253 results for "punk"

ABOUT THE ARTWORK An interplay of bold hues with striking crimson and sizzling hot pink brushstrokes, contrasting the cool backdrop of deep blues. The composition features a dynamic...

Ed.4/6

Oil and acrylic on linen - Unframed. Fattovich calls his style Abstract Punk. His compositions evolve according to a subliminal process in which he responds viscerally to the colors...

Punk (Abstract painting) Oil and acrylic on linen - Unframed. Fattovich calls his style Abstract Punk. His compositions evolve according to a subliminal process in which he respond...

Punk (Abstract painting) Oil and acrylic on linen - Unframed. Fattovich calls his style Abstract Punk. His compositions evolve according to a subliminal process in which he respond...

I wanted to produce a piece of work to coincide with the 40th anniversary of the British Punk Movement ( October 1976 with the release of the single 'New Rose' by The Dammed). I l...

Vibrant piece. Oil on canvas. Silver aluminum mirrored butterfly with diamond dust. Artist's signature style. He is collected worldwide. Not signed but COA will be provided. ...

On offer is a vibrant work of contemporary outsider folk art celebrating the seminal 1980s Washington, D.C. hardcore punk movement. The artwork juxtaposes classical 19th-century mili...

"Pink Punk" is a large, acrylic painting / wall sculpture on a flat, shaped wooden panel. It is attached to the wall on two wooden cleats and projects 1.5" from the wall, creating a ...

World-renowned artist. Butterfly theme. Very vibrant colors. Acrylic on canvas, silver aluminum mirrored butterfly, diamond dust. About the ar...

Punk 8.0 x 8.0 x 1.0, 3.0 lbs Pastel on wood Hand signed by artist Artist's Commentary: "I'm having the best time in my studio doing a self-exploration of the German Expression m...

"Peace" is an original piece by Lauren Rinaldi made from oil on canvas. This piece measures 48"h x 30"w and comes with a gallery-issued Certificate of Authenticity. It is signed en v...

Amaranth Ehrenhalt (1928–2021) Punk, 1992 Watercolor and felt pen on thick paper 28 x 25.5 cm l 11 x 10 in. 41 x 39 cm l 16 1/8 x 15 1/3 in. (Frame included) Signed, titled and dated...

Butterfly on aluminum. About the artist: Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, sensuality, and desire. ...

The butterflies are aluminum. Could be sold separately. 33x33. 9k each. Sculptural feel. About the artist: Punk Me Tender (b. 1982) is a French street artist whose brightl...

World-renowned artist. Butterfly theme. Very vibrant colors. Not signed but COA will be provided. About the artist: Punk Me Tender (b. 1982)...

Punk Me Tender Fantasy, Moon, & the Galaxy, 2025 Acrylic, LED Neon, Epoxy Resin on Wood Panel 72 x 48 in (182.88 x 121.92 cm)

Lazastellar presents his art from a unique perspective as a neuro-divergent creative. These pieces are of the moment, using 21st century materials but he also pays tribute to the for...

Punk by Luisa Freixas Abstract Contemporary Art Cut Out Canvas, Mixed Media 2021 Unstretched Mixed media on canvas 39.40 x 78.70 in In this vibrant mixed-media composition, Luisa F...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

Nails and thread on wooden panel, comes in plexi glass box. In his latest body of work, the Dutch artist Nemo Jantzen is combining skills obtained in the earlier years of his career...

Kerry Smith Kurt Cobain Journals #11 Mixed Media on torn canvas Year: 2022 Size: 27x18in Framed: 32x24in Signed, dated by hand COA provided Ref.: 924802-1619 -----------------------...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

A contemporary color-field beach scene in oil on canvas by Dutch artist Bernadette van Baarsen. Signed, dated and titled. This artwork vividly captures a serene beach scene, where ...

An exceptionally rare and large painting by renowned American fashion designer and 80s icon Stephen Sprouse (1953-2004). This excellent composition by Sprouse includes interplaying ...

Contemporary abstract expressionist acrylic on canvas of a Provençal landscape by Dutch artist Bernadette Van Baarsen. Signed and dated to the b...

Artist/ School: French Fauvist school, after Max Pechstein Title: Nudes in Landscape Medium: oil painting on board, unframed board: 15 x 18 inches Provenance: private collection,...

