Art by Medium: Acrylic Polymer

This powerful and vividly colored diptych by Malcolm Maloney Jagamarra (born 1955), a renowned Warlpiri artist, is an extraordinary example of contemporary Aboriginal art, drawing deeply from cultural knowledge, ancestral memory, and ecological stewardship. Depicting the sacred narrative of the creation of the Lander River system, the painting is both a visual masterpiece and a spiritual map, tracing a journey through geography, kinship, and Dreaming (Jukurrpa). At first glance, the canvas pulsates with energy. Vortices of concentric circles in rich ochres, reds, yellows, and blues dominate the composition, pulling the viewer into the spiraling flow of the Dreaming. These forms are not merely decorative; they carry deep cultural meaning. The blue line that winds through the center of both canvases is a stylized yet surprisingly geographical depiction of the Lander River, representing its twisting path through central Australia, from the artist’s home country of Willowra to Purtulu (Mount Theo), his mother’s land. Purtulu, meaning “backbone” in Warlpiri, forms not only a physical destination but a metaphorical axis that holds the painting together. This backbone is both personal and cosmic—representing the spine of the land, the structure of ancestral lore, and Jagamarra’s own familial inheritance. The work is grounded in the artist’s kinship obligations and responsibilities to country, with specific references to the roles of kirda (owners of the Dreaming) and kurdungulu (caretakers). In Warlpiri culture, this relational dynamic is foundational—it is the system by which land is cared for, stories are maintained, and ancestral laws are fulfilled. The Dreaming Goannas, positioned at each end of the canvases, are key ancestral figures. Their presence not only signals the sacred nature of this journey but also reflects the traditional Warlpiri iconography—note the “U” shapes, which are used to denote seated ancestors. The goanna is a totemic being, and its hunting patterns and ecological relationships are mirrored in human behavior. To maintain the health of the land and support the goanna population, it is necessary to burn the country regularly. Jagamarra references this practice with depictions of spinifex grass and hunting grounds, connecting mythological beings with tangible ecological practices, and blurring the line between story and science, belief and land management. The left canvas contains the Owl Dreaming, where an abstracted face of the owl can be discerned—haunting and watchful. The owl, a silent observer of the night, brings wisdom and a sense of foreboding. It is a powerful spirit presence in many Aboriginal traditions. Meanwhile, the right canvas turns to the Warna, or Snake Dreaming. The snake, winding and water-bound, is both creator and destroyer, and its movement echoes that of the river. The snake’s body, woven into a hypnotic spiral, is a symbolic representation of the waterways that give life and form to the central desert. This artwork is more than a painting—it is a teaching. It encodes knowledge about ecology, fire management, kinship roles, and sacred geography. It is both autobiographical and communal, a map of memory and belonging. Created within the living traditions of Warlpiri law, it speaks to the inseparable relationship between people and land in Aboriginal worldviews. Malcolm Maloney Jagamarra’s work is a powerful expression of this connection—his hand guided not only by brush but by heritage, ceremony, and Dreaming. Its journey from the Aboriginal Art Galleries of Australia in Melbourne to the Kelton Foundation in Santa Monica, and its exhibition at venues such as the Australian Consulate in Los Angeles and the Indigenous Wisdom and Healing Conference in Virginia Beach...

In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. The color is muted and light diffused through frosted surf...

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch image i...

"Rift Valley, Sonde 1" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with bas-relief aesthetics. Various techn...

Title: Abstract Landscape – Textured Painting Description: Unique artwork by Marilina Marchica, created in 2015 using mixed media on canvas (24x30 cm). This painting features an abs...

Abstracted geometric contemporary landscape mixed media painting with acrylic, ink, polymers, and layers of complex and beautiful lines and marks that delve into the connection betwe...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract floral shapes with bold use of color and contrast. The Cobalt Blue background al...

BAllet dancer in red featured in 'Double-Ticket Silverscreen' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes', from a variety of medi...

