5,406 results for "cubism"

ARTIST: Jeanette Lassen (1924-2008) Scottish TITLE: "Contemplating Their Next Move" SIGNED: lower left MEDIUM: oil on canvas SIZE: 67cm x 62cm inc frame CONDITION: excellent DETA...

This exquisite lithograph by Marc Chagall (1887–1985), titled Nocturne at Vence (Nocturne at Vence), from Chagall Lithographe II (Chagall Lithographer II), originates from the Septem...

This exquisite lithograph and pochoir by Pierre Soulages (1919–2022), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates f...

Artist: Francesc Domingo i Segura (Barcelona, 1893 – São Paulo, 1974) Title: Portrait of a Lady with Red Fan Technique: Oil on canvas Dimensions: 76 × 56 cm (29.9 × 22 in), unframed Signature: Signed lower left “F. Domingo” Estimated Date: ca. 1945–1955 Provenance: Private collection Condition Report: Homogeneous superficial craquelure across the surface, especially in the background; varnish possibly not original, with slight yellowing. No paint losses or visible dirt. Canvas stable and well-stretched. DESCRIPTION This female portrait depicts a distinguished woman dressed in a floral-patterned gown in green and pink tones, holding a red fan that provides contrast and character to the composition. The sitter, with a serene expression and a slightly melancholic gaze, is softly illuminated, highlighting the texture of her hair and the delicacy of her skin. The work exemplifies Francesc Domingo’s mature style, where his academic beginnings merge with a livelier palette and touches of modernity, particularly visible in the treatment of patterns. The pink background, with loose brushwork and an almost abstract texture, enhances the sitter’s presence. ARTIST BIOGRAPHY Francesc Domingo i Segura (Barcelona, 1893 – São Paulo, 1974) was one of the most versatile Catalan painters of the 20th century. Trained at the Escola Superior de Belles Oficis of the Mancomunitat, he began in the Noucentisme movement and later traveled to Paris, where he absorbed the influence of Cézanne, Cubism, and modern currents. In the 1930s, he cultivated social realism with scenes of Barcelona’s Paral·lel district and the working-class world. After the Spanish Civil War, he went into exile in Latin America, residing first in Buenos Aires and later in São Paulo, where he taught printmaking and co-founded the Grupo Bisonte. His work, with both European influences and local echoes, is represented in museums such as the MNAC and in international collections. SIMILAR ARTISTS For his focus on portraiture and the fusion of academicism and modernity, Francesc Domingo can be compared with: Ricardo Macarrón...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 2 (Plate No. 2), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

Introducing "Abstract Cubist Portrait - HFC 17" - Limited Edition Textured Canvas Print Experience the brilliance of abstract art with "Abstract Cubist Portrait - HFC 17," a captivating limited edition textured canvas print inspired by the masterful works of Picasso. This artwork exudes originality and uniqueness, designed to leave a lasting impression. Artistic Craftsmanship: Feel the intricate brush strokes as you bring the essence of my studio into your home. Each canvas print is thoughtfully crafted to preserve the texture true to the original artwork, delivering an authentic and mesmerizing visual experience. Canvas Print Size: "Abstract Cubist Portrait - HFC 17" stands tall at an impressive size of 45" x 45", making it a striking centerpiece in any setting. Exclusive Limited Edition: To maintain the essence of exclusivity, only 300 prints of "Abstract Cubist Portrait - HFC 17" have been produced. Each print comes with a signature Certificate of Authenticity and a unique number, making it a collectible masterpiece. Fade-Resistant Inks: With archival eco-solvent inks, "Abstract Cubist Portrait - HFC 17" guarantees lasting brilliance and resistance to fading, ensuring its allure stands the test of time. Superior Quality: This canvas print is professionally hand-stretched over 1 ½" deep wood stretched bars...

MORNING is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. MORNING by the African Am...

