419 results for "gobelins"

Pair, sisal, wool, stilon, 125" x 77", 1989. This large figurative, abstract tapestry was done by textile artist, Lilla Kulka (b. 1946, Krakow, Poland). Artist Statement: "I creat...

1968 Oil on canvas, signed and dated « Mathieu 68 » lower right and titled « Sator » on the stretcher. The artwork is accompanied by a certificate by the Association “Archives Jean-M...

La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.  ...

Two-faced drawing. Studies of characters and harbor scene. With an inscription stating it is from the sketchbook in the collection of Dr. Manuel de Espirito Santo in Lisbon. Ink a...

Louis XVI Style, Four Armchairs, Tapestry, Walnut, France, 20th c. Four walnut salon suite armchairs in the Louis XVI taste. Each fauteuil features figural tapestry upholstery in th...

Louis XV tapestry / tapestry suite, Napoleon III, circa 1880. Genuine gold leaf on solid wood. Hand-carved wooden body. Very old and decorative French sofa set...

A Fine Anglo-Dutch 19th Century Baroque Style Ornately Carved Walnut Five Piece Parlor - Salon Suite, After Daniel Marot (French-Dutch, 1661–1752); comprising of a settee, two armchairs and two side chairs. The intricately pierced high-backs carved frames with scrolled and floral designs, curved armrests and cabriolet conjoined legs. Circa: 1890. Measures: Settee height: 54 3/4 inches (139.1 cm) Settee width: 70 3/4 inches (179.7 cm) Settee depth: 24 inches (61 cm) Armchairs Height: 52 inches (132.1 cm) Armchairs Width: 28 inches (71.1 cm) Armchairs Depth: 21 1/2 inches (54.6 cm) Side chairs Height: 50 inches (127 cm) Side chairs Width: 21 1/2 inches (54.6 cm) Side chairs Depth: 20 1/2 inches (52.1 cm) Seat height: 20 3/8 inches (51.8 cm). Daniel Marot or Daniel Marot the Elder (1661–1752) was a French-born Dutch architect, furniture designer and engraver at the forefront of the classicizing Late Baroque Louis XIV style. He worked for a long time in England and the Dutch Republic, where he was naturalised in 1709. Born in Paris, he was a pupil of Jean Le Pautre and the son of Jean Marot, who was also an architect and engraver. Marot was working independently as an engraver from an early age, making engravings of designs by Jean Bérain, one of Louis XIV's official designers at the Manufacture des Gobelins, where far more than tapestry was being produced. The family were Huguenots and were part of the wave of émigrés who left France in the year of the Edict of Fontainebleau and Revocation of the Edict of Nantes (1685) to settle in Holland. Daniel Marot brought the fully developed court style of Louis XIV to Holland, and later to London. In the end, the English style which is loosely called "William and Mary" owed much to his manner. In the Dutch Republic, Marot was employed by the Stadthouder, who later became William III of England; in particular, he is associated with designing interiors in the palace of Het Loo, from 1684 on. Though his name cannot be attached to any English building (and he does not have an entry in Howard Colvin's exhaustive Dictionary of British Architects) we know from his own engraving that he designed the great hall of audience for the States-General at the Hague. He also decorated many Dutch country-houses, introducing the “salon” and popularizing ornamented ceilings in The United Provinces/ Netherlands. State bed, designed by Daniel Marot, engraving, ca 1702 In 1694, he traveled with William to London, where he was appointed one of his architects and Master of Works. In England his activities appear to have been concentrated at Hampton Court Palace, where he designed the garden parterres, which were swept away in the following generation and have been restored at the end of the 20th century. His designs for the Great Fountain Garden survive. Much of the furniture, especially the mirrors, guéridons and state beds, in the new State Rooms readied for William at Hampton Court bears unmistakable traces of his authorship; the tall and monumental embroidered state beds, with their plumes of ostrich feathers, their elaborate valances and cantonnieres agree very closely with his later published designs. After William's death Marot returned to Holland where he lived at the Noordeinde 164 in The Hague from 1720 until his death in 1752. The house with his salon, kitchen, hallway and possibly some of his ceilings still exists. We owe much of our knowledge of his work to the folio volume of his furniture designs published at Amsterdam in 1712. Not surprisingly the designs show strong French and Dutch influences; what reads as their "English" look is more probably the result of Marot's court style on other London designers. Marot was a nephew of Pierre Gole...

Signed oil on board landscape circa 1902 by French Post Impressionist painter Maximilien Luce. The work depicts a view of Mereville, a former commune in the Essonne department in Île...

21st Century Filippo Feroldi Suspension 13 lamps Murano Glass and Brass Various Colors. Designed by Filippo Feroldi for Purho and Colleoni Arte, Magus 13 is a chandelier composed of ...

This stunning Baroque armchair from 19th-century South Germany showcases exceptional craftsmanship and timeless elegance. Crafted from finely carved walnut and upholstered with a bea...

LEONARDO NIERMAN – UNTITLED TAPESTRY ⚜ Wool tapestry ⚜ Signed in the weaving lower right ⚜ Weaver: Gobelinos Riedl ⚜ Features original hanging loops ABSTRACT EXPRESSIONIST TAPESTRY ...

This superb German Old Master still life oil painting is attributed to circle of Johann Amandus Winck and also shows the influences of the Dutch Old Masters. Painted circa 1780 the p...

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent ...

ETIENNE HENRI MARTIN (1904-1998) Two Series 1500 armchairs
 Mobilier National ARC design, TFM edition, France, circa 1964 Tubular frame, foam, fabric of your choice (model and color...

Jean Lurcat ( 1892-1966 ) “LE BOUC BLEU” Aubusson tapestry Mid-century polychrome hand wool woven tapestry represents a Goat in foliage surmounted by a flying insect. Jean Lurçat...