A contemporary abstract geometric colour field landscape in oil on canvas board by Dutch artist Bernadette Van Baarsen. Signed bottom left and presented i...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

A contemporary abstract geometric colour field landscape in oil on canvas laid on board by Dutch artist Bernadette Van Baarsen. Signed bottom left and pre...

Artist : Susan Kiefer Title : "Grace Notes" Materials : oil on canvas Date : May 2020 Dimensions : 30" x 40" x 1.5" Description : Hard-edged geometric abstract with four overlapping...

A contemporary fauvist Provençal landscape in oil on canvas by Dutch artist Bernadette van Baarsen. Titled "Isola", Signed and dated 2024 and presented in a custom-made wooden oak fr...

Diptych artwork. Artwork can be shipped separated in two pieces of 126 cm x 137 cm. So transport it can be much more easier to your address. Please contact us for any questions. Flo...

Manchester Abstract Expressionist Art by Contemporary British Artist, Angela Wakefield - a rare early work. Entitled 'Jilly's, Manchester', this painting is from an intense body of s...

Signed verso, 'France. Sundsten' for Francesca Sundsten (American, 1960-2019), titled, 'Monster Sheephead' and dated 2002. Accompanied by original receipt from Davidson Gallery. Fra...

"Guardians" Contemporary Oil Monkey Eyes Post-Cubist Abstract Whimsical Animal Hunt Slonem (American, b. 1951) "Guardians" 24 x 19 inches Oil on Canvas Signed, dated 1995, titled, and numbered "JEM0668" to verso. A Certificate of Authenticity from Hunt Slonem Studio attached. Unframed Provenance: From a New York City Collection. BIO Hunt Slonem was born in Kittery, Maine in 1951. His fascination with exotica imprinted during his childhood in Hawaii and experience as a foreign exchange student in Managua, Nicaragua. Slonem received his Bachelor of Arts degree from Tulane University of Louisiana and studied painting at Skowhegan School of Painting and Sculpture. Since 1977, Slonem soloed in over one hundred fifty exhibitions at prestigious galleries. His work is exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. Over fifty museums internationally include his work in their collections, among them The Metropolitan Museum of Art, New York, New York. His work has been shown in thirty-one different museums. Corporate collections include American Telephone and Telegraph, Chase Manhattan Bank, Citibank, Continental Airlines, Goldman Sachs Co., IBM Corporation, Marriot Corporation, Paine Webber, Inc., Port Authority, and Readers Digest Inc. He won the 1991 National Endowment for the Arts Grant in Painting, and McDowell Fellowships in 1986, 1984 and 1983. Since 1973, Slonem has lived and worked in New York City in his legendary loft with his seventy pet birds. The birds are his models. So enmeshed and unique are his aviary, studio, lifestyle and painting, that Slonem has been featured on television a dozen times and in numerous articles. In his 1993 essay, the late Henry Geldzahler describes, "The visual field of Hunt Slonem's paintings is a continuum accented by ovals of varying shape and colors that it turns out are birds." The birds evolved from Slonem's early paintings of saints as well as inspiration from the pioneers of bird imagery in painting, including Fabritsius, Heade and Audubon. Audubon shot one hundred birds...

'Maggie with Helmet' 2012 Oil on canvas Verso: Hand signed and dated on canvas. Dimensions: 24" h x 20" w. Frame: 25.5" h 21.5" w Provenance: Property of a Southampton, NY collection Richard Butler (Post-war and Contemporary artist) studied painting at the Epsom School of Art and Design (now University for the Creative Arts). In school he was exposed to radical developments taking hold in the artworld including Andy Warhol, Jasper Johns, David Hockney and Francis Bacon and the emerging British pop art of Richard Hamilton and Peter Blake. He later turning to silkscreen printmaking. But like many famous rockers, from Keith Richards and Roger Waters to Tupac Shakur and Lady Gaga, Butler began making music in art school, and art was a passion that never went away. Shortly after graduating from the art school, in 1977, Richard Butler became a founder and singer/songwriter for the British post-punk / new wave rock and roll band "The Psychedelic Furs". Quickly gaining commercial success, his musical career kept him away from painting throughout the 80s and the 90s. In early 2000s, Richard Butler returned to painting and started exhibiting his art in the U.S. and Europe. He prefers to call himself a painter who sings, rather than a singer who paints. He was influenced by Anselm Kiefer and Francesco Clemente and became friends with Julian Schnabel. With his daughter, Maggie Mozart Butler, as his muse, he produces expressionistic portraits of pensive female subjects, who serve as ciphers for himself. As he describes, “In a way I think all of my paintings are self-portraits in that, though the face I am painting may not be my own, the feeling I get back from the painting is certainly an important element of my own psyche.” His work is a sort of dark moody expressionism with nods towards Lucien Freud. He lives and works in Connecticut. He has had solo exhibitions in New York City, Miami and Florence, Italy. One of his works, Girl with a Map, has been used as a CD's cover art. Selected Solo Exhibitions 2020 Richard Butler: Amnesiac Hostess, Waltman Ortega Fine Art, Miami, Florida, USA 2017 101/EXHIBIT, La Peer Drive, West Hollywood, Los Angeles, California, USA 2015 naturalhistory ,Freight+Volume (Allen St.) ,Lower East Side, New York, USA Selected Group Exhibitions 2025 Summer Sale, Galerie Olivier Waltman, Paris Saint-Germain, 6e, Paris, France The Rhythm. Vibratory Shock of Being, Galerie Olivier Waltman, Paris Marais...

