett Gallery, Milwaukee , engravings, drawings Orangery Gallery, Cologne , engravings, drawings, pastels Grafikhuset Futura, Stockholm, paintings, drawings Les Cordeliers, Châteauroux, engravings, drawings, paintings House of Culture, Montbéliard, engravings House of Culture, Chelles , engravings, paintings, drawings 1979: L'Empreinte Gallery, Strasbourg, prints, drawings - Galerie Reflets, Brussels, prints, drawings - Galerie Bon à tirer, Los Angeles , prints, pastels 1980: Hervé Odermatt Gallery, Paris, "Calligraphy of the figure", paintings - E. Gollon Gallery, Saint-Paul-de-Vence 1981: European Biennale of Engraving, Baden-Bade Galerie The Art Shop, Nice Galerie Hélène Trintignant, Montpellier Martine Remy Gallery, Strasbourg 1982: Vallen Gallery, Stockholm - Sagot Gallery - The Garrec, Paris - Taménaga Gallery, Tokyo, paintings - New Vision Gallery, Tokyo, Nagoya, Osaka, etchings 1983: Hélène Trintignant Gallery, Montpellier 1984: Perrine Museum, Laval , etchings - Music Festival, Quimper , etchings Etchings, Moscow - Presence Gallery, Brussels, paintings, etchings 1985: Galerie Moyon-Avenard, Nantes, paintings - Taménaga Gallery, Paris, paintings - New Otani Hotel, Ōsaka, realization of murals 1986: Taménaga Gallery, Tokyo, paintings - Greenhouse of the School of Fine Arts, Saint-Étienne , paintings, engravings 1988: Retrospective paintings, Château de Chenonceau Retrospective engravings, Artothèque Museum Montpellier Taménaga Gallery, Paris, drawings, pastels New Vision Gallery, Tokyo, engravings 1989: Galerie Taménaga, Paris, paintings Exit of the book Weisbuch , texts of Jean-Denis Bredin of the French Academy, preface by Jean-Marie Tasset. 1990: Taménaga Gallery, Paris, paintings 1992: Retrospective, Sarlat - Taménaga Gallery, Paris, drawings 1993: Taménaga Gallery, Tokyo and Osaka 1994: Paintings for the second international meetings of the cello ensemble, Beauvais - Elegance Gallery, Taipei - Sanbi Gallery, Tokyo, graphic works - Mitsukoshi, Tōkyō 1995: Taménaga Gallery, Ōsaka - Exhibition of the Gobelins Municipal Circle, Paris 13 th 1996: 2nd Music Trades Fair, Premonstratensian Abbey , Pont-à-Mousson , paintings - Ginza Spring, Tokyo, paintings - New Otani Museum, Tokyo, paintings 1997: Galerie Raugraff, Nancy, paintings, pastels, drawings, engravings, lithographs - Theater Gallery, Besançon, paintings, drawings, engravings, lithographs 1999: A retrospective "Weisbuch, 50 years of prints", 230 works exhibited in Strasbourg under the direction of its publisher, L'Estampe Éditions 3 - Taménaga Gallery, Paris, Tōkyō 2000: Retrospective Château de Vascœuil , by L'Estampe - Theater Gallery, Besançon , paintings, drawings, engravings, pastels, lithographs - Retrospective Chamber of Commerce, Strasbourg - engravings (retrospective), Jacques Brel cultural center, Thionville - engravings (retrospective ), chamber of commerce, Nancy 2001: Retrospective Orangerie of Madame Élisabeth, Versailles , paintings 2002: Taménaga Gallery "Movements", Paris 2003: L'Estampe Gallery, in partnership with the Theater Gallery - prints and paintings, Besançon 2004: Taménaga Gallery "Prometheus presenting the secret of fire to humans", Paris Crid'Art Gallery, L'Estampe Gallery, Amnéville-les-Thermes , paintings, prints, drawings, prints - Galerie des Arts, Nîmes , paintings 2010: Galerie125, Argancy , recent works, exhibition of 100 recent works by the artist. 2012: Exhibition at the Château de Malbrouck . More than 150 works by the artist. Organized by the General Council of Moselle and L'Estampe (editor Claude Weisbuch). 2012: Print, Strasbourg, paintings, engravings, drawings 2012: Exhibition at the House of wines of Graves de Podensac in Gironde. 150 works by the artist Event organized by Course N ° 3. 2013: Galerie125, Argancy, "Weisbuch, major works", exhibition of drawings, engravings, lithographs and oils on canvas 2014: Galerie125, Argancy, "Weisbuch, from 1947 to 1960", exhibition of 100 ancient engravings...