The Pleasure of Being Alone Lithograph, 1931 Signed lower right (see photo) Very rare early suurealist lithograph Edition: 15 (15/15), numbered lower left (see photo) Impressions of...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 5 (Plate No. 5), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

Provencal Landscape By Louis Bellon (French 1908-1998) From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 9.5 x 13 in...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Promenade Acrylic on wood 33.1 x 21.8 cm A compact yet striking cubist composition by French artist Grégoire Mathias, “Promenade” explores human figures through layered geometries and rich earth tones. “Promenade” is a refined, vertically oriented work in acrylic on wood panel by French artist Greg Mathias, a pioneer of Diachronic Cubism—an evolution of Cubism that doesn’t just fragment space, but also folds multiple moments in time into a single frame. In this composition, a solitary figure appears mid-step, portrayed through overlapping forms that subtly shift in posture and position, evoking successive instants of the same walk. Using a palette of earthy ochres, rose-beige tones, slate blues, and deep browns, Mathias blends geometric abstraction with temporal movement. The fractured background enhances the impression of both forward motion and layered time, suggesting the silent passage of moments within a single contemplative scene. Unlike traditional Analytical Cubism, which reduces forms to a still, spatial analysis, this piece embodies motion and transformation—hallmarks of the artist’s unique visual language. Compact in size but conceptually expansive, “Promenade” invites the viewer to witness the echo of steps already taken and those just about to occur. Perfect For: Interior designers sourcing vertical wall art...

This print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...

Dancer Tying Her Shoes, executed around 1916, stands as one of the most important works within Dick Beer’s oeuvre. Created during a pivotal moment in his life, shortly after the trau...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1973 album Sculptures de Miro, Ceramiques de Miro, et Llorens Artigas (Sculpture...

This exquisite heliogravure after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 3...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Buste de Femme Au Foulard Mauve". The original painting was completed in 1937. In the 1970's...

River Landscape by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 15 x 18 inches Provenance: all the paintings we have by this artist have...

Yvonne Canu 1921 – 2008 Signed bottom right and signed, titled and numbered 967 on the reverse Canvas Size: 22 x 18" (55 x 46cm) Outside Frame Size: 28 x 24" (70 x 60cm) Yvonne Ca...

Still Life with Green Glass Bottle and Earthenware Jars in Soft Pastel Light by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 24 x 20 inc...

This contemporary abstract mixed media composition is geometric in form. The bold, unique and complex artwork of Lucy Maki challenges the traditional approach to painting. The New Mexico artist has been influenced by modernist abstraction, cubism, and even surrealism. For decades she has explored a distinctive visual language that incorporates mixed media, geometric shapes and architectural elements. Her shaped canvases like Beneath the Surface are an eclectic mix of oil paint and wood framing on canvas—they are both paintings and sculptures. Within the frame of this work, lyrical gestural brushstrokes in green and a creamy white play against a teal backdrop. Thick black patterns framed in geometric shapes add structure. The wood frame of this piece extends beyond the artwork itself extending the picture plane--a signature of Maki’s work. “I am fascinated with the New Mexico’s 1930s...

Joan Miró Lithographie Originale II Color Lithograph Year: 1981 Size: 12.5 × 9.6 inches Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972 Publisher: Maeght Editeur, Paris,...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'Inspire (Inspiration), from Chagall Lithographe II (Chagall Lithographer II), originates from the September 1963 issue...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled La Bete Bleu (The Blue Beast), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Lov...

Artist: Chagall (After), Marc Title: Le Peintre et Son Series: Derriere le Miroir Date: 1981 Medium: Lithograph Unframed Dimensions: 15" x 22" (double page, with fold) Signatu...

Sliced Venus. Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper. large size, shipped rolled in a tube Drawing has on the back 2 white wood sticks, and it's rea...

Reclining Cubist Nude Woman Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to mo...

Cuban-American artist Frankie Alfonso creates interwoven paintings using lively colors and spontaneous, well-balanced compositions. His work is best described as a style of automatic...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Picasso made prints throughout his career, creating around 2,400 works until his death in 1973. Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimension...

“Standing Nude, c. 1930” by Louise Nevelson (1899-1988) This wonderful early pencil drawing by Nevelson represents a nude figure, rendered with simple and confident lines that empha...

“Plate I,” from “Oda à Joan Miró,” by Joan Brossa Lithograph in colors, 1973 Signed in pencil and inscribed “H.C.” (presumably one of 10; the total edition was 525) Published by La...

Paritosh Sen - Lady with the Telephone & Cat Mixed Media on Paper Board 29.25 x 21.25 inches, 2005 (Unframed & Delivered) A stunning work in colors on "red, Blue Gold in Acrylic on ...

