Framed Art

In this neoclassical oil on canvas signed and dated “Otto Bache 1864”, the artist depicts Psyche standing with her back turned to the viewer beside a red draped table. Her hair is arranged in a tight knot, secured with a hairpin adorned with two large pearls. She holds a light drapery that covers her legs, while the rest of her body remains nude. With her head turned toward the right, she gazes downward toward the table, where a blue gown or drapery lies, the garment she is about to put on. Her softly illuminated profile emerges as she turns in the light falling from the upper left, creating a striking backlight that heightens the contrast along the contours of her body. On the richly red draped table before her rest her jewellery and, to her left, a large amphora-shaped jug and a tazza bowl. The light descending from above to the left defines the composition with sharp contrasts between brightness and shadow, revealing the delicate modelling of Psyche’s form and lending the scene a quiet sense of introspection and grace. Exhibited: Winkel & Magnussen October 1915 no. 5, ill. p. 5. Otto Bache was born in 1839 in Roskilde, Denmark, and died in 1927 in Copenhagen. At the age of only eleven he was admitted to the Royal Danish Academy of Fine Arts in Copenhagen where he studied drawing and painting under the supervision of artists such as Wilhelm Marstrand. His early training gave him a basis in the Danish “Golden Age” tradition of realism and naturalism, but he went on to travel and extend his horizons. In 1866 he received an Academy travel-scholarship and went to Paris, then Italy (1867–68). The influence of Paris is often noted: his palette became richer, his handling freer, his light stronger, and his subjects broader. Later in his career, from around 1887, he held the post as professor and on various occasions director of the Royal Danish Academy. Bache’s early work reflects his rigorous academic training: careful drawing, subdued palette and interest in genre scenes and rural life. After his travel in Paris and Italy he adopted a somewhat more robust handling of color and light, but still remained essentially realist and narrative in approach. He painted portraits, animal and hunting subjects, genre scenes, and large history-paintings depicting key moments from Danish history. In particular, during the 1880s and 1890s when he was commissioned to execute large history canvases for the Museum of National History at Frederiksborg Castle and similar institutions, depicting events such as the exploits of Danish soldiers...

These works explore our relationship with the incredible biodiversity of our planet Earth. Visual representations of flowing colours, smells, sounds and the feeling of our life sourc...

A delightful 19th-century pen and ink study depicting a lush landscape. In the distance, a castle can be seen perched atop a rugged cliff. Inscribed, dated and titled 'Lady of the La...

Original oil on canvas board painting of a fall landscape by the American artist, Arthur Mitchell. Signed lower left by the artist. Circa 1890. Condition is very good. The paintin...

End Of Winter oil/canvas panel 9 x 12 image unframed, 15.38 x 18.38 framed signed LL I enjoy playing with light in my paintings and creating a mood while trying to push the range of ...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

Partly Sunny is a new oil on panel painting just completed in the studio. The painting exudes the rich qualities of oil paint with bright strong color, a variety of lost and found ed...

Artist: Joan Miro Medium: Original lithograph Title: Miro Lithographe II, Plate III Portfolio: Joan Miro Lithographe II Year: 1975 Edition: Unnumbered Framed Size: 20 1/2" x 27 1/2" ...

This is the original opening invitation card for Donald Judd: The Last Editions at Brooke Alexander Editions in 1994. The invitation takes the form of a postcard that opens up to rev...

This vintage oil on canvas, signed M. cDowell in the lower right, depicts a dynamic English fox hunting scene. At the center, a huntsman in a traditional red coat rides his galloping...

Alberto Ludovici Jr. Italian / Anglo-European School, late 19th century Elegant Figures in a Parisian (or London) Park Oil on panel Signed lower right Circa 1890 A refined and atmo...

Photo of Robert Plant striking one of his famous pose fronting Led Zeppelin at the Forum in 1973. About The Print: Archival pigment print on 100% cotton paper with a satin baryta fi...

6098 Spanish beauty with white bird Elaborate gilt frame Image size 15.5x19.5"

'Clearing the Pond' by Francois Duyk (Belgian, late 19th century) signed lower corner oil on canvas, framed framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenance: private col...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

"Indian Paradise Flycatcher" is an original piece by Nayan and Venus made from watercolor on layered hand-cut paper. This piece measures 11.75”h x 9.5”w x 1"d framed, and is shipped ...

