Art by Medium: Acrylic Polymer

Papunya Tula Artists Pty. Ltd., Alice Springs The Holmes Court Collection, Perth Austral Gallery, Saint Louis, MO; acquired in 1996; Richard Kelton Collection, Santa Monica; Exhibite...

In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. The color is muted and light diffused through frosted surf...

Lenticular acrylic panel mounted to white acrylic. Hand signed by Julian Opie on label attached on verso. Edition of 55 plus 5 Artist Proofs. Printed 52/55 on label attached on ve...

YAACOV AGAM - INFINITY TRANSPARENCY Date of creation: 2017 Medium: Colored acrylic panels and wood Edition: 45 Size: 63 x 14,4 x 12,6 cm Condition: In mint conditions Infinity Trans...

Jonathan Adler acrylic pill sculpture. 750 mg size. red-orange.

"At Sea Between Fossils and Satellites I1" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper ...

HUBLOT CARIBBEAN BLUE is a small-scale, mixed-media assemblage on wood that captures the raw materiality and ephemeral beauty of the natural world. Created following a trip to the C...

Bright Air by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Dibond panel create depth and surface textures throughout ...

"At Sea Between Fossils and Satellites II2" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper...

ABOUT THE ARTWORK "Adjusted Light Magenta" conjures a feeling of serenity, in the midst of a hidden sanctuary of tranquility and ethereal aesthetic. ...

“Rift Valley, Sonde 7” is a striking mixed-media composition that harmonizes Color-field staining, impasto-relief techniques, and gestural painting to create an immersive, multilayer...

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Crete. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

Artist: SSUR Manufacturer: Medicom Toy Type: Bust Color: Hot Pink. (this also came in bronze and a glow in the dark fluorescent neon green) Signed in the mold Material: Vinyl sculpture There is no box or bag. Founded by visual and conceptual artist Ruslan Karablin...

acrylic on linen 40" x 35" x 3" 2015 This item is offered by the Muriel Guépin gallery, NY In this piece, Zin Helena Song uses quite a chaotic pattern, and almost looks like a torna...

"At Sea Between Fossils and Satellites II2" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper...

“Rift Valley, Sonde III” is a richly textured mixed-media composition that captures the interplay between organic and abstract forms, evoking the raw beauty of nature. The earthy pa...

Paolo Minoli (1942-2004) Archipainting 1988 Acrylic paints on canvas Size 60x60 cm - thickness 3 cm Bibliography: Pirovano, Paolo Minoli, General Catalog, volume 2, 1959-1979 Paolo Minoli was born in 1942 in Cantù (Como). He attended, at a very young age, the home of painter Enrico Sottili and, as a student, the studio of sculptor Gaetano Negri. He graduated "Master of Art" in 1961 from the State Art Institute of Cantù, where he taught from 1964 to 1978. Participated in 1968 in the national exhibition for young painters of the "San Fedele" prize in Milan. In 1969 he was featured in the exhibition "Urban Field. Aesthetic Interventions in the Urban Dimension," organized in Como, with a collective intervention on the theme "Signal Color." From 1977 to 1978 he was part of the research group "The Systematic Questioning" with Nato Frascà and Antonio Scaccabarozzi. Since 1979, at the Brera Academy of Fine Arts in Milan, he has taught the special course in "Chromatology" and collaborated, as a consultant, with companies for the application of chromatic solutions in industrial production. He was artistic director of the art series published by the "RS" editions in Como (1975-1986) and, from 1986 to 1989, of the "On Color" silkscreen printing workshop in Cantù, in collaboration with various artists, including Mario Radice, Carla Badiali...

Sam Gilliam (1933–2022) is beloved as one of the 20th century's most important abstract artists. He was a true innovator in the evolution of American abstraction. Several groundbreak...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing staged archaeological excavations exposing the malleability of our history. During these performances he discovers his own versions of historical artifacts, crafted from objects from his youth--such as baseball cards, G.I. Joe action figures, POGS, and various other toys and items. His discoveries and claims, while false and absurdly comical, are based on real research. Joshua Goode: Born in Fort Worth, Texas in 1981, Joshua Goode is researching and developing mythic historical misinterpretations and manipulations in an effort to expose the malleability of our past, present and future. His alternate history and mythology preserve memories of childhood ranch life in Texas by reimagining objects and imagery from his youth as iconic ancient artifacts. Having studied history and worked as an archaeologist on many actual excavations, he conducts staged excavations around the world, working with the community as a performance. The constructed artifacts of his invented civilization mix fact and fiction to appropriate and distort the history and myths of each region he engages. His ‘artifacts’ have been exhibited in solo exhibitions in international venues such as the Razliv Museum, St. Petersburg, (Russia); Capellades Museum, Barcelona, (Spain); Zendai Museum of Modern Art, Shanghai, (China); Darb 1718 in Cairo, (Egypt); LaSala Gallery, Zaragoza, (Spain); Galerija Miroslav Kraljevic...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall. The artist is represented by galleries in Europe, the US and Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art Museum at Tulane University in New Orleans, LA; the FWMoA, Fort Wayne, IN and the Lamborghini Museum in Bologna, Italy. In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City. His work is in numerous collections, including: Graham Gund Family Foundation (Cambridge, MA); Patrick Duffy (Chairman, Las Vegas Art...