James Wolanin’s paintings transport the viewer to an effervescent, candy coated world inspired by vintage advertisements, photographs, and the artist’s own personal history. The Russ...

* No US duty or taxes to pay on this item * A superb 1950's Swedish oil on board depicting a village landscape with boat in the foreground, by Torsten Anderström. With good size, ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise recoit les Tables de la Loi (Moses Receives the Tablets of the Law), from Marc Chagall, Dessins Pour La Bible (Dra...

George Morrison 18 Cornelia Street, 1944 Signed and dated "May 1944" lower left Ink on paper 8 1/4 x 5 1/4 inches Provenance The artist Carl Ashby Estate of the above Private Collec...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, April 15, 1977. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume III 1964–1969, 1977 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1977 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 230. Miro, Joan, and Patrick Cramer: Volume VI 1976–1981. Maeght, 1992, illustration 1114. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume III 1964–1969, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, April 15, 1977 Notes: Excerpted from the album, Final printing in Paris on 15th April 1977 at Arte Adrien Maeght press. The wide margin lithographs as well as the supplementary lithographs were printed by the Mourlot press. V̅ examples of this English language edition, numbered I-V̅, have been printed. A deluxe edition of CL examples, numbered 1-CL, with II additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the VIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume III 1964–1969, published in 1977 by Maeght Editeur, Paris, represents the third installment in the definitive four-volume series documenting Miros original lithographic oeuvre. Printed by Mourlot Freres and completed on April 15, 1977, the album chronicles a pivotal decade in Miros artistic evolution—one marked by the synthesis of lyrical abstraction, calligraphic gesture, and radiant color that defined his mature style. The volume includes eight original lithographs, each printed under Miros supervision, demonstrating the technical excellence and chromatic brilliance characteristic of his late work. With essays, documentation, and scholarly commentary, the album stands as both a visual and historical testament to the collaboration between Miro, Maeght Editeur, and Mourlot Freres, whose joint contributions elevated fine art lithography to an unparalleled standard of creativity and craftsmanship. As part of the celebrated Maeght archive of artist albums, Volume III captures the enduring vitality of Miros vision and the timeless spirit of his contribution to modern art. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...

Signed upper left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1945. A vibrant Post-Impressionist still-life showing a view of a farmhouse interior with a...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Portrait de D. H. Kahnweiler I Lithograph, 1957 Estate Signature Stamp lower right Provenance: Picasso Estate Marina Picasso, her stamp on reverse Annotated in ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amants dans l’arbre (The Lovers in the Tree), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, ...

This exquisite lithograph by Kees van Dongen (1877–1968), titled De Seine (The Seine), from Regards Sur Paris (Views of Paris), originates from the January 22, 1963 issue published b...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XX Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In v...

Figurative abstract cubist style drawing in a painted antique wood frame, inspired by artwork by Graham Sutherland “Winged Figure III” by Hudson Valley artist, David Dew Bruner, mad...

ROBERT GOODNOUGH Seated Girl, 1961 Charcoal Drawing on Paper 23 3/4 × 18 inches Hand signed in charcoal on the front Unframed Unique Signed, titled and dated on the front in black ch...

Act I, Scene IV - From “Romeo and Juliet”  is an artwork realized by Salvador Dalí in 1975. Mixed colored lithograph. Signed and dated in plate on the lower right  margin. Perfect...

Etching and aquatint in colors on Arches paper. Hand signed lower right margin by Sonia Delaunay. Hand numbered 43/125 lower left margin. Sheet Size: 25.75 x 19.75 inches. Image ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Pyrenean bear sitting by Georges GUYOT (1885-1972) Sculpture in bronze with a nuanced black patina Signed " Guyot " on the base Cast by Martin Canal, without founder mark France circa 1935 Height 18,4 cm Width 17 cm Depth 18 cm Biography : Georges Lucien Guyot (1885-1973) known as Georges Guyot was a French animal artist. From an early age, he showed artistic abilities, but the modest conditions of his parents did not allow him to study art. He was doing his apprenticeship with a woodcarver. Guyot then excelled at copying works of the fifteenth, sixteenth and seventeenth centuries, but soon he showed a special attraction for nature. This attraction led him to the Jardin des Plantes in Paris where he could study wild animals and translated his observations into sculpture and painting. As a famous figure of Montmartre, he was the host of the Bateau-Lavoir from the time of Cubism. In 1931, Georges Guyot joined the group of "The Twelve", created by François Pompon and Jane Poupelet, gathering sculptors like Marcel Lémar, Paul Jouve, André Margat, Jean-Claude de Saint-Marceaux, Georges Hilbert, or even the painter Adrienne Jouclard...