Borghese is a light sofa inspiredby the stone pines of the Villa Borghese gardens in Roma.The metal structure reproduces the network of branches and supports the back cushions, the whole draws a comfortable landscape. Color scale: Borghese is available in a selection of colors chosen by the designer, used either in a single colour version, or as a combination of four colors Dimensions, volume and weight Height 33.5 inches Length 74 inches Width 32.7 inches Weight 143 lbs Materials and construction: Black grained mat lacquered steel structure. High density polyurethane foam. Upolstery 100% wool. Biography Not wishing to simply produce or be rational about a product, Noé Duchaufour-Lawrance prefers that each of his projects has its own unique scenario, nourished without distinction between uses, forms, materials or aesthetics. For him, curves and straight lines, sensuality and strictness interact in confrontations that are conducive to create meaning and awaken our senses. Through his desire to breath life into both the objects and spaces he designs, Noé Duchaufour-Lawrance views each project as an organic form that will grow over time with its user, almost like a natural element that can Challenge human order or disorder. Originally, Noé Duchaufour-Lawrance was a sculptor, preoccupied with each work he created by a story and intimate link with nature that he felt the need to retranscribe by using his hands. But soon the IDEA of stirring emotions in others by creating useful forms became an evident path for someone who loves the beautiful as much as the functional and harmony as much as social responsibility. So he turned to design. Noé Duchaufour-Lawrance often compares his approach to tsubo niwa, the tiny garden at the centre of a traditional Japanese house. Like an organic pulse in a profession dedicated to meeting the demands of an industry, a market or a specific client, he is as ready to design objects with inspired lines for manufacturers (Bernhardt Design, Ceccotti Collezioni, Cinna, Ligne Roset, La Chance, Petite Friture, Tacchini, Zanotta.) as he is to imagine harmonious living areas (Senderens, Air France Lounges, Ciel de Paris, Meurice Oenotheque, Transumance Chalet, #Cloud Paris lounge) or even to define a product image or showcase for a famous brand (Paco Rabanne, YSL Beauty, Perrier-Jouët,). Thus in 2015 Montblanc associated its name with Noé Duchaufour-Lawrance, entrusting him with the architectural plans of the company’s 500 boutiques worldwide. His unique approach has led him to conceive exceptional objects that have been presented in the Pierre bergere gallery in Brussels and the BSL gallery in Paris. He has participated in prestigious events like the AD Interiors exhibition at Paris’ Musée des Arts Decoratifs in 2013 and more recently, the AD collections exhibition, also in Paris. His creative meanderings have led him to initiate a collaboration with the Neal Feay workshop in the United States and also to work with two royal factories in France: Mobilier National (National Furniture) and the Manufacture de Sevres (ceramics). The latter two endeavors combine his contemporary vision of design with the finely-honed skills of master craftsmen that were used in the 18th century. His approach has been acclaimed by the French and international press and he has received many prizes including NeoCon Silver 2016 for his Modern Family collection for Bernhardt Design, the 2015 Via Label, the 2014 Janus business prize for the Air France Salons, the GQ Best Designer prize in 2012, the prestigious Red Dot prize for Best Product in 2011 and both the Elle Decoration International Design Prize and Wallpaper Design Award in 2009. With his innate fondness for Art Nouveau, he relies not only on the universal character of nature to impose shapes that make sense but believes that the IDEA of a total, multidisciplinary art is vital for contemporary creation. Education 1992-1997 École nationale supérieure des arts décoratifs, Furniture Department, Paris École nationale supérieure des arts appliqués, Metal Sculpture DMA, Paris Interior design Currently Lobby and amenity spaces areas for two 50 story apartment buildings in Jersey City / New York for Ironstate development, delivery 2018 Private appartment in Soho NYC, in collaboration with Selldorf Architects, delivery may 2017 Study for a site layout of a 13 ha private space in the Hamptons. Project's direction, land art, landscape design in collaboration with Bas Smets Architecture of 4 residential units, delivery 2018/2019 2016 An e-lounge space located in a building of high standing offices (Paris) New retail concept for Montblanc stores including Hamburg's flagship 2014 "Le Cabinet Onirique", AD Intérieurs exhibition, Musée des Arts Décoratifs, Galerie Nef (Paris) 2012 A private dining room for Château d’Yquem in the Parisian hotel “Le Meurice“ The “Megu” Japanese restaurant in the Alpina Grand Hotel (Gstaad, Switzerland) “Le Ciel de Paris” restaurant on the 56th floor of the Montparnasse Tower (Paris) Air France Lounge business class, Paris-Charles de Gaulle Airport, Terminal S4 (in partnership with Brandimage) 2011 Interior design of a chalet, St Martin de Belleville (French Alps) 2010 BSL Gallery, Paris 3rd district 2009-2010 Conception of the visual identity of the Yves Saint Laurent Beauté store Stand 2008 Hotel W, Marrakech, project cancelled, up to the Design Development Phase 2007 Air France Lounge business class, Tokyo Airport Maya Bar, Monaco Brasserie Sénequier, Saint-Tropez 2006 Déli-cieux, the terrace restaurant of the ‘Printemps maison’ department store, Paris 2005 TAD concept Store, Via statuto Milan, Italy Senderens, Restaurant, ex-Lucas Carton for Alain Senderens, 9, place de la madeleine, Paris 2004 Layout design for a 11,000 sq. ft. private home 3rd Culture, fashion and accessory store, Imperial Hotel Guinza, Tokyo 2003 Libresens, Cognac Bar for the Bertrand Group and Remy Martin, Paris 2002 Sketch, Restaurant, Design and Interior Layout for the ‘West Bar -Gallery – East Bar - Eggs Toilets,’ London 2000 Maoh, restaurant- ‘noodles’ Bar for the Bertrand Group, Neuilly-sur-Seine Scenography Currently Scenography for Café Scène and Scènes d'Intérieur Gallery, Maison & Objet, Halls 7 and 8, Paris-Nord Villepinte, january 2017 2016 Scenography l'Eden for Perrier-Jouët during London Design Festival, Londres Scenography for Café Elle Déco and Scènes d'Intérieur Gallery, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2015 Scenography for Scènes d'Intérieur et éditeurs, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2014 Scenography Les Miroirs d'Eau, Scènes d'Intérieur, Maison & Objet, Hall 7, Paris-Nord Villepinte 2012 Scenography for the Designers Days, theme ‘Identité(s)’ Showroom Poltrona Frau, Paris 2008 Scenography for the Crystallized Stand – Swarovski Elements during the Maison et Objet fair, Paris-Nord Villepinte Layout and scenography of Hall 5B, Scènes d’Intérieur, Paris-Nord Villepinte 2007 Scenography for the Designers Days, theme ‘desire,’ Showroom Cassina, Paris 2006 Stand for L’Oréal International Professional Hairdressing Products, Paris 2003 Scenography for Designers Days, Galerie Moderno for Zanotta, 2003, Paris Scenography of the exhibition "Evanescence", Showroom Zanotta, Milan Design Currently Creation of a table lamp for Kundalini (launch Euroluce Milan, april 2017) Creation of a rechargeable lamp for Dior Maison Creation of furnitures and lights for Zaozuo editor 2017 Collection transversale "Folia" for the crystal manufacture Saint-Louis 2016 "My Mia" Chair for Habitat "Modern Family" collection for Bernhardt Design "Cupidon" Side Table for Cinna "Sellier" Sofa for Hermes Maison, presented at Milan Salon "Mediterranea" Lamps for Petite Friture "Transmissions" collection made with l'ARC of Mobilier National 2015 "Colors" collection for Bernhardt Design "Market" collection for Petite Friture 2014 "Market" Chair for Petite Friture "Estampe" collection for Cinna "Harper" rocking Chair for Bernhardt Design "Cinema" Sofa for Bernhardt Design "Shelter" parlour Side Chair for Tacchini "Arom" Armchair for Zanotta "Le Noé" Knife for Perceval "Ciel" Armchair for Tabisso " Kiji" Side Table for Cinna "Calanques" Low Tables for Cinna "Inside World" Desk for Cinna 2013 “Torii” armchair for Cinna “Hybride” table for Cinna “Aoyama” table for Cinna “Market” chair for Petite Friture “Fluid” lamp for Forestier 2012 'Catherine’ armchair for Bernhardt Design 'Ammonite' shelf for Meta 'Naturoscopie' collection for Galerie Bsl: a shelf, four wall lamps, three ceiling fixtures, two coffee tables, a mirror, a table light “Borghese” sofa for La Chance, new French editor “Hybride” sofa for Cinna “Bamby” chair for Marcel by “Monk” coffee table for PleyeL “Nuvola” armchair for Zanotta “Baladeuse,” “East,” “Gloriette” lighting for Forestier 2011 “Duales” tables for ST LUC “Plis” rug for Chevalier Editions “Omaggio” desk, “Niwa” coffee table and “Deriva” table for Ceccotti Collezioni “Air Lux” chairs, “Mut” chair, “Benz” chairs, “Sign” table for Fasem Participation in the Guzzini Food Design France event 2010 ‘Otto’ chair and ‘Quadro’ table for Ceccotti Collezioni Armchair “Calla” for Zanotta “Corvo” chair for Bernhardt Design “Ottoman” sofa and armchair collection for Cinna “Salam”, “Meida” and “Interstice” tables for Cinna “Suite 207” rug for Chevalier Editions Creation of the new women’s fragrance: Lady Million for Paco Rabanne parfums 2009 18 carat “1 Million” briefcase for Paco Rabanne (in partnership with Fred Pinel) “Derby” armchair for Zanotta Edizioni “Stella” tables for Ceccotti Collezioni “Hinterland – monolithes” vases for Anha “Roseau” vases for Ligne Roset 2008 Creation of “Confluences” rug for Chevalier Editions Creation of Rémanence lamps for Baccarat Creation of the new male fragrance: One Million for Paco Rabanne parfums Creation of leather desk blotter for Longchamp during the ‘Tech and Design’ programme Array of furniture for the Ceccotti Collezioni: "Buenanotte Valentina" bed, "Estate" armchair, "Obi" table, "Beside you" pedestal table, "Luna" console 2007 Sales Stand for L’Oréal Professionnel products. Sunday Morning (desk) + Obi (table) /’Ceccotti Collezioni,’ unveiled during the International Milan Furniture Fair 40 years of Corian / 40 Designers, creation of the ‘Down side up’ vase, unveiled during the International Milan Furniture Fair 2006 Furniture and interior design for L’Oréal ‘Manta’ furniture collection for ‘Ceccotti Collezioni’ 2005 ‘Dessouschic’ table and console for ‘Zanotta Edizioni’ 2004 Vases for ‘Marianne Guedin éditions’ 2003 ‘Glow in’ lamp and ‘Éclipse’ tables in partnership with ‘Créa Diffusion’ Corian manufacturer Limited editions 2012 “Naturoscopie”: a collection of limited edition works presented by Galerie BSL at "Design Miami/Basel" in June and at Galerie BSL in Paris in September-December 2008 "Marée noire au clair de lune": limited-edition works presented by the Pierre Bergé gallery, Brussels Belgium Personal and collective exhibitions 2016 "Carte blanche", personal exhibition of the "Transmissions" collection, Galerie des Gobelins, Paris "Design@Farnese", collective exhibition, with the Kinetic Table, Palais Farnese, Rome Personal exhibition at Festival du Design Grand Paris D'Days, invited by la Manufacture de Sèvres to exhibit the Odyssey Table, Galerie de Sèvres, Paris Collective exhibition, presentation of th e"Transmissions" collection during AD Collections at Hôtel de la Marine, Paris 2015 Collective exhibition, "Le Cabinet de Curiosités de Thomas Erber", presentation of the Mangrove Table...