Large Vintage Post Impressionist framed oil painting on canvas, signed by the artist, Monique Baroni (1930-2016) in the bottom left. This is a stunning large scale impressionist oi...

Still Life of Game with Spaniels and Falcons in Landscape Setting Carstian Luyckx (Flemish, 1623 – c.1675) Oil on canvas Circa 1670 Unsigned 43 ½ x 59 1/8 in.; Frame 52 7/8 x 68 7/...

Title: Topographie du Rêve Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: 42.13 × 42.13 in (107 × 107 cm) – Natural wood floater frame (black optional) Year: 2025 – Signed l...

Cuzco (Cusco) School, 19th century, Peru Ángel Arcabucero (Angel with Arquebus) oil on canvas unframed 58 × 41 cm (22.8 × 16.1 in) framed 66 × 49 cm (26.0 × 19.3 in) No signature Provenance: Acquired in Peru in 1986 by the previous owner. Essay: This painting portrays a celestial figure identified as an ángel arcabucero – literally an “arquebus-bearing angel,” shown as an archangel wielding an early firearm (arquebus) instead of the traditional sword. The angel is richly attired in the fashion of an Andean noble or Spanish aristocrat, with an ornate embroidered coat, lace collar, and billowing sleeves, in keeping with the distinctive iconography of these militaristic angels. Such ángeles arcabuceros emerged in the late 17th century in colonial Peru and were especially popular in Cuzco School painting, replacing the sword of Catholic warrior-angels with a gun to signify the heavenly army’s power in a modern guise. The graceful figure, dressed as a nobleman yet serving a divine role, underscores the fusion of earthly authority and celestial protection – a sartorial and symbolic innovation unique to the Andean region’s religious art. This iconography, found only in Spanish colonial territories, resonated with local believers and visually confirmed the angel’s identity as a heavenly soldier guarding the faithful, his delicate hands cradling a long-barreled arquebus as if it were a sacred instrument. The Ángel Arcabucero exemplifies the visual hallmarks of the Cuzco School, a major Peruvian painting...

William Thornley (British, 1857–1935) Boulogne-sur-Mer, circa 1890 Oil on canvas Signed lower right ⸻ A fine late 19th-century coastal scene by William Thornley, depicting fishing...

Paris Street Scene with Figures on Parisian Street 20th Century Post-Impressionism by Italian Artist, Mario Passoni (Italian, born 1927) Art measures 16 x 12 inches Frame measures 2...

Riverside Scene By Alex Levrat, French 1941 signed & dated oil on board, framed Framed: 15 x 18 inches Board : 13 x 16 inches Provenance: private collection, France Condition: very g...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 28 x 36 Frame Size: 38 x 46 Medium: Oil on Canvas Signed Front & Signed & Titled on Verso Newcomb Macklin Frame Circa Late 1930s "Blue Heaven" Bluebonnets Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

Mary Ann Robertson (1923-1911). Persian Morning II, 1964. Oil and paper on canvas. 25 x 36 1/2 inches. overall frame size 37 1/2 x 26 inches. notes: Nashville, IN woman artist....

Swim-in-Pool, photograph from Richard Heeps Dream in Colour series. This fun original artwork really shows Richard's unique eye as a photographer, creating this slightly surreal kits...

Fritz Lindström was a Swedish painter celebrated for his evocative landscapes and sensitive portraiture. After studying at the progressive Konstnärsförbundet School in Stockholm unde...

This painting is signed on the back, the frames are made of oak A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements,...

Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the...

The Scottish Island by William B Dealtry (British 1915-2007): signed oil on board, framed framed: 27.5 x 32 inches board : 23 x 27.5 inches Provenance: private collection of this art...

'Budge' Portrait of a Spaniel Dog (Springer spaniel?) by George Paice (1854-1925) British Artist *see notes below signed and dated 1920 oil on canvas, framed framed: 16 x 19 inches c...

May Lydia Ames (American, 1863-1943) Near Carmel, Calif., 1932 Oil on board Signed and dated lower left, signed and titled verso 14 x 20 inches 18.5 x 24.5 inches, framed May Ames w...

A classic British fish & chips van, on a classic English day Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 25 gloss phot...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Screenprint in colours, on Arches paper, with full margins. Edition 42 of 100 64.1 x 55.2 cm (25.2 x 21.7 in) 71.1 x 62.2 cm, 28 x 24.5 in Signed, numbered, titled and dated on the f...

