75 results for "bargello"

This pair of open armchairs are characteristic of the Haute Époque employing elegant barley-twist turnings and sweeping, curved, scroll arms. The bargello is a re-creation of a fashi...

A fine early 19th century wingback armchair with mahogany legs, with bargello flame stitch needlework. The chair, 19th century. The needlework, mid-20th century.    

Designer midcentury Brass Bench Upholstered in a Bargello Handmade Cushion Additional information: Material: Brass, Upholstery The brass frame accents the custom handmade white-...

Antiquarian, Baroque-Revival, Ebonised, Beech Stool With 'S' Scroll legs & Stretcher with Amorini Holding a Coronet, Re-upholstered in Bargello This antiquarian, Baroque-Revival sto...

Spetchley park, Bargello, silk, bed curtains adapted into wall hangings in the 19th century • The use of silk, patterning and size suggests that these striking Bargello hangings were almost certainly conceived as bed curtains. In the Green Chamber at Parham House the State Bed is hung with Bargello curtains, pelmets and valences c1620. Like the Parham bed curtains, the Spetchley Park bed curtains have two horizontal pattern repeats in each drop. Needless to say, surviving bed curtains from this period are exceptionally rare as they had value as hangings and for upholstering domestic objects when removed from the bed. • The Spetchley Park bed curtains are really beautiful and luxurious. They were made as elite objects and have not lost their gravitas or their character and charm. • The Spetchley Park bed curtains were adapted into wall hangings in the 19th century. They are versatile and could easily be reinstated as curtains or panels within larger curtains. • Bargello work has a classic timeless quality to it and blends with most decorative schemes whether period or contemporary Each panel is made from two sections of bargello. The step (pattern) comprising two rows of short vertical stitches over two threads of graduating numbers of stitches up and down with two rows of long vertical stiches over six threads of graduating numbers of stitches up and down. Worked in graduating shades of blue, green, brown, red, tan and ivory silks on a hessian ground. The four edges of each hanging are faced with a 19th century, dusky pink fan...

An Unusual, Baroque, Ebonised Beech Armchair With Mushroom and Cup & Cover Turnings, and 'X' Stretcher Re-upholstered in Bargello This armchair has many characteristic Baroque f...

This open armchair is characteristic of the Haute Époque employing elegant barley-twist turnings and sweeping, curved, scroll arms. The bargello is a re-creation of a fashionable uph...

This elegant set of chairs relate to a set of twelve chairs and a settee from the collection of D. Joa~o V, King of Portugal. The parcel gilding gives...

Springy, very comfortable and stabile dining seats. They are contemporary chairs inspired of 1960s style. They can be used as armchairs and dining chairs. Chair was designed by Vi...

This striking pair of armchairs was produced in the late 1940s. The rare design is attributed to the Hungarian designer Lajos Kozma. Kozma was working in the specific Central Europe...

Life-sized Bronze Statue of Hermes, 18th Century, French, After Giambologna Direct, as seen photographed, from a Greenwich CT mansion comes t...

This is a striking large antique gilt bronze figural sculpture titled "The Water Carrier" (L'acquaiolo) by Vincenzo Gemito, (Italian 1852-1929), dating from Circa 1880. The bronze i...

