Framed Art

5022 Surreal Abstract set in a brushed aluminum frame Signed P.Russo 1986

‘Passeggiata in Carrozza’ by Alfredo Tominz (1854-1936) The painting – which depicts an elegant couple in a gig with their Miniature Pinscher running ahead – is signed by the artist...

Charming mid century or possibly earlier folk painting. It is an oil on board measuring 12 inches wide by 10 inches high. The frame measures 14 inches wide by 12 inches high.

Pedro Friedeberg signed lithograph featuring a fantastical architectural scene inspired by “Struwwelpeter.” includes whimsical figures, optical art elements, and surreal details. fra...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 60 x 40 Frame Size: 71 x 51 Medium: Oil on Canvas Signed 1980 "The Blowout" Woo...

Konstantin Razumov (Born 1974) Russian Pretty Nude Lady Kneeing beside a Window Oil on canvas: 13 x 9 inches. Frame: 19 x 15 inches. Konstantin Razumov's work has been offered ...

Antonio Tempesta (Florence 1555 - Rome 1630) Circle Saint James defeating the Moors in battle Oil on canvas 112 x 102 cm - Framed 125 x 114 cm A valiant knight with his sword...

Harry Bilson (Icelandic, b. 1948) Untitled (Day in the Park), c. 21st Century Oil on canvas 17 1/2 x 23 in. Framed: 19 1/2 x 25 x 1 1/2 in. Signed lower left: Bilson Bilson was born in Reykjavik, Iceland. At the age of five he moved to London, England, speaking Icelandic rather more fluently than English. He realised that nobody was listening and started to paint. His unique talent was first noticed a year later, when, at the age of six, he won an international Exhibition of Children’s Art competition in Prague, Czechoslovakia. At the age of nineteen he became a full-time professional: self-taught, self-propelled and completely self-supported. He has painted ever since. Bilson has lived in various countries including Australia, Hong Kong, USA, Canada, Ireland and now resides happily in Iceland. There continues to be a great deal of travelling and painting on the move, as well as continuing to exhibit worldwide. Many of Bilson’s paintings are owned by well-known people and corporations, such as Bob Hawke – former Prime Minister of Australia, Jonathon Sachs – The Chief Rabbi, Clint Eastwood, Zsa Zsa Gabor, Anne Robinson, The Von Thyssen Collection, The Romanov Collection, Westinghouse, Ashland Oil and Arrowfield Horse Stud...

Pierre Montezin, French (1874 - 1946) - Les Foins, Year: 1938, Medium: Oil on Canvas, signed lower right, Size: 23.75 x 31.75 in. (60.33 x 80.65 cm), Frame Size: 31.25 x 39.5 inc...

Oil on artist board Circa 1930 -1935 Signed verso and dedicated to JF (possibly John Folinsbee, fellow artist and neighbor). Overall size encased in custom 22K gold leaf frame wit...

Daniel Key's "Lilting" (2025) is an original, handmade oil painting that depicts a fresh array of pink roses and assorted flowers. About the artist: Daniel J. Keys was born on Oct....

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

Abstract work in watercolour and gouache. Presented in a narrow gilt frame and textile mount. Unsigned. On paper.

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Artist: Joan ...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Color and Space Medium: Agamograph, signed and numbered in ink Year: circa 2000 Edition: 99 Size: 15 in. x 14 in. (38.1 cm x 35.56 cm) F...

Crispin van de Passe The Younger (c. 1594-1670) Untitled (Royal Stallion), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in plate: Le Bonit...

Russell Chatham lithograph signed and numbered “October” . In goood condition. Some minor frame wear and one scratch on the glass. Measures 54x43

Artist: William Harnden, American (1920 - 1983) Title: Conductor with Orchestra Medium: Oil on Masonite, signed Image Size: 15.5 x 19 inches Frame Size: 18 x 21 inches

A fine mid-19th century portrait by the accomplished artist Émile Charles H. Lecomte-Vernet (1821-1900), portraying a refined gentleman dressed in a formal coat adorned with a subtle...

River Meadow with Cattle & Cottage in the English Countryside by British Artist, Tony Mercier (Born 1945) Art measures 16 x 12 inches Frame measures 20 x 16 inches Signed Vintag...

French school of the 20th century, portrait of elegant, oil on canvas monogrammed and dated E.B. 1931 lower left. The monogram E.B. is also repeated on the back of the canvas. The...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a French Blue background with thick use of paint. I...

Keimpe van der Kooi Garden Party 101 x 116 cm Framed: 110 x 124 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. The impre...

Subway 43 by John Conn was originally photographed in New York City between 1975 and 1982. Each black and white photograph is signed and numbered. Edition of 15. It is a 20x30 ima...

Abel Warshawsky (American, 1883-1962) Mural Study Oil on board Signed and inscribed verso 9.5 x 18 inches 15.75 x 24.25 inches, framed Impressionist painter A.G. Warshawsky was acti...

Artist: Slonem, Hunt Title: Swallowtail Date: 2019 Medium: Oil on wood Unframed Dimensions: 33" x 25" Framed Dimensions: 35" x 26.5" Signature: Signed by Artist on Verso Editi...

Camille Pissarro’s Paysannes assises (c. 1880) is a richly colored, large-scale pastel that distills the artist’s humanism and modernity into an intimate, everyday encounter. Two pea...

