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Two watercolor compositions on one sheet of watercolor paper, 10 x 6 7/8 inches (255 x 175 mm), the full sheet. Signed illegibly and dated in pencil on the lower right corner of the ...

New York: Charles Scribner's Sons, 1920. FIRST EDITION, 8th Printing. 8vo, 7 1/2 x 5 1/8 inches (190 x 130 mm); pp. vi, 305, printed in 11 pt Old Style type on wove paper. Dark blu...

circa 1962. Oil on canvas, 28 x 24 inches (713 x 610mm). Signed in oil in the lower right corner, recto, and signed, titled and dated in pencil on the verso. In very good condition ...

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...

An exotic hashira-e shaped work, an homage to the heavy influence Japanese printmaking had on the artist. London: 1880 Etching with drypoint on cream laid Van Gelder Zonen paper wit...

Deuchar, David (after van Ostade). Three Grotesque Figures. Edinburgh: 1800. Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive ...

Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...

Yokohama, Japan: c 1885. Hand-tinted albumen print, 10 1/2 x 8 inches (268 x 204 mm), hand-numbered 498 in negative; pencil inscription in Japanese on verso. Light scratch in negati...

Philadelphia: Hubbard Brothers, 1878. First Edition. 8vo, 8 3/4 x 5 3/4 inches (220 x 146 mm); 605 pp. Profusely illustrated, with a rear folding map in color, which has a 2-inch t...

Edition of 100. Color aquatint and etching, 21 x 14 7/8 inches (531 x 376 mm), wide margins (full). Signed in pencil, lower left image area. Light toning, otherwise in very good cond...

An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery. Lucas Vorsterman the Elder (after Anthony van Dyck). Carolus de Mallery, from Icones Principum Viror...

Yokohama, Japan: c 1880. Hand-tinted albumen print, 8 1/8 x 10 1/2 inches (205 x 267 mm), numbered 1625 and captioned "Dancing" in negative at lower right; pencil inscription in Jap...

Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...

A rare and complete first English edition of this seminal work. Pliny, Gaius Secundus / Plinius, Gaius Secundus (23­-79 AD) / Translated by Philemon Holland. The Historie of the Wor...

An image of Jerusalem from the first comprehensive collection of documentary images of the Holy Land. London: Cassell, Petter & Galpin, circa 1850. Lithograph with hand coloring an...

Etching with engraving on cream laid paper with a large unidentified alphabetic watermark, 6 1/2 x 9 7/8 inches (165 x 251 mm), the full sheet. In good condition with handling wear a...

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Gheyn II, Jacques (Jacob) de (after Karel van Mander) c1590. Engraving on cream laid paper, 5 7/8 x 4 1/4 inches (150 x 108 mm), the full sheet. Narrow margins. In good condition wi...

Color mezzotint on fibrous, buff wove paper, 19 x19 inches (482 x 484 mm), full margins. Titled in pencil, lower left, and with the artist's stamp in black ink in the lower right mar...

Paris: L'Artiste, 1879. Etching with drypoint on cream laid paper, 9 3/4 x 4 1/2 inches (248 x 115 mm), full margins. In good condition with some uniform age tone, light mat tone, an...

London: John Murray, 1819. First Edition. 4to, 8 3/4 x 7 inches (220 x 180 mm); 100 pp with "1819" watermark clearly visible on many pages. Contemporary straight-grained crimson mor...

A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...

Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...

A lovely and curious composition, circa 1780. Ink and wash on tissue thin Japon paper, adhered to period cream laid paper, 5 1/4 x 3 3/8 inches (132 x 84 mm), the full sheet. With ...

Evening printed dress with cut-work and gather on the front. Fabric composition: 88% nylon, 12% elastane. Lining in the same fabric inside the top part of the dress. SIZE 42 (It) M

Each a watercolor with graphite on watercolor paper adhered to a single sketchbook page, sheet measures 10 1/4 x 14 3/8 inches (261 x 365 mm). The top painting is initialed and dated...

London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...