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent ...

Borghese is a light sofa inspired by the stone pines of the Villa Borghese gardens in Roma. The metal structure reproduces the network of branches and supports the back cushions, the whole draws a comfortable landscape. Color scale: Borghese is available in a selection of colors chosen by the designer, used either in a single colour version, or as a combination of four colors. Dimensions, volume and weight Height 33.5 inches Length 74 inches Width 32.7 inches Weight 143 lbs Materials and construction: Black grained mat lacquered steel structure. High density polyurethane foam. Upholstery 100% wool. Biography Not wishing to simply produce or be rational about a product, Noé Duchaufour-Lawrance prefers that each of his projects has its own unique scenario, nourished without distinction between uses, forms, materials or aesthetics. For him, curves and straight lines, sensuality and strictness interact in confrontations that are conducive to create meaning and awaken our senses. Through his desire to breath life into both the objects and spaces he designs, Noé Duchaufour-Lawrance views each project as an organic form that will grow over time with its user, almost like a natural element that can Challenge human order or disorder. Originally, Noé Duchaufour-Lawrance was a sculptor, preoccupied with each work he created by a story and intimate link with nature that he felt the need to retranscribe by using his hands. But soon the idea of stirring emotions in others by creating useful forms became an evident path for someone who loves the beautiful as much as the functional and harmony as much as social responsibility. So he turned to design. Noé Duchaufour-Lawrance often compares his approach to tsubo niwa, the tiny garden at the centre of a traditional Japanese house. Like an organic pulse in a profession dedicated to meeting the demands of an industry, a market or a specific client, he is as ready to design objects with inspired lines for manufacturers (Bernhardt Design, Ceccotti Collezioni, Cinna, Ligne Roset, La Chance, Petite Friture, Tacchini, Zanotta.) as he is to imagine harmonious living areas (Senderens, Air France Lounges, Ciel de Paris, Meurice Oenotheque, Transumance Chalet, #Cloud Paris lounge) or even to define a product image or showcase for a famous brand (Paco Rabanne, YSL Beauty, Perrier-Jouët,). Thus in 2015 Montblanc associated its name with Noé Duchaufour-Lawrance, entrusting him with the architectural plans of the company’s 500 boutiques worldwide. His unique approach has led him to conceive exceptional objects that have been presented in the Pierre bergere gallery in Brussels and the BSL gallery in Paris. He has participated in prestigious events like the AD Interiors exhibition at Paris’ Musée des Arts Decoratifs in 2013 and more recently, the AD collections exhibition, also in Paris. His creative meanderings have led him to initiate a collaboration with the Neal Feay workshop in the United States and also to work with two royal factories in France: Mobilier National (National Furniture) and the Manufacture de Sevres (ceramics). The latter two endeavors combine his contemporary vision of design with the finely-honed skills of master craftsmen that were used in the 18th century. His approach has been acclaimed by the French and international press and he has received many prizes including NeoCon Silver 2016 for his Modern Family collection for Bernhardt Design, the 2015 Via Label, the 2014 Janus business prize for the Air France Salons, the GQ Best Designer prize in 2012, the prestigious Red Dot prize for Best Product in 2011 and both the Elle Decoration International Design Prize and Wallpaper Design Award in 2009. With his innate fondness for Art Nouveau, he relies not only on the universal character of nature to impose shapes that make sense but believes that the IDEA of a total, multidisciplinary art is vital for contemporary creation. Education 1992-1997 École nationale supérieure des arts décoratifs, Furniture Department, Paris École nationale supérieure des arts appliqués, Metal Sculpture DMA, Paris Interior design Currently Lobby and amenity spaces areas for two 50 story apartment buildings in Jersey City / New York for Ironstate development, delivery 2018 Private appartment in Soho NYC, in collaboration with Selldorf Architects, delivery may 2017 Study for a site layout of a 13 ha private space in the Hamptons. Project's direction, land art, landscape design in collaboration with Bas Smets Architecture of 4 residential units, delivery 2018/2019 2016 An e-lounge space located in a building of high standing offices (Paris) New retail concept for Montblanc stores including Hamburg's flagship 2014 "Le Cabinet Onirique", AD Intérieurs exhibition, Musée des Arts Décoratifs, Galerie Nef (Paris) 2012 A private dining room for Château d’Yquem in the Parisian hotel “Le Meurice“ The “Megu” Japanese restaurant in the Alpina Grand Hotel (Gstaad, Switzerland) “Le Ciel de Paris” restaurant on the 56th floor of the Montparnasse Tower (Paris) Air France Lounge business class, Paris-Charles de Gaulle Airport, Terminal S4 (in partnership with Brandimage) 2011 Interior design of a chalet, St Martin de Belleville (French Alps) 2010 BSL Gallery, Paris 3rd district 2009-2010 Conception of the visual identity of the Yves Saint Laurent Beauté store Stand 2008 Hotel W, Marrakech, project cancelled, up to the Design Development Phase 2007 Air France Lounge business class, Tokyo Airport Maya Bar, Monaco Brasserie Sénequier, Saint-Tropez 2006 Déli-cieux, the terrace restaurant of the ‘Printemps maison’ department store, Paris 2005 TAD concept Store, Via statuto Milan, Italy Senderens, Restaurant, ex-Lucas Carton for Alain Senderens, 9, place de la madeleine, Paris 2004 Layout design for a 11,000 sq. ft. private home 3rd Culture, fashion and accessory store, Imperial Hotel Guinza, Tokyo 2003 Libresens, Cognac Bar for the Bertrand Group and Remy Martin, Paris 2002 Sketch, Restaurant, Design and Interior Layout for the ‘West Bar -Gallery – East Bar - Eggs Toilets,’ London 2000 Maoh, restaurant- ‘noodles’ Bar for the Bertrand Group, Neuilly-sur-Seine Scenography Currently Scenography for Café Scène and Scènes d'Intérieur Gallery, Maison & Objet, Halls 7 and 8, Paris-Nord Villepinte, january 2017 2016 Scenography l'Eden for Perrier-Jouët during London Design Festival, Londres Scenography for Café Elle Déco and Scènes d'Intérieur Gallery, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2015 Scenography for Scènes d'Intérieur et éditeurs, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2014 Scenography Les Miroirs d'Eau, Scènes d'Intérieur, Maison & Objet, Hall 7, Paris-Nord Villepinte 2012 Scenography for the Designers Days, theme ‘Identité(s)’ Showroom Poltrona Frau, Paris 2008 Scenography for the Crystallized Stand – Swarovski Elements during the Maison et Objet fair, Paris-Nord Villepinte Layout and scenography of Hall 5B, Scènes d’Intérieur, Paris-Nord Villepinte 2007 Scenography for the Designers Days, theme ‘desire,’ Showroom Cassina, Paris 2006 Stand for L’Oréal International Professional Hairdressing Products, Paris 2003 Scenography for Designers Days, Galerie Moderno for Zanotta, 2003, Paris Scenography of the exhibition "Evanescence", Showroom Zanotta, Milan Design Currently Creation of a table lamp for Kundalini (launch Euroluce Milan, april 2017) Creation of a rechargeable lamp for Dior Maison Creation of furnitures and lights for Zaozuo editor 2017 Collection transversale "Folia" for the crystal manufacture Saint-Louis 2016 "My Mia" Chair for Habitat "Modern Family" collection for Bernhardt Design "Cupidon" Side Table for Cinna "Sellier" Sofa for Hermes Maison, presented at Milan Salon "Mediterranea" Lamps for Petite Friture "Transmissions" collection made with l'ARC of Mobilier National 2015 "Colors" collection for Bernhardt Design "Market" collection for Petite Friture 2014 "Market" Chair for Petite Friture "Estampe" collection for Cinna "Harper" rocking Chair for Bernhardt Design "Cinema" Sofa for Bernhardt Design "Shelter" parlour Side Chair for Tacchini "Arom" Armchair for Zanotta "Le Noé" Knife for Perceval "Ciel" Armchair for Tabisso " Kiji" Side Table for Cinna "Calanques" Low Tables for Cinna "Inside World" Desk for Cinna 2013 “Torii” armchair for Cinna “Hybride” table for Cinna “Aoyama” table for Cinna “Market” chair for Petite Friture “Fluid” lamp for Forestier 2012 'Catherine’ armchair for Bernhardt Design 'Ammonite' shelf for Meta 'Naturoscopie' collection for Galerie Bsl: a shelf, four wall lamps, three ceiling fixtures, two coffee tables, a mirror, a table light “Borghese” sofa for La Chance, new French editor “Hybride” sofa for Cinna “Bamby” chair for Marcel by “Monk” coffee table for PleyeL “Nuvola” armchair for Zanotta “Baladeuse,” “East,” “Gloriette” lighting for Forestier 2011 “Duales” tables for ST LUC “Plis” rug for Chevalier Editions “Omaggio” desk, “Niwa” coffee table and “Deriva” table for Ceccotti Collezioni “Air Lux” chairs, “Mut” chair, “Benz” chairs, “Sign” table for Fasem Participation in the Guzzini Food Design France event 2010 ‘Otto’ chair and ‘Quadro’ table for Ceccotti Collezioni Armchair “Calla” for Zanotta “Corvo” chair for Bernhardt Design “Ottoman” sofa and armchair collection for Cinna “Salam”, “Meida” and “Interstice” tables for Cinna “Suite 207” rug for Chevalier Editions Creation of the new women’s fragrance...

