297 results for "patti smith"

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

BB King by Fernando Natalici: A classic image of Blues great BB King captured circa late 1970s, by legendary New York underground photographer & art designer Fernando Natalici. Med...

Roxy Burlesk, Times Square, Manhattan, 1978 In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd Club, spent ...

New York Street Art photograph 2012: Chelsea Manhattan Street Art photographed in 2012 at the famed Comme Des Garcons, New York flagship store, b...

Debbie Harry photograph New York, 1977 by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York unde...

The script in this sculpture is from the song “Because the Night” by Patti Smith. In Lluís Cera’s sculptures, soft, voluptuous forms are embedded in solid iron, marble or stone, ma...

Fernando Natalici: John Waters Baltimore, 1985: John Waters was born in 1946 in Baltimore, where he continues to live and work. Exhibitions include the Wex...

Iggy Pop, The Godfather of Punk - captured by heralded New York underground photographer Fernando Natalici, at New York’s Peppermint Lounge, Manhattan 1982. ...

Keith Haring Subway Drawings Photograph: This photograph captures Keith Haring's epic conquest, producing public art across the New York City subwa...

Debbie Harry & Duncan Hannah on the set of 'Unmade Beds' 1976 by celebrated New York photographer Fernando Natalici. This vintage original photograph was captured on the set of "Unm...

Andy Warhol by Fernando Natalici, New York 1978: This rare darkroom Andy Warhol portrait was shot at the Halston Spring Fashion Show, in New York City, 1978 by heralded downtown art ...

This is a unique, double exposure photographic work created by Andy Warhol of John Cale and Lou Reed, formerly of the Velvet Underground, together at the Oce...

New York Firearms Store by Fernando Natalici: Vintage original sepia toned photo taken in Manhattan featuring the silhouette of a gun with a sign that reads "firearms & police equipment". A view of the iconic Manhattan architecture stands out just behind the silhouette. A glimpse into, not only the New York of 'then', but the infamous builds that remains in the city today...

Fernando Natalici Patti Astor The Foreigner New York 1977: Actress and legendary downtown NY scenester Patti Astor, photographed during the filming of "The Foreigner" by celebrated N...

Williamsburg Brooklyn New York Photograph: The historic Domino Sugar Factory in Williamsburg, Brooklyn photographed by celebrated New York street p...

This photograph is an Edition of 50. All editions are signed by the photographer. Larger sizes may be available upon request.

In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd Club, spent four hours shooting the seedy scenery of Tim...

Vik Muniz, New York, NY, 1987 by Fernando Natalici Within this exquisite portrait of a young Vik Muniz, Natalici cuts, then reconstructs the original film negative to allow one side...

'Lady vanishes in Manhattan' Abstract black and white Manhattan street photography from by Fernando Natalici. A woman walks into the Manhattan night. H...

Henry Rollins Black Flag photograph NYC 1987: Medium: Archival Ink Jet Print. 11 x 14 inches including borders. Hand signed from a limited edition of 10. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). Recent Publications & Exhibits Jim Jarmusch: Music, Words & Noise (2015) Another Magazine (London, 2014) Black Book (2014) Curbed NY (2014) The Museum of The Moving Image (New York, 2015) The Hole Gallery NYC (New York, 2014) The Chelsea Hotel (New York 2013) New York University Tisch School of The Arts _ Henry Rollins, is an American musician, actor, writer, television and radio host, and comedian. After performing in the short-lived Washington, D.C. band State of Alert in 1980, Rollins fronted the California hardcore punk band Black Flag from August 1981 until mid-1986. Following the band's breakup, Rollins established the record label and publishing company 2.13.61 to release his spoken word albums, and formed the Rollins Band, which toured with a number of lineups from 1987 until 2003, and during 2006. Since Black Flag disbanded, Rollins has hosted numerous radio shows, such as Harmony in My Head on Indie 103, and television shows such as The Henry Rollins Show, MTV's 120 Minutes, and Jackass. He had recurring dramatic roles in the second season of Sons of Anarchy, in the final seasons of the animated series The Legend of Korra as Zaheer, and has also had roles in several films. Rollins has campaigned for various political causes in the United States, including promoting LGBT rights, World Hunger Relief, the West Memphis...

