272,015 results for "art deco"

Woman in Surreal Landscape Illustration Published: Woman's Home Companion December 1939, "How to Pray" By Ralph Sadler Meadowcroft Work is Unframed

The Street is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good condition, ex...

Robin Morris, American (1953 - ) - Francois and a few friends, Year: 1986, Medium: Lithograph, signed and numbered in pencil lower right, Edition: 162/350, Image Size: 20 x 28 in...

Watercolor and china ink drawing. Hand-signed. Original title: Un uomo e tre donne in abiti eleganti. Image dimensions: 28 x 23.5 cm / Dimensions with matte: 49 x 35 cm. Very good ...

"Art Deco Interior Abstraction" is a color crayon drawing by Sylvia Spicuzza, signature stamped in the lower right corner. The abstract composition ...

The paper in some of these photos looks overly textured due to the sharpness of the high-res digital camera. In person, with the human eye, the paper looks reasonably smooth with out blemishes. For this fashion illustration, Georges Lepape paints a stunning abstract pattern for the subject dress that is repeated in her hair. The work represents an early use of metallic paint, with silver metallic in the dress and bronze metallic in the blouse. Lepape's highly detailed drawing becomes more evident the closer you look. It's quite amazing how deftly he rendered facial feature on such a small scale. "Eva" 1918 Gouache, watercolor, and ink on paper Signed and dated, lower right: '1918' Inscribed, verso: "Costume for L'enfantement du mort, (miracle en pourpre, et or.). Devised by Marcel L'Herbier and performed at the Théatre Edouard VII and the Comédie des Champs-Elysées, 1919" Provenance: Ex-collection Lucien...

This lovely British Art Deco portrait oil painting is by noted artist James Robert Granville Exley and provenance is by family descent. The sitter is Elizabeth Exley, possibly his wi...

Serigraph in colors on paper. Hand signed lower right by Erte. Hand numbered 325/350 lower left. Sheet size: 25 x 18.5 inches. Frame size: 28 x 23 inches. Published by Chalk &am...

Lady and News is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good condition,...

One of a kind and spectacular work by the renowned artist Julián Grau Santos, “a master of color in 20th-century Spain.” This is an interesting print on tapestry entitled “Bullfighting Arena,” depicting a bullfighting scene, very much in keeping with Spanish tradition. In the foreground, several bullfighters appear in their suits of lights, and in the background, in the stands, a group of women with mantillas and fans, as well as spectators wearing hats. Both planes are presented with equal importance and prominence, creating a powerful contrast between action and contemplation. This underscores the cultural dimension of the event. It portrays bullfighting and the festival as a social spectacle, which is very consistent with the overall style of his work, particularly interested in capturing everyday life and its traditions, always with a personal use of color and light. Also noteworthy is the fact that the focus is not on individual portraits, but on chromatic harmony and artistic expression itself. He does not seek realistic detail, but rather a festive atmosphere and dynamism. The scene unfolds through quick, fluid movements that reinforce the sense of bustle. Blue, red, and pink tones predominate against an ochre background. Beautifully framed with a wide wooden frame with an aged finish. A truly interesting work due to its subject matter, its exclusivity, and its authorship. A truly interesting work in every aspect.It,s signed Julián Grau Santos, heir to a family of artists Julián Grau Santos is one of the most outstanding painters and illustrators on the national scene. He was born in Canfranc (province of Huesca) in 1937. Heir to a family tradition, he is the son of the painter Emilio Grau Sala, a significant artist of the School of Paris, and of the equally extraordinary painter Ángeles Santos, a prominent member of the Surrealist group of painters of the 1920s and of the Las Sinsombrero (The Hatless Ones). In 1954, he moved with his family to Barcelona, ​​where he attended the Sant Jordi School of Fine Arts. In his early years, he was greatly influenced not only by Van Gogh, but also by Impressionists and Post-Impressionists such as Sisley, Cézanne, Renoir, Seurat, and Vuillard, whom he discovered during his first visits to Paris, the city where his father lived. In the 1960s, he was closely associated with Cuenca, where he lived temporarily. At that time, he was experiencing a period of intense artistic activity, and there he produced numerous works characterized by strong expressiveness and a highly textured brushstroke. In 1978, he settled permanently in Madrid, where he currently lives, working not only as a painter but also as an illustrator and draftsman, contributing to several magazines, including ABC Cultural, La Razón, and El Cultural of El Mundo, among others. Since 1980, he has been a member of the Société Nationale des Beaux-Arts. A painter not affiliated with any particular artistic movement, he has nevertheless contributed to the renewal of the figurative art tradition. He is considered by some to be a master of color in 20th-century Spain. Throughout his artistic career, he has participated in numerous solo exhibitions in various galleries both nationally and internationally, including Sala Parés, Galería Biosca, Galerie Saint Placide (Paris), Grand Palais (Paris), Justin Lester Gallery (Los Angeles), and Art Expo (New York). In 1993, the Mapfre Vida Cultural Foundation organized a retrospective exhibition of his work. Since 2004, he has exhibited permanently at the Beatriz Bálgoma Gallery, participating with them in several prestigious national and international art fairs such as Feriarte, the Lisbon...