Signed and dated oil on canvas portrait by post impressionist painter Maximilien Luce. The painting is of the artist's wife, Ambroisine "Simone" Bouin, seated in a chair with a vase ...

"Tendrils, Velvet Berry" is an original piece by Roche Cruchon made from pastel on paper. This piece measures 15.5”h x 12.5”w framed and is signed en recto. Tendrils is a recent exp...

This exquisite lithograph after Jean Lurcat (1892–1966), titled Papillon Monegasque (Monagesque Butterfly), from Geographie animale (Animal Geography), originates from the January 22, 1975 issue published by Production Edito-Service S.A., Geneve in collaboration with Andre Gonin, Lausanne, and M. Jean Graven, Paris, and printed by Edito-Service S.A., Italy, 1975. This visionary composition reflects Lurcats mastery of the lithographic medium, embodying his poetic imagination through fluid line, expressive form, and a luminous sense of movement. The work conveys the artists unique ability to merge symbolism, nature, and emotion into a cohesive visual language, transforming even the simplest subject into a deeply evocative and dreamlike image. Infused with lyricism and spiritual resonance, the composition exemplifies Lurcats enduring exploration of mythology, cosmic order, and the transcendent power of art. The piece forms part of Geographie animale (Animal Geography), a landmark publication that documents and celebrates one of the most significant aspects of his graphic oeuvre. Executed as a lithograph on bouffant des Papeteries de Hauteville paper, this work measures 12.4 x 9.37 inches (31.5 x 23.8 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Edito-Service atelier, renowned for its refined European printing collaborations. Artwork Details: Artist: After Jean Lurcat (1892–1966) Title: Papillon Monegasque (Monagesque Butterfly), from Geographie animale (Animal Geography), January 22, 1975 Medium: Lithograph on bouffant des Papeteries de Hauteville paper Dimensions: 12.4 x 9.37 inches (31.5 x 23.8 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: Production Edito-Service S.A., Geneve in collaboration with Andre Gonin, Lausanne, and M. Jean Graven, Paris Printer: Edito-Service S.A., Italy Condition: Well preserved, consistent with age and medium Provenance: From Geographie animale (Animal Geography), published by Production Edito-Service S.A., Geneve, 1975 Notes: Excerpted from the folio (translated from French), This edition of the Animal Geography by Jean Lurcat was established by publisher Andre Gonin in Lausanne, with the collaboration of Mr. Jean Graven. The lithographs were taken in the workshops of the Graphic Arts J.- E. Wolfensberger in Zurich, under the personal direction of the artist. The stones were sanded after the draw. The text, in Caslon character, body twenty, was composed and printed in Geneva, on velin pur fil a la forme des papeteries du Marais, by the master printer Andre Kundig with the help of Marc Barraud and Auguste Griess. The final to shot was given the iron June 1948. This second edition, 23.8 x 31.5 cm, was drawn with the authorization of Andre Gonin on Velin bouffant des Papeteries de Hauteville. About the Publication: Geographie animale (Animal Geography) stands as one of the most imaginative printed projects associated with Jean Lurcat, uniting visual invention, literary wit, and refined European craftsmanship in a richly conceived publication devoted to the symbolic world of animals. Originally conceived under the guidance of publisher Andre Gonin and later issued in this authorized 1975 edition by Production Edito-Service S.A. of Geneve in collaboration with partners in Lausanne and Paris, the publication reflects the enduring appeal of Lurcats bestiary imagery and philosophical approach to nature. The lithographs were prepared in the workshops of J.- E. Wolfensberger in Zurich under the artists personal supervision, demonstrating the close relationship between artist and printer that characterized the finest twentieth century illustrated editions. More than a portfolio of images, Geographie animale (Animal Geography) is a meditation on the animal kingdom as metaphor, presenting creatures as emblems of instinct, wisdom, humor, vigilance, and cosmic order. Through its union of image, typography, and material elegance, the publication remains an important testament to the vitality of postwar European graphic art and to Lurcats singular ability to merge intellect, decoration, and poetic symbolism. About the Artist: Jean Lurcat (1892–1966) was a pioneering French painter, ceramicist, and tapestry master who transformed the ancient art of tapestry into a modern, intellectual, and spiritual medium, establishing himself as one of the most original and influential artists of the 20th century. Born in Bruyeres, France, Lurcat studied in Nancy and Paris, where he became part of the avant-garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His early paintings reflected the influence of Post-Impressionism, Cubism, and Symbolism, but his true innovation came when he reimagined tapestry as a form of monumental art rather than decorative craft. Profoundly inspired by the medieval Apocalypse of Angers tapestry, he sought to revive the grandeur of weaving by fusing ancient techniques with modernist abstraction and symbolism. In the 1930s, working with the Aubusson and Gobelins workshops, Lurcat revolutionized the process of tapestry-making by introducing a precise color notation system and standardizing thread palettes, allowing artists to maintain creative control from conception to completion. His bold compositions radiant with color, geometric rhythm, and allegorical imagery embodied a philosophy of cosmic balance and human resilience. After World War II, Lurcats work deepened in moral and spiritual scope, culminating in his monumental cycle Le Chant du Monde (The Song of the World, 1957–1965), a humanist response to the destruction of war and one of the greatest artistic achievements of the postwar era. His art, characterized by suns, moons, mythic creatures, and symbolic geometry, reflected his belief that art should harmonize intellect, craft, and emotion while reconnecting humanity to the natural and divine order. A contemporary and peer of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Lurcat shared their passion for abstraction and innovation while extending it into the tactile, enduring world of textile art. His influence resonated with later artists and designers such as Fernand Leger, Sonia Delaunay, Le Corbusier, and Victor Vasarely, whose integration of color and geometry echoed his ideas. His work is preserved in major collections including the Musee Jean Lurcat et de la Tapisserie Contemporaine in Angers, the Musee d’Art Moderne de Paris, and the Centre Pompidou. The highest auction record for Jean Lurcat was achieved by Apocalypse Tapestry, which sold for $290,500 USD at Sotheby’s, Paris, on May 29, 2014, underscoring his enduring legacy as the visionary who redefined tapestry as a cornerstone of modern art. Jean Lurcat Papillon Monegasque, Lurcat Geographie animale, Jean Lurcat lithograph...