This fabulous 1988 Yves Saint Laurent Rive Gauche Diamond Print Skirt is Iconic has seen on Naomi Campbell for Yves Saint Laurent ad campaign designed by...

This striking mid-century modern dresser, designed by Merton Gershun for American of Martinsville, is a masterful example of 1960s sculptural design. The centerpiece features a disti...

Louis XVI style ‘Secrétaire à abattant’ with marquetry after Roentgen. Oak, thuya burl and ebonized pearwood veneer, wood marquetry, gilt bronze, green ‘Campan’ marble. France. ca. 1...

18th Century Baroque Bow Front Painted Console Side Table A Unique piece, the table dates from around 1800, it is decorated in Harlequin, the table stands on chunky cabriole keg...

Embrace the distinguished charm of the 19th century with this exquisite antique marquetry box. A stunning example of traditional English craftsmanship, this piece showcases masterful...

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Great piece of sculpture- female form on its original stylized deco style tripod stand. Worn and distressed, with light remnants/shadows of a harlequin p...

A rare pair of vintage Tiffany & Co. earrings made of 18k gold, black onyx, coral, accentuated with diamonds. These button earrings boast a unique design comprises a gold part, a figure eight, and a harlequin pattern. The latter consists of coral and black onyx. The figure eight’s halves are made of yellow and white gold and adorned with diamonds. These Tiffany & Co. earrings are bright and glossy. Crafted with bold creativity and artistry, they are perfect for those who appreciate such qualities. The vintage earrings are made of 18 karat (stamped) yellow and white gold, diamonds, coral and black onyx. The Tiffany button...

An unusual Spanish olive wood table with a rectangular top with intricately inlaid panels. The panels depict rampant lions in each corner with harlequi...

1.78 Carats Total From The Vault at Emilio Jewelry Located on New York's iconic Fifth Avenue Please inquire for more images. All pieces are hand made in the Emilio Jewelry Atelier...

Rascacielos Cabinet by Lola Glamour Dimensions: D 40 x W 120 x H 182 cm Materials: Wood. As if it were a skyline, we thought of a piece that played with volumes and heights. Variety...

Artist: Max Karp Title: Clown with Flower Medium: Enamel on copper, signed lower right Image Size: 29.5 x 23 inches Frame Size: 40 x 34 inches

14k Solid Gold Natural Diamond Iconic Cluster Ring Minimalist Tiny Cluster Ring Diamond Weight: 0.15 Carat A P P R O X T I M E All items are custom made to order. Our approx tim...

Puro Chair in Stained Oak by Elina Ulvio. Dimensions: W 54 x D 51 x H 66 cm. Materials: Stained Oak. Available in various custom stains and finishes upon request. Puro is a sculptu...