London: Adam & Charles Black, 1909. FIRST, LIMITED EDITION 4to, 10 1/2 x 8 1/2 inches (268 x 215 mm); xii, 185, (2) pp., plus 75 full-page color illustrations, from works by Mortimer...

Strutt, Joseph A Complete View of the Dress and Habits of the People of England; from the establishment of the Saxons in Britain to the present time, illustrated by engravings taken ...

Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

A 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...

Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and minor sca...

Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...

Basquiat Beat Bop 2014 (Basquiat record art): 30th anniversary pressing of Basquiat's historic Beat Bop vinyl record (1983), featuring Jean Michel's signature cover art and producti...

This edition, enriched by Cara Tice's racy and whimsical illustrations, is an "Exact reprint of the earliest English text" and was printed in Holland by the Johann Ecnchedé en Zonen ...

1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...

Watercolor and graphite on watercolor paper, 5 3/4 x 11 3/8 inches (147 x 290 mm), the full sheet. On the verso is an unfinished sketch in graphite which is titled "Gardens, 3 Kent T...

Chahine, Edgar & Maurice Barrès LA MORT DE VENISE; Illustré de vingt-six eaux-fortes originales Paris: Société Nouvelle des Éditions d'Art Devambez, 1926 SIGNED LIMITED EDITION 4to,...

Etching on white laid paper, 1 5/8 x 1 1/2 inches (41 x 38 mm), thread margins. In excellent condition with a light pencil inscription on the verso. [Hollstein 6]

Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...

c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...

This is the sequel to The Nonesuch Press' first book of Blake's Pencil Drawings, published in 1927. The Max Reinhardt / Nonesuch list 1956 remarked: ‘Du...

A life drawing by a well known book illustrator and long-term resident of the Chelsea Hotel in the 1930s. Caswell, Edward Gin giving Doris a hair cut Black crayon on lightweight, br...

Yokohama, Japan: c 1890. Hand-tinted albumen print, 8 x 10 1/2 inches (203 x 266 mm), numbered B04 in negative, small spots of fixer on lower right corner, pencil inscription on ver...

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Hammersmith: Kelmscott Press, 1894. Limited Edition Octavo, 8 1/4 x 5.5 in (206 x 140 mm) 392 pp. Edited by F.S. Ellis. One of 300 copies on Flower paper, printed in red and black i...

A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...

Frankfurt: c1550. Engraving on laid paper, 1 7/8 x 3 5/8 inches (47 x 92 mm), thread margins. Ex-collection D.G. de Arozarena (Lugt 109) with his collector's mark in blue ink on ver...

A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...

Two minor villains from "Medley of Tales of Revenge" square off, as performed at the Kiri theatre, Tokyo, in May of 1794. Toyko: Tsutaya Juzaburo, 1794. Woodblock (nishiki-e) with ...

London: MacMillan & Co., 1897. FIRST EDITION Small 8vo. 7 3/8 x 4 3/4 (185 x 121 mm); half-title, frontispiece, title, viii, 245, [2 advertisements]; 22 engraved plates, including f...

Yokohama, Japan: c 1890. Hand-tinted albumen print, 10 1/8 x 7 3/4 inches (258 x 198 mm), numbered B 1161 and captioned in negative at lower right; very light cockling, brightly col...

A precursor of Benjamin Franklin's famous and popular POOR RICHARD's ALMANAC Rider, Cardanus Rider's (1726) British Merlin; Adorned with many delightful Varieties and Useful Veritie...

A richly hand-colored image with a counterstrike on the verso. London: Hannah Humphrey, 1804. Etching with hand coloring in watercolor on buff wove paper, 10 1/4 x 15 inches (260 x...

Graphite and watercolor on light weight salmon-colored wove paper, 4 1/4 x 7 5/8 inches (109 x 194 mm), the full sheet. An unfinished study in good condition. On the mat-back is a n...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...

A gorgeous easy to wear bangle bracelet created by designer Roberto Coin. The bracelet contains 30 round brilliant Diamonds, burnish set in the top half of the bracelet. The Diamon...