The design for the Sedge tapestry (1983) is based on a collage of dried edelweiss flowers preserved by his mother. With its motifs and reduced color scheme, it can be classified as a...

This exquisite heliogravure after Jean Lurcat (1892–1966), titled Le Seigneur Individu (The Lord Individual), from the folio Jean Lurcat Huit Dessins (Jean Lurcat Eight Drawings), or...

This exquisite lithograph after Jean Lurcat (1892–1966), titled Triplettes du Canada (Triplets of Canada), from Geographie animale (Animal Geography)...

Antique Tapestry Rug in Wool and Cotton 11'9x9'2 Key Details: Pile: Wool Foundation: Cotton Origin: Tapestry Design: Pictorial Approximate Age: 16th century Quality (KPI): 3...

This is a beautiful antique Victorian burr walnut and marquetry inlaid bookcase or display cabinet, Circa 1880 in date. The bookcase has been crafted from the most beautiful burr wa...

Louis XVI Style, Salon Suite, Tapestry, Walnut, France, 20th c. A walnut salon suite from 20th century France comprising of a sofa and four armchairs in the Louis XVI style. Five pi...

Signed oil on canvas seascape circa 1935 by French post impressionist painter Achille-Emile Othon Friesz. The piece depicts a view of La Grand Bé, an uninhabited tidal island located...

André Arbus (1903–1969), French cabinetmaker and decorator, is renowned for his refined neoclassical style that blends elegance and tradition. Trained at the École des Beaux-Arts and...

A Rare English 'Grand Tour' Cabinet with Florentine Pietra Dura Panels The 19th century black marble top inlaid with a central cartouche of Sicilian Jasper surrounded by Brocatelle...

A large scale and very high quality French 18th century Aubusson tapestry likely depicting Alexander the Great, circa 1750. The ...

A very beautiful and elegant antique French inlaid coffee table, this dates from around the 1930’s. It is of superb quality, with gorgeous ...

Square tabletop. Marbles and hard stones. Inspired by Italian models of the 16th-17th centuries. A frame of simple geometric elements and white oval shields accompanied by architect...

Very pretty mid century french Aubusson style tapestry with beautiful design from the painter « Francisco de Goya (1775-1792) for the royal manufactury of Tapestry » Tapestry crafte...

We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages. This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...

Biedermeier Knee Stool, Gobein Good condition Flower Gobelin

This is a rare Antique French marquetry inlaid, and ormolu-mounted Bonheur du Jour, or Ladies Writing Desk, Circa 1850 in date It features cut brass and purple heart inlaid decorat...

Large green ceramic table lamp produced by Bay Keramic studio, West-Germany 1960s. The lamp is equipped with a new, handmade lampshade made of gobelin fabric...

French Modernist Art Deco side/end table by Eric Bagge, circa 1928, in sculpted mahogany with burled mahogany tier and parquetry top. Measures: 32.5" wide x...

Michel Degand (1934-2021) Midaform, “Enkil” Steel, stainless steel, and painted wood 1978 Signed on the back Edition 3/6 H. 65 × W. 100 cm Biographical Information A multidisciplin...

Edition of 31 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris, and in returning to Colorado, spent five years as master craftsman to the notable bronze sculptor George Lundeen. DeDecker is a Fellow of the National Sculpture Society and has gone on to receive copious awards, such as the Critics Choice Award from the Kimball Art Museum, Fort Worth, TX. Major installations of DeDecker’s sculptures are located at the Presidential Library in Washington, DC; the Mayo Clinic...

Inlaid Salon Set by Vittorio Dassi and Piero Del Grande for Dassi Mobili Moderni, 1950s – Set of 12 An exceptional and extremely rare salon set design...

