Art by Medium: Ceramic

White stoneware, altered engobe.

Stoneware, glossy glaze application, 1250°C, handbuilt.

White stoneware clay, without glaze.

Eaethen red clay on porcelain slip, wheelthrown.

Stoneware clay / wood firing.

Terra Sigillata, handbuilt.

Hand built, Klein Blue on Terracotta.

Untitled XXXXXII, by Charo Oquet Glazed Ceramic 16 H in x 8 H in. x 4 D in. 2019 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history. The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics). ----------------------------------------------- Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography, and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality. Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind. Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists and Supermix. Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo Domingo, Lanzarote, Canary Islands, Spain ( curated by Antonio Zaya) and Oquet’s work has been included in numerous international exhibitions. Oquet’s work is in several museum collections such as the Fort Lauderdale Museum of Art, Frost Art Museum, Florida International University, Miami, FL; CAAM, Centro Atlántico de Arte Moderno, Word Bank, Las Palmas de Gran Canarias, Spain; Bass Museum of Art, Miami Beach, Florida; New Zealand National Museum, Wellington, N.Z.; Dowse Art Museum, Lower Hutt, New Zealand; Govett-Brewter Art Gallery, New Plymouth, New Zealand; Foresight Collection, Auckland, New Zealand; Ministry of Foreign Affairs, Wellington, New Zealand; Gulf & Western Americas Corp., New York; Museo de las Casas...

Terra Sigillata, earthenware, handbuilt.

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

Who washes the feet of Mary Magdalene? This piece recalls the art historical depictions of Mary Magdalene. Though she is often contextualized as the one who washed Jesus’s feet, Hod...

Wheel-thrown.

Helping Hand Ceramic vase with underglaze Sgraffito detailing This ceramic vase features lush, vibrant plant forms. On each side, a hand emerges as if to reach for something. The ti...

Porcelain, black stoneware, red and white clay, mixed technique.

Porcelain, hand building, glaze, 1240°C.

This red glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment. handmade in...

Terracotta statue representing a putto blowing with a cloth around his leg. It's inspired by the putto with dolphin by Andrea del Verrocchio, mad...

Red earthenware clay / pigment.

Red earthenware clay / pigment.

"Rock, Mirror, Lake, Yosemite" is an original photograph created by Thomas Ferderbar. Ferderbar shows us a striking photo of a large rock sitting in a mirror still lake. The flow of nature takes the viewers eyes all around the image and back again with it's beautiful features. Ferderbar signed and dated the piece. This work is archivally framed with acid free foam board backing, museum glass, and a silver finished frame. Art: 34.63" x 24.88" Frame: 42.5" x 32.5" Titled, dated, and signed by the artist Interview With the Artist: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera...

With "DELPHES TALE", Dumas explores the story of our conscious evolution in contact with the primordial intelligence alive in our oceans, dolphins. Since the dawn of time, myths and ...

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

Balloon Swan (Yellow) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed...

John Glick Rare Shino Mural (INV# NP3559) stoneware and Shino glaze 2 x 13.5 x 8" 1998

The material of choice for Neil Tetkowski's abstract sculptural work comes directly from the Earth. Most often he uses clay, which he believes is the perfect medium to express his re...

Terracotta and waxed stucco

White Clay Body with Glaze Bulgarian born Daniela Kouzov has been producing original ceramics since 1994 and currently works from her studio in Green Bay, Wisconsin. Contextualizin...

Coming Soon

The Fruits of Our Labor and Who Washes the Feet of Mary Magdalene? by Alex Hodge Set of two one of a kind porcelain and gold jars 2018 Overall dimensions: 1...

Olympia Porcelain and gold This piece recalls Manet’s painting of the same name. While Manet sought to confront the viewer with Olympia’s gaze, as she was a known sex worker...

Intriguing and Unusual Imagery Name: Intriguing and Unusual Imagery Year: 1984 Venues West Bend Gallery of Fine Arts Susan Potts is a Wisconsin-based ar...

MEGALOPOLIS VOICE OF O' Mixed techniques on wood panel. Raw metal frame 6 x 4 CM. Lights x 1. 170x190CM. Thickness 18CM. 2016.

Coiling & Marbling.

