184 results for ""albert einstein""

Mr Brainwash Love Is The Answer - MC2 (Blue), 2012 Screenprint on BFK Rives wove paper, 2012 Hand signed in pencil, dated in red crayon and signed with the artist's inky fingerprint...

Shawn Ehlers is a former Ford/Elite model who lived and worked in Milan, Paris and New York before getting behind the lens. Photographed by well-known photographers such as Helmut Ne...

Max Liebermann (20 July 1847 – 8 February 1935) was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany. The ...

An original, circa 1970's vintage etching and aquatint in colors, professionally framed in curly maple and double matting measuing 26.75" x 23.75" x 1.75". The work is signed, titled...

Barry Leighton-Jones was born in London, England in 1932 and is a direct descendant of the Victorian artist and President of the Royal Academy, Lord Frederic Leighton. He began his a...

Lovely, almost three dimensional painting of Maurice Ravel, the composer, done by Sam Fink. It features a quote by Ravel, "Inspiration is nothing but a...

The painting is painted on canvas. My paintings are in the collections of museums around the world. This is a great investment in contemporary art. The painting is painted in the po...

Paul Meltsner Factory Boy with Locomotive, circa 1935 Signed lower left Watercolor on paper 23 3/4 x 19 1/2 inches Paul Meltsner sold his first painting when he was eight years old...

Organic, abstract bronze sculpture by Yulla Lipchitz of a woman lying down with a tree. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Ge...

An extraordinary pair of bespoke cufflinks, masterfully hand-carved from luminous spectrolite and modeled with anatomical precision after the brain of Albert Einstein. These wearable...

At the table is a lithograph realized by Hans Erni, in the 1960s. 32x24 cm, no frame. Good conditions. Hans Erni (1909-2015) . He Undertook technical studies, but after his first encounter with art literature in 1927, he set out to study art in Lucerne. He studied in Berlin and Paris, where he had the opportunity to associate with artists who would mark his artistic evolution: Kandinsky, Mondrian, Brancusi, Calder and, in particular, Georges Braque and Picasso. The influence of the latter on his graphic trait was such as to earn him the nickname of Swiss Picasso. He followed a period of travel to Belgium, Italy and, in the late 1930s, London where he encountered abstract art. Here he frequented the painter Ben Nicholson and the sculptors Henry Moore and Barbara Hepworth, among the leading exponents of English abstract art. From 1930 to 1934 he worked under the pseudonym François Grèque. He was one of the founders of the abstract art group Allianz. In 1950 he made his first pottery. In the 1950s he worked for UNESCO and the World Health Organization. For the Principality of Liechtenstein he designed two series of stamps: "Winter Olympics" and "Summer Olympics". He also produced other sets of stamps for the United Nations and the Swiss Post, as well as numerous portraits of celebrities, such as Albert Einstein. On December 23, 1976, the Hans Erni Foundation was established which promotes exhibitions, conferences and other cultural events. since 1981 the foundation has supported the "Panta rei...

“Red Head” is a portrait that puts dynamic and powerful to shame. This woman from the 1970s at the height of the Feminist movement is an Amazon. Though you cannot see her body her powerful and determined gaze is that of an individual who knows where she is going and what she wants. Best if you get out of her way. Nonetheless, the aura she creates is hypnotizing and the viewer must struggle to break the spell or be absorbed into her presence. This spell-binding piece of Linder’s is unique in its ability to exude a physical push and pull upon its audience. Richard Linder...

Giuseppe Palumbo's "Einstein Op/Ed Cement Sculpture" is a notable work in contemporary art, distinguished by its use of cement and its thematic focus on Albert Einstein. In this cont...

This work is registered in the Steve Kaufman (SAK) Catalogue Raisonné.

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

Black table & lamp by Mason Editions Dimensions: 40 × 40 × 50 cm Materials: Iron and Glass Colours: petrol green, light grey, black, white polished nickel. All our lamps can be w...

100 sheets of A-4 sized paper. “I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always workin...

Love Tyme, Cold wax, monoprints, oil stick on canvas, 2400. We have all experienced how tyme’s absorption in love has a different quality, whether falling in, worrying over a loved o...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova...

Diptych Ribs of Tyme, Cold wax, monoprints, oil stick on canvas, 2024. Ribs infer a biological or even geological structure. In this study, we are taking time out of the world of co...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

Stone Lantern in Tyme II, cold wax, monoprints, oil stick on canvas, 2024. The symbols inherent in the gorintō, the stone lantern, are: the cube (Earth) representing stability, groun...

Tyme of Revolution, cold wax, monoprints, transfer, oil stick on canvas, 2024. Within history, culture binds values and meaning to time through symbols. These images of flags and gas...

Stone Lantern in Tyme I, cold wax, monoprints, oil stick on canvas, 2024. In the metaphor of lanterns of light, they open tyme/space, but they can also close it down. A flickering la...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

Genre: Judaica Subject: People Medium: Print Surface: Paper size: 13.5 X 10.5, 17.5 X 13.75 with mat. on the Haifa Museum website this piece is described as a vernis-mou, aquatint et...