The Highland River (most likely at Glen Etive or Glencoe) by F. E. Jamieson (British 1895-1950) signed (with pseudonym, Graham Williams) oil on canvas, framed framed: 26 x 36 inches ...

Chalcographie du Musee du Louvre, 1855. Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439 x 488 mm); sheet 17 3/4 x 20 1/8 inches (451 x 519 mm), full margins. Scattered ma...

Acquired by the gallery directly from the artist UNFRAMED: 14" x 18" FRAMED: 20.25" x 24.25" x 1.5" Signed "K Dempwolf" on lower right Artist Statement "This is a movie ranch whe...

Still Life of Fruit by George Clare (1830-1900) *see notes below signed oil on canvas, framed framed: 12 x 14 inches canvas : 7 x 9 inches Provenance: private collection, UK Conditio...

Portrait of a Spaniel English School, 19th century based on a comparable work by Sir Edwin Landseer oil on board with cardboard backing, framed in antique deep gilt frame framed: 21 ...

William Thornley (British, 1857–1935) Fishing Boats off the Coast near Dover, Kent, circa 1890 Oil on canvas Signed lower left ⸻ A classic late 19th-century English coastal scene ...

An atmospheric sunset after the rain. The light reflected on the still-wet street is creating the most beautifully shimmering light. Two village women carrying baskets are chatting, ...

A striking contemporary abstract work that reads as both gesture and apparition, Abstract Canine Form presents a poetic, almost spectral depiction of a dog emerging from a field of l...

Harbour at Finistiere, France by Georges Eugène DELHOMME (1904-1989) * see notes below signed oil on canvas, framed framed: 38 x 46 inches canvas: 32 x 39 inches Provenance: the arti...

Rare Limited Edition Serigraph of John Lennon's "You Are Here" drawing, which is a loving image of John and Yoko in the year there were married. Originally drawn in 1969 this limite...

ARTIST: Morris Meredith Williams (1881-1973) Welsh TITLE: “River Mole, Devon" SIGNED: lower left MEDIUM: oil on board SIZE: 50cm x 43cm inc frame CONDITION: excellent DETAIL: Painter, stained glass artist and illustrator, born in Cowbridge, Glamorgan. Was married in 1906 to the artist Gertrude Alice Meredith Williams, who died in 1934. He studied at Slade School of Fine Art and in Italy and France. During World War I he served in the Army in France and completed work based on his Somme front experiences. Work by Williams and his wife is at the Scottish National War Museum in Edinburgh. He painted widely in France and showed in Liverpool and elsewhere, sometimes signing as M M Williams.

Raymond J. Cress (American, mid-20th century) Portrait of a Resting Irish Setter or Spaniel, circa 1950 Pastel and mixed media on paper, signed lower right Presented in an ornate ca...

A captivating vintage oil painting on board signed Harnden, depicting a lively tavern scene filled with musicians, dancers, and warm ambient lighting. A violinist and guitarist perfo...

This work is a contemplative abstract landscape, it is painted in oil on linen canvas using the lessirovka technique - this is when layers of paint let light through, and the lower l...

A captivating composition by Israeli painter Moshe Elazar Castel (1909-1991), rendered in vibrant colour and expressive brushwork. The work depicts a row of beachfront houses with mo...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Echoes of the Atelier IV, acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agein...

Signed and dated indistinctly, lower left, and painted circa 1850. Framed dimensions: 39 W x 4 D x 34.5 W inches Displayed in a fine and substantial, late 19th Century, carved giltwo...

Artist: Slonem, Hunt Title: Pink Tulip Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Editi...

Ritratto di giovane ragazza intitolato "Chiquita" e firmato in basso a sinistra Rigny per Alfred Rigny. Questo intenso e bellissimo ritratto colpisce immediatamente per l'energia de...

A superb 19th century Belgian oil on panel still life depicting three fish hanging against a wood background. The work is indistinctly signed upper right and retains a Brussels gal...

Torso is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now out of print. This striking work reflects Warhol's ongoing fascination with the h...

Stunning old master oil on canvas of a French landscape with an aquaduct in the foreground and a medieval village in the distance. Possibly ‎⁨Les Causses du Minervois⁩. Oval canvas,...

Title: Coastal View with Cliffs and Waves Nolton Haven Pembrokeshire Wales 1979 By Tony Herbert (1927-2024) Medium: Watercolor on board, unframed Size: 10 inches (height) x 14 inches...