Cubist acrylic on paper on card by French artist Eliane Versini , signed, dated and titled 'Etude pour le Trio' to the front bottom right and the same to the bottom right reverse. H...

Leon Kelly (American, 1901-1982) Three Surrealist Drawings Framed separately, floating mount. Bather Throwing a Ball Ink on paper, 6 1/2 x 5 inches FRAMED: 11 1/2 x 9 1/2 inches (a...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 20 (Plate No. 20), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite zincograph by Pablo Picasso (1881–1973), titled Baigneuse (Bather), from the album Non vouloir (Not Wanting), originates from the 1942 edition published by Editions Je...

This exquisite lithograph by Joan Miro (1893–1983), titled Oiseau devant le solei (Bird Before the Sun), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Arte, Paris, 1961. The composition exemplifies Miro’s poetic use of symbolic imagery, where the bird and sun function as elemental forces within his visual language. Through gestural line, saturated color, and spatial freedom, the work reflects Miro’s fusion of cosmic imagery, instinctive mark making, and lyrical abstraction. Executed on velin paper, this lithograph measures 33 x 15 inches (83.82 x 38.1 cm), with bifold, as issued. Unsigned and unnumbered as issued. The edition reflects the refined technical standards and craftsmanship of Imprimerie Arte, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Oiseau devant le solei (Bird Before the Sun), from Derriere le Miroir, No. 125-126, April 1961 Medium: Lithograph on velin paper Dimensions: 33 x 15 inches (83.82 x 38.1 cm), with bifold, as issued Inscription: Unsigned and unnumbered as issued Date: 1961 Publisher: Maeght Editeur, Paris Printer: Imprimerie Arte, Paris Catalogue raisonne reference: Miro, Joan, et al. Joan Miro Lithographe. Maeght, 1972–1992, illustration 1722 Condition: Well preserved, consistent with age and medium Provenance: From the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the twentieth century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and an autonomous work of art, featuring original lithographs printed directly from the artists stones or plates alongside essays, poems, and critical texts. Over more than three decades, Derriere le Miroir produced over 250 issues and presented an extraordinary range of artists including Henri Matisse, Marc Chagall, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Antoni Tapies, Pierre Alechinsky, Pol Bury, Bram van Velde, and many others. Printed by master ateliers such as Mourlot and Arte, the series established new standards of excellence in modern lithography and graphic design. Closely linked to exhibitions at Galerie Maeght, each issue served as a lasting document of postwar modernism, uniting image, text, and philosophy into a uniquely influential publication that remains among the most important and collectible achievements in twentieth century art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the twentieth century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for approximately 37 million USD at Sothebys, London, on June 19, 2012. Joan Miro Oiseau...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on board and features an earth-toned palette. The artist layers paint on the canvas, creating texture among softly blended muted green and umber colors in a highly abstract composition. The painting itself is 43.5" x 24" and measures 44" x 24.5" x 2" framed. It is signed by the artist in the lower right-hand corner of the painting and is framed in a very thin, off-white floater frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School...

James Allen, 'Pipe and Brawn,' 1937, lithograph, edition 40. Signed and annotated 'Ed/40' in pencil. A superb, richly inked impression on cream wove paper, the full sheet with margin...

Ted Hinrichs Elijah and the Ravens Acrylic on Canvas Year: 2022 Size: 36x24in Framed: 38x26x1.75in Signed by hand COA provided Ref.: 24802-1726 *Framed...

Signed on verso 'rf Lichtenstein'. Provenance: Collection of artist estate lawyer Herb Nass, author of "Wills of the Rich and Famous", and friend of Roy Lichtenstein Silkscreen on op...