Signed lower left, 'F. Sedivy' for Franz Sedivy II (Danish, 1888-1973) and dated 1959. A dramatic figural painting of a young woman, shown naked and holding aloft an earthenware oil...

Original Vintage 1920's Ink and Watercolor Fashion Illustration by listed New England artist Harriette (Nutting) Cooper (1901 - 2002). The illustration depicts a lovely young flappe...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Brownbridge (flourished 1930s - 1940s) Achievement Radiation gas cookers brochu...

Hammond (British, fl. 1930s) Original design for poster and flyer for Carnival Night at the King's Head 26x19 cm Gouache, 1937 Sadly nothing is known of the life of the artist of th...

Bronze sculpture. Incised Erte signature with stamp numbered edition, foundry and date. From the edition of 375. Certificate of Authenticity is included. Artwork is in excellent co...

This bronze bust can be commissioned. It will take approximately 3 months to cast. The marble base can be ordered in white or black. Sensuous Woman Maquette is a highly polished bronze casting sealed with automotive clear coat-Glasurit. It never needs to be polished. It is the bust of...

Robin Morris, American (1953 - ) - Twins, Year: circa 1990, Medium: Lithograph, signed and numbered in pencil lower right, Edition: 148/350, Image Size: 28 x 20 inches, Size: 29...

Make an offer on the fabulous Figure Multiple painting by Giancarlo Impiglia, Italian/American (1940). Date: 1989 Oil on Canvas, signed, dated, and title...

Artist: Prince Title: Falcon Year: 2006 Medium: Silver-coated Bronze Sculpture Size: 22 in. x 5 in. x 5 in. (55.88 cm x 12.7 cm x 12.7 cm)

"Art Deco Sailboat in Abstract Landscape #740" is an original colorful crayon drawing on paper by Sylvia Spicuzza, signed in pencil in the lower right corner. The sailboat of the title is in the center, set against a deep blue sky upon a dark green sea. It is framed by a abstract shapes of bright color that flow into one another in curving lines. The horizon line is maintained throughout the composition, and the effect is something like looking through a kaleidoscope. Art size: 8 1/2" x 7 1/4" Frame size: 16 1/4" x 14 1/2" Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings...

Andrew Loomis (American, 1892-1959) Signed: Andrew Loomis (Lower, Right) " Mosaic Tiles " 1930 16 1/2" x 21" Watercolor with Graphite and Gouache on Illustration Board Overall S...

I have ordered a Sensuous Woman. It will be ready to paint mid- November I can leave it all polished or paint it with a BMW white dress or a Ferrari red dress using the car paint Galsurit. Sensuous Woman as pictured is a polished bronze. It is sealed with automotive finish, so it never needs to be polished. The base is black marble, 2"h x 6"d. Sculpture is 20"h. The dynamic sculpture...

By Commission. Casting and custom paint will take approximately 4 months. I have to get in line with my paint expert. Cape Lady is a polished bronze casting painted with Glasurit, a hand sprayed car paint. It is BMW white and BMW black. It is a limited edition of 15 with 2 artist proofs. The current edition available would be 6/15. It was cast from an original wood carving by David Hostetler...

Robin Morris, American (1953 - ) - Bellhop, Medium: Screenprint on Arches, signed and numbered in pencil, artist blind stamp lower right, Edition: 232/350, Size: 25.5 x 16.75 in. (64...

Bronze sculpture with hand-applied patina and polished embellishments. Incised Erte signature with stamped numbered edition, foundry and date. From the edition of 375. Published by...

Twin Sisters Erté, Russian (1892–1990) Date: 1982 Screenprint, signed and numbered in pencil Edition of 350, AP Size: 36 x 48 in. (91.44 x 121.92 cm)

Bronze sculpture. Incised Erte signature with stamped numbered edition, foundry and date. From the edition of 375. Size: 15 x 12 x 6 inches. Published by Fine Art Acquisitions. C...

An original circa 1940 drawing painted by Royal Academy artist Christopher Sanders. A fine example of a Modern British nude drawing by an artist who exhibited hundreds of times at Th...