Needlepoint rugs were created using the traditional needlework weaving technique that is used to make everyday items from furniture to carpets and artwork. However, it has a fascinating history both as a hobby and as an industry. When many people think of carpets, they think of pile carpets or flat weave kilims, but needlepoint has also been used to create beautiful carpets. These carpets are durable and an important part of carpet history. Archaeologists and scholars consider the roots of needlepoint to have been around 1500 BC. They consider the first needlepoint to include the fine diagonal stitches that were used to sew tents together by the ancient Egyptians. The art eventually evolved into tapestry weaving. However, a tapestry weaving differs significantly from needlepoint in that it uses a loom and vertical warp. Tapestry weaving is closer to the weaving of kilims and pile rugs than canvas work. However, some still include tapestry weaving in the category of needlepoint because of the fine work that appeared during the late Renaissance. It can have a similar appearance to the untrained eye. Technically, tapestry weaving and needlepoint are not the same, and they do not use the same technique. The first actual needlepoint rugs and needle-points began to appear in the late Renaissance. Needlepoint is worked by creating stitches on a stiff canvas. The canvas is typically made from jute or linen and is quite durable. Pieces from the Renaissance were used to cover footstools, chairs, pillows, bed headboards, and other furnishings. They were also used as table coverings and wall coverings. You could also find them on many small items such as purses, shoes, and various adornments for clothing. During the Renaissance, the craft reached a high level of skill, and the designs became incredibly detailed and realistic. They mimicked many of the subjects and styles of famous paintings of the time. They created florals, still life designs, scenes, and geometric tiled pieces. Some of them mimicked the designs found in Persian Carpets. Needlepoint reached its peak popularity in the 19th century when it was considered a proper occupation for a lady. Needlepoint and embroidery held a similar place in societal status at the time. During this time, the work became finer, with some of the canvas reaching a high level of detail. The level of detail is determined by counting the number of mesh in an inch. During this time petit point by French needlewomen could have a mesh count as high as 45 mesh. This allowed women to create highly intricate designs with incredible levels of detail. It is possible to find many antique pieces of needlepoint besides rugs. Needlepoint rugs were popular in France and Spain, where the technique was adapted to create highly intricate designs that mimicked the designs in architecture and fashion. They were popular because they were durable, and it could be fashioned into a variety of items. The canvases themselves were durable, and the wool that they used was also strong, which means that many of the pieces were able to withstand daily use. We have many artifacts that have survived from this time period. Needlepoint rugs are important collectibles because they are different from the pile rugs and kilims that are typically found on the market. Needlepoint carpets are special because they take many hours to create, especially larger works. Needlepoint pieces of any type became popular throughout Europe during the 19th century. It is still a popular hobby today, but perhaps one of the most interesting stories is that of the Portuguese needlewomen of Arraiolos. The story of these women and their beautiful carpets begins in 1492. Needlepoint was a popular occupation in Spain, which had a large population of Moors and Jews. They were an integral part of Spanish culture. However, in 1492, Queen Isabella of Spain issued a proclamation that gave these ethnic groups the order to pack their bags and board ships headed...

The GFM armchair is an icon of the Polish design of the PRL period. The famous armchair was designed in 1962 by the Polish interior designer and furnitur...

A Regency ebonised and parcel-gilt armchair, with lyre back and Bargello flame stitch upholstery.

The sculpture, inspired by one of Donatello's masterpieces, depicts the warrior St. George, watching what is happening, nervous but focused and ready to take action. He represents a ...

19th Century English Georgian style low mahogany bench with carved cabriole legs and a bargello needlepoint upholstered top.

An antique Florentine copy of a self-portrait by Peter Paul Rubens (1577-1640) painted by F. Flor for Flor & Findel, early 19th century. The portrait is framed in the original c...

Pouf / footrest / ottoman / side stool. Its dimensions also allow it to be used as a side table. The pouf is covered by Bargello Flame Stitch Patterned Fabric: This is a type of nee...

 A tonal, undulating pattern inspired by classic bargello, Venetian Flame Stitch is a timeless rug design that is equally at home in modern and traditional interiors. With its soft s...

Mid century rococo revival gilt clock by Westerstrand circa 1950. Good quality rococo influenced clock by well known swedish maker westerstrand. Fitted with a twin train 8 day move...

A signed studio pottery lamp by iconic Italian ceramicist Marcello Fantoni, crafted in the 1950s. This striking midcentury piece features a flared, tapering form with hand-painted st...