"Transcendent" Dimensions: 19" x 11" x 9" Medium: Clear Acrylic Resin Edition 96/350 Frederick Hart's 1991 “Transcendent” lucite sculpture is imbued with a truly sublime presence. Female and male figures emerging from the Lucite seem to appear and disappear within the work. This ghostly effect is created through Hart’s unique process of embedment, which involves casting one acrylic work within another. It is a technique the artist patented in 1982, marking the end of a decade of constant experimentation and progression and the beginning of a period of precise refinement. Consistent with his unique poetic vision, the inner, emotional, intellectual, and spiritual forces dominate the work. Imbued with a distinct sense of grace, this piece is a testament to Hart’s remarkable technical abilities and devotion to the craft. Frederick Hart's "Transcendent" is signed by the artist and includes a gallery certificate of authenticity. It is from an edition of 350 (+ 60 AP) and the current gallery retail price for the piece is over $40,000. About Frederick Hart As one of America’s greatest representational artists, Frederick Hart left a lasting and unique mark in the world of modern sculpture. Born in Atlanta, Georgia in 1943, he studied at the University of South Carolina and after protesting alongside black students during the Civil rights movement, he moved to Washington D.C. to continue his studies at the Corcoran School of Art. Fascinated with the human figure and the classical approach, he started developing his career in 1966 as a stone carver apprentice at the National Cathedral in Washington D.C. Leaving the Cathedral in 1971, Hart started his own studio practice but had little success in the first years. In 1974, he was awarded the project by the Cathedral to create a contemporary interpretation of The Creation, an event that would change his life. Soon, Hart’s career took a turn for the better, and in the upcoming decades, he rose to national prominence, becoming a government art advisor in 1985 and receiving the prestigious Henry Hering...

"The Real One - James Bond", 2023, 30 x 20 cm, is an acrylic pop-art mixed media sculpture work by German artist Devin Miles. The mixed media work on canvas creates an impressive dep...

" Say Chocolate" 'part of a series of 'Calendar Ladies'. A departure from the works we generally associate with Therese. Great " Wall Candy" from this very talented Welsh artist. Pe...

Vibrant work from the studio of this talented British artist

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

plush rug 4 color - illusion, soft rug Artist Statement: Stephen Eric Lee, better known as E.LEE, is a full time artist living and working in Chicago. His work is an eclectic invest...

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Tango. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

canvas—scrunched, scuffed, and even stained with everyday remnants like spilled coffee. This prelude to creation serves as an act of surrender, an acknowledgment of imperfection and ...

Green Gate,48"x60 ,acrylic, mono print collage on canvas Hunters work is included in several corporate collections including Sterling Drug, Chugai-Upjohn, Ernst and Young, Satellite ...

Diver diving, doing a backflip, in the blue and black, grey and green vertical work of original art, 'Backflipping Stop' from multidisciplinary visual artist Kim Frohsin, who created...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Heavy impasto abstract work from British artist Paul Wadsworth

This acrylic and collage landscape painting captures a symphony of delicate, hand-cut collage trilliums, meticulously crafted to create an enchanting scene of nature's beauty. Mixed ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Ballet dancers in red with sky blue stripe in 'Toss Up' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes', from a variety of media—acry...

This complementary pair of floral landscapes place emphasis on the arrangement of elements creating simple yet visually engaging paintings. Textile collage and lush brush strokes cre...

This large limited edition modern landscape painting of the Colorado ski town Vail Lights is a boldly vivid work of contemporary impressionist art. The lar...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

This floral landscape places emphasis on the arrangement of elements creating a simple yet visually engaging painting. Textile collage and lush brush strokes create an expressive yet refined approach. While heavy textures add movement, the overall composition delivers a wonderful sensation of space, accented by just a pop of red. This is No. 1 from a set of two. // Andrea Stajan...

30 color screen print on 300 somerset paper with embossed heart. Hand signed and dated lower right by Martin Whatson. Hand numbered 12/25 lower left. Artwork size 39.3 x 27.5 inch...

"Suncatcher 1" is an original piece by Roxana Azar made from digital print on digital Print on acrylic, nylon chain. This pieces measures 50"h x 16"w and comes with a signed Certifi...

"Suncatcher 2" is an original piece by Roxana Azar made from digital print on digital Print on acrylic, nylon chain. This pieces measures 50"h x 16"w and comes with a signed Certifi...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Lambda print, mounted on aluminum with glossy laminate of still-life with grapes Edition of 3

Jesús Curiá Perez Deslizando bronze and acrylic 24h x 12.50w x 11.75d in 60.96h x 31.75w x 29.84d cm ed. 1/8 JCP068 Jesús Curiá's sculptures arouse something more than purely aesthe...

Watch the Birdie !! One of Therese's fabulous studies of cheeky ladies.

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

This large, colorful abstract painting by Julia Contacessi is made with mixed media on canvas. It features blended layers of light colors like blue and yellow, with darker violet acc...

