Art by Medium: Ceramic

Con agua y sol me he criado is a series of textile landscapes that incorporate small ceramic pieces partially visible within their volumes. These clay forms barely emerge to disrupt...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 3 ce...

Robin has worked with clay since the age of eleven. Her sculptures have ranged in size from life sized sculptures to the diminutive porcelain pieces. She has been a resident artist a...

A pair of very regal seated Majolica lions, a white glaze over a terracotta base, great condition, with some of the terracotta showing through the glaze,...

'April Requiem', 2021, by Sunni Mercer, is a human-scale, Mixed Media, Sculptural Assemblage featuring Clay, Gauze Bandages, Deer Hide, Copper and Paint. The sculpture depicts a fema...

Porcelain Ceramic signed artist on bottom. 12 x 18"

Loneliness Vaccine Sculpture by Zoe Moss Plaster & Resin Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist

Moorcroft is made entirely by hand in England for collectors throughout the world. Every piece of Moorcroft has marks on the base which will tell a story. They identify the designer...

Ceramic, Wall Hanging Tile, French Cleat, Stoneware, 2D Sculpture, The Wheel “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic d...

Introducing "Lennon's Legacy of Peace", a hand-made ceramic art piece that pays tribute to the legendary musician and peace activist, John Lennon. This unique piece features an enlarged bullet with a digital art silhouette of Lennon, a powerful reminder of his influence on the world of music and advocacy for peace. This song "Give Peace a Chance" become the anti-war anthem and bring the message of peace...

This image of infinity is beautifully deceptive because although it appears to be in steel, it is a ceramic piece embellished in platinum.

Head of a warrior. From the Totonaca culture (state of Veracruz) created about 1982. Modern Pre Columbian style clay, terracotta sculpture artist signed on the right bottom. Walter...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

Artist: Niki de Saint Phalle (French, 1930–2002) Title: Serpent Vase Medium: Ceramic and Polystyrene, Painted in Colors Edition: EA 3/7 (Epreuve d'Artiste, Artist's Proof, part of a ...

Ellen Key Oberg exhibited with all the major artists of her time including Alexancer Archipenko and William Zorach. This piece received an honorable mention in one of the many exhibi...

Michael Lucero (b. 1953) was born in Tracy, California and earned a BA degree from Humboldt State University in 1975. In 1978, he earned an MFA at the University of Washington in Sea...

Oil, graphite, clay on panel. Abstract mixed media work on panel. Images include text, still life and figurative elements. White tones, aqua and red. Dimitri is noted for his use o...

Olga’s artistic approach is centered around the elusive concept of time and its impermanence. Rather than engaging in an ontological reflection on the nature of time, Olga prefers to...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Noe Kuremoto — A Contemporary Keeper of Ancient Wisdom Noe Kuremoto’s work exists at the intersection of mythology, memory, and modernity. A ceramic artist of singular vision, she s...

Mina Karwanchi Duncan, 2021 Porcelain 14 × 14 × 14 cm 5 1/2 × 5 1/2 × 5 1/2 in

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

This piece is an original bowl by Wayne Fischer. It is a double-walled bowl made from porcelain and features delicate and subtle coloration. 11" diameter Milwaukee ceramist current...

A wonderful example of an abstract ceramic or sculpture in blue, referred to as a bird house or face vase, by Indian / American artist Gerry Williams (1926-2014). Williams was born in India from American parents, and eventually set up a studio and became a longtime resident of Dunbarton, New Hampshire. Williams took his first pottery lessons from master ceramic artist Vivika Heino at the League of New Hampshire Craftsmen in the late 1940s. He became a juried member of the League in 1952. New Hampshire Governor Jeanne Shaheen named Williams the state’s first artist...

Art Column (ART DBG)' is an original signed ceramic sculpture by Robin Campo. It is a rare and early example of the artist's fanciful work, made only a year after he earned his Master of Arts from the University of Wisconsin-Milwaukee and while he was developing his reputation through local galleries. Campo is here working in the later traditions of pop art by using the ceramic medium for trompe l'oeil effect: the sculpture is made to look like an oversize stack of toy wood...

Fernando Andriacci. My Way to The Farm. Oaxaca, Mexico. Technique: Ceramic Tile with Black Wood Frame. With Certificate of Authenticity. Size: 14 x 14 inches. Framed.

"Tool Relief II" is an original sculptural stonework vase by David Barnett. It is signed and dated on the bottom. 13" H x 3.50 D David Barnett, an artist, collector, appraiser and ...

Tyler James Goin is a Vancouver-based sculptor whose work bridges the industrial and the organic through clay and metal. With a background as a millwright machinist and a decade-long...

An Aldermaston Pottery Bowl with Abstract Design by Alan Caiger-Smith, 1969/1970 Additional information: Medium: Earthenware with gold lustre over tin-glaze Diameter 17.5 cm (6 7/8...

"Basket Weave Bacon Bowl" is an original ceramic by Michael Gross. The artist signed and dated the piece on the bottom. It features images of bacon on yellow. 8 1/2" x 9 1/2" x 6" art The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. With over a dozen museum exhibitions under his belt, the artist is a regular exhibitor at SOFA in New York...

Notable New Orleans artist Sarah House's work centers around what she calls "fractals" - occurrences of order in nature, here appearing as crystal forms juxtaposed with a more amorph...

Thrown Open Bowl (Four Circles), Stoneware by William Plumptre, 2019 Additional information: Medium: Stoneware with blue, white and brown slip under a wood-ash glaze Diameter 38 cm ...

Panier-maison II, Stéphanie Jacques, wood, willow, raw clay coated and limewash, 17" x 20" x 15", 2010. This contemporary abstract mixed media sculpture was done by Belgian artist, ...

Epoxyclay and wood.

"Face 5" by Anne Siems, is a captivating figurative-narrative portrait painted on white clay panel. It features a beautiful female face and dark hair with braids. ANNE SIEMS (b. 19...

Suzuki Goro wood fired stoneware 3.5 x 4 x 5 signed by artist RARE! Made at Anderson Ranch in Colorado.

My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graphi...

The main theme of Kitade’s artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

Marurn VI The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

Marurn V The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - t...

Marurn IV The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

Marurn II The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

Marurn I The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - t...

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

"RIVULET is a minimalist design concept that represents refinement in its purest form. This unique sculpture combines a vase and a tube and masterfully combines artistic expression w...

"RIVULET is a minimalist design concept that represents refinement in its purest form. This unique sculpture combines a vase and a tube and masterfully combines artistic expression w...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

Gold From the series, Elements, this sculpture references the proliferation of gold mines in third world countries. ARTIST'S STATEMENT Michael Davis My sculptures and installations...

Unique multiples available. JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Env...

22x23 Terra Sigillata Signed to underside B.S. in Art Education: University of Wisconsin-Stout in 1971 "This work is low-fired and unglazed. The obje...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

Tyler James Goin is a Vancouver-based sculptor whose work bridges the industrial and the organic through clay and metal. With a background as a millwright machinist and a decade-long...

Molly Schulps is an artist and educator living in both California and Oregon. She grew up in Southern California and was deeply influenced by her father who was a successful educator...

Italian terra cotta dachshund or doggy with a white glaze and realistic form ready to be rescued.

Textured and expressive composition by an unknown artist (20th Century). Constructed of a sheet of clay laid on wood, the piece is divided into nine sections. Each section is treated with a different texture, color, or set of inscriptions. The middle section contains writing, and the upper right section has a bold red plus symbol. Possible signature in the lower right corner. Unframed, but mounted on a raised wood panel...