Anthony Michael Autorino Art

Step into the bustling energy of a portside moment with René Genis’ “Les Grues” (The Cranes)”, a captivating oil-on-mat-board painting that transforms the in...

Ebbing tide is an original landscape painting by Stephen KInder. This painting was completed on location in the late summer of 2019. The painting was completed on West Wittering...

Oil on board, orange cliff top montbretia Oil on Board 23 H x 23 W x 3 D cm (9.06 x 9.06 x 1.18 in) Sold framed Image size: Height: 20cm (7.87 in) Width: 20cm (7.87 in) Complete s...

Artist Comments
Working from memory, artist Onelio Marrero paints a full moon in the early morning hours over the salt marshes in coastal New Jersey. The silvery glow in the early morning hours reflects dreamily onto still waters. "These wetlands are profoundly affected by the tides," says Onelio. "The channels that meander throughout the marshes invite the viewer to visually follow the bends and turns." There is a timeless and mysterious quality in these natural elements and Onelio's memory of the scene is well served in the execution of this painting.

About the Artist
Onelio Marrero paints city scenes of everyday life. In an impressionistic style he captures the romanticism of New York City, the picturesque fountains in Central Park and the wet city streets after a rainy afternoon. His use of warm tones creates a sense of nostalgia and the feeling that you have visited or seen this particular scene before. Onelio will often paint from direct observation, or he will work from a combination of photographs and combine numerous sources into one piece. In this way his work combines reality with fantasy, creating a new story with each painting. His work captures an appreciation for beauty in all of its greatest forms; nature, art, and people.

Words that describe this painting: marsh, wetland, swamp, inlet, waterway, stream, river, grass, tree, cloud, moon, mist, morning, water, reflection, dawn, impressionism, oilpaint, panoramic, nature, impressionism, nature, oil painting, blue

Morning Moon and Cloud...

Gorgeous seascape of Pacific Grove, California just north of Carmel by Marie Duncan (American, 20th Century), c. 1990. Signed lower right corner. Excelle...

Grazing cows on the California Big Sur coast, a farm landscape by J.W Ford (American, 20th Century). Signed "J.W Ford" lower right. Unframed. Image size, 16"H x...

Quaint pastoral landscape of a figure and dog walking down a country lane amongst tall autumn trees with beautiful fall foliage by Cal Donna Zell (American, 20th Century). Signed "Ca...

A rare and highly collectible circa 1927 Colorado landscape by Randall Vernon Davey, this intimate oil painting captures the grandeur of the Rocky Mountains through the lens of one o...

With strokes of Gold, Oil, Gesso and Acrylic, Shizico painted a visual symphony of abstract expression in this on-going series [Landscape Memories]; it's a part of her [Sunlit Series...

A nocturnal landscape of a cottage shrouded in foliage by Kristy Simmons (American, 20th century). Signed, stretcher bar, on verso. Unframed. Image, 19.38"H x 23.88"W. Painted during...

Gorgeous period painting of the Cape Cod Lighthouse with dunes and beach in the foreground by L. Clogston (American, 20th century). Oil on artist's...

Suzanne Schweig Langsdorf Martyl was active/lived in Illinois, Missouri, Kansas. Suzanne Martyl is known for abstract western landscape, magazine cover illustration, murals, botanics. Illustrator of the Doomsday Clock. Martyl exhibited infrequently but five one-man shows in Saint Louis since 1936 kept her in the public. She was also represented in many of the National exhibitions. In 1940 she was awarded the first prize in the Midwestern Show at the Kansas City Art Institute and won the hundred dollar purchase prize at the Y.M.H.A., Saint Louis. The following year she was awarded first prize in the annual exhibition of Missouri artists at the Saint Louis City...