Pedestal 20 x 10 x 2.5 cm - 7,8 x 3,9 x 1 in Arnaud Billottet who lives & works in Paris is an artist resolutely turned towards contemporary art with various influences from contemp...

mixed media on wood, acrylic paint In this piece, Zin Helena Song utilizes a sharp triangular shape as her wood panel. This shape is common in city grids, like when Broadway meet...

"To allow something that I do not control to have an action, to allow oneself to bring this action into a materiality; this is why I make art. My work is very much about process. I ...

This is an authentic Prismograph by world-renowned Israeli artist Yaacov Agam (b. 1928), one of the leading figures in Op Art and Kinetic Art. Details: • Technique: Prismograph (l...

Bright and breezy, Linda Schmidt’s abstract mixed media hanging sculptures are filled with a sense of play. Vibrant, weightless shades weave through and ...

mixed media on wood, acrylic paint 25" x 11" 8" 2015 In this piece, Zin Helena song uses a vertical panel, evoking the shape of an urban building. Her strips of paint ride verti...

Great color and presence. A lot of detailing in the different panels. A great work from hard-edge American abstractionist, Hilton Brown. A composition that plays with op art decep...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

This large limited edition modern landscape painting of Death Valley is a bold vivid work of contemporary art. The large-scale digital painting, dye-sublimated onto aluminum by Color...

With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spati...

"Rift Valley, Sonde 1" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with bas-relief aesthetics. Various techn...

My first visit to Scotland, I found this massive farm just on the outskirts of Edinburgh. I read that they have Highland cows roaming freely on a 300 acre farm. I went up and down th...

In an expansion of Julian Opie's subject matter, from his observations of city dwellers, figures walking in the rain, runners and tourists to busy crowds of workers, the four new edi...

Bright and breezy, Linda Schmidt’s abstract mixed media hanging sculptures are filled with a sense of play. Vibrant, weightless shades weave through and ...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments Backed with Dibond ...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

Modern-day rendition of the world's oldest computer, the real-life Antikythera Mechanism (c. 205 BC). To our knowledge, the world's first outright, true sculpture that honors the world's oldest computer. The Antikythera Mechanism was a hand-powered astronomical calculator/planetarium consisting of anywhere from 24 to approximately 30 interlocking concentric gears and cogs. It was the most complex man-made instrument ever made until nearly the Renaissance, a fact which demands rewrite on the capabilities of the ancients. The ART-ikythera directly connects Archimedes to the invention of the mechanism by virtue of the symbol for Pi being inscribed on the sculpture base. Also inscribed is a spiral glyph, gleaned from the real-life Archimedes Palimpsest. Another accoutrement is the "eye of Archimedes," a concave mirror which when illuminated casts the illusion of a convex magnifying glass. The shape of the base is a square within a circle, symbolizing how Archimedes "squared the circle" to calculate Pi to the second decimal expansion (3.14). ART-ikythera is an esoteric code generator with clues and ciphers leading to a unique scientific perspective. SPECS: Total of 23 individual pieces, including spot-welded antique and vintage cast-iron gears, cogs and sprockets from used farm implements, antique brass all angle inclinometer (late 19th century), antique padlock...

