Art by Medium: Acrylic Polymer

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. This photograph by Anne Valverde, titled "No WiFi," is a profound commentary on the modern condition, where the absence of digital connectivity is a statement in itself. The image portrays a serene twilight scene by the water, with the sky painted in soft hues of pink, purple, and blue, reflecting onto the calm surface below. The contrast of colors between the sky and the water creates a tranquil and reflective mood. The neon text "no wi fi" glows with an ironic warmth in the foreground, a stark reminder of the digital tether that often binds us. Its presence in this natural setting is a powerful juxtaposition, suggesting a disconnection from the digital world and an invitation to reconnect with the natural one. The reflection of the text on the water's surface emphasizes the theme of disconnect, mirroring the sentiment of severing the constant need for digital engagement. This peaceful landscape, with its wide-open spaces, is an oasis away from the constant buzz of notifications and the glare of screens. It offers a moment of reprieve, a chance to breathe deeply and experience the environment with all senses unmediated by technology. The beauty of the scene is undisturbed, inviting viewers to contemplate the rare moments where we can be truly offline and present in the moment. Valverde's "No WiFi" can be seen as an ode to the increasingly scarce luxury of unplugging, a gentle nudge to embrace the world beyond our devices. It reflects a growing desire for spaces and experiences that are not dictated by the presence of a wireless signal, highlighting the innate human need to sometimes just be in a place—physically, mentally, and emotionally. The photograph is a quiet celebration of these increasingly precious sanctuaries of silence and peace in our hyper-connected era. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Know thyself is sourced in the words of Krishnamurti, “The beginning of freedom is self-knowledge”. This atmospheric body of works on paper using acrylic, ink, pigment inkjet print,...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. Anne Valverde's photograph "Endless" captures the essence of an infinite desert landscape, stretching far beyond the bounds of the frame. The scene is one of stark, natural beauty, dominated by the sweeping dunes and scattered stones that pepper the sand. The neon text 'endless' is inscribed onto the barren desert floor, resonating with the boundless view. The composition of this image is striking in its simplicity and scale, with the gradation of light hinting at the vast expanse of space and time encapsulated within the desert's embrace. The text itself, a human-made construct, contrasts with the timeless and untouched environment, yet it seems to belong there, highlighting the desert's relentless continuum. The photograph, with its subdued tones and soft light, evokes a sense of solitude and introspection. It encourages the viewer to ponder on the concept of eternity and our place within it. The desert is a metaphor for the endless possibilities and the enduring passage of time, a place where one can lose themselves in the horizon that stretches into infinity. "Endless" is not just a visual representation of a desert; it is a reflection on the vastness of nature and the human spirit. Valverde's work prompts a contemplative state, a meditation on the unending cycle of life, and the awe-inspiring scale of the natural world. It is an invitation to explore the depths of our own thoughts and the ceaseless nature of our existence. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Dark Plum, Hot Pink, and Forget Me Not Excess Trio Combo by Chloe Hedden offers a richly layered exploration of color, texture, and emotional resonance. Each work, sculpted in thick ...

Malcolm Maloney Jagamarra "Kangaroo Dreaming" 1991 Framed Signed verso Provenance: Hank Ebes, Aboriginal Gallery of Dreamings, Melbourne, Australia; Acquired from the above in 1991, Richard Kelton Collection, Santa Monica, California Malcolm Jagamarra was born in the Australian outback...

"Laying a Field" was inspired by constellations and fractals. I was also experimenting in mold making using a type of vacuum molds. The lines you see are slightly raised above the ...

Baraka from Arabic means a spiritual power believed to be possessed by certain people or objects. The sculpture is an amalgamation of possible mechanical and organic forms capturin...

This acrylic sculpture is a contemporary work in a soft shade of yellow. Yordan's sculpture would add a playful element to any modern space. Signed and numbered. Edition: 100.