Needlepoint rugs were created using the traditional needlework weaving technique that is used to make everyday items from furniture to carpets and artwork. However, it has a fascinating history both as a hobby and as an industry. When many people think of carpets, they think of pile carpets or flat weave kilims, but needlepoint has also been used to create beautiful carpets. These carpets are durable and an important part of carpet history. Archaeologists and scholars consider the roots of needlepoint to have been around 1500 BC. They consider the first needlepoint to include the fine diagonal stitches that were used to sew tents together by the ancient Egyptians. The art eventually evolved into tapestry weaving. However, a tapestry weaving differs significantly from needlepoint in that it uses a loom and vertical warp. Tapestry weaving is closer to the weaving of kilims and pile rugs than canvas work. However, some still include tapestry weaving in the category of needlepoint because of the fine work that appeared during the late Renaissance. It can have a similar appearance to the untrained eye. Technically, tapestry weaving and needlepoint are not the same, and they do not use the same technique. The first actual needlepoint rugs and needle-points began to appear in the late Renaissance. Needlepoint is worked by creating stitches on a stiff canvas. The canvas is typically made from jute or linen and is quite durable. Pieces from the Renaissance were used to cover footstools, chairs, pillows, bed headboards, and other furnishings. They were also used as table coverings and wall coverings. You could also find them on many small items such as purses, shoes, and various adornments for clothing. During the Renaissance, the craft reached a high level of skill, and the designs became incredibly detailed and realistic. They mimicked many of the subjects and styles of famous paintings of the time. They created florals, still life designs, scenes, and geometric tiled pieces. Some of them mimicked the designs found in Persian Carpets. Needlepoint reached its peak popularity in the 19th century when it was considered a proper occupation for a lady. Needlepoint and embroidery held a similar place in societal status at the time. During this time, the work became finer, with some of the canvas reaching a high level of detail. The level of detail is determined by counting the number of mesh in an inch. During this time petit point by French needlewomen could have a mesh count as high as 45 mesh. This allowed women to create highly intricate designs with incredible levels of detail. It is possible to find many antique pieces of needlepoint besides rugs. Needlepoint rugs were popular in France and Spain, where the technique was adapted to create highly intricate designs that mimicked the designs in architecture and fashion. They were popular because they were durable, and it could be fashioned into a variety of items. The canvases themselves were durable, and the wool that they used was also strong, which means that many of the pieces were able to withstand daily use. We have many artifacts that have survived from this time period. Needlepoint rugs are important collectibles because they are different from the pile rugs and kilims that are typically found on the market. Needlepoint carpets are special because they take many hours to create, especially larger works. Needlepoint pieces of any type became popular throughout Europe during the 19th century. It is still a popular hobby today, but perhaps one of the most interesting stories is that of the Portuguese needlewomen of Arraiolos. The story of these women and their beautiful carpets begins in 1492. Needlepoint was a popular occupation in Spain, which had a large population of Moors and Jews. They were an integral part of Spanish culture. However, in 1492, Queen Isabella of Spain issued a proclamation that gave these ethnic groups the order to pack their bags and board ships headed...

Italian grand tour-era silver figure of Mercury after Giambologna, ca 1820. Mercury holds a herald’s staff in one hand and a torch in the other, and balances on one foot resting on a...

An Incredible and Quite Large Italian Patinated Bronze Figure of Jupiter, After Benvenuto Cellini (1500–1571), Cast by Fonderia Ferdinando Marinelli, Florence. This large bronze fig...

Art Nouveau walking stick. The knob is made of finely carved boxwood, depicting a representation of Ceres (Demeter for the Greeks), the Roman Goddess of cereals, crops and the fertil...

Needlepoint rugs were created using the traditional needlework weaving technique that is used to make everyday items from furniture to carpets and artwork. However, it has a fascinat...

