Art by Medium: Ceramic

Ceramic painted in colours with glaze 53.8 x 52 cm (21 1/8 x 20 1/2 in.) signed in Pinyin and Chinese and dated '04' in black glaze further annotated 'F9 37/40' in black ink on the ...

Nicole DORAY SOULARD. Animal ceramic sculptures, works centered on the forward. Nature and the study of bodies are sources of inspiration for her. She produces animals from all over...

This mask, made out of wood and clay, was created by an unknown artist from the Lega tribe in Zaire. This mask was to be worn on the chest. 12 1/2" x 8 3/8" x 1 1/4" mask Bwami ma...

Marurn VI The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

Marurn IV The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

Marurn I The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - t...

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

"RIVULET is a minimalist design concept that represents refinement in its purest form. This unique sculpture combines a vase and a tube and masterfully combines artistic expression w...

"RIVULET is a minimalist design concept that represents refinement in its purest form. This unique sculpture combines a vase and a tube and masterfully combines artistic expression w...

In crafting this piece, I poured my soul into each brushstroke, seeking to capture the essence of emotion in a bold yet refined visual language. The work interweaves the dynamism of ...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

Striking mid century tiger sculpture crafted in terra cotta, hand decorated in vivid colors and glazed. Stamped Italy on the bottom.

renown sculptor Chris Riccardo Terracotta with under glazes EDUCATION: 1990 - BFA- College of Fine Arts, Boston University, Boston, MA PROFESSIONAL EXPERIENCE: PRESENT STUDIO 740- ARTIST/ STUDIO MANAGER, Helena, MT ASSISTANT CURATOR OF EDUCATION- HOLTER MUSEUM OF ART, Helena, MT 1998-2014 SCULPTURE DEPART. CHAIR/ FOUNDRY DIRECTOR - Armory Art Center,WPB, FL 2012 SUMMER RESIDENT ARTIST @ THE ARCHIE BRAY FOUNDATION, Helena, MT 2010 ELECTED MEMBER OF THE NATIONAL SCULPTURE SOCIETY DESIGNED & FABRICATED ANNUAL AWARD - The Arthur R. Marshall Foundation, WPB, FL DESIGNED & FABRICATED SENIOR GIFT SCULPTURE - Northwood University, WPB, FL 2008 DESIGNED & FABRICATED ANNUAL AWARD - Judge Knott Award, Historical Society of Palm Beach County DESIGNED & FABRICATED ANNUAL AWARD - Providencia Award- Palm Beach County Convention Bureau, WPB, FL FINALIST - My Wendy, My Way, Wendy’s International, Dublin, OH 2003 DESIGNED & FABRICATED CEE CEE LYLES MEMORIAL- Veteran’s Park, Ft. Pierce, FL 1998 - 1996 RDK STUDIOS - Owner/Operator, FIne Art Bronze Foundry, Riviera Beach, FL EXHIBITIONS: 2015 CHRIS RICCARDO & FRIENDS, The Art Spirit Gallery of Fine Art, Coure d’Alene, ID 16TH ANNUAL SMALLL ARTWORKS INVITATIONAL, The Art Spirit Gallery of Fine Art, Coure d’Alene, ID 2014 ON & OFF THE WALL: SOFLO CERAMICS, The Art Gallery @ Eissey Campus Gallery ART PALM BEACH, JF Gallery, WPB, FL IN LIQUID 15, Philadelphia, PA 2013 NCECA 2013: Resident Artist Exhibtion, NCECA 18 Hands Gallery, Houston TX ART PALM BEACH, JF Gallery, WPB, FL THE INVISIBLE HOURDE: Unit 1 Gallery, WPB, FL 2012 ARCHIE BRAY @ the Kolva-Sullivan Gallery, Spokane, WA RESIDENT ARTIST EXHIBITION: Bray Warehouse Galley, The Archie Bray Foundation, Helena, MT MUSES & SIRENS: CHRIS RICCARDO & JACQUES De BEAUFORT, The Art GAllery @ Eissey Campus, PBG, FL PALM BEACH ART & ANTIQUES, JF Gallery, WPB, FL SMALL FAVORS VII- The Clay Studio, Philadelphia, PA BEYOND THE BRICKYARD ( 4th Annual Juried Exhibition ) Juried by Richard Shaw...

Porcelain egg inspired abstract sculpture. From FLOWER TO BEE exhibition, Winter 2019. Included in Catalogue.

Paddled Bottle (Four Small Circles), Stoneware by William Plumptre, 2019 Additional information: Medium: Stoneware with blue, white and brown slip under a wood-ash glaze Height 35.6...

Standout mid century Italian life size great dane sculpture crafted in terra cotta and hand decorated in black and white with a yellow collar, all under glaze.

The material of choice for Neil Tetkowski's abstract sculptural work comes directly from the Earth. Most often he uses clay, which he believes is the perfect medium to express his re...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Footed Bowl with Rushes, Stoneware with Glazes by Jim Malone Additional information: Medium: Stoneware with Glaze Diameter 14 cm (5 1/2 in) Signed with mak...