Superlight Brown Vase (INV#NP3723) stoneware and glaze 5.75 x 7.25 x 7.25” circa 1989 stamped

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Stein's works are in more ...

Untitled XXXXVI, by Charo Oquet Glazed Ceramic 12 H in x 10 H in. x 4 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar be...

Created in 1956, this oval dish of white earthenware clay is numbered from the edition of 100. This work is stamped with the 'MADOURA PLEIN FEU' and 'EMPREINTE ORIGINALE DE PICASSO' ...

White Clay Body with Glaze Bulgarian born Daniela Kouzov has been producing original ceramics since 1994 and currently works from her studio in Green Bay, Wisconsin. Contextualizin...

Supporting perspective, 2019 Carved porcelain Measures: 11 1/2 × 7 1/2 × 1 in 29.2 × 19.1 × 2.5 cm and Curled girl, 2019 Carved porcelain 11 1/2 × 7 × 1/2 in 29.2 × 17.8 × 1.3 cm He...

ABOUT Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After ...

Coming Home Porcelain sculptural jar with underglaze Sgraffito detailing This sculptural jar features two women gazing at one another in a domestic setting, which is signaled by the seated figure...

The Dance, 2019 From the "Historic Jar Collection" Carved Porcelain Sculpture One of a kind This piece is part of the Historic Jar Collection and celebrates the tenacity and vul...

Oiseau à la Huppe, Picasso, ashtray, design, ceramic, animals, art, postwar Oiseau à la huppe Ed. 500 pcs 1952 White earthenware clay, oxidized paraffin decoration, white enamel, bl...

Earth needs us both Porcelain vase with underglaze Sgraffito detailing. This vase is a derivative of my Portrait collection; the vase features a woman on each side, one with a fire ...

Yukio Yamamoto Untitled Ceramic 1988 Approx. 19 x 22 x 12 in COA provided Comes with original papers Ref.: 924802-1011 Yukio Yamamoto was born in the Ako district of Hyogo Prefecture, Japan, in 1925. In 1953, he spent a year as a research student at the Tanabe class of the Department of Ceramics at Kyoto Institute of Technology. Yukio studied the history of pottery of the past centuries of this well-known Hemiji Castle domain. He would also research kiln designs through fieldwork as his thesis project. By 1954, he built his first Noborigama chambered climbing kiln in Tenjin-Cho, Himeji City, teaching the old-world firing process classes. This would become the first step in Yamamoto’s revival of the Tozan style of Anagama and Noborigama down-draft style wood-fired kilns. In 1600, the kiln process had been at its height and had mainly provided wares to Himeji Castle. As an artist, he typically worked in ash-covered high-fired unglazed ceramics...

Untitled XXXXVII, by Charo Oquet Glazed Ceramic 18 H in x 13 H in. x 4 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history. The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics). ----------------------------------------------- Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography, and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality. Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind. Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists and Supermix. Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo...

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

Cavalier et cheval, Picasso, 1950's, Pitcher, Ceramic, Design, Earthenware, Clay Cavalier et cheval Ed 231/300 pcs 1952 White earthenware clay, dec...

The sculpture is signed and numbered. Edition 20/99. About the Artwork: The Chinese Zodiac can’t be ignored in the traditional culture of China. It’s closely interconnected with the social customs and habits, the aesthetic taste and the opinion of value. The Twelve animals of Year represent the traditional Chinese wisdom that the laws of Nature governs all things and that man must seek harmony with Nature. I created this Series of twelve zodiac animals made of gold and pottery, trying to give the “zodiac”-this long-standing cultural symbols a meaning of the prosperity and the luckiness. –He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

Love Forever ceramic heart container by Yayoi Kusama

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

Pieta One of a kind “This piece is part of the Historic Jar Collection and represents a new perspective on the Pieta. Throughout history, the Pieta is a form of narrative that repre...

Coiling & Marbling.

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

Individual dimensions: The Ecstasy of St. Teresa: 18 in H x 4.5 in D Olympia: 15 in H x 5 in D The Fruits of Our Labor: 14.5 in H x 5 in W x 4.5 in D Who Washes the Feet of Mary Magdalene?: 16.5 in H x 5 in W x 5.5 in D. Porcelain and gold One of a kind These intricate Porcelain and gold pieces are part of Alex Hodge...