Logistics and International Shipping We provide a comprehensive export service so that your only concern is enjoying your acquisition. • Door-to-Door Service: Pieces located in our Argentina galleries are shipped directly to your address via air freight. • Simplified Customs Management: We handle the processing of export permits and the payment of customs duties. You will receive your purchase without additional paperwork or surprise costs. • High-Security Packaging: Following FedEx international standards, each piece is protected in custom-made wooden crates, designed to withstand 1-meter impacts and ensure the integrity of the object during transit. • Note for shipments to the USA: To comply with shipping company regulations and ensure delivery at the destination, a valid tax ID (EIN, SSN, or ITIN) is required. • Domestic US Shipping: For those pieces available in our United States storage, logistics are managed through 1stdibs. Personalized Restorations Our team of expert artisans offers restoration services tailored to your aesthetic preferences and design needs: • Cabinetry and Polishing: We perform polishing work on woods, allowing for transitions from light to dark tones (including deep black finishes). • Upholstery: We reupholster chairs and armchairs with fabrics or leathers of your choice, guaranteeing a high-quality finish. • Lighting: We adapt ceiling lamps by shortening smooth rods to adjust them to the height of your rooms. • Metal Treatment: * Restoration of chromed or silver-plated bronze pieces to their original state. o Chroming or silver-plating services for bronze objects. Personalized Quotes: We would be delighted to advise you and provide a quote for any intervention according to your personal taste. Table lamp Materia: bronze and glass Country: France To take care of your property and the lives of our customers, the new wiring has been done. If you want to live in the golden years, this is the table lamp that your project needs. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. JEAN-CHARLES MOREUX (1889-1956) French architect and designer Jean-Charles Moreux was born in 1889 at the Chateau de Joncy in Saone-et-Loire. He studied at l’Ecole de Beaux-Arts in Paris (1914-22) where he spent the period during World War I working on the preservation of works of art. While attending l’Ecole he became friends with the architect Jean Lurcat and his brothers, Andre and Paul Vera. In 1924 he exhibited his first pieces of furniture at the Salon d’Automne. He had a preference for poetic living spaces and felt that people deserved better than Corbusier’s “machines for living in”. He was anxious to introduce aspects of the marvelous into architecture and living spaces. His creations drew upon the classical, baroque, and rococo styles. Moreux’s well-known clients included the Baron Robert de Rothschild and Bolette Natanson...

Special edition Pierre Frey Fabric - Borghese sofa - Noé Duchaufour Lawrance Borghese is a light sofa inspired by the stone pines...

The work "Rayfish" concludes the series of butterflies, which offers the viewer a wide field of associations (wing, flower, soul) with its varied, sprawling forms and strong colours....

Yakisugi table basse by Noé Duchaufour Lawrance Dimensions: Ø45 x H 50 cm Materials: Solid Canaletto walnut and ash wood top, solid Canaletto walnut and ash outer structure, solid Canaletto walnut and ash. Inner structure Biography: Not wishing to simply produce or be rational about a product, Noé Duchaufour-Lawrance prefers that each of his projects has its own unique scenario, nourished without distinction between uses, forms, materials or aesthetics. For him, curves and straight lines, sensuality and strictness interact in confrontations that are conducive to create meaning and awaken our senses. Through his desire to breath life into both the objects and spaces he designs, Noé Duchaufour-Lawrance views each project as an organic form that will grow over time with its user, almost like a natural element that can Challenge human order or disorder. Originally, Noé Duchaufour-Lawrance was a sculptor, preoccupied with each work he created by a story and intimate link with nature that he felt the need to retranscribe by using his hands. But soon the IDEA of stirring emotions in others by creating useful forms became an evident path for someone who loves the beautiful as much as the functional and harmony as much as social responsibility. So he turned to design. Noé Duchaufour-Lawrance often compares his approach to tsubo niwa, the tiny garden at the centre of a traditional Japanese house. Like an organic pulse in a profession dedicated to meeting the demands of an industry, a market or a specific client, he is as ready to design objects with inspired lines for manufacturers (Bernhardt Design, Ceccotti Collezioni, Cinna, Ligne Roset, La Chance, Petite Friture, Tacchini, Zanotta.) as he is to imagine harmonious living areas (Senderens, Air France Lounges, Ciel de Paris, Meurice Oenotheque, Transumance Chalet, #Cloud Paris lounge) or even to define a product image or showcase for a famous brand (Paco Rabanne, YSL Beauty, Perrier-Jouët,). Thus in 2015 Montblanc associated its name with Noé Duchaufour-Lawrance, entrusting him with the architectural plans of the company’s 500 boutiques worldwide. His unique approach has led him to conceive exceptional objects that have been presented in the Pierre bergere gallery in Brussels and the BSL gallery in Paris. He has participated in prestigious events like the AD Interiors exhibition at Paris’ Musée des Arts Decoratifs in 2013 and more recently, the AD collections exhibition, also in Paris. His creative meanderings have led him to initiate a collaboration with the Neal Feay workshop in the United States and also to work with two royal factories in France: Mobilier National (National Furniture) and the Manufacture de Sevres (ceramics). The latter two endeavors combine his contemporary vision of design with the finely-honed skills of master craftsmen that were used in the 18th century. His approach has been acclaimed by the French and international press and he has received many prizes including NeoCon Silver 2016 for his Modern Family collection for Bernhardt Design, the 2015 Via Label, the 2014 Janus business prize for the Air France Salons, the GQ Best Designer prize in 2012, the prestigious Red Dot prize for Best Product in 2011 and both the Elle Decoration International Design Prize and Wallpaper Design Award in 2009. With his innate fondness for Art Nouveau, he relies not only on the universal character of nature to impose shapes that make sense but believes that the IDEA of a total, multidisciplinary art is vital for contemporary creation. Education: 1992-1997 École nationale supérieure des arts décoratifs, Furniture Department, Paris École nationale supérieure des arts appliqués, Metal Sculpture DMA, Paris Interior design Currently Lobby and amenity spaces areas for two 50 story apartment buildings in Jersey City / New York for Ironstate development, delivery 2018 Private appartment in Soho NYC, in collaboration with Selldorf Architects, delivery may 2017 Study for a site layout of a 13 ha private space in the Hamptons. Project's direction, land art, landscape design in collaboration with Bas Smets Architecture of 4 residential units, delivery 2018/2019 2016 An e-lounge space located in a building of high standing offices (Paris) New retail concept for Montblanc stores including Hamburg's flagship 2014 "Le Cabinet Onirique", AD Intérieurs exhibition, Musée des Arts Décoratifs, Galerie Nef (Paris) 2012 A private dining room for Château d’Yquem in the Parisian hotel “Le Meurice“ The “Megu” Japanese restaurant in the Alpina Grand Hotel (Gstaad, Switzerland) “Le Ciel de Paris” restaurant on the 56th floor of the Montparnasse Tower (Paris) Air France Lounge business class, Paris-Charles de Gaulle Airport, Terminal S4 (in partnership with Brandimage) 2011 Interior design of a chalet, St Martin de Belleville (French Alps) 2010 BSL Gallery, Paris 3rd district 2009-2010 Conception of the visual identity of the Yves Saint Laurent Beauté store Stand 2008 Hotel W, Marrakech, project cancelled, up to the Design Development Phase 2007 Air France Lounge business class, Tokyo Airport Maya Bar, Monaco Brasserie Sénequier, Saint-Tropez 2006 Déli-cieux, the terrace restaurant of the ‘Printemps maison’ department store, Paris 2005 TAD concept Store, Via statuto Milan, Italy Senderens, Restaurant, ex-Lucas Carton for Alain Senderens, 9, place de la madeleine, Paris 2004 Layout design for a 11,000 sq. ft. private home 3rd Culture, fashion and accessory store, Imperial Hotel Guinza, Tokyo 2003 Libresens, Cognac Bar for the Bertrand Group and Remy Martin, Paris 2002 Sketch, Restaurant, Design and Interior Layout for the ‘West Bar -Gallery – East Bar - Eggs Toilets,’ London 2000 Maoh, restaurant- ‘noodles’ Bar for the Bertrand Group, Neuilly-sur-Seine Scenography Currently Scenography for Café Scène and Scènes d'Intérieur Gallery, Maison & Objet, Halls 7 and 8, Paris-Nord Villepinte, january 2017 2016 Scenography l'Eden for Perrier-Jouët during London Design Festival, Londres Scenography for Café Elle Déco and Scènes d'Intérieur Gallery, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2015 Scenography for Scènes d'Intérieur et éditeurs, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2014 Scenography Les Miroirs d'Eau, Scènes d'Intérieur, Maison & Objet, Hall 7, Paris-Nord Villepinte 2012 Scenography for the Designers Days, theme ‘Identité(s)’ Showroom Poltrona Frau, Paris 2008 Scenography for the Crystallized Stand – Swarovski Elements during the Maison et Objet fair, Paris-Nord Villepinte Layout and scenography of Hall 5B, Scènes d’Intérieur, Paris-Nord Villepinte 2007 Scenography for the Designers Days, theme ‘desire,’ Showroom Cassina, Paris 2006 Stand for L’Oréal International Professional Hairdressing Products, Paris 2003 Scenography for Designers Days, Galerie Moderno for Zanotta, 2003, Paris Scenography of the exhibition "Evanescence", Showroom Zanotta, Milan Design Currently Creation of a table lamp for Kundalini (launch Euroluce Milan, april 2017) Creation of a rechargeable lamp for Dior Maison Creation of furnitures and lights for Zaozuo editor 2017 Collection transversale "Folia" for the crystal manufacture Saint-Louis 2016 "My Mia" Chair for Habitat "Modern Family" collection for Bernhardt Design "Cupidon" Side Table for Cinna "Sellier" Sofa for Hermes Maison, presented at Milan Salon "Mediterranea" Lamps for Petite Friture "Transmissions" collection made with l'ARC of Mobilier National 2015 "Colors" collection for Bernhardt Design "Market" collection for Petite Friture 2014 "Market" Chair for Petite Friture "Estampe" collection for Cinna "Harper" rocking Chair for Bernhardt Design "Cinema" Sofa for Bernhardt Design "Shelter" parlour Side Chair for Tacchini "Arom" Armchair for Zanotta "Le Noé" Knife for Perceval "Ciel" Armchair for Tabisso " Kiji" Side Table for Cinna "Calanques" Low Tables for Cinna "Inside World" Desk for Cinna 2013 “Torii” armchair for Cinna “Hybride” table for Cinna “Aoyama” table for Cinna “Market” chair for Petite Friture “Fluid” lamp for Forestier 2012 'Catherine’ armchair for Bernhardt Design 'Ammonite' shelf for Meta 'Naturoscopie' collection for Galerie Bsl: a shelf, four wall lamps, three ceiling fixtures, two coffee tables, a mirror, a table light “Borghese” sofa for La Chance, new French editor “Hybride” sofa for Cinna “Bamby” chair for Marcel by “Monk” coffee table for PleyeL “Nuvola” armchair for Zanotta “Baladeuse,” “East,” “Gloriette” lighting for Forestier 2011 “Duales” tables for ST LUC “Plis” rug for Chevalier Editions “Omaggio” desk, “Niwa” coffee table and “Deriva” table for Ceccotti Collezioni “Air Lux” chairs, “Mut” chair, “Benz” chairs, “Sign” table for Fasem Participation in the Guzzini Food Design France event 2010 ‘Otto’ chair and ‘Quadro’ table for Ceccotti Collezioni Armchair “Calla” for Zanotta “Corvo” chair for Bernhardt Design “Ottoman” sofa and armchair collection for Cinna “Salam”, “Meida” and “Interstice” tables for Cinna “Suite 207” rug for Chevalier Editions Creation of the new women’s fragrance...