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined. The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild. The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty. Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. The photograph titled "You Are Here" by Anne Valverde exhibits a minimalistic seascape where the vastness of the sea meets the expansive sky. The crisp horizon line divides the image into two broad swaths of muted color, imparting a sense of calm and infinity. The foreground is a textured white that looks almost like a continuation of the sea's surface, adding depth and grounding the photograph in a tangible reality. Against this serene backdrop, the phrase "You Are Here" is superimposed in a style reminiscent of neon signage. The contrast of the modern, human-made font with the natural setting plays on the idea of place and presence. It serves both as a marker of physical location and a philosophical statement about being present in the moment, offering a dual commentary on geography and consciousness. The artwork’s essence lies in its call for contemplation. In a world often dominated by haste and distraction, Valverde’s work is a gentle prompt to acknowledge and savor the present. The text acts as an anchor, pulling the viewer back from wherever their mind might wander, back to the 'here' that is not just a point in space, but a moment in time. The composition and the inclusion of the text work together to evoke a reflection on solitude and connectivity. In the absence of any human figures or traces of civilization other than the text, the image suggests isolation, yet the words imply a connection to the viewer. It is this paradox that enriches the photograph, encouraging a deeper engagement with the layers of meaning behind the simplicity of the captured scene. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. In "Offline," a thought-provoking photograph by Anne Valverde, we are presented with a tranquil coastal scene at twilight. The neon text 'off line' glows softly amidst the wild grasses at the forefront, suggesting a deliberate disconnection from the digital world and an immersion into natural serenity. The horizon blends sea and sky in a gradient of blues, symbolizing the vastness and depth of the world beyond our screens. The pristine environment, with its calm waters and untouched sands, encourages viewers to consider the peacefulness that comes with being 'offline' and reconnecting with the environment around us. The placement of the phrase 'off line' within the serene landscape invites the viewer to reflect on the concept of presence and the importance of disconnecting from the constant flow of information and connectivity that defines modern life. It's a gentle nudge to step back, to breathe in the fresh air, and to take in the moment without the distraction of technology. "Offline" is not just a visual experience; it is a statement on the balance we seek between the digital and natural worlds. It's a call to occasionally break away from the tether of our devices and to indulge in the beauty that exists when we do. This image captures that fleeting moment of dusk when the world slows down, and we can find solace in the simple and profound beauty of nature. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. In "Snow Dream Pink," Anne Valverde intertwines the serenity of a winter landscape with the subtle vibrancy of neon art. The work captures a moment of stillness as dusk drapes the snowy scene in a blush of pink, while the word 'dream,' spelled out in neon, casts a warm glow across the cold ground. Valverde's signature use of neon text as an integrated element of her compositions is evident as she delicately places the installation within the natural environment. The glowing letters stand in gentle contrast to the twilight hues, a beacon that seems both a part of the landscape and a distinct echo of human presence and creativity. With the snow-capped mountains and frosted trees as a backdrop, the neon sign does more than illuminate; it inspires. It serves as a call to pause, reflect, and embrace the possibilities that dreams represent, even amidst the quiet slumber of winter. "Snow Dream Pink" is a visual symphony of contrasts — the warmth of the neon light against the cool snow, the soft sky against the crisp outlines of the forest. It's a testament to Valverde's skill in creating spaces where light, colour, and text invite the viewer to a place of introspection and wonder. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

1) Untitled 2) Wooden cardboard, acrylic. 3) Year of creation : 2016-2017 4) 106,5X48X0,5cm and 36X16X1cm 5) signed on the back 6) Unique copy 7) 3600 euros

Hunt Rettig's three-dimensional wall sculptures consist of polyester film, thermoplastic rubber and acrylics that he molds to create organic shapes full of light and dimension placed...

“REFRACTED LIGHT SERIES” are composed of stacking multiple clear sheets, each one individually hand etched. The pieces reveal themselves through a meditative, self-informing process....

Work N° 4 by Kevin Cheng-Feng YU 1) Untitled 2) Cellular concrete, blue tape 3) Year of creation : 2020 4) 10X9,7X18,2cm 5) signed on the scotch tape 6) Unique copy 7) 1100 euros ...

Gigino Falconi was born in Giulianova (Teramo) in 1933. He began painting at the age of sixteen, and in 1954 he obtained a Liceo Artistico of Pescara. During the early years of his c...

ABOUT THE ARTWORK "Adjusted Light Magenta" conjures a feeling of serenity, in the midst of a hidden sanctuary of tranquility and ethereal aesthetic. ...

Acrylic on canvas

1) Untitled 2) Wooden cardboard, acrylic. 3) Year of creation : 2016-2017 4) 106,5X48X0,5cm and 36X16X1cm 5) signed on the back 6) Unique copy 7) 3600 euros

“Rift Valley, Sonde IV” is an evocative mixed-media composition that captures the raw essence of nature through its textured, multilayered surface. The earthy palette—browns, ochres,...