Artist: Michael Paraskevas Title: Locomotive Medium: Oil on Canvas Size: 48 x 96 in. (121.92 x 243.84 cm)

A contemporary abstract geometric colour field landscape in oil on canvas by Dutch artist Bernadette Van Baarsen. Signed bottom left and signed and titled to the reverse. Highly co...

"Fallen Sun Song" is created by bleaching black denim and piecing together garments dyed with ink. Grommets are used throughout the piece to show the wall behind it. A brass colored ...

This painting is a loving homage to Bianca, Bert’s cherished dog. It captures intimate memories of their shared routines—a visual "reset button" where time slowed and companionship t...

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion ...

Kerry Smith Etta James - At Last Mixed Media on Conservation Glass Year: 2018 Size: 12x12in Signed, dated by hand COA provided Ref.: 923423 *Black frame with a mirror-gloss finish a...

There’s A Cat In The Sky (Abstract painting) Oil, acrylic and pencil on canvas — Unframed. This artwork will be shipped flat within the US. If shipped outside of the US this work wi...

Contemporary color-field oil on canvas of a beach scene by Dutch artist Bernadette van Baarsen. Titled 'Le Ballon Bleu'. Unframed. Signed and dated 2025. This artwork vividly captur...

Formalism collides with a punk rock, folk art sensibility in his pop culture mash-ups that explore the liminal space between the natural and built environment. The animal kingdom act...

Artist Comments
Artist John McCabe paints three punk rockers standing near a hot pink house-shaped signage that offers free beer. The World Famous Doll Hut dates back to the ...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Dinner in Hell pulls no punches—it places us directly at the table. In this dark and unflinching composition, world leaders Trump and Putin carve up the earth with calm precision, th...

"U - 333" Abstract Painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Sterling Ruby (LA), and The Haas Brothers (LA)...

"CHERENKOV CYCLOTRON" Abstract Painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Sterling Ruby (LA), and The Haas B...

Scott Harbison grew up in northern New Jersey, and had an early fascination with cartoons. Somewhat introverted, he seemed to daydream his way through ...

Represented by George Billis Gallery, NYC & LA --Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subject is modernism’s footprint on the outposts of Americana—places typified by harsh artificial light and hard shadows on concrete. The show makes clear that for Young, despite the contemporary art world’s preferences for irony, disjunction, and tongue-in-cheek intellectual gamesmanship, painting is at its best when it attempts to offer an unpretentious accounting of where and how we live our day-to-day lives. The celebrations of urban sprawl offered by artists like Ed Ruscha—who famously took no-nonsense aerial photographs of thirty four LA parking lots in 1967, and created sleek, stripped down paintings of Standard Oil stations—are an obvious point of reference in Young’s work. But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his own memories of road trips, photographs, and pure invention, and rendered with a sense of atmosphere and drama seemingly at odds with his use of hard lines and simple geometric shapes. Painters today tend to lean on pastiche, on art-historical mashups and code-switching. This typically results in images with no unified style and no concern for pictorial space, illusionistic or otherwise. For many contemporary painters, the picture plane is simply a flat, delimited arena in which different types of visual syntax collide, floating freely. This is a non-strategy in which artists make an end run around some of the thornier problems of composition, perception, and cognition. Young bucks this trend. He activates every square inch of his canvases, blocking in large passages of negative space with skeins of scruffy countervailing strokes. He is not a fussy painter, nor is he out to prove his own mastery to an audience. Like Edward Hopper, Young tends to eschew a lot of paint’s seductive properties, preferring to create hard edges and large, gently undulating planes of subdued color. He draws the viewer into an unpopulated, uncluttered world with a clear horizon line—but one that is also filled with hiccups, discontinuities, and compromises. In Service in the Rear, for example, a shelter for gas pumps in the foreground—closest to the viewer and, therefore, logically a dominant compositional element—is rendered as a hazy silhouette that flagrantly disobeys the rules of linear perspective. This is intentional: The structure is only important to Young in the way that it draws the viewer’s eye below and past it, to the glowing, low-slung building dominating the lefthand side of the picture. Thus Young shows his talent for creating visual tension and drama—and for sidestepping the viewer’s expectations. Young understands that some might regard his brand of painting as obsolete. He also understands the troubled legacy of modernism, and what the triumph of universal technology has meant for cultures around the globe. Still, for Young, the cold comfort offered by outposts of convenience—gas stations, airports, cheap hotel rooms—is not so easily dismissed. Young shares the strange buoyant optimism of his hero, Jonathan Richman, who, in his early ‘70s proto-punk single, Roadrunner, exults in the simple act of driving past the Stop’n’Shop with the radio on...