Hotel Chelsea, New York. Room 823 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 26.6 in H x 40 in W Edition...

Unknown Girl 01 - Street Portraits (Stranger than Paradise) - 1999 Edition of 10, 40x40cm. Archival Print, based on the Polaroid. Signature label and Certificate. Artist Invento...

Fernando Natalici The Foreigner New York 1978: A vintage original film still shot on the set of the seminal 70's Manhattan art scene film, "The Foreigner," by celebrated downtown pho...

Duncan Hannah, Unmade Beds 1976 by Fernando Natalici: This rare, vintage original 1970s darkroom photograph was captured on the set of "Unmade Beds" by ...

SoHo Fire Escapes, New York, 1984 by Fernando Natalici: The simplicity & grace of iconic New York architecture rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the hidden poetry of urban architecture... Archival Inkjet Print. Approximately 12 x 18 inches (image size: approx 12 x 17in.). Hand signed from an edition of 20. Obtained directly from artist. Excellent condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Soho Building Architecture, A Brief History The SoHo-Cast Iron Historic District comprises about 500 buildings, many of which are characterized by their cast-iron facades. Development of the district began in the late 18th century. The population surged after the War of 1812, and some homes from this era still remain. The latter half of the 19th century saw the district evolve into a center of commerce and entertainment, and the majority of the cast-iron buildings the district is known for were constructed during this period. The use of cast-iron allowed for ornate facades that were a much cheaper alternative to granite and marble. However, an increase of industrial production along with rising crime and “immorality” steadily drove residents out of the area. The district began to decline in the early 20th century, leaving many spaces vacant for decades and leading some to refer to the area as Hell’s Hundred Acres. 

It was not until the late 1960s that artists became attracted to the area because the large, unoccupied loft spaces made affordable studios. Many of those who moved into the area lived in their workspaces, even though it was illegal to do so, and the area was not sufficiently equipped for residential life, lacking basic necessities. At the same time, the entire landscape of SoHo was threatened by plans to build the Lower Manhattan Expressway (LOMEX) - a proposed ten-lane elevated highway that would require the demolition of much of SoHo and Little Italy. Artists in the area collaborated with other preservation advocates in the first, unsuccessful attempt to designate SoHo as a historic district for its architectural significance. Although that failed, they also formed Artists Against the Expressway and ultimately helped defeat the plans for LOMEX, which saved the architecture in the area. The “SoHo Effect” has become a model for repurposing an industrial district for mixed use, both commercial and residential, while preserving much of the existing structural integrity. Today SoHo is known for its unique cast-iron architecture, desirable loft living...

Robert Gordon on the set of Unmade Beds (1976) by Fernando Natalici This vintage original photograph was captured on the set of "Unmade Beds" (director Amos Poe) - a seminal cinemat...

Rare early Iggy Pop photograph by Leni Sinclair: A stand out, early photograph of punk pioneer Iggy Pop, shot by legendary Detroit photographer Leni Sinclair, Kresge Foundation's Em...

Fernando Natalici The Foreigner New York 1977: Legendary downtown NY musician Robin Crutchfield (DNA), photographed during the filming of "The Foreigner" by celebrated New York under...

Bruce Springsteen Photograph: Bruce at The Bottom Line NYC, 1975 by Fernando Natalici: A rare, historic photo of Bruce Springsteen at the tender age of 25 captured at The Bottom Line New York, 1975, by celebrated underground photographer, Fernando Natalici. Bruce and The East Street Band's 1975 shows at The Bottom Line were cited by Rolling Stone in 2004 as among the “50 Moments That Changed the History of Rock & Roll". Medium: Digital C print. Sharp black colors; nice overall print quality. Dimensions: 11 x 14 inches (may contain a small white border at the edges). Hand signed on the verso from a limited edition of 45. Excellent condition. Looks fantastic in a white frame. Obtained directly from artist. Lot 180 is a primary dealer rep of Fernando Natalici. Further Background: As Rolling Stone wrote... In August 1975, Bruce Springsteen and the E Street Band were booked to play ten shows at the tiny New York club the Bottom Line, near Washington Square Park in Greenwich Village. Springsteen was weeks away from releasing his third album, Born to Run, and his label, Columbia, invited more than 1,000 industry insiders to see what fans of the E Street Band's live shows had long known. As guitarist Steven Van...