From an original tapestry design by Pierre Josse Perrot, of which several versions were woven at the Royal Gobelins Manufactory in Paris in the early 18th Century. Original tapestrie...

Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inc...

Discover the elegance of this mid-century French hand-printed tapestry featuring the exquisite design of « The month of July or The sign of the lion or The report, from the tapestry ...

Maximilien Luce (Fr. 1858 - 1941) Farm Scene Painting Maximilien Luce incorporates ink, crayon, and watercolor to create a large impressionistic and multifaceted social statement of...

Large canvas-backed poster by Robert Combas, signed and dated 1986, in six strips. Poster project for the association “La Porte Ouverte”, to be displayed in the Paris subway system. ...

Green Borghese sofa Noé Duchaufour-Lawrance Dimensions: D 244 x W80 x H86 cm Material: Metal, Textile, Wool Borghese is a light sofa inspired by the stone pines of the Villa Borghese gardens in Roma. The metal structure reproduces the network of branches and supports the back cushions; the whole draws a comfortable landscape. Color scale: Borghese is available in a selection of colors chosen by the designer, used either in a single color version, or as a combination of four colors Weight 143 lbs. Biography Not wishing to simply produce or be rational about a product… Noé Duchaufour-Lawrance prefers that each of his projects has its own unique scenario, nourished without distinction between uses, forms, materials or aesthetics. For him, curves and straight lines, sensuality and strictness interact in confrontations that are conducive to create meaning and awaken our senses. Through his desire to breath life into both the objects and spaces he designs, Noé Duchaufour-Lawrance views each project as an organic form that will grow over time with its user, almost like a natural element that can Challenge human order or disorder. Originally, Noé Duchaufour-Lawrance was a sculptor, preoccupied with each work he created by a story and intimate link with nature that he felt the need to retranscribe by using his hands. But soon the IDEA of stirring emotions in others by creating useful forms became an evident path for someone who loves the beautiful as much as the functional and harmony as much as social responsibility. So he turned to design… Noé Duchaufour-Lawrance often compares his approach to tsubo niwa, the tiny garden at the center of a traditional Japanese house. Like an organic pulse in a profession dedicated to meeting the demands of an industry, a market or a specific client, he is as ready to design objects with inspired lines for manufacturers (Bernhardt Design, Ceccotti Collezioni, Cinna, Ligne Roset, La Chance, Petite Friture, Tacchini, Zanotta…) as he is to imagine harmonious living areas (Senderens, Air France Lounges, Ciel de Paris, Meurice Oenotheque, Transumance Chalet, #Cloud.paris Lounge…) or even to define a product image or showcase for a famous brand (Paco Rabanne, YSL Beauty, Perrier-Jouët,). Thus in 2015 Montblanc associated its name with Noé Duchaufour-Lawrance, entrusting him with the architectural plans of the company’s 500 boutiques worldwide. His unique approach has led him to conceive exceptional objects that have been presented in the Pierre bergere gallery in Brussels and the BSL gallery in Paris. He has participated in prestigious events like the AD Interiors exhibition at Paris’ Musée des Arts Decoratifs in 2013 and, more recently, the AD collections exhibition, also in Paris. His creative meanderings have led him to initiate a collaboration with the Neal Feay workshop in the United States and also to work with two royal factories in France: Mobilier National (National Furniture) and the Manufacture de Sevres (ceramics). The latter two endeavors combine his contemporary vision of design with the finely-honed skills of master craftsmen that were used in the 18th century. His approach has been acclaimed by the French and international press and he has received many prizes including NeoCon Silver 2016 for his Modern Family collection for Bernhardt Design, the 2015 Via Label, the 2014 Janus business prize for the Air France Salons, the GQ Best Designer prize in 2012, the prestigious Red Dot prize for Best Product in 2011 and both the Elle Decoration International Design Prize and Wallpaper Design Award in 2009. With his innate fondness for Art Nouveau, he relies not only on the universal character of nature to impose shapes that make sense but believes that the idea of a total, multidisciplinary art is vital for contemporary creation. Education 1992-97 École nationale supérieure des arts décoratifs, Furniture Department - Paris École nationale supérieure des arts appliqués, Metal Sculpture DMA - Paris Interior Design Currently Lobby and amenity spaces areas for two 50 story apartment buildings in Jersey City / New York for Ironstate development, delivery 2018 Private appartment in Soho NYC, in collaboration with Selldorf Architects, delivery may 2017 Study for a site layout of a 13 ha private space in the Hamptons. Project's direction, land art, landscape design in collaboration with Bas Smets Architecture of 4 residential units, delivery 2018/2019 2016 An e-lounge space located in a building of high standing offices (Paris) New retail concept for Montblanc stores including Hamburg's flagship 2014 "Le Cabinet Onirique", AD INTÉRIEURS exhibition - Musée des Arts Décoratifs, Galerie Nef (Paris) 2012 A private dining room for Château d’Yquem in the Parisian hotel “Le Meurice“ The “Megu” Japanese restaurant in the Alpina Grand Hotel (Gstaad -Switzerland) “Le Ciel de Paris” restaurant on the 56th floor of the Montparnasse Tower (Paris) Air France Lounge business class, Paris-Charles de Gaulle Airport, Terminal S4 (in partnership with Brandimage) 2011 Interior design of a chalet, St Martin de Belleville (French Alps) 2010 BSL Gallery, Paris 3rd district 2009 - 2010 Conception of the visual identity of the Yves Saint Laurent Beauté store Stand 2008 Hotel W, Marrakech –project cancelled – up to the Design