'Ode to Mineko Iwasaki (1970s Japanese Geisha)' is an original charcoal drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful ...

A charming and spirited Art Deco study, Clown showcases Jean Aumond’s playful approach to costume, colour, and character. Signed Jean Aumond lower right, this work on paper combines ...

Norman Lloyd Australian 1897 - 1985 Summer on the Seine Oil on canvas, signed lower right Image size: 30 x 38 inches Hand made frame Norman Lloyd was born in 1895 near Newcastle, New South Wales, where he attended school. He left school in 1911 and started to work and study painting with Julian Ashton and James R. Jackson in Sydney. On his 21st birthday in 1916 he enlisted with the Australian Imperial Forces. He was transported to Europe where he was seriously wounded in battle a year later. After returning to Sydney in February 1918, he took up painting lessons at the Julian Ashton Art School again. From 1921 to 1926, Lloyd exhibited with galleries in Sydney and Melbourne, showing landscapes and Sydney harbour scenes painted in the more traditional style of his teachers. From 1926 to 1929, Norman Lloyd visited Europe and travelled widely in Italy and France, exhibiting in the UK, France and Australia, culminating in a solo exhibition at Macquarie Galleries in Sydney. In the 1930s, Lloyd migrated to London with his wife Edith for good, setting up a boarding house in upmarket St Johns Wood and establishing himself quickly in the new society, being a kind, generous and interested man with a broad horizon. His mansion became a meeting point and home for many Australian expats, among them painters Will...

Michael Kerman, Ukrainian (1964 - ) - Lady with a Parrot, Year: circa 1990, Medium: Screenprint, signed, and numbered in pencil, Edition: 105/295, Image Size: 36 x 26.75 inches, ...

Laura M. GREENWOOD (1897-1951). Still Life with Portrait, ca. 1930's Oil on canvas, 20 x 24 inches. Unsigned. Excellent condition. Would benefit from a cleaning. Original condit...

Igor Medvedev, Ukrainian/American (1931 - 2015) - Dolce, Year: 1987, Medium: Lithograph on Arches, signed, numbered and dated in pencil, Edition: Shop Proof, Size: 23 x 33.5 in. ...

Herbert Rothgaengel was a well known German artist who paunted female nude The painting we have for sale is a wonderful 1920’s example by the artist house in a Newcomb Macklin frame...

French School of the 20th Century An Odalisque in Marocco Oil on wood panel 27 x 34.5 cm (43 x 51 cm with the frame) Beautiful solid wood frame Exhibition stamp (number 23) on the fr...

Golden light pours through trees creating intermittent shadows that dance on the limestone facade of a serene upper eastside townhouse. The shadows frame a bronze relief of a nude ar...

Romain de Tirtoff, called ERTE (Russian/French, 1892-1990) Service a The et Café 1 Ink, gold paint and watercolour on grey/blue paper Inscribed with deta...

A fine large charcoal and pencil drawing on paper by British listed artist James Stroudley. Executed in 1930, it is a stunning example of a 1930s Art Deco portrait. Very strong and b...

Medium: Pencil on paper Size: 5 inches (height) x 8 inches (width) Signed: No Condition: Good condition, with slight wear on the edges Provenance: From the artist's estate Description: This pencil drawing by K. B. White features a conceptual illustration of the Alfa Romeo 8C Monza, one of the most iconic racing cars of the 1930s. The artwork captures the front view of the vehicle, highlighting its signature wire mesh grille and aerodynamic bodywork. The Alfa Romeo 8C Monza was not only a symbol of speed and power but also a masterpiece of automotive design, making it a significant subject in vintage car...

Architecture becomes an abstract design statement as seen through the lens of Mitchell Funk Striking graphic design with found elements is a signature style of Mitchell Funk. He brin...

Muramasa Kudo, Japanese (1948 - ) - High Tide, Medium: Screenprint, signed and numbered in pencil, Edition: 275, Image Size: 26 x 30 inches, Size: 32.5 x 36 in. (82.55 x 91.44 cm)

Romain de Tirtoff, called ERTE (Russian/French, 1892-1990) Tasse a Café et Bol a The Ink, gold paint and watercolour with pencil Inscribed with detai...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) Famille e bebe pencil and watercolour on paper 3.3/4 x 4.5/8 in. (9.5 x 11.2 cm.) It is possible that this is a scene influen...

Wonderful fashion drawing of flapper by Helen Farr Sloan (American, 1911 - 2005), circa 1930. Signed lower edge "Helen Farr." Presented in new mat. Unframed. Image size: 10"H x 6"W. ...