A. K. Douglas - Loosing Fear of the Consequences Series Mixed Media, 15 x 11 inches, 2020 Born in India1979, 2015: MFA from Prachin Kala Kendra, Chandigarh, India. Show / workshops/ symposium /biennale • 2020: Solo Show at SPC kunstrum gallery, Copenhagen Denmark. • 2020: Group show CALTART Caltabellotta Contemporary Art Project,Sicily. • 2020: Open Studio with marc Rayner, Sweden. • 2020: Group show, Galerie 6, Mairie de Montreuil, France. • 2020: Open 7,International art exhibition, at magazzini Dell Art contemporanea, Trapani Italy. • 2019: Group show-University Art museum Chungcheongbuk-do South Korea. • 2019: De Colore. Leonardo e l”interpretazionecontemporane, Milano Italy. • 2019: Kaleidoscope, international art exhibition, at magazzini Dell Art contemporanea, Trapani Italy. • 2019: 9th Biennale de SarriaSalon International d'Art,Spain • 2019: International artist residency for River Democracy, MahakumbhMela, PrayagrajIndia. • 2019: Group Show of Vasudhaivakutumbakam at Allahabad Museum India. • 2019: International coordinator for Dhanbad Art Fair, Dhanbad India. • 2018: 2nd Bodhgaya Biennale, Bodhgaya India. • 2018: Group show, Governor House Patna, in association with Govt. of Bihar (workshop)& Bihar Museum,India. • 2018: Group show,Gallerie Sonia Monti, Paris, France. • 2018: Arthshila International Artist Symposium Group Show, Bihar Museum Patna, India. • 2017: AMP TWOFOUR54, group show, October & November edition, Abu Dhabi,UAE. • 2017: 9th Biennale de SarriaSalon International d'Art,Spain. • 2017: ZeeArts, M gallery, The Retreat Hotel Palm Jumeirah. Dubai, UAE. • 2017: Group show, Magnetikzone International Art Project, Polo Museale “A.Cordici” Italy. • 2017: New media group show, Korean culture centre New Delhi, India. • 2017: Collective exhibition in Erice, Italy. • 2017: New media group show, Schema Art Museum Cheongju, South Korea. • 2017: Konst pa vag group show, Sweden. • 2017: Dual show,lugar 34 & Circa, TromsoNorway. • 2017: Dual show,Magazzinidell'ArteContemporanea,TrapaniSicily. • 2017: Group show, Anima Mundi at OrtoBotanico di Napoli, NaplesItaly. • 2016: Open studio with Marc Rayner, Sweden. • 2016: Magnetic zone, International Art Project, at MuseoCivico di Torre di Ligny, Trapani Italy. • 2016: Art Dubai, Mojo art gallery Dubai. • 2016: Landscape at SpazioPorta Mazzini Viale G, Mazzini 1, Rome, Italy. • 2015: International art camp, exhibition- The Al Asmakh Art Symposium, Qatar. • 2015: Biennale D’ArteContemporanea di Trapani secondaedizione, Italy. • 2015: Salon Generations, Hanger Art Center- Opera House Cairo- Egypt. • 2015: UpCycled Art Festival, Aviation Industry, Art Takes Wing, Art Hub Liwa, UAE. • 2015, 14, 13: Project Director for VashudhaivaKutumbakam artist residency. •2011, 17: Project manager for Buddha Enlightenment art...

Acrylic polymer sculpture Fanfan is a French sculptor artist born in 1962 who lives and works in Sare, France. She feels that since the past is no more, the future remains to be see...

This powerful and vividly colored diptych by Malcolm Maloney Jagamarra (born 1955), a renowned Warlpiri artist, is an extraordinary example of contemporary Aboriginal art, drawing deeply from cultural knowledge, ancestral memory, and ecological stewardship. Depicting the sacred narrative of the creation of the Lander River system, the painting is both a visual masterpiece and a spiritual map, tracing a journey through geography, kinship, and Dreaming (Jukurrpa). At first glance, the canvas pulsates with energy. Vortices of concentric circles in rich ochres, reds, yellows, and blues dominate the composition, pulling the viewer into the spiraling flow of the Dreaming. These forms are not merely decorative; they carry deep cultural meaning. The blue line that winds through the center of both canvases is a stylized yet surprisingly geographical depiction of the Lander River, representing its twisting path through central Australia, from the artist’s home country of Willowra to Purtulu (Mount Theo), his mother’s land. Purtulu, meaning “backbone” in Warlpiri, forms not only a physical destination but a metaphorical axis that holds the painting together. This backbone is both personal and cosmic—representing the spine of the land, the structure of ancestral lore, and Jagamarra’s own familial inheritance. The work is grounded in the artist’s kinship obligations and responsibilities to country, with specific references to the roles of kirda (owners of the Dreaming) and kurdungulu (caretakers). In Warlpiri culture, this relational dynamic is foundational—it is the system by which land is cared for, stories are maintained, and ancestral laws are fulfilled. The Dreaming Goannas, positioned at each end of the canvases, are key ancestral figures. Their presence not only signals the sacred nature of this journey but also reflects the traditional Warlpiri iconography—note the “U” shapes, which are used to denote seated ancestors. The goanna is a totemic being, and its hunting patterns and ecological relationships are mirrored in human behavior. To maintain the health of the land and support the goanna population, it is necessary to burn the country regularly. Jagamarra references this practice with depictions of spinifex grass and hunting grounds, connecting mythological beings with tangible ecological practices, and blurring the line between story and science, belief and land management. The left canvas contains the Owl Dreaming, where an abstracted face of the owl can be discerned—haunting and watchful. The owl, a silent observer of the night, brings wisdom and a sense of foreboding. It is a powerful spirit presence in many Aboriginal traditions. Meanwhile, the right canvas turns to the Warna, or Snake Dreaming. The snake, winding and water-bound, is both creator and destroyer, and its movement echoes that of the river. The snake’s body, woven into a hypnotic spiral, is a symbolic representation of the waterways that give life and form to the central desert. This artwork is more than a painting—it is a teaching. It encodes knowledge about ecology, fire management, kinship roles, and sacred geography. It is both autobiographical and communal, a map of memory and belonging. Created within the living traditions of Warlpiri law, it speaks to the inseparable relationship between people and land in Aboriginal worldviews. Malcolm Maloney Jagamarra’s work is a powerful expression of this connection—his hand guided not only by brush but by heritage, ceremony, and Dreaming. Its journey from the Aboriginal Art Galleries of Australia in Melbourne to the Kelton Foundation in Santa Monica, and its exhibition at venues such as the Australian Consulate in Los Angeles and the Indigenous Wisdom and Healing Conference in Virginia Beach...