Untitled (Two Standing Nudes, one seated nude) Graphite on wove paper, heightened with color, c. 1930 Unsigned From a sketchbook created while the artist was working in Paris Conditi...

Screen print on Lenox Museum Board. Hand signed lower right by Andy Warhol. Hand numbered 194/200 on lower right (there are also 30 APs, 5 PPs, and 3 HCs). Artwork size: 40 x 32 i...

Using an iconic image of Albert Einstein, Time magazine background and numerous mathematical equations this piece is meant to inspire the viewer through use of intense color and dire...

Alby light grey Albi small table with lamp by Mason Editions Design: Matteo Fiorini Dimensions: Ø.40 x 50 cm Materials: Blown glass, metal Finishings: light grey, petrol green,...

Artist: Steve Kaufman Title: Romeo y Julieta Churchill Medium: Embellished color screenprint on canvas Dimensions: 23 3/4" x 9" Edition: 44/99 Inscription: Initialed "SK" and numbere...

Alby polished white nickel small table with lamp by Mason Editions Design: Matteo Fiorini Dimensions: Ø.40 x 50 cm Materials: Blown glass and nic...

Green Alby table & lamp by Mason Editions Dimensions: 40 × 40 × 50 cm Materials: Iron and glass Colours: petrol green, light grey, black, white polished nickel. All our lamps can...

Alby small table with lamp by Mason Editions. Design: Matteo Fiorini. Dimensions: Ø.40 x 50 cm. Materials: Blown glass, metal. Finishings: Light grey, petrol green, black or po...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova...

3 sheets of A-4 sized paper. “I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working ...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

Dancing with Tyme, Cold wax, monoprints, oil stick on canvas, 2024. Embodied in the multiple aspects of movement, we dance to tyme, through tyme, and in tyme People who believe in ...

The encapsulation of time takes a variety of forms---memories, movies, objects in space, history---but even more technological aids like video or recordings that demonstrate a passag...

Playing with Tyme, Cold wax, monoprints, oil stick on canvas, 2024. Until we impose time structure on children, they have a deep connection to the present moment. Their play is an ea...

Tyme Generator, Cold wax, monoprints, oil stick on canvas, 2024. Materialistic societies connect time to productivity. In another layer of reality, we are free to creatively generate...

Diptych Tyme Before Time, Cold wax, monoprints, oil stick on canvas, 2024. There have always been intervals of movement in space. The marking of sun and seasonal cycles has been pres...

Tyme Capsule, Cold wax, monoprints, oil stick on canvas, 2024. The encapsulation of time takes a variety of forms with technological aids like cameras, video, and recordings that pac...

Revolution in Tyme, Cold wax, monoprints, transfer, oil stick on canvas, 2024. Revolution can be an orbit or gyration, an uprising or insurrection. All require movement in space/time...

This classic elegant and beautiful historical symbol born of the Seal of Solomon, or Ring of Solomon worn by millions at the darkest times in history, ...

Alby light grey Albi small table with lamp by Mason Editions. Design: Matteo Fiorini Dimensions: Ø.40 x 50 cm Materials: Blown glass, metal. Finishings: Light grey, petrol gree...

Alby polished white nickel small table with lamp by Mason Editions Design: Matteo Fiorini Dimensions: Ø.40 x 50 cm Materials: Blown glass and nic...

Alby small table with lamp by Mason Editions. Design: Matteo Fiorini Dimensions: Ø.40 x 50 cm Materials: Blown glass, metal Finishings: light grey, petrol green, black or polis...

Alby light grey Albi small table with lamp by Mason Editions. Design: Matteo Fiorini. Dimensions: Ø.40 x 50 cm. Materials: Blown glass, metal. Finishings: light grey, petrol gr...

Alby light grey Albi small table with lamp by Mason Editions Design: Matteo Fiorini Dimensions: Ø.40 x 50 cm Materials: Blown glass, metal Finishings: light grey, petrol green,...

Heis floor lamp by Mason Editions Dimensions: 32 × 32 × 190 cm Materials: Iron and glass Colours: burgundy, sage green, light grey, black. All our lamps can be wired according to...

Alby petrol green albi small table with lamp by Mason Editions. Design: Matteo Fiorini. Dimensions: Ø.40 x 50 cm Materials: blown glass, metal. Finishings: light grey, petrol g...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

Vintage 1960's Lithograph poster for Vancouver Canada art show. Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner o...

Original gelatin silver print made later in the artist's career from the original negative and signed by the artist on the front of the mount. Yousuf Karsh was a Canadian photographer (1908 - 2002) and is considered one of the most renowned portrait photographer of our time. He has perceptively photographed the statesmen, artists, and literary and scientific figures that have shaped our lives in the 20th century. Known for his ability to transform “the human face into legend,” many of the portraits that he created have become virtually the image of the great man or woman they portray, whether Winston Churchill, Ernest Hemingway, Albert Einstein or Helen Keller...

Original gelatin silver print made later in the artist's career from the original negative and signed by the artist on the front of the mount. Includes overmat - 28 x 22 inches. Yous...