Wonderful post-modern wall sculpture that is part of artist Jack Reilly (American, b. 1950) "Classics Series" solo exhibition held at the Boritzer-Gray Gallery in October, 1989 at Los Angeles. This unique piece juxtaposes classical motifs with 3 dimensional stacked geometrically modern shapes and hues. The combination of linear structure and color field painting with illusionary space resulted in a unique synthesis of abstraction and pictorial depth, which was sometimes referred to as "Abstract Illusionism." Signed and dated on verso "Jack Reilly, October 1989." Image size: 19"H x 29"W x 3.5"D Reilly's early work reflected various influences of prominent artists of the time including Frank Stella, Elsworth Kelly...

mixed media collage (ink, found objects, acrylic) in acrylic box. Edition 20/75

Bright and breezy, Linda Schmidt’s abstract mixed media hanging sculptures are filled with a sense of play. Vibrant, weightless shades weave through and ...

Oil, acrylic polymers, grout, gold leaf, on shaped canvas.

Oil, acrylic polymers, grout, gold leaf, on shaped canvas.

mixed media on wood, acrylic paint 15.5" x 6" x 7" 2015 In this piece, Zin Helena Song uses the colors of a shockingly bright summer day in the city. An neon orange, often seen...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran th...

Another large bright happy work out of the studio of David Harper. Acrylic on canvas

Titled: Chants. Hand signed and dated. Sonja Kuhfahl (1928-) is a German born woman artist. She began her art career studying fashion design in Europe,...

Vesica 2021 Laser cut acrylic Natural wood and glass frame 71" x 54" x 2" $12,000 Lyndi Sales is an artist based in Cape Town, South Africa. She has been creating a series of ins...

Empire State Building Sunset in Manhattan New York City by British Urban Artist, Angela Wakefield. This is a rare early work from her New York Series. Featured in international front cover article in 2011. Art measures 24 x 47 inches Unframed - highest quality Pintura Italian Box Canvas Wakefield's work is a unique blend of abstraction and realism, with a strong emphasis on colour. Her paintings are known for their bold, expressive brushstrokes and vibrant hues, which capture the energy and diversity of New York City. From the towering skyscrapers of Manhattan to the gritty streets of Brooklyn, Wakefield's art reflects the city's many moods and personalities. Whether she is depicting the frenzied pace of Times Square or the quiet beauty of Central Park, Wakefield's paintings are a testament to the enduring allure of New York. Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business...

This piece titled "MySpace Tom No. 3" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

PATRICK ARCHER (American b. 1926) Signed and dated at lower right, signed and titled on label verso. Abstract landscape with vibrant dayglo fluorescent colors Palm Beach Florida ar...

Blue Sky, Sunshine on Manhattan Street - Figurative New York City Painting by Leading British Urban Landscape Artist, Angela Wakefield, with dramatic light and colours. Art measures...

Signed lower right, 'DMc', for Douglas McCellan (American, 1921-2016) and painted circa 1975. Additionally signed, verso, titled, 'Still Life' and bearing old rental reference label....

In this vibrant composition, Koko captures three boats in a tranquil resting position, their sails adorned in soft whites and blues. The boats themselves radiate warmth, painted in r...

"Rift Valley, Sonde 2" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with textural topography. Various techniq...

Wonderful large scale abstract painting on canvas on wood panel titled "Eruption", painting is wrapped around the edges. Has a hard high gloss finish. Signed on verso "Kristina Quinones '06." Image, 60"L x 48"H x 2.75"D. "My work challenges the boundary between control and uncertainty. The grounding I feel through my work is an expression of the space that exists between these two phenomena. I mix my color and pour my paint, unsure of the outcome. I pick up the panel and start to dance with the movement of the paint as it slides from one side to the next. As the layers of color accumulate on each painting, the opportunity to manipulate the space between control and uncertainty diminishes. A sense of urgency arises, which is expressed in the textured movement of color. Paradoxically, as the process unfolds, my desire to control dissipates, and I am left with the ambiguous feeling of uncertainty. This cycle is repeated endlessly, incessantly, as if my will alone could leave its imprint. Whereas in the past this ambiguity would disturb me, I now find the process reassuring. It is clear that, despite my best intentions, each piece will choose its own path." Kristina Quinones was born and raised in Connecticut. Received her bachelor's degree in Printmaking from the University of Connecticut in 2001 then moved to California. In 2005 she received her Masters of Fine Arts in Printmaking from the San Francisco Art Institute. Quinones has exhibited in group shows throughout the United States. Recently Quinones was awarded the Affiliate Program...

Luis Miguel Valdes (Cuba, 1949) "Andar La Habana III", 2020 acrylic on canvas 45 x 55 in.

Luis Miguel Valdes (Cuba, 1949) "Andar La Habana II", 2020 acrylic on canvas 45 x 55 in.

Luis Miguel Valdes (Cuba, 1949) "Andar La Habana I", 2020 acrylic on canvas 45 x 55 in.