Fernando Natalici, Anya Phillips New York City, 1977 A rare vintage original photograph of Mudd Club co-founder and seminal Downtown art scene legend, An...

Fernando Natalici, Anya Phillips New York City, 1977: Mudd Club co-founder and seminal Downtown art scene legend, Anya Phillips, photographed in between ...

Limited Edition Silver Gelatin Prints Hand Signed by Bob Gruen 20" x 24" Unframed Limited Edition of 250 30" x 33" Unframed Limited Edition of 45 Bob Gruen is one of the most we...

This photograph is an Edition of 50. All editions are signed by the photographer. Larger sizes may be available upon request.

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 20x20cm. Archival Print, based on a Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Certificate. Artist Inventory No. 1986. Published in Stranger than Paradise, Hatje Cantz (monograph) Stefanie Schneider: A Discovery on Polaroid. An essay by Eugen Blume How is it that the photographic works of Stefanie Schneider do not allow anything other than one single association, namely that of America? Because they were taken in America itself? That fact alone would not yet be a compelling argument. Many photographs of America possess a reckless ambivalence which allows even the different country of their own particular creator to seem so similar as to be confused with America itself. Does this ambiguity have something to do with the ongoing, accelerating Americanization of the entire world? Or is it simply connected with our personal clichés which we attribute to a country the size of North America as valid expressions of its very essence, thereupon negligently allowing it not only to dwindle down into any size whatever, but also to expand to a great extent, from Germany by way of Luxembourg right through to Japan? Now it is certainly true that the figures of Thelma and Louise in the desert do not represent an American reality, not even after their resurrection as Radha and Max in the series 29 Palms from 1999. Strangely enough, it is nature which allows this utterly artificial scene to grow into an American verity. The harsh sunlight in the barren landscape establishes the fundamental tone out of which the women emerge in excessive hysteria from beneath their colored wigs. It is inherently absurd to celebrate the feminine aspect in the middle of a mercilessly inhospitable environment. The image of the two women is a monument of resistance, the meaningful assertion of a lifestyle which stands in contradiction to each and every convention. The pictorial structure and the captured movement along the edge of the format are a means of blending the glaring luminosity with the plot in a manner which perhaps functions successfully only in the “simple” instant technique of the Polaroid. Stefanie Schneider’s pictorial narratives are striking in their formal elegance. She utilizes the chemical faults of the Polaroids, their tendency towards overexposure and double-images as a sovereignly controlled means of artistic design. The defects become, as it were, metaphorical levels which plumb depths lying far beneath the surface. The overly bright colors and schlieren seek out the uncanny; they provide a counterweight to a narration that is deliberately kept superficial. They tell of an invisible strand. They illuminate, in the truest sense of the word, underground processes. Although we are familiar with a series featuring American flags which could not indicate the site of its narrations any more clearly, nevertheless there remains a fundamental doubt as to whether the initially described association with America is identical with that which we deem to be America in a geographical sense. Although I have in the meantime been in America several times, in both South and North America, deep down I remain uncertain as to whether the New World actually exists. Columbus’ error of continuing to believe, even when having arrived on land, that he was encountering the India which was the actual goal of his journey has burrowed down deep into the European unconscious as a cultural convention. Peter Bichsel’s amusing story “Amerika gibt es nicht” (There is no America) still remains today an undeniable truth: America’s northern half is a film, not a continent. Everything which signifies the U.S.A. – from the Indians, whose most noble savages were invented in Europe, all the way to September 11th and the subsequent war in Iraq, the aliens and the revival of the dinosaurs, the terminators as governors and presidents as actors and vice versa, the electric chairs, the godfather Marlon...

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 48x60cm. Archival Print, based on the Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Cert...

