Art by Medium: C Print

Swim-in-Pool Supply Co. This fun original artwork really shows Richard's unique eye as a photographer. Captured in Las Vegas in 2003 it is part of a series he took over a few years. ...

Palm Springs Poolside, photograph from Richard Heeps, Dream in Colour series. Classic mid-century Palm Springs architecture, featuring cool blue skies and swimming pool with accents...

Richard Heeps photography captured in the iconic home of speed, Bonneville Salt Flats. This listing is for 2 x Richard Heeps artworks. 1. Ferguson Racing Streamliner 2. LSR Streamli...

Candy Floss was taken by Richard Heeps when travelling in China. The street food vendor with pops of colour and the layers of detail draw you in. The Chinese Writing does not say 'ca...

Kelly II (Beachshoot) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1450. Not...

Heidler & Heeps Vinyl Collection Ten Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully...

Two independently successful fine art photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl r...

Boccia VI (Beachshoot) - 2005 38x36cm, Edition of 10. Digital C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1467. Not mounted. featuring Cami...

Sunscreen (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1389. N...

'Telephone VI' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous colours of...

The Rolling Stones, taken in 1966 by Art Kane Originally photographed in London by Art Kane for McCall’s Magazine’s 1966 photo essay‘ Teen Idols’, Kane lay on his back and had the b...

Heidler & Heeps Dice Series - Chartreuse Yellow Six (inky blue). Hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have...

"FLOWER EVOLUTION The most highly coveted of ornamental plants, the delicate, and graceful orchid represents love, feminity, beauty and strength. The orchids have a magical quality. ...

Three framed artworks from Richard Heeps Burlesque series. Boudoir, Tease-O-Rama, Hollywood, 2003 Delilah Right Red Hand I, The Whoopee Club, London, 2004 Dirty Martini Fan Dance XX...

'Utopian Foyer IV', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing...

Signed limited edition 16x20" print of Debbie Harry, lead singer of US band Blondie, photographed in London in 1978 by Brian Aris. Limited edition number Brian Aris limited edition ...

'Primary Colors' (Stranger than Paradise) - 2001 each 20x20cm plus 5 cm in between each print together, 70x70cm, sold out Edition of 10, Artist Proof 2/2, Archival C-Print print,...

The Man (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22884. Signature label and Cer...

Blue Martini and Grey Martini, Milan. Italian architecture photographs by Richard Heeps from his series A Short History of Milan. A Short History of Milan' began in November 2018 fo...

Mint Tinted Cassette, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past a...

Series: Girls Night Out Silhouette Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Ed...

Towards Rock Hill, photographed by Richard Heeps in Bombay Beach, Salton Sea, California. The combination of the suns rays intersecting the horizon, and the silhouette of the tree un...

Fairytales (dyptych) - 2006 Edition of 30, 38x36cm each, 38x85cm installed, including gaps. 2 Archival Prints based on 2 Polaroids. Signature label and Certificate. Artist Inv...

Signed limited edition print of Led Zeppelin by legendary rock photographer, Robert M Knight, taken in Hawaii at Honolulu airport on 12th May 1969, holding the master tapes to Led Ze...

What are we gonna do?! (Till Death do us Part) - 2008 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature la...

A Rendille girl in Kenya A return to Kenya. On this trip John took a different approach to lighting. Building makeshift studios from locally acquired white sheets held up by four ...

Meet me in front of Church 2 o'clock sharp (Sidewinder) 2005, 18 pieces, installed 154x379cm installed including gaps, 48x59cm each, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, based on 18 Polaroids, Certificate and Signature labels artist Inventory No. 30568.04, not mounted The series 'Sidewinder' was used by the Salzburger Festspiele 2008 for the main image campaign: Stefanie Schneider, Sidewinder Exhibit • Galeries of the City of Salzburg • Galerie am Mozartplatz July 16 – August 29, 2008 “For love is as strong as death” – this motto, taken from King Salomon’s Song of Songs, is at the programmatic center of the Salzburg Festival...

Heidler and Heeps Vinyl Collection 7" B Side Recording. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising...

Photographed at El Mirage Lake, where the Southern Californian Timing Association, Land Speed Racing event, tracks in the ground from the previous days racing, adding a beauty to th...

Heidler & Heeps Vinyl Collection Nine Piece Blue Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. This Googie sign photograph captures the iconic and memor...

© Michael Putland Bryan Ferry Bryan Ferry of Roxy Music with the “Roxettes” London 1975 Bryan Ferry is a British singer-songwriter and frontman of the band Roxy Music, renowned fo...

Series: Fairytale Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

A young Rendille girl A return to Kenya. On this trip John took a different approach to lighting. Building makeshift studios from locally acquired white sheets held up by four war...

'Telephone II' from Richard Heeps 'Dream in Colour' Series, this cool interiors picture combines bold colours of yellow, black and white, and has a dreamy nostalgic aesthetic. This...

Rainbow Apartments, Italian architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in ...

'Nomad, New York', artwork by Richard Heeps featuring a time-lapse of the iconic art deco Empire State building in the mist. Photographed in New York City in 2017, he executed this i...

Horses on Mosquito Coast, Honduras, Central America 1980's. (photograph Alain Le Garsmeur) A gorgeously evocative shot taken in the early 1980's by prolific documentary and well kn...

Feathers (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory ...

The Dancer (Stay) - 2006, 102x100cm each, installed 214x430cm, Edition of 4/5, 8 analog C-Prints, hand-printed by the artist, based on 8 Polaroids. Certificate and Signature label...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Heidler & Heeps B Side Vinyl Collection Sixteen Piece Multicolor Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to mak...

Departure (Bombay all Day) - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory...

News Stand, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fair Milan 2019 and the series is...

Kitsch pop art Americana sign porn by Richard Heeps, captured in the Doo Wop town of Wildwood, New Jersey. This artwork is a limited edition of 25, gloss photographic print, dry-mou...

Rosegarden #01 (Suburbia), diptych - 2004 20x24cm each, 20x52cm installed. Edition of 10, Archival C-Print, matte surface, based on the Polaroid, Signature Label and Certificate,...

featuring Ewan McGregor (Stay) 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5248 Not mounted. Ste...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

Fishing Boats by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Fishing Boats' is a Limited Edition Estate Stamped Digital C-Typ...

Norman Parkinson Golfing at Le Toque 1939 printed later Silver gelatin print 40 x 30 inches Estate stamped and numbered on verso A woman in a white suit hitting a golf ball in a sa...

Il Canille, 1980 - Faraglioni Rocks Capri Horizon Landscape Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Il Canil...

Play among the Stars (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...

THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isabelle van Zeijl has turned her eye on 400 million flowers destroyed during quarantine. Using flowers salvaged from her local growers, Va...

Darjeeling Butchers, street photography on Richard Heeps' journey in India, a pilgrimage from Kerala in the South, to his Grandfather's birthplace Meerut in the North. One of a numbe...

Endless Summer (Beachshoot) - 2005 38x37cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1413....

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

Vintage Wimpy, interior photograph by Richard Heeps. The timeless combination of blue seating and red tables create a nostalgic cinematic aesthetic. This artwork is a limited editio...

Tram, photograph from Richard Heeps' series A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featuring at the Affordable Art Fair Mil...

Snap–15 Minutes of Fame (Wastelands) - 4 pieces, 2003 Edition of 5, 105x100cm each, 220x220cm installed. Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper,...