Development Phase 2007 Air France Lounge business class, Tokyo Airport Maya Bar, Monaco Brasserie Sénequier, Saint-Tropez 2006 Déli-cieux, the terrace restaurant of the ‘Printemps maison’ department store, Paris 2005 TAD concept Store – Via statuto Milan - Italy Senderens, Restaurant, ex- Lucas Carton for Alain Senderens – 9, place de la madeleine, Paris 2004 Layout design for a 11,000 sq. ft. private home 3rd Culture, fashion and accessory store, Imperial Hotel Guinza –Tokyo 2003 Libresens, Cognac Bar for the Bertrand Group and Remy Martin, Paris 2002 Sketch, Restaurant, Design and Interior Layout for the ‘West Bar -Gallery – East Bar - Eggs Toilets,’ London 2000 Maoh, restaurant- ‘noodles’ Bar for the Bertrand Group, Neuilly-sur-Seine Scenography Currently Scenography for Café Scène and Scènes d'Intérieur Gallery, Maison & Objet, Halls 7 and 8, Paris-Nord Villepinte, january 2017 2016 Scenography l'Eden for Perrier-Jouët during London Design Festival, Londres Scenography for Café Elle Déco and Scènes d'Intérieur Gallery, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2015 Scenography for Scènes d'Intérieur et éditeurs, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2014 Scenography Les Miroirs d'Eau, Scènes d'Intérieur, Maison & Objet, Hall 7, Paris-Nord Villepinte 2012 Scenography for the DESIGNERS DAYS, theme ‘Identité(s)’ Showroom Poltrona Frau, Paris 2008 Scenography for the CRYSTALLIZED™ Stand – Swarovski Elements during the Maison et Objet fair, Paris-Nord Villepinte Layout and scenography of Hall 5B, Scènes d’Intérieur, Paris-Nord Villepinte 2007 Scenography for the DESIGNERS DAYS, theme ‘desire,’ Showroom Cassina, Paris 2006 Stand for L’Oréal International Professional Hairdressing Products, Paris 2003 Scenography for Designers Days, Galerie Moderno for Zanotta, 2003, Paris Scenography of the exhibition "Evanescence", Showroom Zanotta, Milan Design Currently Creation of a table lamp for Kundalini (launch Euroluce Milan, april 2017) Creation of a rechargeable lamp for DIOR MAISON Creation of furnitures and lights for ZAOZUO editor 2017 Collection transversale "Folia" for the crystal manufacture Saint-Louis 2016 "My Mia" Chair for Habitat "Modern Family" collection for Bernhardt Design "Cupidon" Side Table for Cinna "Sellier" Sofa for HERMES Maison, presented at Milan Salon "Mediterranea" Lamps for PETITE FRITURE "Transmissions" collection made with l'ARC of Mobilier National 2015 "Colors" collection for Bernhardt Design "Market" collection for PETITE FRITURE 2014 "Market" Chair for PETITE FRITURE "Estampe" collection for Cinna "Harper" rocking Chair for Bernhardt Design "Cinema" Sofa for Bernhardt Design "Shelter" parlour Side Chair for TACCHINI "Arom" Armchair for Zanotta "Le Noé" Knife for PERCEVAL "Ciel" Armchair for TABISSO " Kiji" Side Table for Cinna "Calanques" Low Tables for Cinna "Inside World" Desk for Cinna 2013 “Torii” armchair for Cinna “Hybride” table for Cinna “Aoyama” table for Cinna “Market” chair for PETITE FRITURE “Fluid” lamp for FORESTIER 2012 'Catherine’ armchair for Bernhardt Design 'Ammonite' shelf for Meta 'Naturoscopie' collection for GALERIE BSL: a shelf, four wall lamps, three ceiling fixtures, two coffee tables, a mirror, a table light “Borghese” sofa for La Chance, new French editor “Hybride” sofa for Cinna “Bamby” chair for MARCEL BY “Monk” coffee table for PLEYEL “Nuvola” armchair for Zanotta “Baladeuse,” “East,” “Gloriette” lighting for FORESTIER 2011 “Duales” tables for ST LUC “Plis” rug for CHEVALIER Editions “Omaggio” desk, “Niwa” coffee table and “Deriva” table for Ceccotti Collezioni “Air Lux” chairs, “Mut” chair, “Benz” chairs, “Sign” table for Fasem Participation in the Guzzini Food Design France event 2010 ‘Otto’ chair and ‘Quadro’ table for Ceccotti Collezioni Armchair “Calla” for Zanotta “Corvo” chair for Bernhardt Design “Ottoman” sofa and armchair collection for Cinna “Salam”, “Meida” and “Interstice” tables for Cinna “Suite 207” rug for CHEVALIER Editions Creation of the new women’s fragrance...

ngraving on light cream wove paper. In good condition with minor age tone and edge wear, well outside of image area. 6 3/8 x 8 3/8 inches (162 x 213 mm); sheet 15 3/4 x 11 3/4 inches...

La Tapisserie Gothique, par Manufacture Nationale des Gobelins, by E. Planès, Directeur de la Manufacture Nationale des Gobelins. Published by Albert Morancé...

73151 Antique French Aubusson Rug with Louis XV Savonnerie Rococo Style. Flourishing in technique and trend from the middle of the 17th century for nearly two hundred years, until th...

Poster project for the "XVe Salon des Artistes Décorateurs" by Jean DUPAS (1882-1964) Original drawing Pencil, with highlights of gouache Signed "Jean Dupas" Dated "1924" Dedicated ...

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Poisson (The Pisces), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the...

Smadar Livne, an Israeli born artist, is currently living and creating in Owings Mills, Maryland. An award winning artist, she is recognized as one of today’s leading Judaica artists. Educated at Haifa University, Livne has degrees in art, literature, and architecture. She has continued her education of philosophy through Baltimore Hebrew University. Portraying scenes from her life and learning is what gives her work an edge. Livne’s works are vibrant and exciting, and express the joy that Livne sees in life. Not only are the works beautiful, but subtle messages are also painted into each piece, and require time for observation and reflection. Technique sets Livne apart from the rest. Using bold, bright colors and wide strokes, she adds other items in a layering technique. The eye catching result contains layers of paint, fabric, wool and other materials objects, and meaning. Following in the manner of Calman Shemi and before him Kopel Gurwin, Itche Mambush and Georges Goldstein...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her ...

Oil on canvas depicting a bouquet of flowers in a vase on an entablature. Signed lower right E.GAUDISSARD. Painter, sculptor, decorator and upholsterer, born in Algiers in 1872. Fren...