With energy and warmth bursting forth, the viewer encounters a subtle and comforting embrace within a warm range of orange hues. These delicate tones, filling the scene with passion ...

MacConnel, Kim Robert (American, California, born 1946) Shravan Belagola Temple (Jain) Shravanabelagola (Śravaṇa Beḷagoḷa) is a town located near Channarayapatna of Hassan district ...

“REFRACTED LIGHT SERIES” are composed of stacking multiple clear sheets, each one individually hand etched. The pieces reveal themselves through a meditative, self-informing process....

Soft Blue Discs Acrylic/polymer on masonite, 1976 Signed by the artist in pencil lower right: LD Cantine (see photo) Signed, titled, dated verso (see photo) Canadian painter Cantine has spent his career exploring the role of color in painterly image construction Condition: Excellent Painting size: 12 x 15 inches Provenance: Kraushaar Galleries (lebl, see photo) "David Cantine (born 1939) is a Canadian painter, best known for consistently painting pictures using the same composition for the last forty years of his career. Cantine was born in Jackson, Michigan, and went to school at the University of Iowa, earning a Bachelor of Arts degree in 1962, and a Master of Arts degree in 1964. In 1965 he began teaching drawing and painting at the University of Alberta, until retiring from his position in 1996. Cantine's work in the beginning of his career was figurative art, but he began to experiment with abstraction in the 1970s, and in 1975 became inspired by a photograph of a pair of apples casting round shadows. This compositional structure became the basis for the minimalist, post-painterly abstraction David Cantine is best known for. David Cantine's paintings are in a number of collections, including the Art Gallery of Alberta, the University of Alberta, the Christopher Cutts Gallery, the Francis Winspear Centre for Music, the Alberta Foundation for the Arts, and the Masur Museum of Art." Courtesy Wikipedia "David Cantine’s highly recognizable compositions of coloured circles below Plexiglas have been the painter’s primary pursuit for 45 years of his impressive painting career spanning almost six decades. What originally began as a still-life of apples and their shadows evolved into the present abstract imagery of four circles and seven colours. Motivated by the use of “structural colour instead of descriptive colour,” David Cantine continues to explore variations on this minimalist theme. Since the early 2000s, he has also explored a more painterly form of colourful abstracted still-life, with echoes of inspiration from Giorgio Morandi. Born in Jackson, Michigan, Cantine received his Master of Arts degree from the University of Iowa before permanently relocating to Edmonton, Alberta, Canada. He taught Drawing at the University of Alberta for over thirty years and has been featured multiple times at the Art Gallery of Alberta, in the Alberta Biennial of Contemporary Art, and most recently in Soak, Stripe, Splatter. His work has been exhibited in 24 solo exhibitions and 37 group shows and can also be found in the following collections: Masur Museum, Louisiana; Museum of Contemporary Canadian Art, Ontario; Art Gallery of Alberta; University of Alberta FAB Gallery; Simons; Alberta Art Foundation; Hewlett-Packard; The Sims...

With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...

Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...

In this vibrant composition, Koko captures three boats in a tranquil resting position, their sails adorned in soft whites and blues. The boats themselves radiate warmth, painted in r...

Bright and breezy, Linda Schmidt’s abstract mixed media hanging sculptures are filled with a sense of play. Vibrant, weightless shades weave through and ...

"Contemplation" by Frederick Hart is a figurative acrylic sculpture numbered 88/300. Hart’s emotional and intellectual response to the theme of Creation resulted in a vision for him–...

American actor Hugh O'Brian (left) hoists the sail on a dinghy, Antigua, West Indies, 1961. Boating in Antigua 1961 C print Estate signature stamped and hand numbered edition of 150...

Matriarchal Peace of mind was conceived to reflect the certainty of its existence. It offers a more feminine gaze of our existence, aspired from an ancient wisdom. Edition of 9

Owls of complicity wishes to reflect a deep ancient wisdom, a serenity peace of mind. All will come to place, as we allow trust in our inner voice to guide us. In #owl we trust! The ...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 19...

This Oleg Dou work is a 47 x 47 inch digitally rendered C-print which has been face mounted on acrylic. It was printed in 2012, and is one of eight editions. In this image, a figure ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Edition of 8

Upon closer inspection of this work, one notices the intimation of a mask being present over the figure’s face, as well as patches over the eyes. Here Dou subtly examines notions of ...

This Oleg Dou work is a 63 x 47 inch digitally rendered C-print which has been face mounted on acrylic. It was printed in 2015, and is one of eight editions. Dou’s use of metaphor an...