The Veils introduce Brindle’s newest series, where diaphanous washes of color float on elegantly suspended sheets of acrylic. Painted in layers from the back of these sleek, crystall...

Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Ga...

Luis Miguel Valdes (Cuba, 1949) "Un trío soñado" (A dreamed three), 2025 acrylic on canvas 27.6 x 35.5 in. (70 x 90 cm.) Excellent condition Ref: 1P-2025-10 Luis Miguel Valdes Biogr...

This haunting abstract portrait of several figures in muted earthy colours is by Fiona Ackerman. Under a gray-blue sky, a central figure, an older man stands on the earth as fragment...

In an expansion of Julian Opie's subject matter, from his observations of city dwellers, figures walking in the rain, runners and tourists to busy crowds of workers, the four new edi...

In poured tinted polymer on aluminum, Outland No. 39 by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer create the depth an...

Turquoise Channel - 60 X 40 Acrylic medium is troweled onto the wood with a layer of resin. Acylic paint with silver leaf encasing the fish. A blue wash is applied over the silver leaf with a coat of resin to protect the silver leaf. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art and History in New York. His work has been collected by Museum Jacobo Borges...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Edition of 8

In “Butterfly Kisses,” artist Toni Martin engages viewers by blending vibrant colors with textures, achieved through her unique method of affixing hundreds...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Synthesis Small 3 is a wall sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, dimensions are 44.5 × 6 × 6.5 cm (17.5 × 2.4 × 2.6 in). ...

Jonathan Adler acrylic pill sculpture. 750 mg size. blue

I lived in London for about 3.5 years but I never made my way to Scotland. The minute I photographed my highland cow I instantly regretted it. They all have long hair but this guy wa...

Vasa Mihich is a renowned Los Angeles-based artist known for his sleek, colorful, and captivating acrylic sculptures. He was a Senior Professor of Design at the University of Califor...

Fueled by themes of conspicuous consumption, luxury brands, and constructed identities, Fred Allard casts high fashion shopping bags filled with soda cans ...

California born and educated sculptor Matt Gil graduated from San Jose State University, and his work has been widely exhibited throughout California since 1977. His sophisticated, s...

This large modern landscape painting of Guadalupe National Park is a boldly vivid work of contemporary art. The original large-scale digital painting, dye-sublimated onto aluminum by Coloradan artist Topher Straus, takes an original approach to depicting iconic landscapes. The rich palette intensifies the light reflecting through the sublimated dye and unique high gloss finish. The elegant simplicity of edge framing enhances the sophistication of the painting. Measuring almost four feet by seven and a half feet, this is a true statement piece of contemporary modern impressionist art. Part of Topher's National Parks Series, he was inspired by the majesty and power of the storm at sunset at Guadalupe Mountains...

Ceravolo, one of The Hampton's most popular urban Pop artists, has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. His Large scale paintings h...

This large limited edition modern landscape painting of Denali National Park, Mount McKinley, Alaska is a bold vivid work of contemporary art. The large-scale digital painting, dye-sublimated onto aluminum by Coloradan artist Topher Straus...