Needlepoint rugs were created using the traditional needlework weaving technique that is used to make everyday items from furniture to carpets and artwork. However, it has a fascinating history both as a hobby and as an industry. When many people think of carpets, they think of pile carpets or flat weave kilims, but needlepoint has also been used to create beautiful carpets. These carpets are durable and an important part of carpet history. Archaeologists and scholars consider the roots of needlepoint to have been around 1500 BC. They consider the first needlepoint to include the fine diagonal stitches that were used to sew tents together by the ancient Egyptians. The art eventually evolved into tapestry weaving. However, a tapestry weaving differs significantly from needlepoint in that it uses a loom and vertical warp. Tapestry weaving is closer to the weaving of kilims and pile rugs than canvas work. However, some still include tapestry weaving in the category of needlepoint because of the fine work that appeared during the late Renaissance. It can have a similar appearance to the untrained eye. Technically, tapestry weaving and needlepoint are not the same, and they do not use the same technique. The first actual needlepoint rugs and needle-points began to appear in the late Renaissance. Needlepoint is worked by creating stitches on a stiff canvas. The canvas is typically made from jute or linen and is quite durable. Pieces from the Renaissance were used to cover footstools, chairs, pillows, bed headboards, and other furnishings. They were also used as table coverings and wall coverings. You could also find them on many small items such as purses, shoes, and various adornments for clothing. During the Renaissance, the craft reached a high level of skill, and the designs became incredibly detailed and realistic. They mimicked many of the subjects and styles of famous paintings of the time. They created florals, still life designs, scenes, and geometric tiled pieces. Some of them mimicked the designs found in Persian Carpets. Needlepoint reached its peak popularity in the 19th century when it was considered a proper occupation for a lady. Needlepoint and embroidery held a similar place in societal status at the time. During this time, the work became finer, with some of the canvas reaching a high level of detail. The level of detail is determined by counting the number of mesh in an inch. During this time petit point by French needlewomen could have a mesh count as high as 45 mesh. This allowed women to create highly intricate designs with incredible levels of detail. It is possible to find many antique pieces of needlepoint besides rugs. Needlepoint rugs were popular in France and Spain, where the technique was adapted to create highly intricate designs that mimicked the designs in architecture and fashion. They were popular because they were durable, and it could be fashioned into a variety of items. The canvases themselves were durable, and the wool that they used was also strong, which means that many of the pieces were able to withstand daily use. We have many artifacts that have survived from this time period. Needlepoint rugs are important collectibles because they are different from the pile rugs and kilims that are typically found on the market. Needlepoint carpets are special because they take many hours to create, especially larger works. Needlepoint pieces of any type became popular throughout Europe during the 19th century. It is still a popular hobby today, but perhaps one of the most interesting stories is that of the Portuguese needlewomen of Arraiolos. The story of these women and their beautiful carpets begins in 1492. Needlepoint was a popular occupation in Spain, which had a large population of Moors and Jews. They were an integral part of Spanish culture. However, in 1492, Queen Isabella of Spain issued a proclamation that gave these ethnic groups the order to pack their bags and board ships headed...

Beautiful set of (4) dining chairs, customized exclusively for THE TASTEMAKER SHOPPE! Seat cushions are upholstered in Peter Fasano's pattern linen called...

A stunning and high quality true pair of French 19th century Louis XVI st. patinated Bronze, Ormolu and Gris St. Anne marble statues of Mercury and Fortuna, after a model by Louis Gu...

Beautiful bronze sculpture cast with the lost wax technique, depicting the young David standing with his sword raised, symbol of his victory over the giant Goliath, whose suffering head is represented on the green marble base. With a victorious expression and a proud and elegant bearing, David stands triumphant over the defeated enemy, with a decisive gesture of his right arm and a gaze turned toward the left. His body, inclined slightly to the right, creates a dynamism that involves the viewer from every angle. This small-scale replica...

Italian artist Marcello Fantoni cylindrical ceramic bottle vase is glazed stoneware made circa 1960s. This piece was acquired directly from the artist by the seller, who was a person...

Amazing Mercury sculpture in bronze H: 190cm 20th century Lost wax and patinated bronze reproduction of the Mercury sculpture by Giambologna. The ...

16th century, Bottega degli Embriachi, Venice or Florence Little Toilet Bone and wood, 14 x 12 cm Shellac on the base This box set is a classic example of the work of the renowne...

Impressive and extraordinary size 18th Century Italian walnut sofa or settee with original flame stitch upholstery.  This sofa or settee is of huge scale, measuring more than eight ...

The technique for creating needlepoint rugs and other objects made from needlepoint has remained unchanged since its beginnings in the 17th century. It all begins with a canvas with ...

A handsome example of a 19th Century Italian fauteuil, this armchair dates to the Louis Philippe period and demonstrates the form at its most characteristic: a tall, arched back with...

Heading : Silver mounted coconut cup Date : 1770-1800 Period : George III Origin : Probably Scotland Decoration : Silver rim and conical silver foot. S...

Marcello Fantoni (1915 - 2011) was born in Florence, Italy. With a vast career in the arts showcasing his talent in sculpture, ceramics, metalwork, multi-media and even designer, Marcello Fantoni's work was exhibited in the MoMA New York; Metropolitan Museum of Art of New York...

A wonderful French 19th century Louis XVI st. Ormolu, Patinated Bronze, and Black Belgian marble statue of 'La Fortuna'. Fortuna is raised on a mottled black Belgian marble pedestal ...

Ceramic vase by Marcello Fantoni. Signed and with original label. Biography Marcello Fantoni was born in Florence on October 1, 1915. Growing up, he became passionate about art, and...