The Veils introduce Brindle’s newest series, where diaphanous washes of color float on elegantly suspended sheets of acrylic. Painted in layers from the back of these sleek, crystall...

This Oleg Dou work is a 63 x 47 inch digitally rendered C-print which has been face mounted on acrylic. It was printed in 2015, and is one of eight editions. This soft and somber ima...

Two Flags, 2017 Florescent Acrylic and crystal reflective tape 60 x 40 cm

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran th...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments. Edition: 1/3. Snel...

Joseph Gustave Chéret (1838-1894) Bronze statue of a young girl with a pensive expression and a basket of flowers  Signed on base 19th Century  French foundry mark of L. Soleau ...

In “Butterfly Kisses,” artist Toni Martin engages viewers by blending vibrant colors with textures, achieved through her unique method of affixing hundreds...

Michael Craig-Martin Age, 2010 Acrylic on aluminum 48 x 48 inches Signed

James Yohe painted this large scale red and deep hues of blue and green, powerful, abstract, original work on canvas in 1979. This early work by this famous artist of the 1980's abst...

Inspired by the intersection between human nature and human technology, Dustin Cook makes abstraction look funny. At the core, his work represents playfuln...

Reinforced polymer (FV) and acrylic polyurethane. Edition 2 of 9

Out of the Mountain by Leo E. Osborne Abstract Nature Wall Relief, Unique Carved Mixed Media, primarily wood, 56x27x12" American bald eagle emerging from the stone Plumbed for optio...

"Light Whispers" Dimensions: 17" x 12" x 5" Medium: Clear Acrylic Resin Edition 182/300 Frederick Hart's "Light Whispers" is the perfect name for this lucite sculpture that studies translucency's impact on the interplay of shadow and light. The nude woman subject is repeated several times, with varying degrees of revelation. In some iterations, she is shrouded in mystery, while other representations show her on full display with remarkable detail. Thanks to his impeccable eye for detail and technical precision, Frederick Hart is considered one of the world's foremost figurative sculptors. His classical techniques make for timeless, traditional works, but the innovative and modern use of lucite as a material help modernize the work. Frederick Hart's "Light Whispers" is signed by the artist and includes a gallery certificate of authenticity. It is from an edition of 300 and the current gallery retail price for the piece is over $16,000. About Frederick Hart As one of America’s greatest representational artists, Frederick Hart left a lasting and unique mark in the world of modern sculpture. Born in Atlanta, Georgia in 1943, he studied at the University of South Carolina and after protesting alongside black students during the Civil rights movement, he moved to Washington D.C. to continue his studies at the Corcoran School of Art. Fascinated with the human figure and the classical approach, he started developing his career in 1966 as a stone carver apprentice at the National Cathedral in Washington D.C. Leaving the Cathedral in 1971, Hart started his own studio practice but had little success in the first years. In 1974, he was awarded the project by the Cathedral to create a contemporary interpretation of The Creation, an event that would change his life. Soon, Hart’s career took a turn for the better, and in the upcoming decades, he rose to national prominence, becoming a government art advisor in 1985 and receiving the prestigious Henry Hering...

Title: Medieval Village 3 Artist: Julian Opie Year: 2019 Medium: Inkjet on Acrylic Lenticular Mounted on Acrylic Edition: Numbered from the Rare Limited edition of 20 Signature: Han...

ANTON 3000 (Havana, 1991) Lives and works in Paris Anton Morales, aka Anton 3000, is a young artist currently working on his MFA at the Sorbonne in Paris, where he also completed h...

"Rift Valley, Sonde 1" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with bas-relief aesthetics. Various techn...

In a new genre for the artist, this work embodies the vibrancy and sophistication of a seasoned painter of many years. Migdal has been creating large and small scale metal installations...

Hurley Burly #14 2021 Cast acrylic on canvas 10 x 10 inches Signed, titled and dated on verso Matt Enger’s new body of work evokes a mystical experience combining aspects of expres...

Taos Rain 2021 Cast acrylic on canvas 10 x 10 inches Signed, titled and dated on verso Matt Enger’s new body of work evokes a mystical experience combining aspects of expressive hi...

Hurley Burly #14 2021 Cast acrylic on canvas 10 x 10 inches Signed, titled and dated on verso Matt Enger’s new body of work evokes a mystical experience combining aspects of expres...