Art by Medium: Ceramic

Badger is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 80 × 36 × 52 cm (31.5 × 14.1 × 20.4 in). This ...

Hannah Schelb This is Me 2025 Ceramic, Glaze, Cone 5 Oxidation, Aluminum Wire, Kanthal Wire 26 x 24 x 38 inches (66 x 63.5 x 96.5 cm) Signed COA provided *Assembly required. Instruc...

This 3" x 6 " x 5" ceramic work by Oklahoma artist, Roger Runge consists of a wheel-thrown porcelain bowl positioned on a handmade porcelain base sculpted to resemble a natural rock ...

The series "Venus Nostalgia" is a collection of sculptures inspired by the famous Venus de Milo, an emblematic work in the history of art that has had a great impact on Castello's wo...

Medusa and Andromeda, is a unique three dimensional terra cotta sculpture/vase, created by the German firm Magdeburger Kunstwerkstatten, Reps and Trinte, a studio that specialized in fine works in terra cotta. This monumental piece depicts the entire story of the Medusa, who holds Andromeda captive by chaining her to rocks in the ocean. You can see the chains at her wrists and ankles. Medusa charges the Leviathan (dragon) as guard over the captive Andromeda. Andromeda was rescued by her future husband Perseus who killed the dragon and saved his future bride. This is one of the most unique works of its kind that has been seen to date. It was probably a sculpture/vase designed and created for presentation at one of the yearly Salon exhibitions in Europe. We have consulted experts in European ceramics...

Tall Rust Stoneware Ceramic Sculpture Vessel Dimensions: 15 H × 11 W × 11 D Medium: Hand-formed, coiled stoneware ceramic pot, glazed interior, oxide wash. Adrienne Fierman’s work e...

"Ceramic Plaque" by Dorothy Dunitz is a highly textured, ceramic sculpture fastened to an off-white/cream plastic board. The sculpture measures approxim...

My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graphi...

This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...

French centerpiece from the first half of the 20th century. Finely chiseled terracotta object with masks (faces with different expressions, see photo) and figures of lateral cherubs ...

PABLO PICASSO (1881-1973) Tête de faune (Unique) Wax crayon on ceramic; tomette (floor tile). This work is unique. Claude Picasso has confirmed the authenticity of this work. Prov...

Loie Hollowell (American, b. 1983) Cascade, 2020 Medium: Porcelain plate Dimensions: 10 7/10 in diameter (27.3 cm diameter) Edition of 175: Signed in plate Condition: Mint (sold in i...

"Guardian Angel" late 19th c. Original hand-painted KPM Porcelain In Jewel Encrusted Frame approx. 6 3/8 x 5 inches

Ceramik Mask, Wall Sculpture (2009 ) by Salvatore Mainardi Ceramic Unique 23 cm x 15 cm x 10 cm Signed by the Artist Salvatore Mainardi has developed a universal mask type that is...

The main theme of Kitade’s artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

Octopus Sake Set Porcelain, decal and red enamel underglaze tallest- 4.25" x 3.75” date unkown Ron Nagle is one of the most important sculptors in the United States. He work is highly collected and included in museum collections such as Shigaraki Museum, Japan; Los Angeles County Museum of Art; Musée de Plastique, Paris; San Francisco Museum of Modern Art; and the Stedelijk Museum in the Netherlands. He was born in San Francisco and began working with ceramics during the 1950s as a high school student. In 1961 he apprenticed to Peter Voulkos at the University of California, Berkeley, and later exhibited his work alongside Voulkos, Ken Price, and other innovative West Coast artists working in clay. His work is inspired by such artists as Giorgio Morandi, Phillip Guston, and George Herriman...

FREE SHIPPING WORLDWIDE! Artisan: Martin Olivas Quintana MASTERPIECE Carved polychrome jar decorated with a sgraffito and painted hummingbird, flowers ...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Created by the artist in 1989, Blonde Vivienne is a screenprint on porcelain measuring 12 ¼ in. (31 cm) in diameter, with the artist’s printed signature both recto and verso, from th...

An equestrian sitting white horse sculpture, crafted with exquisite precision and care. Handcrafted from clay, this sculpture stands as a testam...

Pablo Picasso Bird with a Crest, 1952 Original ceramic of Pablo Picasso, white faience earth, enamel and oxidized paraffin decoration Annotated on the Back : Empreinte originale Pic...

Balloon Animals Set II (matching edition number) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition, Art Limoges porcelain with chromatic metaliz...

A large KPM gilt framed porcelain hand painted plaque depicting a lute player in Regency style dress, in an ornately carved Florentine Giltwood frame Late 19th century Signed "Gree...