The Foreigner & Unmade Beds behind the scenes photographs by celebrated New York underground photographer Fernando Natalici: Director of both "The Foreigner'" and "Unmade Beds" Amos Poe's iconic films were connected heavily to the birth of American punk, the New York New Wave...

Fernando Natalici Area Nightclub photographs 1983-1987: A collection of 9 silver gelatin photographs spanning the history of the seminal 1980s New York nightclub known as "Area". The...

RUN DMC at KIT KAT CLUB, New York City circa 1995 by heralded NY underground photographer Fernando Natalici. Notes Natalici: "I was taking pictures of DMC backstage prior to the show...

RUN DMC at KIT KAT CLUB, New York City circa 1995 by heralded NY underground photographer Fernando Natalici. Notes Natalici: "I was taking pictures of DMC backstage prior to the show for the club and asked RUN if I could go on the stage for 2 minutes and get some shots showing the audience reaction, he said: right side, during “Walk This Way'... and the rest is history." Archival inkjet print. Dimensions: 20 x 16 inches Excellent overall condition. Hand-signed & numbered on the reverse from a limited edition of 20. Obtained directly from artist. About Fernando Natalici New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s art design featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC in 2013, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, exhibited at The Museum of The Moving Image in 2015. Recent Publications & Exhibits Jim Jarmusch: Music, Words & Noise (2015) Another Magazine (London, 2014) Black Book (2014) Curbed NY (2014) Photography Now (2013) The Museum of The Moving Image (New York, 2015) The Hole Gallery NYC (New York, 2014) The Chelsea Hotel (New York 2013) New York University Tisch School of The Arts (2013) _ Run-DMC was an American hip hop group from Hollis, Queens, New York, founded in 1981 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is widely acknowledged as one of the most influential acts in the history of hip hop culture and one of the most famous hip-hop acts of the 1980s. Along with LL Cool J, The Beastie Boys, and Public Enemy, the group pioneered new school hip-hop music. Run-DMC was the first group in the genre to have a gold album (Run–D.M.C., 1984) and be nominated for a Grammy Award. They were the first to earn a platinum record...

Jazz great, Cecil Taylor by heralded NY underground photographer Fernando Natalici. An original darkroom print. Medium: Silver gelatin print circa 1988. Dimensions: 11 x 14 inches...

Photographer Fernando Natalici James White, aka James Chance shot at The Mudd Club, NY 1979, the epicenter of the 70s New York downtown art scene. James Wh...

Eric Mitchell on the set of The Foreigner: Chelsea Hotel, Manhattan, 1978 by Fernando Natalici: Cooler than cool, "The Foreigner" was photographed on the set of the Amos Poe directed...

Fernando Natalici: "Mali Dust" location: Gao, Mali, Africa - 2003 Resin Coated photo paper. Hand Toned Sepia; shot with TRIX film 11x14 inches Some minor surface dimples; otherwise ...

Jello Biafra, New York, 1986 by celebrated downtown photographer Fernando Natalici. Jello Biafra – Dead Kennedy’s – Leader of the semianl early...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Cross IV, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edition...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Self-Portrait, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Ed...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Javier, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Editions ...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Back View of Male Nude, from the folio A Season in Hell, originates from the 1986 edition published by The L...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Hand in Fire, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edi...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Vibert's Back, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Ed...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Gun Blast, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Editio...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Rose with Smoke, from the folio A Season in Hell, originates from the 1986 edition published by The Limited ...

Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films. Gruen was born in New York City. He began photo...

Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films. Gruen was born in New York City. He began photo...

Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films. Gruen was born in New York City. He began pho...

Pappy and Harriet's Pioneertown, California - 2024 Available Sizes: Standard Edition of 12, 3 APs, 1 EP Image Size: 37" x 65" Framed Size (with a 5" mat): 52" x 80" Large Edition ...

Pappy and Harriet's Pioneertown, California - 2024 Available Sizes: Standard Edition of 12, 3 APs, 1 EP Image Size: 37" x 65" Framed Size (with a 5" mat): 52" x 80" Large Edition ...