Art by Medium: Ceramic

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Coral inspired ceramic sculpture by Jane B. Grimm, who began her artistic career in the 1960’s, when her free-form sculptural jewelry exploded onto the ...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Roger Koenig, the talented abstract painter, resides and creates his magnificent...

Year: 1966 Medium: Glazed Ceramic Vase, dated on bottom Size: 12 in. x 9 in. x 9 in. (30.48 cm x 22.86 cm x 22.86 cm)

Alexandra Levasseur (b. Shawingan, Canada, 1982) holds a BFA from the University of Costa Rica and an MFA from EINA in Barcelona. She is currently ...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Jen Watson Bong Baby II Year: 2021 Medium: Porcelain, Glaze, Luster Size: 5 x 4.5 x 3.5 inches Signed Gallery COA included About Jen Watson: My figurines exist somewhere between r...

Series "Ocean Waves" is a powerful series of three-dimensional abstract paintings that captures the rhythmic essence of nature through sculptural textures and elemental contrasts. In...

Series "Ocean Waves" is a powerful series of three-dimensional abstract paintings that captures the rhythmic essence of nature through sculptural textures and elemental contrasts. In...

Ann Rothman Clown (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2022 Porcelain, Low Fire G...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 2 ce...

Rather than being literal reproductions of buildings, Leroy Johnson’s iconic, signature house sculptures are alive with texture and symbolism, celebrating the resilience of communiti...

Sara Fine-Wilson's "Crimp" is a gestural 16.5 x 14 x 8 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain...

This wall piece centers on the narrative of Job, with the woman being a direct pastiche of Leon Bonnat’s painting of Job. The woman is surrounded by the shadow of a halo and concentr...

Sublime sculpture by French ceramic brothers Robert and Jean Cloutier

Alan Caiger-Smith MBE (8 February 1930 – 21 February 2020) Alan Craiger-Smith was a British ceramicist, studio potter and writer on pottery who was born in Buenos Aires, Argentina. ...

This masterwork is currently on display at the Zimmerman Gallery in Carmel, CA Please note: The base is not included. We will guide you through a simple installation process for out...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

"Lichtenstein's Woman: Sunlight" is a direct reference to the iconic Roy Lichtenstein's 1996 painted and patinated bronze sculpture simply entitled "Sunlight". Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's sculpture. Sandy Kaplan Lichtenstein's Woman: Sunlight ceramic, glaze 17h x 11w x 7d in 43.18h x 27.94w x 17.78d cm SAK013 Sandy Kaplan b. 1943, St. Louis, MO 2021 Maturity and Its Muse, Art Saint Louis 2020 Storytellers Exhibit, Art Saint Louis 2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Honors Exhibit, Art Saint Louis Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO Current Profiles, Craft Alliance Center, St. Louis, MO 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Maturity and Its Muse, Art Saint Louis Works from the Studios, Craft Alliance, St. Louis, MO Drawn From Life: Artful Aging, Washington University, St. Louis, MO 2017 3-D, Gallery Victor Armendariz, Chicago, IL SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2016 Works from the Studio, Craft Alliance, St. Louis, MO A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL Maturity and Its Muse, Art Saint Louis 2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO 2014 Save the Last Dance for Me, Art Saint Louis XXX...

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Abstract Ceramic Sculpture with Glaze and Mother of Pearl, Contemporary, Small “My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Art measures 19.68 x 19.68 inches Frame measures 27.55 x 27.55 inches Framed in a high-quality contemporary wooden moulding. Color: Gold patinated Artist: Roger König b. Dessau, ...

Figurative, Painted, Ceramic, Sculpture, Stoneware, "With God On Our Side" “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic dis...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

Materials: Orogolite, canvas, oil, craquelure, nautilus shell, polymer clay, natural leather, parchment leather, bambek, decorative cord, copper, bronze casting / wenge-colored ash f...

This is a limited Edition plate by Jeff Koons, numbered out of 2500 on the verso, published by Bernardaud in France in 2012. The diameter of the plate is 12.5 inches, with a height o...

“This piece is part of the Historic Jar Collection and represents a new perspective on the Pieta. Throughout history, the Pieta is a form of narrative that represents Mary holding Jesus after his crucifixion. By replacing Jesus and loving Mary’s traditional appearance, the two women's images become the apex of women caring for other women.” The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

Rare and impressive pair of 18th century Dutch Delft tile grouping displaying their unique architectural subjects and distinctive alluring blue and white palette. Presenting five in ...

Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese wabi-sabi aesthetic, Laura Pasquino (Grège Gallery) explores the beauty of imperfection...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

This piece is part of the Historic Jar Collection and celebrates the tenacity and vulnerability of women and clay, an interplay of history and hope. The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

This petite ceramic vase features bright cool colors and plant forms, with winding snakes as the center characters. The jungle aesthetic accentuates the dense connotations of the sna...

This ceramic vase-like urn with a little golden ball on top is a unique piece handcrafted with care and passion. This beautiful memorial artwork combines aesthetic beauty with deep s...

This piece recalls the art historical depictions of Mary Magdalene. Though she is often contextualized as the one who washed Jesus’s feet, Hodge centers her as the subject and asks “Who takes care of her?”. She answers with the scene of another woman washing her feet, which speaks to the ways that women’s care for one another is often unseen. The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

This 19" x 9" round clay sculpture by Paul Medina represents a crown of thorns with multi-colored roses in orange, green and red. The clay crown is painted dark brown with protruding...

"The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret...

Artist: Frank Gallo, American (1933 - ) Title: Pink Hat Medium: Ceramic Tile, signed lower right Size: 16 x 14 in. (40.64 x 35.56 cm) Frame: 23.5 x 23.5 inches

2008 (Detail) Ashtray By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century art. Known for his v...

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Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

This glazed porcelain vase sculpture by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of...

Melanie Sherman Cufflinks with Red & Gold Flowers on Black Porcelain Dimensions: 20mm x 17mm x 17mm Materials: Porcelain, Glaze, Vintage Decal Metal type: Brass COA Provided Melanie Sherman is a ceramic artist, born in Germany and currently residing and working in Kansas City, Missouri. She has a Bachelor of Fine Arts Degree in ceramics from the Kansas City Art Institute. Her background is in graphic design, where she developed an eye for pattern and decoration. In her ceramics she combines her love for ornamentation and her fascination with the history of ceramics, referencing 18th century European porcelain...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Art Awards Winner 2019 - Art Fair Leipzig König combines modern painting with acry...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Life is Short, Relax" by Henk Jan Sanderman is a captivating c...

Bette Beazley was a potter active on the central coast of New South Wales during the 1960s, 1970s and 1980s. She made and sold her wares and taught pottery, first from her home, then...

A pair of exceptional earthenware vases by Clément Massier in a unique rectangular form, featuring albino peacock feathers enhanced by accents of purple and gold glazing. As Massier ...

Created by the artist in 1989, Blonde Vivienne is a screenprint on porcelain measuring 12 ¼ in. (31 cm) in diameter, with the artist’s printed signature both recto and verso, from th...

This ceramic vessel by Jon Puzzuoli is made with porcelain and a crystalline glaze. It features a light, neutral palette of creme, white, and gold. The bottom portion of the round, c...

Elizabeth Alexander's series A Mightier Work is Ahead transforms a series of commemorative Confederate plates that are collected and displayed in many homes. Alexander interrogates t...

Magnificent scarlet poppies in an impressionistic manner on a blue background. The original abstraction of Lilia Volskaya. This luxurious modern abstraction of beautiful scarlet flow...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way,...

The sculpture is signed below. Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Academy of Fine Arts in Gdansk (dipl...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old ...