Formalism collides with a punk rock, folk art sensibility in his pop culture mash-ups that explore the liminal space between the natural and built environment. The animal kingdom acts as our proxy. His paintings are noticeably devoid of the human figure, replaced by a colorful bestiary cavorting in landscapes that echo speculative fiction...

Kerry Smith Setlist: Black Flag at Hong Kong Cafe, Los Angeles - June 18, 1979 (Set 1) House paint, acrylic and masking tape on torn canvas Year: 2021 Size: 55x27in Framed: 69x43x3in...

Edition 5 2 guns in street art style JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine Br...

Artist: Kenny Scharf Title: Unique Surfboard Size: 195.6 x 50.8 x 6.4 cm. (77 x 20 x 2 1/2 in.) Medium: Spray Paint on Surf Board Edition: Unique Original 1 of 12 Year: 2021 Notes: Signed and numbered 'Tim Bessell 1/12 Kenny Scharf' on the reverse. Kenny Scharf is a legendary American artist who was a pioneer in the iconic 1980s East Village street art scene in New York. Together with artists such as Keith Haring, Andy Warhol and Jean-Michel Basquiat, Scharf helped spearhead the aesthetics of the era, co-authoring arguably the most essential chapter in street art history by positioning it as an equal player on the contemporary art world’s main stage. Today, the Californian is widely recognised as one of the most important figures in the ‘Lowbrow Pop Surrealism’ art movement, which is characterised by abstract imagery merging with dreamy cartoon characters, and is rooted in comics, punk music, and graffiti and street culture. Like many other children growing up during Pop Art's cultural boom in the 1960s, Scharf was greatly impacted by images of popular and commercial culture that permeated and shaped American collective consciousness. But, unlike other kids, Scharf's interests went beyond clipping out photographs from magazines to stick on his bedroom wall. Instead, he found joy in finding expression on the streets, where, with a spray paint can in hand, he could share his unique, Day-Glo, psychedelic pictures with the public. In his works, Scharf employs a range of techniques, media and allusions to create hallucinatory compositions bursting with bright colours, bold patterns, and dreamlike metaphors, featuring a host of anthropomorphic creatures, extraterrestrial beings, and comic book motifs. A UNIQUE STATEMENT AGAINST MARINE POLLUTION In 2012, Scharf decided to take his practice one step further by working on a unique partnership with Parley – a group and platform raising awareness about the major threats towards our oceans, which are the most important ecosystem of our planet. As Scharf explained, ‘I am obsessed with plastic in our oceans and I jumped at the chance to do anything with other people that are also sharing that obsession.’ Parley’s Global Cleanup Network has a special focus on protecting the Yucatán Peninsula in Mexico where the group have been active since 2017, and where Scharf himself has spent numerous years. Scharf created a small group of only twelve individually painted...

"(Certain) Puddle Painting #4", original, signed, 2013, aluminum paint and spray paint on canvas by rising art star, Mexican-born painter, Stefan Brüggeman...

Contemporary color-field oil on canvas of a beach scene at low tide by Dutch artist Bernadette van Baarsen. Unframed. Signed and dated 2025. This artwork portrays a solitary figure ...