"Epoxy Glued Ming Dynasty" is an original acrylic-painted clay sculpture by Reginald K. Gee. The artist signed the piece on the bottom. This sculpture depicts two Asian men without a...

This work was created by Tom Rooth in the Cambrian Mountains of Wales. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame. Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...

Textured and expressive composition by an unknown artist (20th Century). Constructed of a sheet of clay laid on wood, the piece is divided into nine sections. Each section is treated with a different texture, color, or set of inscriptions. The middle section contains writing, and the upper right section has a bold red plus symbol. Possible signature in the lower right corner. Unframed, but mounted on a raised wood panel...

Sandra Shashou All Loved Up 47, 2019 Royal Stuart Stephenson, Vintage Fine Bone Porcelain China Ware 50 x 50 x 25 cm 19 3/4 x 19 3/4 x 9 7/8 in

Stunning glazed ceramic rooster vase by ceramic artist Roger Capron

A Fine KPM Plaque depicting a Beautiful Lady with a Hat holding a bouquet of flowers. Impressed KPM and sceptre mark to the reverse. Maker: KPM Origi...

for the Guggenheim Museum The back of the plate has a facsimile autograph and "Exclusive Edition for the Guggenheim Museum" and is dated 1997

"Elephant and Friends”, by ceramic dynamo Katharine Morling is a porcelain free standing sculpture, depicting an engaging elephant carrying pockets full of other animals. A nature an...

I created this piece to celebrate the quiet beauty and resilience found in simplicity. Using ceramics and clay, I shaped delicate petals that bloom in pristine white, inviting calm a...

with signature (on a salmon swimming the opposite direction), with the artist's thumbprint (on the reverse) screen print on earthenware, with underglaze paint 37 cm. (14 ½ ) diam. ...

Unique terracotta sculpture Coming from the artist's studio Born in 1939, Seyni CAMARA is an African artist whose works travel the world. She died in 2026. Senegalese, originally f...

Striking mid century tiger sculpture crafted in terra cotta, hand decorated in vivid colors and glazed. Stamped Italy on the bottom.

"Face 3" by Anne Siems, is a captivating figurative-narrative portrait painted on white clay panel. It features a beautiful female face and dark hair with red flora. ANNE SIEMS (b....

Bubbling Smiles Bullet Sculpture, a one-of-a-kind, hand-crafted ceramic art piece that is sure to add a unique and cheerful touch to any home or offic...

LARGE ABSTRACT BOWL (INV# NP3674) Chris Gustin wood fired stoneware and glaze 10.25 x 15.25 x 13.25” 2003 signed

Vasarely's skill in creating a sense of the three-dimensional through the use of visual effects is apparent in this work with a combination of recessed and protruding geometrical shapes. Bold black, white, and blue hues accentuate the feeling of volume and space apparent in this marvelous relief. The geometric shapes of circles, squares, and diamonds guide our eye throughout the composition, encouraging us to explore the three dimensional optical effect before us. The total effect of this play on color and shape is visually stunning and impressive in the amount of thought and skill put into the arrangement of design elements. This porcelain Rosenthal relief...

ROBERT BRADY terracotta 20.75 x 5 x 7.5” signed by artist date unknown

31" in height roughly 12-15" wide Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

For this edition Kitade wants to bring awareness and understanding onto the table and into the viewer’s hearts and minds. Kitade urges us to ask: What are the effects of the atomic b...

Efren Quezada. Vase #1. Mata Ortiz, Chihuahua, Mexico. White lace with brown. Weight: 4 lbs., height: 13 in., width: 9 in. Mata Ortiz, Chihuahua, Mexico.

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

'Death's head moths under a full-moon' work was created by Tom Rooth in the Cambrian Mountains of Wales. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter). Kintsugi is a 15th-Century practice invented in Japan, and means 'to join with gold'. The practice is a reminder to embrace flaws, and celebrate the missteps of life, recognising that when seemingly catastrophic events happen, beauty and good can still result. Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...

This beautiful Buddha sculpture is made of ceramic covered with glossy car paint. It is part of an edition of 25 and comes in other colors as well. Easy to h...

Large Whimsical mid-century Italian object of art crafted in porcelain depicting a rooster with vegetable body parts. Signed indistinctly on the bottom.

About I+ Series: “No matter who you are, no matter how you look, what your racial, religious, or national background might be, we are all born equal. We should strive to achieve unity and acceptance. It is a daily reminder to me when I create ceramic sculpture that everyone deserves a fair and accepting existence and that everyone can make choices that will lead to a better life. A ceramic feature's naivety is a reminder that each of us must thrive, both within ourselves and within our communities, to make the universe a more POSITIVE place.” This piece is part of an edition of 15 and it comes signed and numbered. Yael Yanay...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

This artwork presents a striking interplay of texture and minimalism, featuring a bold, irregular gold form set against a pristine white background. The golden section, resembling a ...

I poured my passion into crafting this bold, geometric circle, gilded with shimmering gold leaf to capture light and elevate spirit. The textured surface pulses with quiet energy aga...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...