A patinated bronze sculpture reproduction of the Laocoon group by the Napolitan world famous Fonderia Chiurazzi, Italy 1880-1900. Rediscovered in 1506 in Rome The Laocoon Group is believed to be created sometime between 42-20 BCE by three sculptors from Rhodos – Hagesander, Athenodoros and Polydorus, after the work of more ancien Hellenistic sculptors. Recreated and issued (with several sizes and creative variations) by Fonderia Chiurrazzi, this piece is more than just an incredibly precise and expressive reproduction of the iconic antic sculpture...

Delightful Italian bronze casting of the Mercury - also referred to as Hermes in the Greek tradition Hermes is the god of transitions and boundaries and the messenger to the gods Love the heralds staff he carries which consists of two snakes wrapped around the winged staff The casting is superb and these pieces stands in at just under five feet tall so large This piece is made in the style of Giovanni Bologne After Giovanni Bologne’s Mercury (fourth/final version) completed in 1580 and now at the Museo Nazionale del Bargello, Florence, Italy Of course being bronze this can live outside with no fear of rusting I\'ve had a number of bronze Mercury statues...

- Rare child's armchair or possibly a sample made when large country houses were being remodeled in the Baroque taste towards the end of the 19th and beginning of the 20th century. ...

An oil on canvas painting of Donatello’s Saint George of England. A side profile of Donatello’s marble sculpture of Saint George. The sculpture stands amongst fourteen others commis...

A ceramic vase designed and produced by Marcello Fantoni in 1983. Signed. Biography: Marcello Fantoni was born in Florence on October 1, 1915. Growing up, he became passionate about...

Vintage tapestry on canvas depicting natural landscape with wildlife. Complete with wooden frame, can be used as a decorative panel or sliding door. Great decorative impact. Origin J...

A stupendous reproduction of the Niccolò da Uzzano Bust by Donatello (1432) preserved at the Bargello Museum of Florence, this extraordinary oeuvre is one of the most ancient busts...

Springy, very comfortable and stabile dining seats. They are contemporary chairs inspired of 1960s style. They can be used as armchairs and dining chairs. Chair was designed by Vi...

Green serpentine marble sculpture Late 19th century Height approx. 88 cm. The flying mercury and the bronzes While he was still busy working on the fountain in piazza Maggiore, the papal delegate Cesi asked Giambologna for a statue to be placed in the courtyard of the Archiginnasio, seat of the ancient and prestigious Bolognese university; he should have painted a bronze depicting the god Mercury with his index finger stretched towards the sky, a symbol of the divine origin of knowledge, which would have served as a warning to all students. The project was never completed, but Giambologna elaborated a model preserved at the Civic Museum of Bologna, which is only the first of the numerous bronzes with the same subject made by the artist, defined precisely as flying Mercury. In later versions, the sculptor transformed Mercury into a much more dynamic figure reaching upwards, as if ready to take flight, giving it an unprecedented freedom of movement and lightness. When he returned to Florence, the sculptor certainly proposed it to the Medici, who enthusiastically immediately ordered one to be sent to Emperor Maximilian II of Habsburg, as a diplomatic gift for the ongoing negotiations of the wedding between Francesco and Giovanna, sister of the sovereign. Giambologna replied with the two bronzes preserved in Vienna and Dresden and in 1580 cast the large Mercury now exhibited in the Bargello, originally intended for the loggia of the villa of Cardinal Ferdinando dei Medici to crown a fountain placed in the center of a magnificent decorative complex; the only variant with respect to the previous examples is constituted by the head of Zephyr placed under the foot of the god and from which a breath of wind blows it upwards, accentuating the sense of immateriality. In addition to the successful invention of the flying Mercury, Giambologna acquired immense fame by making numerous other bronzes for the Florentine collectors of the time; his first patron, Bernardo Vecchietti must certainly have owned many, given to him in part by the sculptor in exchange for his protection, but around the 1880s it can be said that there was no collector who did not aspire to own a work by Giambologna, especially those of small format. The development of this trend in Florence is largely due to the artistic passions of the Grand Duke Francesco I, who with the creation of environments such as the Studiolo in Palazzo Vecchio and the Tribuna degli Uffizi, provided new criteria for the exhibition of the works, pushing all collectors to imitate his extraordinary collection. In the Studiolo, in addition to the painted tables that decorated the doors of the cupboards filled with all kinds of things, there were 8 niches containing bronze figures of divinities; Giambologna painted the one depicting Apollo (1573-75), with the characteristic serpentine pose and beautifully finished. The placement of the statuette in the niche was no longer an impediment to the plurality of views as Giambologna endowed it with a sort of mechanism that allowed it to rotate. For the Tribune he instead created the six Labors of Hercules (1576-1589), small silver sculptures...