UNKNOWN ARTIST Spanish, Early 20th Century ALHAMBRA FACADE MODEL PLAQUE polychromed stucco plaque 11 x 7 inches (28 x 17.8 cm.) framed: 17-1/2 X 13-1/2...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Pair of expressive, hand-painted, terracotta dogs with glass eyes from England.

Hare is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 84 × 30 × 52 cm (33 × 11.8 × 20.4 in). This scul...

"Wrap Around Figures" is an original slab ceramic by David Barnett. The artist created this using collagraph plates by Joseph Rozman that featured abstracted animals. The artist sign...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Bear-ly survived - ceramic, stoneware clay, terra-sigillata, electric fired. This ceramic sculpture is from Irina’s series of Mishka. Irina’s recent practice centers on her Mishka ...

Low-fired glazed ceramic head sculpture features a radiant blue cloak and oil-painted facial details, exploring the tension between exposed identity and hidden emotional depths. Woma...

This totem is full of surprises with an upside down duck a couple of fish an apple and a cala lily.Its wonderfully random which adds to the fun. Totems can make you laugh! Please no...

Suzuki Goro - Nude Woman Sake Cup stoneware, underglaze and glaze 1.75 x 2 x 2” date unknown signed comes with a signed wooden box BIO- Revered Japanese ...

A lovely hand modelled sculpture in bas relief, depicting the head of a smiling young Parisian lady with a gleam in her eyes. The work dates from from the Belle Epoque, the art nouv...

Signed and numbered (signature and edition number are fired onto the backside of the plate). Edition of 2300. Sculpture is in excellent condition. Original box and COA included.

This contemporary ceramic wall sculpture is composed of a figure surrounded by turtles and a wolf with fire, and blue droplets woven into a geometric web, similar to a modern-day dre...

Squirrel is a unique smoke-fired stoneware, resin and plaster sculpture by French contemporary artist Cécile Raynal, dimensions are 75 × 30 × 60 cm (29.5 × 11.8 × 23.6 in). This scul...

The Cloud Fruit necklace is a porcelain pendant on a gold vermeil mesh rope (Pendant is 3.5” x 3.25”; Chain is 19”) . It is an edition of 12, with 4 art...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

Organic Fluted Ceramic Bowl Sculpture Dimensions: 16 x 14 x 14 inches Dark stoneware, bronze glazed interior Hand-built ceramic bowl sculpture finished in a dark bronze glaze interi...

"BLOB" Sculptural Lamp 14" x 14.5" inch by Grigorii Gorkovenko MATERIAL: ceramics / foundry work One lampshade. Lampshade only. Wires and lightbulb are not included. BLOB lamp...

Questa ceramica dipinta, 33 x 24 cm senza la cornice, è ispirata dal "Riposo durante la fuga in Egitto" di Simone Cantarini detto il Pesarese, realizzato negli anni trenta del XVII s...

PABLO PICASSO (1881-1973) Cavalier et cheval (A.R. 137) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 274/30...

Feline is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 78 × 35 × 60 cm (30.7 × 13.7 × 23.6 in). This ...

PABLO PICASSO (1881-1973) Corrida Sur Fond Noir (A.R. 198) dated '25.9.53.' (upper centre); stamped 'Madoura Plein Feu / Edition Picasso' (undern...

John Gill PLATTER clay, underglaze and glaze 3.75 x 27 x 13.5” 2016 signed *restoration to small chip on rim

Jean Cocteau ( 1889 - 1963 ) Médiévale . Vase signed jean Cocteau at the base ; marked and numbered edition originale de Jean Cocteau . atelier Madeline-Jolly (underneath). partial...

A classic terra cotta sculpture of Mercury signed Jean-Baptiste Pigalle (1714-1785).

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Brown...

Piccola terracotta a soggetto mitologico firmata sul retro sulla base "Zambini", che per la grafia (in particolare la Z che ricorda una F) permette di identificar...

I scream Sculpture by Zoe Moss Plaster & Resin Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility...

PABLO PICASSO Le barbu (A.R. 217), 1953 Ed. 500 pcs White earthenware clay, decoration in engobes, knife engraved under partial brushed glaze H. 31 cm I H. 12 1/4 in Stamped undersi...

"Green Seapod", Ceramic Sculpture Dimensions: 7 H × 6 W × 6 D Medium: Hand-built ceramic, glazed stoneware Hand-built ceramic sculpture finished in a green glaze. Adrienne Fierman’s...

Medium: Oil on Porcelain Dimensions: 20.00" x 16.00" Signature: Signed Lower Left

Large Bowl with Lace Designs. Mata Ortiz, With black background with white and gray design Chihuahua, Mexico. .

Suzuki Goro stoneware and yashichida oribe glaze 4 x 4 x 3.25” date unknown signed Rare!

Ceramic vase in a blue and green metallic lustre glaze by master of iridescence Clement Massier, with clusters of grapes and leaves in deep purple. Signed MCM in the base, and number...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...