Pair of romantic Bavarian paintings is an old master artwork realized in 1889 by the master Karl Adolf Wilhelm Chelius (1856-1923). Mixed colored oil panting on...

Original oil on artist board painting by the Russian/American artist Ben Benn. Signed lower right and signed titled and dated in pencil verso. 1929. Overall in custom contemporary ...

17th Century Old Master Drawing Old master drawing with figure and putti Housed in a handsome contemporary wooden frame Drawing dimensions 4...

Antique American impressionist signed coastal seascape oil painting. Oil on canvasboard. Framed. Signed. Measuring: 14 by 18 inches overall, and 12 by 16 painting alone. In excelle...

Abraham Hulk Snr British, (1813-1897) Sailing Boats off the Dutch Coast Oil on canvas, signed Image size: 10.75 inches x 16 inches Size including frame: 15.25 inches x 20.5 inches P...

Mid Century oil on canvas landscape painting by Franco Hungarian artist Elemer Vagh Weinmann. The painting is signed bottom right and is presented in a custom gilt frame with a white...

Title: Rainy Street Scene Watercolour With Umbrellas And Shoppers In Urban High Street By Tony Herbert (1927-2024) Signed: Lower right corner Medium: Watercolor on paper, unframed Si...

Artist: Thomas Strickland, American (1923 - 1999) Title: Flower Still Life Year: circa 1960 Medium: Oil on Canvas, signed u.l. Size: 20 x 24 inches Frame: 31 x 27.5 inches

"Portrait of a Basset Hound" Léon Espinasse (French, c. 1870 to 20th century) Watercolor on paper Signed lower left 12 x 9 3/8 (23 ¾ x 21 frame) inches A stunning exercise in comple...

Evy 24 x 30 cm ( it will be delivered framed/ frame is included: size with frame 28 x 34 cm ) Acrylic paint on wood The Dutch artist Jantina Peperkamp likes to paint portraits of y...

Artist: Charles Cobelle, French (1902 - 1994) Title: Monument Year: circa 1960 Medium: Acrylic on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame: 28.75 x 33 inches

Mabel Barnsbee (1892-1980). Miniature Watercolor Painting Surrealist Postage Stamp Collage. Image measures 4.5 x 6.5 inches. Measuring 11 x 13 inches in original frame. The Mysti...

This lovely Dutch Old Master portrait oil painting is attributed to circle of Willem Wissing. Wissing settled in England and emerged as Peter Lely's most important pupil after his de...

Acquired by the gallery directly from the artist UNFRAMED: 10" x 20" FRAMED: 14.5" x 24.5" x 1.5" Signed " K Dempwolf" on lower left Artist Statement "I have painted cattle into ...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Oil on Canvas Dated 1957 "Bluebonnet Creek" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Underwater B&W photograph of a young naked woman wrapped in air bubbles and sunbeams. There were five grand-pianos at her house, a pool on the third floor, and a sad man on the bott...

Ida Sedgwick Proper At the Claremont (View of the Hudson River and Palisades) circa 1912 Signed lower right Oil on canvas 45 1/4 x 57 1/2 inches Exhibited New York, Heterodoxy, Malv...

Fresh Paint oil/panel 11 x 14 unframed 16.5 x 19.5 framed Fresh Paint is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful boat...

Acquired by the gallery directly from the artist UNFRAMED 12" x 9" x .5" FRAMED 12" x 9" x .5" Artist Statement "Which is bejeweled, the blue pearl and gold laced vase, the hummin...

This charming large-scale 1973 screen print depicting various English cookies in sharp, masterful detail by Marc Foster Grant (American, b. 1947) is perfect for a bakery or biscuit l...

Rare and wonderfully painted pointillist landscape by Carmelo Vegas. Thick impasto and a fine composition. Housed in a period giltwood frame. Ready to hang. Oil on board. Signed.

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

Signed post impressionist oil on canvas figures in landcape by French painter Ferdinand du Puigaudeau. This stunning work depicts a mother and child in a harvested field beside two l...

Henri Laville (1916) 'La femme en bleu', cira 1960's signed oil on canvas, framed framed: 20.5 x 15 inches canvas: 16 x 11 inches provenance: private collection, France condition: v...

Ciro Ferri (Rome, 1634 – Rome, 1689) Attributed to Annunciation (probably a preparatory sketch) Oil on canvas 61 x 41 cm - In frame 79 x 49 cm The work, certainly commission...

Pocket Lime 3c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroque still life p...

Piazzo San Marco, Venice by Etienne Auguste Krier (1875 - 1953) oil on board, framed framed: 10.5 x 7.5 inches board: 8 x 6 inches Provenance: private collection, Paris Condition: v...

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

Wonderfully painted American modernist still life oil painting. Framed. Oil on canvas. Image size, 24H by 20L. Finely executed realist school.

Rare Limited Edition Lithograph hand signed by John Lennon's in 1970, this is from the Bag One Portfolio first shown in 1970. The Bag One lithographs were ha...

Fine landscape painting, this oil on canvas of Snowdonia, Wales is by 19th century British artist Thomas Huson, RI, (1844-1920). Signed by artist in lower left, Thomas Huson was a ...

Casey Childs' (US based) "Last Light" is an oil painting that depicts a female with upswept blonde hair reflected in a mirror. Artist Statement: "My work as a whole encompasses an ...