An exquisite and rare early 1960s Italian ceramic vase by the renowned Florentine master of ceramics, Marcello Fantoni (1915-2011). This highly sculptural and artistic piece features...

After the antique. This bust conveys the character of Brutus his courage, strength, power, nobility, honour and conviction. Measures: height 34cm., 13.5" diameter 20cm., 8" Fashioned after the c1539 statue of Brutus by Michelangelo, Bargello Museum in Florence. Marcus Junius Brutus Caepio (c.85-42): Roman politician, murderer of Gaius Julius Caesar and one of the last defenders of the republic. Marcus Junius Brutus is one of the great names of Roman history. Central to the notorious conspiracy that resulted in the assassination of the dictator Julius Caesar on the Ides of March 44 BC, Brutus gave brief hope to those who longed for the restoration of republican government. Yet by August of the same year he was on his way from Italy to the Greek east; a little over two years later he had committed suicide in the face of defeat at the hands of Mark Antony...

The GFM armchair is an icon of the Polish design of the PRL period. The famous armchair was designed in 1962 by the Polish interior designer and furnitur...

Mid-19th century over life-size carved marble statue of Michelangelo's "Bacchus". Grand Tour copy through the "Point To Point" method directly from the original keeping its masterful proportions and Fine details in an exact size to Michelangelo's work. We have never seen a 19th century copy of this Renaissance Masterpiece of this size and are quite fortunate to be responsible for its stewardship until purchase by a discerning collector The original "Bacchus" is a marble sculpture by the master, Michelangelo, created circa 1496 when the artist was 21. This statue was originally commissioned by Cardinal Raffaele Riario. However, it was rejected by him and eventually found its way to Jacopo Galli, Cardinal Riario’s banker and a friend of the sculptor, who purchased it in 1506. Some 66 years later it was bought for the Medici and transferred to the royal house in Florence, Italy. Currently it can be viewed at the Museo Nazionale del Bargello in Florence. It is one of just two sculptures surviving Michelangelo’s initial period in Rome, with the other being Pieta. The artwork: This somewhat oversized...

 A tonal, undulating pattern inspired by classic bargello, Venetian Flame Stitch is a timeless rug design that is equally at home in modern and traditional interiors. With its soft s...

A pair of cushions made with early-20th Century flame stitched Bargello tapestry. The backs and trim made with a new silk and linen fabric by Rogers & Goffigan.

"Bronze Figure Of A Winged Putto (probably Eros) Circa 1550–1600" North Italian Renaissance Bronze Figure of a Winged Putto (Possibly Eros) Attributed to a Paduan or Venetian workshop, ca. 1550–1600 Cast bronze with dark brown patina and signs of verdigris; formerly winged; mounted on a threaded base; both hands drilled for original attributes. Height: 10.6 cm Width (hand to hand): 8.5 cm This finely cast bronze figure represents a dancing or airborne putto, likely an allegorical figure such as Eros or a cherubic spirit, originally intended as a functional decorative element — possibly for a lamp, inkwell, or ceremonial vessel. The figure is modeled with dynamic balance, standing on one leg with both arms extended, and was once fitted with separately cast wings, now missing, as evidenced by deep, symmetrical sockets on the upper back. The facial modeling is serene and idealized, with softly rounded cheeks, almond-shaped eyes, and structured curls in a distinctly Renaissance style, reminiscent of the North Italian tradition of Andrea Riccio...

Marcello Fantoni (1915 - 2011) was born in Florence, Italy. With a vast career in the arts showcasing his talent in sculpture, ceramics, metalwork, multi-media and even designer, Marcello Fantoni's work was exhibited in the MoMA New York; Metropolitan Museum of Art of New York...

 A tonal, undulating pattern inspired by classic bargello, Venetian Flame Stitch is a timeless rug design that is equally at home in modern and traditional interiors. With its soft s...

Magnificent Bargello Flame Stitch Antique Italian Silk Textile, Country of Origin: Italy, Circa date: 1900