Walpole Champneys (British, 1879 – 1961) A musical idyll; and The masked ball (a pair) The former signed and dated ‘W.CHAMPNEYS /.28.’ Pencil and watercolour and gouache on paper The...

Frances Norma Loring (October 14, 1887– February 5, 1968) Track Runner, ca. 1920's. Carved wood with small nail embellishments representing treads on left foot. Original wood stain. Very minor areas of wear evident in detail photos. Signed by artist with initials carved on side of base. Biography Loring was born in Wardner, Idaho, on October 14, 1887 to mining engineer Frank Curtis Loring (1859–1938) and Charlotte Moore. She studied at multiple schools including the Ecole des Beaux-Arts in Switzerland, the Academie Colarossi in Paris, the Art Institute of Chicago, the School of the Museum of Fine Arts at Tufts in Boston, and at the Art Students League of New York. At the Art Institute of Chicago Loring met Florence Wyle with whom she was to have a lifelong partnership. In 1909, Loring moved to New York City and was soon joined by Wyle. The first of the three studio homes they would share over their lives was located on MacDougal Alley, a lively artist colony in the heart of Greenwich Village. Living at no. 6, a converted stable with additional living space, they sculpted well-known portrait busts of each other. In 1913, Loring and Wyle moved to Toronto, where they began being referred to as "The Girls." As curators observe, such an appelation is one of "pre-sexual, adolescent identity", suitable to the ultraconservative Toronto of the day. It had overtones of homosexuality. Both of them quickly became major forces in the city and across the country, getting major commissions during World War I and II. In Toronto they rented a studio-home that occupied the top-floor above a carpenters shop at the corner of Church and Lombard Street called Hunters Inn. Eight years later, in 1920, Frances (aged 33) and Florence (aged 39) bought "The Church" at 110 Glenrose Avenue in the Moore Park neighborhood. The Loring-Wyle Parkette, located a block north of "The Church," at the northeast corner of Mount Pleasant Road and St. Clair Avenue East, is now home to their sculpture busts of each other. In 1928, Loring and Wyle were founding members of the Sculptors' Society of Canada with Alfred Laliberté, Elizabeth Wyn Wood, Wood's teacher and husband Emanuel Hahn and Henri Hébert...

Cold painted bronze sculpture. Incised Erte signature with stamped numbered edition, foundry and date. Edition 280/375. Size: 18.25 x 8 x 7.5 inches. Published by Fine Art Acquisi...

A. E. Halliwell (1905-1987) War is War Gouache 21 x 19 cm (full sheet size 38 x 28 cm) c.1930 With signature and title from applied support paper Provenance: Family of the artist ...

Samuel Dennis Walley Timmins. English ( b.1900 - d.1951 ). A Running Stream In The Welsh Marches, 1932. Watercolor On Paper. Signed & Dated Lower Right. Image size 13.6 inches x 9.6 inches ( 34.5cm x 24.5cm ). Frame size 18.1 inches x 14.2 inches ( 46cm x 36cm ). Available for sale; this original Art...

Original poster by Edmond Maurus for Air France in 1946, promoting the African destinations of French West Africa and French Equatorial Africa. The poster depicted a plane flying ove...

Louis Icart Peonies Circa 1930 Etching with handcoloring on wove paper 12 x 14 Inches Framed: 16.25 X 18.25 Inches Signed in pencil lower right, with artist's blindstamp lower left ...

Legendary Life Magazine Art Director and Illustrator Charles Tudor depicts a vibrant 1930s Automobile Exhibition. In the background, four onlookers are shown studying a vehicle. At ...

Original 1934 Lithograph poster for TSF radio Monopole "une vague de puissance et d'harmonie" (a wave of power and harmony) with the beautiful mermaid strumming her harp. Archival...

Artist: Unknown Title: Flounder Medium: Bronze Sculpture with Patina Size: 7.5 in. x 15 in. x 2 in. (19.05 cm x 38.1 cm x 5.08 cm)

The Dance Robin Morris, American Date: circa 1980 Screenprint, signed and numbered in pencil Edition of AP Size: 19.5 x 28.5 in. (49.53 x 72.39 cm) Frame Siz...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Architecture becomes an abstract design statement as seen thru the lens of Mithcell Funk Striking graphic design with found elements is a signature style of Mitchell Funk. He brings...

Long-necked , elegant slender fingers and spellbinding eyes define a quintessential Latin beauty. The painting is has a simple, architectonic composition of vertical and horizontal e...

Artist: Erte, Russian (1892 - 1989) Title: Three Faces Medium: Serigraph, Signed and Numbered in pencil Edition: 92/260 Size: 24 x 18.5 inches Frame: 33 x 27 inches