Juan Sebastian Barbera (Spanish, Born 1964 ) Litho on Guarro Paper Titled : La Comision (from the Los Conjuros Suite) Circa, 1994. Hand signed in pencil lower right with edition size number 62 / 75. Frame: 38" X 46" Image: 22" X 30" Juan Sebastián Barberá Durón Plastic artist Cd. de México 1964 Son of the great musical artist Luisa Duron, Mexican harpsichordist, daughter of pianists Jesús Durón Ruiz and Julia Crespo considered a pioneer of the movement and musical flourishing of the Renaissance and Baroque periods and the initiator of the harpsichord school in Mexico .he grew up in an almost Renaissance environment, among artists and under the main protection of the baroque music of Bach and Hotteterre, Couperin and Scarlatti , among others. Since a very young age, he had a great talent for drawing, painting and sculpture and at the age of ten he won the National School contest of art. From there on, he studied painting and engraving with significant teachers, and was dedicated in a very clear way to the plastic arts from the age of 17 years, after a mystical trip to India. He continued his studies at the academy of San Carlos...

A visually commanding pair of sculptural table lamps, each modeled as an exuberant artichoke raised upon an architectonic ceramic pedestal. Executed in richly colored glazed earthenw...

Antoni Clavé i Sanmartí (Barcelona, 1913 - Saint-Tropez, 2005). "Enfant au chat". 1949. Oil on canvas. 100 x 81 cm (127 x 107 cm). Signed in the lower right corner: "Clavé". P...

Interesting pair of 19th century English painted oak console tables. 1850. Code: 9165 Dimensions: W: 48" (121.9 cm) H: 29" (73.7 cm) D: 23.5" (59.7 cm)

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Antique Edwardian Australian Lightning Ridge Harlequin Precious Black Opal and White Opal Brooch / Pendant in 18 Karat Yellow Gold, early 190...

A framed photograph by Italian artist Paolo Ventura (b. 1968), No 59 from the series Winter Stories and created in 2009. The current digital chromogenic print on offer is presented f...

Zamy Steynovitz was bon in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the fi...

XXe Siecle Color lithograph, 1974 Signed in the stone on right (see photo) From: XXe Siecle, Volume 42, 1974 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, P...

Coffee, tea, sugar, and cream set featuring gilded interior with ivory fitting, ornate foliate design including an eagle on the lid and an additional Harlequin patterned design. Engr...

A playful pair of reclaimed mid 20th century life-size Great Dane statues made in terracotta and glazed in white with black spots. Handsomely made, these dogs are superbly designed in realistic detail with dynamic profiles, pointed ears and lively faces! Each large terracotta dog sits in a similar seated position with heads turned at opposite angles, making a handsome pair either side of a doorway...

Vibrant, luxurious, and meticulously crafted, this 18.5-inch rosary necklace showcases a stunning spectrum of natural yellow, grey, and brown diamond round faceted beads. Each diamo...

This artwork titled "Panorama" c.1990 is an oil painting on canvas by noted American artist Jean Steward Toti Maio, 1924-1987. It is signed at the lower right corner by the artist. The canvas size is 18 x 48 inches. It is in excellent condition. About the artist: Jean Maio...

A Very Attractive And Extremely Good Quality, Rarely Found, Early 19th Century Georgian Ash & Elm Harlequin Set Of 10 Farmhouse Kitchen Dining Chairs, Having Attractive Ladder Backs ...

Argy Rousseau's exquisite Farniente vase, a "pillow vase" with a flared mouth, showcases a refined blend of historical and artistic influences. The vase features a checkered lozenge ...

A cluster of faceted marquise-shaped labradorite stones, blue sapphires and 22K gold comprise this beaded necklace. The Labradorite is a beautiful blue/gray color with great fire t...

Bold and luminous, this spectacular cocktail ring features a GIA-certified 24.95 carat natural aquamarine, expertly cut in a classic octagonal step cut. The stone displays a captivat...

Study for the cover of the November 15, 1912 issue of Vogue magazine A figural work depicting lovers figures, the recumbent male costumed as a masked Harlequin clown, the female sea...

Twelve arms crystal chandelier with ornaments and opaline candlesticks, the crystal beads are all handcrafted that increase the quality of the chandelier due the reflection of light ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

I've always found the world of Pierrots and Harlequins intriguing, and a wonderful subject for painting. For this portrait of a Pierrette, I used fabric to represent the frilled coll...